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1

Khan, Raees, Ayaz Ahmad Aryan, and Sana Riaz. "New Historicist Study of Geoffrey Chaucer’s poem Prologue to the Canterbury Tales." Global Social Sciences Review VII, no. IV (2022): 48–55. http://dx.doi.org/10.31703/gssr.2022(vii-iv).06.

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The current study examines the historical and social elements of 14th century England, through Geoffrey Chaucer’s poem, Prologue to theCanterbury Tales. the study also unfolds the analogy of the current situation of developing countries with Chaucer's era. The research is carried out, using the lens of New Historicism as a framework. New Historicism is a postmodern critical theory presented by Stephen Greenblatt (1943). The purposive sampling technique is used to proceed with the study because the research is descriptive in nature. Geoffrey Chaucer is considered as a father of the art of chara
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2

Crafton, John Micheal, and Velma Bourgeois Richmond. "Geoffrey Chaucer." South Atlantic Review 58, no. 4 (1993): 138. http://dx.doi.org/10.2307/3201017.

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3

Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.0.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.
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4

Ožbolt, Martina. "Chaucer - a medieval writer?" Acta Neophilologica 26 (December 1, 1993): 17–28. http://dx.doi.org/10.4312/an.26.1.17-28.

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For literary historians with only few exceptions (e.g . J.W. Mackail, W.P. Ker, A.C. Spearing) Geoffrey Chaucer is unquestionably and exclusively a medieval poet. The belief that his literaryproduction undoubtedly makes part of medieval English literature seems firmly established and any doubt about it futile. In spite ofthis aprioristic attitude towards the problem of the relationship between Chaucer and the Middle Ages there are at least two major elements which may make one doubt how correct it is to take Chaucer's medievalism for grante.
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5

Crafton, John Micheal. "The Canterbury Tales by Geoffrey Chaucer by Geoffrey Chaucer." Studies in the Age of Chaucer 18, no. 1 (1996): 198–200. http://dx.doi.org/10.1353/sac.1996.0016.

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6

Portnoy, Phyllis. "The Best-Text/Best-Book of Canterbury: The Dialogic of the Fragments." Florilegium 13, no. 1 (1994): 161–72. http://dx.doi.org/10.3138/flor.13.010.

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Geoffrey Chaucer’s final utterance is so un-Chaucerian in sentiment that several ingenious theories have evolved over the years to account for its textual persistence. The Retraction has been read as a real confession by Chaucer the poet in the face of imminent death; as a realistic confession by Chaucer the Pilgrim in response to the Parson’s sermon; and as an ironic parody of both confession and retraction in keeping with the Manciple’s cynical counsel to silence.
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7

Ibragimova, Karina R. "Geoffrey Chaucer’s Little Tragedies: the Category of the Tragic in ‘The Monk’s Tale’." Вестник Пермского университета. Российская и зарубежная филология 13, no. 4 (2021): 80–88. http://dx.doi.org/10.17072/2073-6681-2021-4-80-88.

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The article examines the implementation of the category of the tragic in The Monk’s Tale, which is part of The Canterbury Tales by Geoffrey Chaucer. The purpose of this work is to clarify the concepts ‘tragedy’ and ‘the tragic’ in the culture of the Late Middle Ages, as well as their interpretation in Chaucer’s oeuvre. The focus is on the specific understanding of these terms in the Middle Ages: since the genre of dramatic tragedy became a thing of the past along with Antiquity, the word ‘tragedy’ began to be used by poets and scribes of the Middle Ages to specify a distinct type of narration
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8

Boyd, Beverly. "Our Lady According to Geoffrey Chaucer: Translation and Collage." Florilegium 9, no. 1 (1987): 147–54. http://dx.doi.org/10.3138/flor.9.008.

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Chaucer addressed some of his best known poetry to the Virgin Mary. Whatever basis such poetry may have had in personal religion, this discussion is interested in the fact that Chaucer’s marian writings are in large part the result of translation, adaptation, quotation, and allusion. That observation is not meant to be iconoclastic, for literature of the time did not have the present-day obsession with novelty, and much mediaeval religious poetry is derivative. In writing about the Virgin Mary, Chaucer sometimes layered borrowed passages in a complex of sources themselves borrowed, leaving the
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9

Taylor, Andrew. "Driving the Night Away: Early Chapters in the History of Reading." Florilegium 36 (November 1, 2023): 88–101. http://dx.doi.org/10.3138/flor-36.005.

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Geoffrey Chaucer, and the scene in the Book of the Duchess when he falls asleep reading a book, is often taken as a case study in the history of reading and the transition to silent, private reading. Moving from Chaucer’s own writing, this talk ventures into the economics of paper, manuscript layout and production, and pastoral education to consider the plausibility of Chaucer’s reading in bed.
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10

Xenia, Tia. "Vowel Change Found in Geoffrey Chaucer�s The House of Fame: Great Vowel Shift." Journal of Language and Literature 15, no. 1 (2015): 36–45. http://dx.doi.org/10.24071/joll.v15i1.371.

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It has already been understood that Great Vowel Shift (GVS) takes the major differences between the pronunciation in Middle English and Modern English. GVS is a change in pronunciation of vowel sounds in English language. The evidence of this change can be attained through written texts. It can be found by comparing Geoffrey Chaucers literary works to William Shakespeares works to see the differences. However, in this paper I focused only on analyzing the GVS in Geoffrey Chaucers poem entitled The house of Fame. The purpose of this study is to find out what kind of sound shift appears in The H
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11

Haresnape, Geoffrey. "An ABCby Geoffrey Chaucer." English Academy Review 32, no. 2 (2015): 152–59. http://dx.doi.org/10.1080/10131752.2015.1086168.

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12

Ridley, Florence H. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Beverly Boyd." Speculum 64, no. 3 (1989): 682–84. http://dx.doi.org/10.2307/2854206.

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13

Viana, Maria Rita Drumond. "CHAUCER, Geoffrey. Os contos de Canterbury. Tradução, apresentação e notas de Paulo Vizioli. Posfácio e notas adicionais de José Roberto O’Shea. São Paulo: Editora 34, 2014. Edição bilíngue." Aletria: Revista de Estudos de Literatura 25, no. 2 (2015): 355–59. http://dx.doi.org/10.17851/2317-2096.25.2.355-359.

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14

Ibragimova, Karina Rashitovna. "Pathetic speech in “Canterbury Tales” by Geoffrey Chaucer." Litera, no. 11 (November 2021): 116–23. http://dx.doi.org/10.25136/2409-8698.2021.11.36972.

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This article is dedicated to the peculiarities of pathetic language in Geoffrey Chaucer's “Canterbury Tales” and rhetorical techniques used for saturating the speech of the narrator and the characters. On the example of the “Man of Law's Tale” and the “Second Nun’s Tale”, in which the vicissitudes of the heroines are in the limelight, the author of this article examines the specificity of pathetic speech and its functions in Chaucer’s text. The goal of this research lies in determination of the cause for using path
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15

Brosnahan, Leger. "The Riverside Chaucer. Geoffrey Chaucer , Larry D. Benson." Speculum 63, no. 3 (1988): 641–45. http://dx.doi.org/10.2307/2852650.

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16

Serap, Sarıbaş. "Symbolism of Birds in Medieval Poetry As an Metaphysical Liberation and Existential Metamorphosis: Dante's Divine Comedy and Farid ud-Din Attar's The conference of Birds Inspire Chaucer's Narrative in Trans-Cultural Continuum of Mystical Allegory." Premium e-Journal of Social Sciences (Pejoss) 8, no. 49 (2024): 1731–37. https://doi.org/10.5281/zenodo.14585810.

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This scholarly inquiry delves into the intricate intertextuality and thematic resonance between Dante Alighieri&rsquo;s <em>Divine Comedy</em> and Geoffrey Chaucer&rsquo;s <em>The Parliament of Fowls</em>. It elucidates Dante&rsquo;s transformative repudiation of courtly love, which he recontextualizes as a harmonious union of rationality and spiritual transcendence, and its profound impact on Chaucer&rsquo;s incisive satire of societal constructs surrounding romantic idealism. By examining the narrative parallelism between Dante&rsquo;s &ldquo;Virgil&rdquo; and Chaucer&rsquo;s &ldquo;Scipio A
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17

Baird-Lange, Lorrayne Y. "Variorum Edition of the Works of Geoffrey Chaucer. Geoffrey Chaucer , Helen Storm Corsa." Speculum 64, no. 4 (1989): 931–33. http://dx.doi.org/10.2307/2852880.

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18

DiMarco, Vincent. "Geoffrey Chaucer: Building the Fragments of the "Canterbury Tales.". Jerome Mandel , Geoffrey Chaucer." Speculum 69, no. 3 (1994): 831–33. http://dx.doi.org/10.2307/3040913.

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19

Bennett, Jim, and Giorgio Strano. "The So-Called ‘Chaucer Astrolabe’ from the Koelliker Collection, Milan." Nuncius 29, no. 1 (2014): 179–229. http://dx.doi.org/10.1163/18253911-02901007.

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The so-called “Chaucer Astrolabe” from the Koelliker collection, Milan, is a remarkable 14th-century English instrument. In addition to recounting its recent story and expounding its detailed description, this article offers a multi-sided approach to the object. The instrument is examined in relation to some of the early manuscript copies and to other astrolabes that have most commonly been seen as linked to Geoffrey Chaucer’s Treatise on the Astrolabe. In particular, the article provides stylistic and astronomical analyses through comparisons with the illustrations in the early copies of the
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20

Gulcu, Tarik Ziyad. "Embodiment of Transformation from Scholasticism to Worldliness: Geoffrey Chaucer's the Canterbury Tales." International Human Sciences Review 1 (October 31, 2019): 39–48. http://dx.doi.org/10.37467/gka-humanrev.v1.1943.

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Although the medieval period is well-known for its otherworldly scholastic view of life, people’s gradual prioritization of material interests is arguably an embodiment of a transformation from scholastic to anthropocentric outlook on life and people. Along with common people’s interest in material gains, the ecclesiastical people’s interest in luxury and ostentation as well as acquisition of material profit are representations of the new paradigm in social area. The growing interest in worldly profits among the clergy and their indulgence in ostentation is the particular point of satire in Ge
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21

Brown,, Emerson. "Geoffrey Chaucer. Robert O. Payne." Speculum 63, no. 1 (1988): 210–12. http://dx.doi.org/10.2307/2854375.

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22

Phillips, Helen. "Geoffrey Chaucer: A New Introduction." Journal of English and Germanic Philology 119, no. 2 (2020): 278–80. http://dx.doi.org/10.5406/jenglgermphil.119.2.0278.

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23

Cole. "John Gower Copies Geoffrey Chaucer." Chaucer Review 52, no. 1 (2017): 46. http://dx.doi.org/10.5325/chaucerrev.52.1.0046.

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24

Alexander, M. "The Life of Geoffrey Chaucer." English 42, no. 172 (1993): 88–91. http://dx.doi.org/10.1093/english/42.172.88.

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25

Patterson, Lee. "Geoffrey Chaucer by Stephen Knight." Studies in the Age of Chaucer 9, no. 1 (1987): 220–25. http://dx.doi.org/10.1353/sac.1987.0024.

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26

Hagen, Susan K. "Geoffrey Chaucer by Jill Mann." Studies in the Age of Chaucer 14, no. 1 (1992): 177–80. http://dx.doi.org/10.1353/sac.1992.0030.

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27

Beidler, Peter G. "Geoffrey Chaucer by Janette Dillon." Studies in the Age of Chaucer 17, no. 1 (1995): 195–98. http://dx.doi.org/10.1353/sac.1995.0018.

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28

Blamires, Alcuin. "Geoffrey Chaucer (review)." Studies in the Age of Chaucer 34, no. 1 (2012): 368–71. http://dx.doi.org/10.1353/sac.2012.0013.

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29

Morrison, Susan Signe. "“[A]n Exterior Air of Pilgrimage”: The Resilience of Pilgrimage Ecopoetics and Slow Travel from Chaucer’s The Canterbury Tales to Jack Kerouac’s On the Road." Humanities 9, no. 4 (2020): 117. http://dx.doi.org/10.3390/h9040117.

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While the Beats can be seen as critical actors in the environmental humanities, their works should be seen over the longue durée. They are not only an origin, but are also recipients, of an environmentally aware tradition. With Geoffrey Chaucer and Jack Kerouac, we see how a contemporary American icon functions as a text parallel to something generally seen as discrete and past, an instance of the modern embracing, interpreting, and appropriating the medieval. I argue that The Canterbury Tales by Chaucer influenced Kerouac’s shaping of On the Road. In the unpublished autograph manuscript trave
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30

Jones, Mike Rodman. "Chaucerian Ekphrasis: Craft, Intertext, Dispence." Parergon 41, no. 1 (2024): 191–212. http://dx.doi.org/10.1353/pgn.2024.a935340.

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Abstract: Ekphrasis has long been a topic of interest to literary scholars, but until quite recently medieval ekphrasis has existed on the periphery of most accounts of it. This article explores the distinctive nature of medieval ekphrasis in passages of description in the Middle English poetry of Geoffrey Chaucer. It argues that Middle English poetry was underpinned by a poetics of craft which made later ekphrastic theorisations, especially the concept of the 'paragone'—the confrontation of the arts, especially poetry and painting—problematic. It argues that Chaucer uses ekphrasis as a type o
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31

Roger, Euan, and Sebastian Sobecki. "Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered." Chaucer Review 57, no. 4 (2022): 407–37. http://dx.doi.org/10.5325/chaucerrev.57.4.0407.

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ABSTRACT This article introduces two records that clarify the relationship between Geoffrey Chaucer and Cecily Chaumpaigne. The new documents also demonstrate the relevance of a known Chaucer life-record that previously had not been associated with this case. Our findings offer a radically different understanding of the documentary evidence and establish that Chaucer and Chaumpaigne were not opponents but belonged to the same party in a legal dispute with Chaumpaigne’s former employer, Thomas Staundon, who had sued them both under the Statute of Laborers. Chaumpaigne’s quitclaims for Chaucer o
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32

Perry, R. D. "Chaucer’s “Summoner’s Tale” and the Logic of Literature." Poetics Today 41, no. 1 (2020): 37–57. http://dx.doi.org/10.1215/03335372-7974072.

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This essay discusses the fart joke that ends Geoffrey Chaucer’s “Summoner’s Tale.” It argues that the joke uses the language of medieval philosophy to satirize the work of medieval Scholastic philosophers. The essay begins by examining Chaucer’s relationship to philosophy more broadly and the scholarly controversies over Chaucer’s familiarity with this field of knowledge. It focuses on the way Chaucer uses disciplinary-specific jargon from philosophy, and from medieval logic more particularly, in “The Summoner’s Tale.” The language and content of the joke in “The Summoner’s Tale” are a burlesq
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33

Ni, Yun. "Natural Law and Parliamentary Election in Geoffrey Chaucer’s Parliament of Fowls." Chaucer Review 57, no. 3 (2022): 302–20. http://dx.doi.org/10.5325/chaucerrev.57.3.0302.

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ABSTRACT Critics have reached the consensus that Chaucer’s Parliament of Fowls reveals the fallibility of human reason in interpreting and applying the precepts of natural law. This article, however, asks the reader to look more closely and more skeptically at the common birds’ elections. Though Chaucer critically revises Thomas Aquinas’s concept of natural law by setting will against reason, as is personified in the parliamentary debates, the poet still allows the common birds to follow their natural dispositions when electing representatives and offering counsel. Only in the episode of the c
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34

Myklebust, Nicholas. "John Walton’s Invention of the Iambic Pentameter." Chaucer Review 58, no. 2 (2023): 177–207. http://dx.doi.org/10.5325/chaucerrev.58.2.0177.

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ABSTRACT When Geoffrey Chaucer died in 1400, the decasyllable he invented in the late 1370s and raised to prominence in the 1380s and 1390s lay precariously in the hands of scribes and rivals. Of the poets to reform Chaucer’s meter in the first decade of the fifteenth century, John Walton devised the subtlest and most successful alternative to the inherited decasyllable, capitalizing on the full range of formal and grammatical ambiguities in Chaucer’s line and turning them from bugs into features, in an expanding program of new candidate meters. His revision of the decasyllable in De Consolati
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35

Starostina, I. Y. "Gender Behavior of the English Nobility by G. Chaucer (Based on «The Legend of the Good Women»)." Izvestiya of Saratov University. History. International Relations 12, no. 2 (2012): 7–10. http://dx.doi.org/10.18500/1819-4907-2012-12-2-7-10.

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The article is devoted to the problem for studying a perception of gender behavior in the noble society by Geoffrey Chaucer, who was the prominent English poet of the XIV century. The author studies sexes’ interrelations in the aristocratic society through Chaucer’s coloured descriptions and estimations of the main characters in the poem, who were the famous heroes (both women and men) of the ancient mythology, also including their marriage behavior. The research is based on the weakly-studied in the Russian historiography source, which «The Legend of good women» is.
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36

Wawn, Andrew, Larry D. Benson, F. N. Robinson, Geoffrey Chaucer, and Ian Bishop. "The Riverside Chaucer. Based on the Works of Geoffrey Chaucer." Modern Language Review 85, no. 4 (1990): 910. http://dx.doi.org/10.2307/3732662.

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37

Fyler, John M. "Geoffrey Chaucer: The Canterbury Tales.Winthrop Wetherbee." Speculum 68, no. 2 (1993): 575–76. http://dx.doi.org/10.2307/2864624.

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38

Pearsall, Derek. "The Canterbury Tales by Geoffrey Chaucer." Studies in the Age of Chaucer 9, no. 1 (1987): 199–203. http://dx.doi.org/10.1353/sac.1987.0017.

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39

Rothwell, W. "The Trilingual England of Geoffrey Chaucer." Studies in the Age of Chaucer 16, no. 1 (1994): 45–67. http://dx.doi.org/10.1353/sac.1994.0002.

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40

Cherniss, Michael D. "Geoffrey Chaucer by Velma Bourgeois Richmond." Studies in the Age of Chaucer 16, no. 1 (1994): 252–54. http://dx.doi.org/10.1353/sac.1994.0040.

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41

Burnley, J. D. "Chaucer, USK, and Geoffrey of Vinsauf." Neophilologus 69, no. 2 (1985): 284–93. http://dx.doi.org/10.1007/bf00414000.

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42

Aratea, Marko Lim. "Analysis of The Wife of Bath’s Tale from Geoffrey Chaucer’s Canterbury Tales through the Lense of Propp’s Narrative Function." Journal of Language and Literature 25, no. 1 (2025): 33–46. https://doi.org/10.24071/joll.v25i1.9930.

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This study examines Geoffrey Chaucer's The Wife of Bath's Tale through Vladimir Propp's narrative functions as a means of understanding how Chaucer follows and subverts traditional structures of folktales. The Canterbury Tales is one of the most important works in medieval literature, while The Wife of Bath's Tale is especially famous for its complex depiction of gender relations, power, and moral teaching. The purpose of the investigation is to explain the structural elements of the tale using Propp's 31 narrative functions applied to folk stories. In mapping these functions onto the tale, th
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43

Zhang, Yuting. "Women in The Canterbury Tales." Journal of Education and Educational Research 9, no. 3 (2024): 337–39. http://dx.doi.org/10.54097/3ensv564.

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Known as the “father of English poetry”, Geoffrey Chaucer vividly depicts the abundance and colorfulness of social life in 14th century in his masterpiece work, The Canterbury Tales. In its a large number of stories, different images of women in that age are presented. Starting from a different perspective, this thesis approaches the story in the light of feminism. By giving women their own discourse, or describing their living circumstances, Chaucer shows the entrapment of middle age women in an authentic way. Nevertheless what the social statuses women are, they are classified as the supplem
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44

Wu, Hongrong. "An Elegy to Courtly Love: Rewriting and Reconstructing the Tradition of Courtly Love in Chaucer’s Works." International Theory and Practice in Humanities and Social Sciences 2, no. 5 (2025): 16–26. https://doi.org/10.70693/itphss.v2i5.328.

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As the first great poet to write in English in the history of English literature, Geoffrey Chaucer is honored as the “Father of English Poetry”. Chaucer explored the development of English language literature against the background of the historic changes in English society, drew on the artistic nourishment of Italian, French and Latin poetry, and insisted on composing in English, establishing the direction of the development of English poetry, opening up a new era of English literature, and laying the foundation for the full prosperity of English literature in the Elizabethan era. Courtly lov
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45

Martínez López, Miguel. "Crimen atrocissimum: enjuiciamiento y castigo de delitos atroces y su representación en Los cuentos de Canterbury." Cuadernos del CEMyR, no. 27 (2020): 109–44. http://dx.doi.org/10.25145/j.cemyr.2019.27.04.

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Este trabajo analiza algunos de los principales textos jurídicos que regulan el enjuiciamiento y castigo de los crímenes más graves en el derecho medieval inglés y su plasmación en la obra literaria de Geoffrey Chaucer. Se estudian también algunos rasgos fundamentales del marco jurídico de estos crímenes entre los siglos xii y xiv; se ejemplifican las especialidades procesales de estos delitos mediante el análisis del juicio y ejecución de Hugh Le Despenser (1286-1326); y se explora el tema de la violación desde la perspectiva que ofrecen la vida y obra de Geoffrey Chaucer, con especial atenci
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46

Absamatova, Shohida Baxtiyor qizi. "GEOFFREY CHAUCER IS THE GREATEST ENGLISH LITERATURE REPRESENTATIVE." ZDIF 2, no. 12 (2023): 9–10. https://doi.org/10.5281/zenodo.8426101.

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Geoffrey Chaucer lived in England from the late 1340s until his death on October 25, 1400, and he is best remembered for his work on The Canterbury Tales. He has been referred to as the &quot;father of English literature&quot; or, alternately, the &quot;father of English poetry&quot;. He was the first author to be laid to rest in Westminster Abbey&#39;s Poets&#39; Corner, which is now known as such. As a philosopher and astronomer who wrote the academic A Treatise on the Astrolabe for his 10-year-old son Lewis, Chaucer also rose to popularity. He continued his public service career as a bureau
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47

Oliver, Rhonda. "Smiler with a knife?" Biochemist 27, no. 5 (2005): 51–54. http://dx.doi.org/10.1042/bio02705051.

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“Ther saugh I first the derk ymaginying Of felon ye, and al the encompassying The Cruel Ire, reed as any gleede; The pykepurs, and eek the pale Drede; The smyler with the knyf undre the cloke” Geoffrey Chaucer, The Knight's Tale
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48

SMULKEVICH, A. "POSITIVE FEMALE IMAGE IN GEOFFREY CHAUCER`S WRITINGS." Herald of Polotsk State University. Series A. Humanity sciences, no. 4 (September 5, 2024): 7–13. http://dx.doi.org/10.52928/2070-1608-2024-72-4-7-13.

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The present article studies the writings of the XIVth century English poet Geoffrey Chaucer as correlated with such literary phenomenon as «querelle des femmes», that stated female perfection. The poet disproves all traditional accusations against women in unfaithfulness and infidelity, slander, unreason by means of using examples from legends and history and using courtly canon to make ideal the image of the beloved, capable to simultaneously function as a wise adviser, a friend and a faithful spouse. G. Chaucer tends to explore the essence of Love as Universal law that can transform both men
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49

G'ofurova, Nazokat Komiljonovna. "JEFRI CHOSER – INGLIZ SHE'RIYATINING ATOQLI NAMOYONDASI." Journal of Universal Science Research "ZAMONAVIY TILSHUNOSLIK VA TARJIMASHUNOSLIKNING DOLZARB MUAMMOLARI" mavzusidagi xalqaro ilmiy-amaliy anjuman 3, no. 4 (2025): 349–51. https://doi.org/10.5281/zenodo.15305391.

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This thesis explores the works of Geoffrey Chaucer, regarded as one of the greatest figures in English literature, with a particular focus on his masterpiece &ldquo;<em>The Canterbury Tales&rdquo;</em>, as well as other notable examples of his creative legacy. Although the work is considered unfinished, it has captured the hearts of English-speaking readers for centuries. The thesis not only provides comprehensive information about the work and its author but also offers a close examination of Chaucer as a beloved literary figure, comparable to Alisher Navoi for the Uzbek people.
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Fruoco, Jonathan. "Geoffrey Chaucer et le dédale de Renommée." Questes, no. 42 (January 28, 2021): 21–33. http://dx.doi.org/10.4000/questes.5656.

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