Academic literature on the topic 'Geoffrey Chaucer'

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Dissertations / Theses on the topic "Geoffrey Chaucer"

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Middleton, Michelle L. ""In widewes habit blak" : Chaucer's Criseyde and late Medieval widows /." Abstract Full Text (HTML) Full Text (PDF), 2005. http://eprints.ccsu.edu/archive/00000557/02/1786FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2005.<br>Thesis advisor: Candace Barrington. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 57-60). Also available via the World Wide Web.
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Wheeler, Lyle Kip. ""Of pilgrims and parables" : the influence of the Vulgate parables on Chaucer's Canterbury tales /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3024538.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 242-261). Also available for download via the World Wide Web; free to University of Oregon users.
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Myles, Robert. "Chaucerian realism /." Woodbridge [GB] : D.S. Brewer, 1994. http://catalogue.bnf.fr/ark:/12148/cb35711956t.

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Norman, Taryn Louise. "Queer Performativity and Chaucer's Pardoner." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/NormanTL2006.pdf.

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Coleman, Christina. "Chaucer and narrative strategy." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68078.

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Many of the stories found in the works of Geoffrey Chaucer are adapted from other sources, a common practice amongst Medieval authors. But Chaucer often draws attention to his derivations by explicitly naming a source for the stories he uses. This strategy is employed in different ways. In Troilus and Criseyde, a false source is cited, but in the Clerk's Tale, Chaucer names the actual source of the story. In this thesis, identification and close examination of Chaucer's source materials reveal his changes to the derived texts, and an analysis of the role of the narrator in each case demonstrates the different narrative strategies he employs. Although Chaucer is clearly using different strategies in the two works, both raise questions about final authority over a text. These questions are the central issues explored in this thesis.
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Walts, Dawn Simmons. "Time's reckoning time, value and the mercantile class in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1185814575.

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Mitchell, Robert. "Guilt and creativity in the works of Geoffrey Chaucer." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html.

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The late Middles Ages saw the development in Europe of increasingly complex, ambitious, and self-conscious forms of creative literature. In the works of poets such as Dante, Petrarch and Chaucer new models of authorship and poetic identity were being explored, new kinds of philosophical and aesthetic value attributed to literary discourse. But these creative developments also brought with them new dangers and tensions, a sense of guilt and uncertainty about the value of creative literature, especially in relation to the dominant religious values of late medieval culture. In this thesis I explore how these doubts and tensions find expression in Chaucer’s poetry, not only as a negative, constraining influence, but also as something which contributes to the shape and meaning of poetry itself. I argue that as Chaucer develops his own expansive, questioning poetics in The House of Fame and The Canterbury Tales, he problematises the principle of allegory on which the legitimacy of literary discourse was primarily based in medieval culture and the final fragments of The Canterbury Tales see Chaucer struggling, increasingly, to reconcile the boldness and independence of his poetic vision with the demands of his faith. This struggle, which emerges most strongly and polemically in the final fragments, I argue, runs in subtle and creative forms throughout the whole of Chaucer’s work. By seeing Chaucer in this light as a poet not of fixed, but of conflicted and vacillating intentions – a poet productively caught drawn between ‘game’ and ‘earnest’, radical ironies and Boethian truths – I attempt to account, in a holistic manner, for the major dichotomies that characterise both his work and its critical reception.
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McLaughlin, Suzanne Renae. "The "Double Sorwe" of Troylus and Criseyde : an analysis of Chaucer's dramatic tragedy /." View online, 1991. http://repository.eiu.edu/theses/docs/32211998880896.pdf.

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Hill, Thomas Edward. ""She, this in blak" : vision, truth, and will in Geoffrey Chaucer's "Troilus and Criseyde /." London : Routledge, 2006. http://catalogue.bnf.fr/ark:/12148/cb40149949g.

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Schmidt, Kari Anne Rand. "The authorship of the Equatorie of the planetis /." Woodbridge (GB) : D. S. Brewer, 1993. http://catalogue.bnf.fr/ark:/12148/cb35602524z.

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Texte remanié de: Diss. Ph. D.--University of Oslo, 1989.<br>Textes en anglais moyen. Réunit "The Equatorie of the planetis". "A Treatise on the Astrolabe" / Geoffrey Chaucer. "The Shippe of Venyse". "The Newe theorik of planetis" / Andalò Di Negro. Bibliogr. p. 424-429. Index.
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