Log in

Relevant bibliographies by topics / Georgian Icons

Contents

Journal articles
Books
Book chapters
Conference papers

Academic literature on the topic 'Georgian Icons'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Georgian Icons.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Georgian Icons"

1

მოსია, ბელა. "ვეშაპთან მებრძოლი წმინდა გიორგის კულტი და მსოფლიო გამოცდილება". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 305–10. https://doi.org/10.62119/cils.17.2024.8756.

Full text

Abstract:

Despite the fact that the topic of the cult of St. George fighting the dragon was discussed many times and by many scientists, we discuss the cult of St. George in the system of popular religion, church frescoes and icons, Georgian hagiography, hymnography and folklore. We will analyze its multifaceted form and meaning. The novelty of our research is the face of the dragon of Gveleti rock and the legend about its punishment by St. George. Particular importance is the petrification spell of the snake, which has survived to this day in Samegrelo, West Georgia.

APA, Harvard, Vancouver, ISO, and other styles

2

Voell, Stéphane. "Oath of Memory: The Taking of Oaths on Icons in Svan Villages of Southern Georgia." IRAN and the CAUCASUS 17, no. 2 (2013): 153–69. http://dx.doi.org/10.1163/1573384x-20130203.

Full text

Abstract:

In the late 1980s, Georgian Svans were first resettled from the highlands of Svaneti to a rather plain region in the south. The resettlement took place because of natural disasters in the 1980s and continued thereafter because of economic problems. In their new environment the Orthodox Svans regularly perform oaths on icons and swear to stand together and to respect their “traditions”. Oaths on icons are an important constituent of the Svan traditional law. In so called “Free Svaneti”, the oath of unity was until the 19th century an important vow of solidarity. The local segmentary society man

APA, Harvard, Vancouver, ISO, and other styles

3

Chichinadze, Nino. "Precious metal revetments on Georgian medieval painted icons: some observations on a devotional practice." Caucasus Journal of Social Sciences 1, no. 1 (2023): 259–79. http://dx.doi.org/10.62343/cjss.2008.13.

Full text

Abstract:

The embellishment of sacred images with precious metal was a widespreadreligious practice throughout the Byzantine world over manycenturies. The cladding of Christian images in precious metal has longbeen an act of piety on the part of the faithful, representing theirgratitude to their heavenly protectors for performed assistance.Georgian medieval icons encased in revetments of precious metal thatcarry their donors’ supplicatory inscriptions, throw additional light onthe ways in which such icons were used and venerated.

APA, Harvard, Vancouver, ISO, and other styles

4

Demetrashvili, Tamar. "IRANIAN "INSIGNIAS" OF THE CHILADZE SATAVADO ACCORDING TO THE 17TH-CENTURY ENGRAVED ICONS OF TKVIRI." Near East and Georgia 14 (December 15, 2022): 408–22. http://dx.doi.org/10.32859/neg/14/408-422.

Full text

Abstract:

In the 1560s, the Chiladzes' Satavado participated in the battles between the central government and local principalities in Western Georgia. It is assumed that the origin of the Satavado dates back to the 15th century. They were vassals of Dadiani. The promotion and the decline of the Satavado were related to socio-political events and were constantly the subject of dispute between Dadiani, Gurieli, and the kings of Imereti. The land of the Chiladzes was called Sajavakho, which was located between Guria and Samegrelo. Their domain was a convenient place for the kings of Imereti to fight and g

APA, Harvard, Vancouver, ISO, and other styles

5

Mamisimedishvili, Khvtiso. "Guram Kerashvili. Khevi and the Mokheve. Tbilisi, 2013, 335 pp." Kadmos 15 (2015): 415–23. https://doi.org/10.32859/kadmos/7/415-423.

Full text

Abstract:

Guram Kerashvili’s critically acclaimed monograph “Khevi and the Mokheve” exhaustively describes the Georgian province of Khevi: its geographical peculiarities, climate, territory and borders, roads and paths, place names, the historical past, folk traditions, archeological evidence, residential fortresses and Christian churches, and other sacred structures and fortifications. The author cites folklore material while providing an impressive account of the traditional lifestyle of Khevi from almost all perspectives, including the worship of cross icons, clan history and relationships, hospitali

APA, Harvard, Vancouver, ISO, and other styles

6

Nakhutsrishvili, Luka. "Peasant Oaths, Furious Icons and the Quest for Agency: Tracing Subaltern Politics in Tsarist Georgia on the Eve of the 1905 Revolution. Part II: Agents and Items of (Counter)Insurgent Political Theology on the Imperial Borderland." Praktyka Teoretyczna 39, no. 1 (2021): 43–72. http://dx.doi.org/10.14746/prt2021.1.3.

Full text

Abstract:

This two-part transdisciplinary article elaborates on the autobiographical account of the Georgian Social-Democrat Grigol Uratadze regarding the oath pledged by protesting peasants from Guria in 1902. The oath inaugurated their mobilization in Tsarist Georgia in 1902, culminating in full peasant self-rule in the “Gurian Republic” by 1905. The study aims at a historical-anthropological assessment of the asymmetries in the alliance formed by peasants and the revolutionary intelligentsia in the wake of the oath as well as the tensions that crystallized around the oath between the peasants and Tsa

APA, Harvard, Vancouver, ISO, and other styles

7

მრევლიშვილი, ნანა. "„წმიდანი იგი წიგნნი მოწამეთანი“ თუ „წმიდანი იგი ნაწილნი მოწამეთანი“ „შუშანიკის წამების“ ერთი იკითხვისის დაზუსტებისათვის". Literary Researches 44 (27 листопада 2024): 32–48. https://doi.org/10.62119/lr.44.2024.8227.

Full text

Abstract:

At the beginning of „Tortures of Shushanik“ the word „martyrium“ is mentioned which meant a Christian church or a construction erected on the graves of saints in old Georgian. When Varsken changed his religion, Shushanik told him: „Your father erected martyrium and built churches…“ Abuladze, 2020, 15). Besides that, martyrium also meant reliquaries, such as boxes, crosses, icons, necklaces, and sometimes even books, which contained special nests for keeping martyrs pieces. Is it possible that in the text the author meant reliquaries? The author writes about Shushanik when she was forced t

APA, Harvard, Vancouver, ISO, and other styles

8

Макарова, Анна Львовна. "Стиль росписей церкви св. Григория (Хачута) в контексте искусства Византии и Закавказья конца XII – первой трети XIII века". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 182–91. https://doi.org/10.18688/aa2414-2-13.

Full text

Abstract:

The article analyzes the style of paintings of the Church of St. Gregory of Khachut in Ani based on surviving fragments from the State Hermitage Museum (St. Petersburg). The church was discovered during the first archaeological campaign of N. Y. Marr in 1892. As a result of the excavations seventy-two stones with paintings were discovered, three of them were deposited in the Hermitage, the fate of the rest is unknown to date. The study determines the originality of the artistic methods of the painting of the Church of St. Gregory, which, on the one hand, distinguish it against the background o

APA, Harvard, Vancouver, ISO, and other styles

9

Chichinadze, Nino. "Fresco-Icons on Façades of Churches in Upper Svaneti (Georgia)." Kadmos 6 (2014): 50–94. http://dx.doi.org/10.32859/kadmos/6/50-94.

Full text

Abstract:

The present article focuses on exterior mural decoration imitating icons, which are placed on the south facades of the Church of the Archangels in Iprari and St. George church in Ipkhi (Upper Svaneti), dating from the 13th century. The iconography of these fresco-icons constituting the Deesis is interpreted as a visual reference to the chancel barrier. The facade murals discussed in the article play a role in the complex relations between individual parts of the Christian church. The templon imagery, intended for those for whom the sanctuary is not accessible, is a liminal marker. I argue that

APA, Harvard, Vancouver, ISO, and other styles

10

CHICHINADZE, Nina. "Icons as Symbols of Power in Medieval Georgia." Le Muséon 122, no. 3 (2009): 405–22. http://dx.doi.org/10.2143/mus.122.3.2045876.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Georgian Icons"

1

Burčulaże, Nana. Kʻartʻuli xatebi: Georgian icons. Kʻarčʻxażis gamomcʻemloba, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Tʻeimuraz, Saqvareliże, та Alibegashvili Gai͡ane Vladimirovna, ред. Kʻartʻuli xatebi: Georgian icons = Georgische Ikonen = Gruzinskie ikony. "Xelovneba", 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ponomarenko, Artemiĭ. Mozdokskai︠a︡ ikona Bozhieĭ Materi: Materialy po istorii Mozdokskogo chudotvornogo obraza Presvi︠a︡toĭ Bogorodit︠s︡y i Uspenskogo Sobora goroda Mozdoka. Ir, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Akaki, Megrelišvili, ред. Sakʻartʻvelos sicmindeebi. "Apolon 95", 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Mariam, Didebulidze, ред. Kʻartʻuli kʻristianuli xelovneba. 2-ге вид. G. Čʻubinišvilis sax. Kʻartʻuli xelovnebis istoriisa da żegltʻa dacʻvis kvlevis erovnuli cʻentri, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Rhodes, Don. Georgia icons: 50 classic views of the Peach State. Globe Pequot Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Christopher, Merrill, and Bradbury Ellen, eds. From the faraway nearby: Georgia O'Keeffe as icon. Addison-Wesley Pub. Co., 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Christopher, Merrill, and Bradbury Ellen, eds. From the faraway nearby: Georgia O'Keeffe as icon. University of New Mexico Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Gecaże, Tʻeimuraz. Ančisxati: Tao-Klarjetʻidan gabrcqinebuli Sakʻartʻvelo. [s.n.], 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Šua saukuneebis kʻartʻuli xatcera: Xi-XIV saukuneebis pʻerceruli xatebi Svanetʻidan. Ministry of Culture and Monument Protection, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Georgian Icons"

1

Iamanidze, Nina. "Icons of Ritual: The Earliest Georgian Templa Programs." In Millennium-Jahrbuch (2010). DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110223057.343.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Eastmond, Antony. "Greeks Bearing Gifts: The Icon of Xaxuli and Enamel Diplomacy between Byzantium and Georgia." In The Medieval South Caucasus. Artistic Cultures of Albania, Armenia and Georgia. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.convisup-eb.5.131084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"Icons and Agency in the Georgian Orthodox Church." In Religious Narrative, Cognition and Culture. Routledge, 2014. http://dx.doi.org/10.4324/9781315729299-18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kavtaria, Nino. "The Georgian Books of the First Tbilisi Printing Press and Their Artistic Decoration (1709–1722)." In Icons, Ornaments, and Other Charms of Christian Arabic Books. De Gruyter, 2025. https://doi.org/10.1515/9783111068787-013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"The Georgian House: The Making of a Heritage Icon." In Valuing Historic Environments. Routledge, 2016. http://dx.doi.org/10.4324/9781315548449-17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

"Georgi R. Parpulov The Date of Two Icons from Sinai." In Wonderful Things: Byzantium through its Art. Routledge, 2016. http://dx.doi.org/10.4324/9781315233451-20.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Louth, Andrew. "‘Truly Visible Things Are Manifest Images of Invisible Things’." In Selected Essays, Volume I. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192882813.003.0017.

Full text

Abstract:

Abstract Dionysios the Areopagite became for subsequent Christian thought, both in the Greek East and the Latin West (and also among Armenians and Georgians), determinative for understanding the visible world as disclosing, through visible images, the invisible, spiritual world. The defence of icons by the iconodules—especially John Damascene, but also Theodore the Studite and Nikephoros—contains an appeal to the conceit of the great fourth-century rhetor-preachers of regarding the visual as more immediate, more compelling than mere words, however eloquent. There seems to be a transition from

APA, Harvard, Vancouver, ISO, and other styles

8

"Sterling Brown: “Ma Rainey”." In Schlager Anthology of Black America. Schlager Group Inc., 2021. https://doi.org/10.3735/9781935306627.book-part-156.

Full text

Abstract:

Sterling Brown gives a brief cultural portrait of blues icon Gertrude Malissa Nix Pridgett, who was known as Ma Rainey. In the poem, Brown provides a powerful exploration of voice and language in African American writing, illustrating the relationship between a musical form and a poetic form. As blues singer, Ma Rainey had a massive following, particularly among African Americans in the South; as a native of Georgia, she “spoke their language.” The first part of the poem looks at Rainey’s touring circuit, which snaked along the Mississippi toward the Gulf of Mexico, and describes the way her f

APA, Harvard, Vancouver, ISO, and other styles

9

Garland-Thomson, Rosemarie. "Breasts." In Staring How We Look. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195326796.003.0010.

Full text

Abstract:

Abstract Breasts are ubiquitous cultural icons. From the sacred fount of the Maria Lactans, the titillating cleavage of Miss America, the ample bosom of Mammy, to the erotic blast of the Playboy centerfold, the sight of breasts signifies woman. As both symbol and flesh, no other bodily mark of sexual identity is so routinely or ritualistically offered up to the public eye. Even though the penis and vagina carry perhaps equal cultural significance, representations tend to finesse the way we see these parts of our bodies. The penis stands in for phallic power but seldom shows itself in public. M

APA, Harvard, Vancouver, ISO, and other styles

10

"Chapter 2. Eye-tracking research of reading mechanisms: processing of letters, words, sen- tences and texts." In THE GAZE OF SCHROEDINGER’S CAT: EYE-TRACKING IN PSYCHOLINGUISTICS. St. Petersburg State University, 2018. http://dx.doi.org/10.21638/11701/9785288059292.04.

Full text

Abstract:

In Сhapter 2 we describe how verbal information is processed at different linguistic levels, from recognizing single letters to reading and comprehension of coherent texts. We present the results of several experimental studies on reading in Russian which has specific features like Cyrillic script, rich morphology and flexible word order. First, we show some features of Cyrillic letters recognition of different font types in the experiment with invisible boundary. Our results reveal that the font type affects the recognition of crowed letters (letters in Courier New were harder to identify tha

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Georgian Icons"

1

Смирнова, Э. С. "On the artistic links between the church of Annunciation at Gorodische and the Yuriev (St. George) monastery." In Архитектурная археология. Crossref, 2020. http://dx.doi.org/10.25681/iaras.2686-6900.1.273-281.

Full text

Abstract:

В первой части статьи рассмотрена икона Благовещение (ГТГ) из Георгиевского собора Юрьева монастыря. Ее необычно большой размер и особая разъясняющая иконография заставляет предположить, что произведение является репликой утраченной храмовой иконы церкви Благовещения на Городище ипродолжает традицию христианского просвещен1270 г., ксозданию которого имели отношение заказчик чернец Симон из Юрьева монастыря иписец Георгий, работавший при церкви Благовещения на Городище. Констатируется сходство этих миниатюр с иконами Спас на престоле, с избранными святыми (ГТГ) и Св. Иоанн Лествичник, Георгий и

APA, Harvard, Vancouver, ISO, and other styles

2

Mindiashvili, Nino. "The Trauma of Internal Displacement in Teona Dolenjashvili's Novel “The Bird Will Not Fly Out”." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9047.

Full text

Abstract:

The reflection of the conflicts of Abkhazia and Tskhinvali region is interestingly and multifacetedly presented in modern Georgian literature, in these types of texts special attention is paid to the image-icon of the displaced person. In this context, Teona Dolenjashvili's novel The Bird Will Not Fly Out is interesting. The text is based on real stories of displaced people from Abkhazia and Syria, which allows the author to present the essence of internal displacement in a global context as one of the most painful problems of the modern era. The bearer of the stigma of an internally displace

APA, Harvard, Vancouver, ISO, and other styles

3

Grigorova, Totka. "THE THEME OF CYRIL AND METHODIUS IN THE WALL-PAINTINGS AT THE ARAPOVO MONASTERY." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.22.

Full text

Abstract:

The following paper is an attempt at a complete analysis of the theme of Cyril and Methodius in the iconography at the Arapovo Monastery. In 1864 in the cella of the “St. Nedeliya” church, ten paintings, depicting the work of the Slavic teachers, were painted. They have been examined numerous times over the years, but different publications offer different interpretations of depiction for each of the scenes. The paper presents the current condition, as well as content, of said depictions. An attempt has been made to provide a background for the scenes depicted, based on available texts from th

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!