Relevant bibliographies by topics / German censorship

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'German censorship'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "German censorship"

1

Privalov, S. A. "Prohibition of Censorship as a Guarantee of Freedom of Mass Media in Russia and Germany." Vestnik Povolzhskogo instituta upravleniya 21, no. 3 (2021): 13–20. http://dx.doi.org/10.22394/1682-2358-2021-3-13-20.

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The prohibition of censorship as a fundamental legal guarantee of constitutional freedom of the media in Russia and Germany is considered. The author carries out a comparative analysis of the understanding of the essence of censorship in domestic and German constitutional law, as well as the features of state-legal regulation of relevant social relations arising from such an understanding.
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Karolak, Czesław. "INTRA MUROS. ZUR GESCHICHTE DES (ERZWUNGENEN) SCHWEIGENS DER LITERATUR." Scripta Neophilologica Posnaniensia 19 (December 15, 2019): 247–63. http://dx.doi.org/10.14746/snp.2019.19.17.

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In the article, an attempt has been made to analyze the systems of control of social communication based on the history of censorship in Germany. Apart from the historical context, reference has been made to the relationship of systems of censorship to modernization processes. In addition, the crucial role of legal awareness in society has been indicated. Within the scope of the present analysis, important methodological issues concerning research on forms, manifestations and effects of censorship related to the XXth century German literature have been considered.
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Bunn, Matthew. "“Censorship is Official Critique”: Contesting the Limits of Scholarship in the Censorship of the Hallische Jahrbücher." Central European History 47, no. 2 (2014): 375–401. http://dx.doi.org/10.1017/s0008938914001289.

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While censorship touched upon the careers of every German writer in the nineteenth century, a few cases stood out to contemporaries, defining their era. If the Demagogenverfolgung stamped the early 1820s and the prohibition of Young Germany the 1830s, the assault on left-wing or “Young” Hegelianism in 1842–43 was the major censorship case of the decade. Banning the Deutsche Jahrbücher, Rheinische Zeitung, and Leipziger Allgemeine Zeitung was part of a significant, coordinated effort to undermine a small but influential faction of radical social critics. This wave of intellectual persecution ra
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Werenskjold, Rolf. "German pressure: Spy films and political censorship in Norway, 1914–40." Journal of Scandinavian Cinema 9, no. 3 (2019): 365–89. http://dx.doi.org/10.1386/jsca_00009_1.

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This article explores the relationship between spy films, political censorship and Norwegian foreign policy during the period from 1914 to 1940. Espionage was a popular topic in Norway during this era, both in the news media and as a theme in fictional dramas. Based on a survey of the vetting of 57 spy films, both silent and sound, by the state censorship board, the article focuses on the Norwegian government’s hidden role in political film censorship throughout the period. While Norway’s Constitution and film censorship statutes provided no legal foundation for political censorship, there is
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Richards, Chase. "Ernst Keil vs. Prussia: Censorship and Compromise in theAmazonAffair." Central European History 46, no. 3 (2013): 533–67. http://dx.doi.org/10.1017/s0008938913000988.

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Recent scholarship has cautioned us that censorship does not require a censor, nor can it be described merely as the repression of information by power. Censorship can be discursively productive, and historically it has worn many guises. This article treats a case in which state censorship practices were unstable, their execution uncertain, and their target cunning, if ultimately open to compromise. Sparked by an antiaristocratic short story in Ernst Keil'sGartenlaube(arbor, bower), the most widely read German periodical of the era, theAmazonaffair involved not only its namesake ship—the Pruss
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Carlson, Marvin. "Contemporary Censorship Debates in Germany." New Theatre Quarterly 40, no. 2 (2024): 160–66. http://dx.doi.org/10.1017/s0266464x24000058.

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During the past five years the cultural world in Germany has been shaken and divided by a series of controversies involving contemporary works of art charged with being anti-Semitic. Obviously, with the Holocaust continuing to occupy a major position in modern German consciousness and history, sensitivity to anti-Semitic expressions is particularly keen here. This sensitivity has been increased by a number of recent developments, including the growing visibility of far-right political groups, the rise of the Boycott, Divestment, and Sanctions movement (BDS) protesting Israeli treatment of the
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Rajch, Marek. "Henryk Sienkiewicz’s output and literary censorship in the DDR." Acta Universitatis Lodziensis. Folia Litteraria Polonica 58, no. 3 (2020): 421–34. http://dx.doi.org/10.18778/1505-9057.58.22.

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Works by Henryk Sienkiewicz, a Polish writer and the winner of the 1905 Nobel Prize for Literature, were subjected to verification by the DDR’s censorship apparatus several times. Censors considered his novellas which discussed 19th-century social issues as desirable and worth promoting among East German readers. His novel Krzyżacy, which was set in the Middle Ages, was accepted eagerly both by publishing houses and the censorship office as it enabled national socialism in Germany to be viewed in critical terms, as the DDR distanced itself from the system. Reviewers did, however, find a major
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Kuniczuk, Agnieszka. "Mechanisms of (Self)censorship in Eliza Orzeszkowa’s Correspondence with Malwina Blumberg." Annales Universitatis Mariae Curie-Skłodowska, sectio FF – Philologiae 42, no. 2 (2024): 47–58. https://doi.org/10.17951/ff.2024.42.2.47-58.

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Eliza Orzeszkowa’s correspondence with Malwina Blumberg brings many interesting traces of self-censorship or censorship by third parties. Malwina Blumberg, a translator of Orzeszkowa’s works into German, became so close to the writer over the years that the author of Nad Niemnem revealed to her self-censorship practices and the mechanisms of Aesop’s speech used in literary works. The explanations of the reasons and methods of applying stylistic treatments are an important signal of how Orzeszkowa treated both the prohibitions of tsarist censorship and her own readers.
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Gilyazov, I. A. "Scholars in the service of war: The censorship of letters by Tatar prisoners of war in Germany during World War I." Tatarica 23, no. 2 (2024): 81–93. https://doi.org/10.26907/2311-2042-2024-23-2-81-93.

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The article examines one of the interesting and little-known episodes from the history of World War I, telling about orientalist scholars involved in censoring letters from prisoners of war in German camps. This large-scale involvement of scholars in the censorship of letters from prisoners of war was a forced measure, since the military censors did not speak oriental languages. Among such letters, there were many written in the Tatar language, which was not taught at German universities before World War I. It can be assumed that it was the censorship of letters from prisoners of war in the Ta
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Zipser, Richard A. "Literary Censorship in the German-Speaking Countries." Germanic Review: Literature, Culture, Theory 65, no. 2 (1990): 50. http://dx.doi.org/10.1080/00168890.1990.9934203.

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Dissertations / Theses on the topic "German censorship"

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Shapiro, Ann Katherine. "In defiance of censorship : an exploration of dissident theatre in Cold War Poland, Czechoslovakia, and the German Democratic Republic." Thesis, University of Birmingham, 2016. http://etheses.bham.ac.uk//id/eprint/7005/.

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This thesis explores dissident theatre in East Central Europe during the second half of the Cold War (1964-1989). Contextualised within the discussion of individual theatrical and performance cultures and practices in Poland, Czechoslovakia, and The German Democratic Republic, it examines how theatre was used to subvert the dominant ideologies and dissent from the status quos in these countries. It establishes a framework that addresses the divergences between Anglo-American political theatre and Eastern Bloc dissident theatre, and discusses the necessity of considering the work of subcultural
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King, Everett T. "In the Shadow: Representations of the Stasi in Literature and Film from Cold War to Present." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617324535031658.

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Яременко, Людмила Миколаївна, Людмила Николаевна Яременко та Liudmyla Mykolaivna Yaremenko. "До історії регіональної журналістики: газета "Відродження" (Конотоп) періоду окупації (1941-1943 pp.)". Thesis, Видавництво СумДУ, 2011. http://essuir.sumdu.edu.ua/handle/123456789/15278.

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Burkhardt, Anja. "La vida detrás del telón de acero. Autorepresentación cultural en la novela negra de la República Democrática Alemana." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/392726.

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La presente investigación analiza la capacidad de la novela negra de la República Democrática Alemana como fuente de información histórica y social y desgrana cómo la representación de la vida cotidiana ofrece un testimonio detallado y polifacético de la vida de los germanoorientales tras el telón de acero. En un estado totalitario en el que absolutamente todo estaba controlado por el omnipotente partido SED y su arma principal, la Stasi, la novela negra, además de entretener a los lectores, debía cumplir un papel adoctrinador, promover los ideales ideológicos del Partido y ayudar a la prev
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Tully-Needler, Kelly Lynn. "Last Word in Art Shades: The Textual State of James Joyce's Ulysses." Thesis, Connect to resource online, 2007. http://hdl.handle.net/1805/1605.

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Thesis (M.A.)--Indiana University, 2007.<br>Title from screen (viewed on March 6, 2008). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Ken Davis, Jonathan R. Eller, William F. Touponce. Includes vitae. Includes bibliographical references (leaves 214-228).
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Al-Kasasbeh, Lubna. "Subversion idéologique et formelle dans l'écriture de soi chez Mme de Staël et Sonallah Ibrahim : un paradoxe fondateur, une alchimie salvatrice." Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2037.

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Cette recherche a pour objectif d'analyser la posture difficile de l'intellectuel en butte au pouvoir et aux discours officiels. En choisissant deux auteurs emblématiques de ce combat, dont l'œuvre est marquée par la subversion idéologique, par la dissidence et par l'écriture de l'indicible, l'étude de cette thèse permet d'ouvrir des perspectives diverses sur chaque écrivain ayant subi le même contexte, dans les champs à la fois de la pratique littéraire et de l'histoire des idées. Il s'agit de deux figures de l'opposition : Mme de Staël et Sonallah Ibrahim, deux écrivains ayant vécu dans leur
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Gvelesiani, Anna. ""Le combat pour une parole libre" : la sémantique de la liberté de la presse et la censure dans les débats français et allemands autour de Charlie Hebdo (2015-2017)." Thesis, Sorbonne université, 2020. http://accesdistant.sorbonne-universite.fr/login?url=http://theses.paris-sorbonne.fr/2020SORUL057.pdf.

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Suite à l’attentat du 7 janvier 2015 contre le magazine satirique français Charlie Hebdo ont commencé des débats dans les médias français et allemands sur la liberté de la presse et la censure. L’attentat a été revendiqué par deux islamistes autoproclamés. Les débats tournaient autour des questions de solidarité et d’appartenance au niveau national et européen. Fondé sur l'analyse du discours linguistique, ce travail examine un corpus de textes des cinq journaux français et allemands à plus haut tirage et analyse de manière contrastée les deux notions de liberté de la press
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Musilová, Tereza. "Samizdatové překlady z němčiny do češtiny." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-397920.

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This thesis deals with the translations beyond official publishers during the era of Communism in Czechoslovakia from 1948 to 1989. More particularly, the thesis is focused on mapping Czech translations of German literature published in samisdat during the Communist era and on understanding a sociology of translation in the samisdat production. Taking into account the social changes and cultural politics, the author explores when, by whom, in what circumstances and for what reason were the German texts translated. Furthermore, the aim of this thesis is to determine whether the translation work
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Vavroušová, Petra. "Recepce české literatury ve Španělsku s přihlédnutím ke zprostředkující roli němčiny." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-341982.

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The objective of the present doctoral thesis is to describe the reception of Czech literature in Spain between 1900 and 2015 with a special emphasis on German as a mediating language for translation between Czech and Spanish, placing Czech research of this phenomenon into a broad international context of investigating the role of languages and cultures in multilingual communities. The thesis further explores issues partially covered by previous research (Uličný 2005, Špirk 2011, 2014, Cuenca 2013). The theoretical part first provides a short historical context of both countries, commenting on
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Benešová, Petra. "Český tisk pro nuceně nasazené v říši." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-280439.

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The diploma thesis Czech Press for People Called up to Do Forced Labour in Nazi Germany deals with the weekly Czech Labourer which was sent to the Czech workers called up to German factories during the period of the Protectorate of Bohemia and Moravia within the years 1939-1945. The thesis aims at exploring its origin, publishing and changes concerning its publishers and owners. It also analyses its distribution to Nazi Germany and its content in detail. Furthermore, by means of the quantitative analysis the thesis surveys the thematic agenda of the main articles on the front pages. It discuss
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Books on the topic "German censorship"

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A, Zipser Richard, ed. Literary censorship in the German-speaking countries: Special issue. Heldref Publications, 1990.

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Heady, Katy. Literature and censorship in Restoration Germany: Repression and rhetoric. Camden House, 2009.

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Heady, Katy. Literature and censorship in Restoration Germany: Repression and rhetoric. Camden House, 2009.

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Heady, Katy. Literature and censorship in Restoration Germany: Repression and rhetoric. Camden House, 2009.

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Keshen, Jeff. Propaganda and censorship during Canada's great war. University of Alberta Press, 1996.

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Bernhof, Reinhard. Wegen Schweigens zeige ich mich an: Archäologie der einst verschütteten Wörter. Plöttner, 2010.

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1943-, Walther Joachim, and Schriftstellerverband der DDR, eds. Protokoll eines Tribunals: Die Ausschlüsse aus dem DDR-Schriftstellerverband 1979. Rowohlt, 1991.

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Ernst, Wichner, and Wiesner Herbert, eds. Zensur in der DDR: Geschichte, Praxis und "Ästhetik" der Behinderung von Literatur : Ausstellungsbuch. Literaturhaus Berlin, 1991.

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1955-, Hauschild Jan-Christoph, Vahl Heidemarie, and Heinrich-Heine-Institut, eds. Verboten!: Das Junge Deutschland 1835 : Literatur und Zensur im Vormärz. Droste, 1985.

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Ogan, Bernd. Literaturzensur in Deutschland. Reclam, 1988.

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Book chapters on the topic "German censorship"

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Wettig, Gerhard. "German Democratic Republic Censorship and West German Broadcasting." In Western Broadcasting over the Iron Curtain. Routledge, 2023. http://dx.doi.org/10.4324/9781003458630-13.

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Heiduschke, Sebastian. "Film Censorship, the East German Nouvelle Vague, and the “Rabbit Films”: Das Kaninchen bin ich (The Rabbit Is Me, Kurt Maetzig, 1965)." In East German Cinema. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137322326_9.

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Heiduschke, Sebastian. "The Wendeflicks, Jörg Foth, and DEFA after Censorship: Letztes aus der Da-Da-eR (Latest from the Da-Da-eR, Jörg Foth, 1990)." In East German Cinema. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137322326_16.

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Thomson-Wohlgemuth, Gaby. "Translation from the point of view of the East German censorship files." In Sociocultural Aspects of Translating and Interpreting. John Benjamins Publishing Company, 2006. http://dx.doi.org/10.1075/btl.67.06tho.

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Heinrich, Anselm. "Theatre Censorship in Nazi Germany." In The Palgrave Handbook of Theatre Censorship. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-67299-6_9.

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Belgum, Kirsten. "Censorship and Piracy: Publishing and State Control in Early Nineteenth Century Germany." In Censorship and Exile. V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737004268.121.

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Koch, Ursula E., and Martin Loiperdinger. "Political Images and Censorship in Germany before 1914." In Political Censorship of the Visual Arts in Nineteenth-Century Europe. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137316493_5.

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Wagner, Meike. "Manoeuvering in Contested Space: Theatre-Makers under Censorship in Early Nineteenth-Century Germany." In The Palgrave Handbook of Theatre Censorship. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-67299-6_5.

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Loiperdinger, Martin. "Film Censorship in Germany: Continuity and Change through Five Political Systems." In Silencing Cinema. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137061980_6.

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Zalar, Jeffrey T. "Reading in an Age of Censorship: The Case of Catholic Germany, 1800–1914." In The History of Reading, Volume 1. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230316782_9.

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Conference papers on the topic "German censorship"

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Birzniece, Māra. "Censorship and Self-Censorship in the Letters of Salaspils Camp Prisoners." In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.02.

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The study of World War II correspondence is relevant to communication science; furthermore, it is an interdisciplinary topic that provides insight into the representation of places of incarceration and related aspects. By studying the letters of people imprisoned in the Salaspils camp, it is possible to establish the depiction of censorship and self-censorship of that time, as well as other categories (for example, relationships, communication, conditions, etc.) from the perspective of the authors of the correspondence. At present, it is possible to observe similarities with the censorship imp
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