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Dissertations / Theses on the topic 'Geoffrey Chaucer'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Middleton, Michelle L. ""In widewes habit blak" : Chaucer's Criseyde and late Medieval widows /." Abstract Full Text (HTML) Full Text (PDF), 2005. http://eprints.ccsu.edu/archive/00000557/02/1786FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2005.<br>Thesis advisor: Candace Barrington. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 57-60). Also available via the World Wide Web.

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2

Wheeler, Lyle Kip. ""Of pilgrims and parables" : the influence of the Vulgate parables on Chaucer's Canterbury tales /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3024538.

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Thesis (Ph. D.)--University of Oregon, 2001.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 242-261). Also available for download via the World Wide Web; free to University of Oregon users.

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3

Myles, Robert. "Chaucerian realism /." Woodbridge [GB] : D.S. Brewer, 1994. http://catalogue.bnf.fr/ark:/12148/cb35711956t.

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4

Norman, Taryn Louise. "Queer Performativity and Chaucer's Pardoner." Fogler Library, University of Maine, 2006. http://www.library.umaine.edu/theses/pdf/NormanTL2006.pdf.

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5

Coleman, Christina. "Chaucer and narrative strategy." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68078.

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Many of the stories found in the works of Geoffrey Chaucer are adapted from other sources, a common practice amongst Medieval authors. But Chaucer often draws attention to his derivations by explicitly naming a source for the stories he uses. This strategy is employed in different ways. In Troilus and Criseyde, a false source is cited, but in the Clerk's Tale, Chaucer names the actual source of the story. In this thesis, identification and close examination of Chaucer's source materials reveal his changes to the derived texts, and an analysis of the role of the narrator in each case demonstrat

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6

Walts, Dawn Simmons. "Time's reckoning time, value and the mercantile class in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1185814575.

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7

Mitchell, Robert. "Guilt and creativity in the works of Geoffrey Chaucer." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/guilt-and-creativity-in-the-works-of-geoffrey-chaucer(188c155f-69f0-432e-a5cb-aaad3d920e23).html.

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The late Middles Ages saw the development in Europe of increasingly complex, ambitious, and self-conscious forms of creative literature. In the works of poets such as Dante, Petrarch and Chaucer new models of authorship and poetic identity were being explored, new kinds of philosophical and aesthetic value attributed to literary discourse. But these creative developments also brought with them new dangers and tensions, a sense of guilt and uncertainty about the value of creative literature, especially in relation to the dominant religious values of late medieval culture. In this thesis I explo

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8

McLaughlin, Suzanne Renae. "The "Double Sorwe" of Troylus and Criseyde : an analysis of Chaucer's dramatic tragedy /." View online, 1991. http://repository.eiu.edu/theses/docs/32211998880896.pdf.

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9

Dragstra, Hendrik Haiko. "Methods in twentieth-century Chaucer studies : an inquiry into critical practice, 1915-1980 /." [Groningen] : [H.H. Dragstra], 1991. http://catalogue.bnf.fr/ark:/12148/cb35499295v.

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10

Hill, Thomas Edward. ""She, this in blak" : vision, truth, and will in Geoffrey Chaucer's "Troilus and Criseyde /." London : Routledge, 2006. http://catalogue.bnf.fr/ark:/12148/cb40149949g.

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11

Schmidt, Kari Anne Rand. "The authorship of the Equatorie of the planetis /." Woodbridge (GB) : D. S. Brewer, 1993. http://catalogue.bnf.fr/ark:/12148/cb35602524z.

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Texte remanié de: Diss. Ph. D.--University of Oslo, 1989.<br>Textes en anglais moyen. Réunit "The Equatorie of the planetis". "A Treatise on the Astrolabe" / Geoffrey Chaucer. "The Shippe of Venyse". "The Newe theorik of planetis" / Andalò Di Negro. Bibliogr. p. 424-429. Index.

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12

Fruoco, Jonathan. "Evolution narrative et polyphonie littéraire dans l'oeuvre de Geoffrey Chaucer." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENL003/document.

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Geoffrey Chaucer, grand traducteur, rhétoricien et poète courtois, fut longtemps considéré par la critique comme le père de la poésie anglaise. Or, un tel positionnement a non seulement tendance à occulter tout un pan de l'histoire de la littérature anglo-saxonne, mais également à mettre de côté les spécificités mêmes du style de Chaucer. Le but de cette étude est ainsi de démontrer que sa contribution à l'histoire de la littérature est bien plus importante qu'on ne le pensait. Car en décidant d'écrire en moyen-anglais à une époque où l'hégémonie du latin et du vieux-français était incontestée

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13

Turner, Marion. "Urban Chaucer : fragmented fellowships and troubled teleologies in some late fourteenth-century texts." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249900.

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14

Aloni, Gila Crépin André. "Pouvoir et autorite dans "The Legend of Good Women" de Geoffrey Chaucer." Paris : Association des médiévistes anglicistes de l'enseignement supérieur, 2000. http://catalogue.bnf.fr/ark:/12148/cb39032253v.

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15

Youmans, Karen DeMent. "Chaucer and the Rhetorical Limits of Exemplary Literature." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc279341/.

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Though much has been made of Chaucer's saintly characters, relatively little has been made of Chaucer's approach to hagiography. While strictly speaking Chaucer produced only one true saint's life (the Second Nun's Tale), he was repeatedly intrigued and challenged by exemplary literature. The few studies of Chaucer's use of hagiography have tended to claim either his complete orthodoxy as hagiographer, or his outright parody of the genre. My study mediates the orthodoxy/parody split by viewing Chaucer as a serious, but self-conscious, hagiographer, one who experimented with the possibilities o

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16

Jauquet-Jessup, Marilee. "Chaucer: An Understanding of the Sexes." Xavier University / OhioLINK, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352140691.

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17

Shnider, Marilyn. "The dream as problem-solving method in Chaucer's The book of the Duchess and The parliament of fowls /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63883.

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18

Carter, Brenda Alice. "'Werk al by conseil' : consultation and kingship in the works of Geoffrey Chaucer." Thesis, University of Birmingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343433.

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19

Van, Heyde Genevieve Lynn. "Miscommunication and Deception in Chaucer's "Franklin's Tale"." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1208533049.

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20

Ganze, Alison. "Seeking Trouthe in Chaucer's Canterbury tales /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3153784.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-194). Also available for download via the World Wide Web; free to University of Oregon users.

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21

Volk-Birke, Sabine. "Chaucer and medieval preaching : rhetoric for listeners in sermons and poetry /." Tübingen : G. Narr, 1991. http://catalogue.bnf.fr/ark:/12148/cb35515896d.

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22

Jagot, Shazia. "Fin’ amors, Arabic learning, and the Islamic world in the work of Geoffrey Chaucer." Thesis, University of Leicester, 2014. http://hdl.handle.net/2381/28754.

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This thesis examines the influence of Arabic learning, in Latin translations, on Chaucer’s oeuvre. That Chaucer drew on Arabic sources has long been acknowledged by Chaucerians, but there has been little scholarly engagement with them, particularly in relation to his highly technical, diagnostic concept of fin’ amors. This study demonstrates Chaucer’s portrayal of fin’ amors is informed by Arabic learning in the related fields of medicine, natural philosophy, astrology and alchemy, disseminated through Latin translations from the Iberian Peninsula in particular. This study demonstrates that wh

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23

Hughes, Jacob Alden. "Shakespeare the Chaucerian." Pullman, Wash. : Washington State University, 2009. http://www.dissertations.wsu.edu/Thesis/Spring2009/j_hughes_041309.pdf.

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Thesis (M.A. in English literature)--Washington State University, May 2009.<br>Title from PDF title page (viewed on Apr. 26, 2010). "Department of English." Includes bibliographical references (p. 69-75).

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24

Kline, Barbara Rae. "A descriptive catalog of British library MS. Harley 7333 /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/9459.

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25

Myles, Robert. "Chaucer's intentionalist realism and the Friar's Tale." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39339.

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John R. Searle asks the following fundamental question at the beginning of Speech Acts: "What is the difference between saying something and meaning it and saying it without meaning it?" This dissertation demonstrates that Chaucer is interested in this same question and that his answer to it is essentially "modern." I show in a number of Chaucer's works, but primarily through a reading of the Friar's Tale, that Chaucer understands the intentional structure of all signs, based on the paradigm of language; that is, that signs are always simultaneously mind-related and world-related, that they po

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26

Bergquist, Carolyn J. "Fictions of belief in the worldmaking of Geoffrey Chaucer, Sir Philip Sidney, and John Milton /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102152.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-185). Also available for download via the World Wide Web; free to University of Oregon users.

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27

McCormack, Frances. "Chaucer and the culture of dissent the Lollard context and subtext of the Parson's tale /." Dublin : Four Courts Press, 2007. http://catalog.hathitrust.org/api/volumes/oclc/156890795.html.

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28

Ward, Rachel. "Completeness and incompleteness in Geoffrey Chaucer's The canterbury tales." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/509.

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The author commences with an analysis of the nature of completeness in a variety of situations and media, including visual arts, music, video arts and literature. "Completeness" is determined to be both difficult to define and subject to any individual's personal interpretation. A distinction is made between the 'finished-ness' of works and their completeness as a factor in aesthetic enjoyment. It is noted that some works, though unfinished, are nevertheless complete aesthetically. Various aspects of completeness are defined, discussed, and considered, including absolute, thematic, plot, autho

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29

Pugh, William W. Tison. "Play and game in Sir Gawain and the Green Knight and Troilus and Criseyde /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978260.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 228-242). Also available for download via the World Wide Web; free to University of Oregon users.

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30

Keller, Wolfram R. "Selves & nations : the Troy story from Sicily to England in the Middle Ages." Heidelberg Winter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3059423&prov=M&dokv̲ar=1&doke̲xt=htm.

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31

Flewellyn, Meghan. "Medieval Feminine Humanism and Geoffrey Chaucer's Presentation of the Anti-Cecilia." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/998.

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Perhaps due to its seemingly straightforward religious nature, the Second Nun's Cecelia Legend in The Canterbury Tales is often dismissed by scholars and readers alike. However, through analyzing Chaucer's earlier analogues, it becomes apparent that Chaucer has left out key pieces of the Life of Saint Cecelia. These omissions can be explained as attempts to illustrate the humanistic beliefs of both St. Augustine and Christine de Pizan. Further, the etymology of key words which appear in the "Second Nun's Prologue and Tale" help to reinforce the satire which Chaucer creates. Chaucer has deleted

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32

Bourgne, Florence. "Écriture et philosophie dans le "Troilus" de Chaucer." Paris 4, 1996. http://www.theses.fr/1996PA040227.

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Le Troilus de Chaucer fourmille d'allusions à la Consolatio de Boece, traduite simultanément. Sa réception insiste sur les qualités de traducteur de Chaucer, et le qualifie de philosophe. Ce qualificatif est replacé dans le contexte de la philosophie mediévale, au large champ d'application et à l'enseignement oral, favorisant l'instauration de figures d'autorité, dont les oeuvres sont commentées. Les gloses contenues dans les manuscrits du Troilus se répartissent en "titres courants", marques dialogiques, notation généalogiques et mythologiques, calquant les commentaires universitaires. L'infl

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33

Marcotte, Andrea. "Geoffrey Chaucer's The Canterbury Tales: Rhetoric and Gender in Marriage." ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/591.

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In the Middle Ages, marriage represented a shift in the balance of power for both men and women. Struggling to define what constitutes the ideal marriage in medieval society, the marriage group of Geoffrey Chaucer's The Canterbury Tales attempts to reconcile the ongoing battle for sovereignty between husband and wife. Existing hierarchies restricted women; therefore, marriage fittingly presented more obstacles for women. Chaucer creates the dynamic personalities of the Wife of Bath, the Clerk and the Merchant to debate marriage intelligently while citing their experiences within marriage in th

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34

Lieske, Mary. "Monstrous transformations : loyalty and community in four medieval poems /." View online, 2010. http://repository.eiu.edu/theses/docs/32211131524892.pdf.

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35

Bigley, Michael Erik. "Musicality, subjectivity, and the Canterbury tales." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-05312007-110614.

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36

Klerks, Suzanne (Suzanne Elizabeth) Carleton University Dissertation English. "The Making of a monster; the female grotesque in Chaucer's Canterbury Tales." Ottawa, 1992.

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37

Johns, Alessa. "Joyce and Chaucer : the historical significance of similarities between Ulysses and the Canterbury tales." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63365.

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38

Aloni, Gila. "Pouvoir et autorité dans "Le légendier des Dames Verteuses" de Chaucer." Paris 4, 1999. http://www.theses.fr/1999PA040014.

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Notre thèse est consacrée à l’étude d’un des poèmes les moins connus de Chaucer, Le légendier des dames vertueuses. Elle se propose de montrer les manières très complexes, et souvent très subtiles, dont Chaucer exploite les possibilités visant à accorder aux femmes, le plus souvent indirectement, un pouvoir qu’on leur refusait, tout en se gardant, lui, d’entrer en conflit avec les préjugés masculins régnants. L’aspect novateur de notre travail consiste précisément à montrer comment Chaucer assume et dépasse à la fois l’idéologie de son temps. L’ambiguïté de la pensée du grand poète nous invite

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39

McNamara, Rebecca Fields. "Code-switching in medieval England : register variety in the literature of Geoffrey Chaucer, Thomas Usk and Thomas Hoccleve." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669980.

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40

Fields, Rebecca. "Code-switching in medieval England : Register variety in the literature og Geoffrey Chaucer, Thomas Usk and Thomas Hoccleve." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527301.

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41

Walsh, Morrissey Jake. "The world "up so doun" : plague, society, and the discourse of order in the Canterbury tales." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83845.

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Witnesses believed that the Black Death and subsequent fourteenth-century plagues threatened profound social change. However, Geoffrey Chaucer (c.1340-1400) does not appear to accord the plague a place of any importance in his works. This is especially surprising in the case of the Canterbury Tales , which presents a complex portrait of plague-era society. Chaucer's silence on the plague is reinforced by critical positions that deemphasize the effects of the plague and emphasize Chaucer's supposed lack of interest in his world. This thesis contends that the plague is in fact present in

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42

Canter, Zachary A. "Tom Jones, Joseph Andrews, and The Canterbury Tales: Parallels in the Comic Genius of Henry Fielding and Geoffrey Chaucer." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3036.

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The parallels between the works of Geoffrey Chaucer and Henry Fielding are very striking. Both authors produced some of the greatest works in English literature, yet very little scholarly investigation has been done regarding these two in relationship with one another. In this work I explore the characters of Chaucer’s Parson and Parson Adams, assessing their strengths and weaknesses through pastoral guides by Gregory the Great and George Herbert, while drawing additional conclusions from John Dryden. I examine the episodic, theatrical nature of both authors’ works, along with the inclusion of

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43

Mathur, Indira. "Beyond monologism : a study of the system-event dialectics in Geoffrey Chaucer's Canterbury Tales." Toulouse 2, 2010. http://www.theses.fr/2010TOU20071.

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La thèse porte sur un des ouvrages médiévaux les plus connus en anglais, notamment Les Contes de Cantorbéry de Geoffrey Chaucer (1340 – cc. 1400). L’étude vise à définir la démarche créative de Chaucer à travers les Contes. Nous nous appuyons pour cela sur la théorie bakhtinienne selon laquelle la création événementielle prend forme dans un double mouvement ; elle repose sur un système tout en s'écartant de ce même système. L'étude que nous proposons s'articule autour de trois axes d'analyse. Le point de départ se situe au niveau de la focalisation narrative. Notre démarche constitue à définir

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44

Stillinger, Thomas C. "The song of Troilus : lyric authority in the medieval book /." Philadelphia (Pa.) : University of Pennsylvania Press, 1992. http://catalogue.bnf.fr/ark:/12148/cb35659449r.

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45

Taylor, William Joseph. "Geoffrey Chaucer's Troilus and Criseyde: Criseydan Conversations 1986-2002 A Narrative Bibliography." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/9940.

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Conversations among scholars in the study of Chaucer have been essential in constructing the foundations on which we now stand. However, in light of recent pressures in the very competitive and practical aspects of academic life, the scholarly conversation is often lost amidst the desire to find any obscure point on which to publish simply for the reason that no one has yet said anything about it. There is certainly a usefulness to exploring all facets of Chaucer's work, but there is also a need to slough off the cumbersome coat of 'publish-or-perish' scholarship in favor of carrying on a more

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46

Rayner, Samantha J. "Images of kingship in the works of the four major Ricardian poets : John Gower, William Langland, the Gawain-poet and Geoffrey Chaucer." Thesis, Bangor University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429850.

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47

Cosgrove, Walker Reid. "Enacted medieval spirituality on the page the Divine comedy and the Canterbury tales elucidating the internal and external pilgrimage of Margery Kempe /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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48

Hodder, Mike. "Petrarch in English : political, cultural and religious filters in the translation of the 'Rerum vulgarium fragmenta' and 'Triumphi' from Geoffrey Chaucer to J.M. Synge." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:49cdf913-cd2a-48c6-bf1e-533052018285.

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This thesis is concerned with one key aspect of the reception of the vernacular poetry of Francesco Petrarca (Petrarch), namely translations and imitations of the Rerum vulgarium fragmenta (Rvf) and Triumphi in English. It aims to provide a more comprehensive survey of the vernacular Petrarch’s legacy to English literature than is currently available, with a particular focus on some hitherto critically neglected texts and authors. It also seeks to ascertain to what degree the socio-historical phenomena of religion, politics, and culture have influenced the translations and imitations in questi

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49

Alrasheed, Khalid Mosleh. "The postcolonial Middle Ages a present past /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=2065749111&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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50

Wodzak, Victoria. "Reading dinosaur bones : marking the transition from orality to literacy in the Canterbury Tales, Moll Flanders, Clarissa, and Tristram Shandy /." free to MU campus, to others for purchase, 1996. http://wwwlib.umi.com/cr/mo/fullcit?p9823336.

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