Relevant bibliographies by topics / Geoffrey Chaucer

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  2. Dissertations / Theses
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Academic literature on the topic 'Geoffrey Chaucer'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Geoffrey Chaucer"

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Crafton, John Micheal, and Velma Bourgeois Richmond. "Geoffrey Chaucer." South Atlantic Review 58, no. 4 (November 1993): 138. http://dx.doi.org/10.2307/3201017.

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Crafton, John Micheal. "The Canterbury Tales by Geoffrey Chaucer by Geoffrey Chaucer." Studies in the Age of Chaucer 18, no. 1 (1996): 198–200. http://dx.doi.org/10.1353/sac.1996.0016.

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Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.0.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.
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Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.1.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.
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Portnoy, Phyllis. "The Best-Text/Best-Book of Canterbury: The Dialogic of the Fragments." Florilegium 13, no. 1 (January 1994): 161–72. http://dx.doi.org/10.3138/flor.13.010.

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Geoffrey Chaucer’s final utterance is so un-Chaucerian in sentiment that several ingenious theories have evolved over the years to account for its textual persistence. The Retraction has been read as a real confession by Chaucer the poet in the face of imminent death; as a realistic confession by Chaucer the Pilgrim in response to the Parson’s sermon; and as an ironic parody of both confession and retraction in keeping with the Manciple’s cynical counsel to silence.
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Boyd, Beverly. "Our Lady According to Geoffrey Chaucer: Translation and Collage." Florilegium 9, no. 1 (January 1987): 147–54. http://dx.doi.org/10.3138/flor.9.008.

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Chaucer addressed some of his best known poetry to the Virgin Mary. Whatever basis such poetry may have had in personal religion, this discussion is interested in the fact that Chaucer’s marian writings are in large part the result of translation, adaptation, quotation, and allusion. That observation is not meant to be iconoclastic, for literature of the time did not have the present-day obsession with novelty, and much mediaeval religious poetry is derivative. In writing about the Virgin Mary, Chaucer sometimes layered borrowed passages in a complex of sources themselves borrowed, leaving the reader with echoes — echoes of other great writers such as Bernard of Clairvaux and Dante, as well as of the Bible, the Church’s hymnody, and the liturgy. Most of this layering occurs in, or prefaces, folkloric works which are hagiography at least in their origins: the Second Nun’s tale of St Cecilia and the Prioress’s tale of the schoolboy murdered for singing Alma redemptor is mater in a ghetto. Less complex is the short poem known as Chaucer’s A B C , translated from Guillaume de Deguilleville’s Pèlerinage de la vie humaine. Even less so are the two marian verses uttered by the Man of Law’s Constance as she enters her rudderless ship (II. 841-854). These pieces by Chaucer are not uniformly excellent. Some are marian passages in other works not themselves marian.
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Haresnape, Geoffrey. "An ABCby Geoffrey Chaucer." English Academy Review 32, no. 2 (July 3, 2015): 152–59. http://dx.doi.org/10.1080/10131752.2015.1086168.

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Ridley, Florence H. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Beverly Boyd." Speculum 64, no. 3 (July 1989): 682–84. http://dx.doi.org/10.2307/2854206.

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Brosnahan, Leger. "The Riverside Chaucer. Geoffrey Chaucer , Larry D. Benson." Speculum 63, no. 3 (July 1988): 641–45. http://dx.doi.org/10.2307/2852650.

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DiMarco, Vincent. "Geoffrey Chaucer: Building the Fragments of the "Canterbury Tales.". Jerome Mandel , Geoffrey Chaucer." Speculum 69, no. 3 (July 1994): 831–33. http://dx.doi.org/10.2307/3040913.

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Dissertations / Theses on the topic "Geoffrey Chaucer"

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Middleton, Michelle L. ""In widewes habit blak" : Chaucer's Criseyde and late Medieval widows /." Abstract Full Text (HTML) Full Text (PDF), 2005. http://eprints.ccsu.edu/archive/00000557/02/1786FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2005.
Thesis advisor: Candace Barrington. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 57-60). Also available via the World Wide Web.
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Wheeler, Lyle Kip. ""Of pilgrims and parables" : the influence of the Vulgate parables on Chaucer's Canterbury tales /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3024538.

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Thesis (Ph. D.)--University of Oregon, 2001.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 242-261). Also available for download via the World Wide Web; free to University of Oregon users.
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Myles, Robert. "Chaucerian realism /." Woodbridge [GB] : D.S. Brewer, 1994. http://catalogue.bnf.fr/ark:/12148/cb35711956t.

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Norman, Taryn Louise. "Queer Performativity and Chaucer's Pardoner." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/NormanTL2006.pdf.

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Coleman, Christina. "Chaucer and narrative strategy." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68078.

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Many of the stories found in the works of Geoffrey Chaucer are adapted from other sources, a common practice amongst Medieval authors. But Chaucer often draws attention to his derivations by explicitly naming a source for the stories he uses. This strategy is employed in different ways. In Troilus and Criseyde, a false source is cited, but in the Clerk's Tale, Chaucer names the actual source of the story. In this thesis, identification and close examination of Chaucer's source materials reveal his changes to the derived texts, and an analysis of the role of the narrator in each case demonstrates the different narrative strategies he employs. Although Chaucer is clearly using different strategies in the two works, both raise questions about final authority over a text. These questions are the central issues explored in this thesis.
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Walts, Dawn Simmons. "Time's reckoning time, value and the mercantile class in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1185814575.

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Mitchell, Robert. "Guilt and creativity in the works of Geoffrey Chaucer." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html.

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The late Middles Ages saw the development in Europe of increasingly complex, ambitious, and self-conscious forms of creative literature. In the works of poets such as Dante, Petrarch and Chaucer new models of authorship and poetic identity were being explored, new kinds of philosophical and aesthetic value attributed to literary discourse. But these creative developments also brought with them new dangers and tensions, a sense of guilt and uncertainty about the value of creative literature, especially in relation to the dominant religious values of late medieval culture. In this thesis I explore how these doubts and tensions find expression in Chaucer’s poetry, not only as a negative, constraining influence, but also as something which contributes to the shape and meaning of poetry itself. I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith. This struggle, which emerges most strongly and polemically in the final fragments, I argue, runs in subtle and creative forms throughout the whole of Chaucer’s work. By seeing Chaucer in this light as a poet not of fixed, but of conflicted and vacillating intentions – a poet productively caught drawn between ‘game’ and ‘earnest’, radical ironies and Boethian truths – I attempt to account, in a holistic manner, for the major dichotomies that characterise both his work and its critical reception.
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McLaughlin, Suzanne Renae. "The "Double Sorwe" of Troylus and Criseyde : an analysis of Chaucer's dramatic tragedy /." View online, 1991. http://repository.eiu.edu/theses/docs/32211998880896.pdf.

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Hill, Thomas Edward. ""She, this in blak" : vision, truth, and will in Geoffrey Chaucer's "Troilus and Criseyde /." London : Routledge, 2006. http://catalogue.bnf.fr/ark:/12148/cb40149949g.

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Schmidt, Kari Anne Rand. "The authorship of the Equatorie of the planetis /." Woodbridge (GB) : D. S. Brewer, 1993. http://catalogue.bnf.fr/ark:/12148/cb35602524z.

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Texte remanié de: Diss. Ph. D.--University of Oslo, 1989.
Textes en anglais moyen. Réunit "The Equatorie of the planetis". "A Treatise on the Astrolabe" / Geoffrey Chaucer. "The Shippe of Venyse". "The Newe theorik of planetis" / Andalò Di Negro. Bibliogr. p. 424-429. Index.
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Books on the topic "Geoffrey Chaucer"

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Mann, Jill. Geoffrey Chaucer. New York: Harvester Wheatsheaf, 1991.

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Dillon, Janette. Geoffrey Chaucer. New York: St. Martin's Press, 1993.

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Mann, Jill. Geoffrey Chaucer. Atlantic Highlands, NJ: Humanities Press International, 1991.

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Geoffrey Chaucer. 2nd ed. Boston: Twayne Publishers, 1986.

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Geoffrey Chaucer. Plymouth, U.K: Northcote House in association with the British Council, 1996.

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Geoffrey Chaucer. New York: Continuum, 1992.

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Geoffrey Chaucer. Oxford [Oxfordshire]: B. Blackwell, 1986.

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Geoffrey Chaucer. London: Hesperus, 2011.

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Harold, Bloom. Geoffrey Chaucer. New York: Bloom's Literary Criticism, 2008.

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Dillon, Janette. Geoffrey Chaucer. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22713-6.

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Book chapters on the topic "Geoffrey Chaucer"

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Tasioulas, Jacqueline. "Geoffrey Chaucer." In Chaucer, 1–14. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: The basics: Routledge, 2019. http://dx.doi.org/10.4324/9781315618852-1.

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Martin, Priscilla. "Chaucer, Geoffrey." In The Palgrave Encyclopedia of Urban Literary Studies, 1–4. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-62592-8_71-1.

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Erzgräber, Willi. "Chaucer, Geoffrey." In Englischsprachige Autoren, 49–52. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_23.

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Whitehead, Christiania. "Geoffrey Chaucer." In The Blackwell Companion to the Bible in English Literature, 134–51. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch10.

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Baragona, Alan. "Chaucer, Geoffrey." In Biographical Encyclopedia of Astronomers, 412–14. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_269.

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Chinnici, Ileana, James M. Lattis, Mariafortuna Pietroluongo, Roberto Torretti, Marco Murara, Giancarlo Truffa, Thomas R. Williams, et al. "Chaucer, Geoffrey." In The Biographical Encyclopedia of Astronomers, 225–27. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_269.

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Peil, Dietmar. "Chaucer, Geoffrey." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8206-1.

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Dillon, Janette. "Chaucer’s Life and Times." In Geoffrey Chaucer, 1–24. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22713-6_1.

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Dillon, Janette. "Literary Production and Audience." In Geoffrey Chaucer, 25–43. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22713-6_2.

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Dillon, Janette. "Four Estates." In Geoffrey Chaucer, 44–70. London: Macmillan Education UK, 1993. http://dx.doi.org/10.1007/978-1-349-22713-6_3.

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