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Dissertations / Theses on the topic 'Germanic and English (Old)'

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1

McLennan, Alistair. "Monstrosity in Old English and Old Icelandic literature." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2287/.

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Thesis Abstract. The purpose of this thesis is to examine Old English and Old Icelandic literary examples of monstrosity from a modern theoretical perspective. I examine the processes of monstrous change by which humans can become identified as monsters, focusing on the role played by social and religious pressures. In the first chapter, I outline the aspects of monster theory and medieval thought relevant to the role of society in shaping identity, and the ways in which anti-societal behaviour is identified with monsters and with monstrous change. Chapter two deals more specifically with Old
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2

Kleinman, Scott. "Vowel loss in Old English and Germanic." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627105.

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3

Mackenzie, Colin Peter. "Vernacular psychologies in Old Norse-Icelandic and Old English." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5290/.

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This thesis examines the vernacular psychology presented in Old Norse-Icelandic texts. It focuses on the concept 'hugr', generally rendered in English as ‘mind, soul, spirit’, and explores the conceptual relationships between emotion, cognition and the body. It argues that despite broad similarities, Old Norse-Icelandic and Old English vernacular psychology differ more than has previously been acknowledged. Furthermore, it shows that the psychology of Old Norse-Icelandic has less in common with its circumpolar neighbours than proposed by advocates of Old Norse-Icelandic shamanism. The thesis o
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4

Izdebska, Daria Wiktoria. "Semantics of ANGER in Old English." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6227/.

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This thesis examines representations of ANGER in Old English by analysing occurrences of eight word families (YRRE, GRAM, BELGAN, WRĀÞ, HĀTHEORT, TORN, WĒAMŌD and WŌD) in prose and poetry. Through inspection of 1800 tokens across c. 400 texts, it determines the understanding of how ANGER vocabulary operates in the Old English lexicon and within the broader socio-cultural context of the period. It also helps refine the interpretations of wide-ranging issues such as authorial preference, translation practices, genre, and interpretation of literary texts. The thesis contributes to diachronic lexi
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5

Birkett, Thomas Eric. "Ráð Rétt Rúnar : reading the runes in Old English and Old Norse poetry." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:e7ea1359-fedc-43a5-848b-7842a943ce96.

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Responding to the common plea in medieval inscriptions to ráð rétt rúnar, to ‘interpret the runes correctly’, this thesis provides a series of contextual readings of the runic topos in Anglo-Saxon and Old Norse poetry. The first chapter looks at the use of runes in the Old English riddles, examining the connections between material riddles and certain strategies used in the Exeter Book, and suggesting that runes were associated with a self-referential and engaged form of reading. Chapter 2 seeks a rationale for the use of runic abbreviations in Old English manuscripts, and proposes a poetic as
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6

Montague, Tara Bookataub. "Narrating battle in the early medieval Germanic poetic tradition /." view abstract or download file of text, 2006. http://wwwlib.umi.com/cr/uoregon/fullcit?p3211224.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 294-314). Also available for download via the World Wide Web; free to University of Oregon users.
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7

Goering, Nelson. "The linguistic elements of Old Germanic metre : phonology, metrical theory, and the development of alliterative verse." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:d49ea9d5-da3f-4796-8af8-a08a1716d191.

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I examine those linguistic features of Old English and Old Norse which serve as the basic elements for the metrical systems of those languages. I begin with a critical survey of recent work on Old English metrical theory in chapter 1, which suggests that the four-position and word-foot theories of metre are the most viable current frameworks. A further conclusion of this chapter is that stress is not, as is often claimed, a core element of the metre. In chapter 2, I reassess the phonological-metrical phenomenon of Kaluza's law, which I find to be much more regular and widely applicable within
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8

Hancock, Jessica Clare. "Beyond sorrow and swords : gender in the Old Norse Volsung legend and its British rewritings." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ee7cc4e6-e835-458f-9aca-90073ef471b1.

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This thesis explores male and female identity in Old Norse and British iterations of the Völsung legend, focusing on the Poetic Edda and Völsunga saga, William Morris's The Story of Sigurd the Volsung and the Fall of the Niblungs, J.R.R. Tolkien's The Legend of Sigurd and Gudrún, and Melvin Burgess’s Bloodtide and Bloodsong. Using poststructuralist theories of gender and posthumanism to analyse representations of gender in these texts, it argues that, in the Old Norse versions of this legend, female identity is closely connected to the control of representations of narrative events, whereas
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9

Neidorf, Leonard. "The Origins of Beowulf: Studies in Textual Criticism and Literary History." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11366.

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Beowulf is preserved in a single manuscript written out around the year 1000, but there are many reasons to believe that the poem was composed several centuries before this particular act of manual reproduction. Most significantly, the meter of Beowulf reveals that the poet regularly observed distinctions of etymological length that became phonologically indistinct before 725 in Mercia. This dissertation gauges the explanatory power of the hypothesis that Beowulf was composed about three centuries before the production of the extant manuscript. The following studies test the hypothesis of arch
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Garrasi, Daria <1991&gt. "Feminine agency in two Old English elegies." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/11682.

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La presente tesi mira a investigare i modi in cui il concetto di “female agency” viene espresso all’interno della ristretta produzione poetica in inglese antico riguardante la figura femminile. Partendo dalla descrizione di come la cornice socio-politica nonché culturale dell’Inghilterra nell’era Anglo-Sassone concepiva l’idea di “female performativity”, andremo a vedere in che modo le donne erano allo stesso tempi assenti (data la loro invisibilità narrativa) e presenti (grazie alle loro voci). L’identità di genere di queste poesie dipende anche da alcuni indizi linguistici, dal momento che e
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Sinigaglia, Edoardo <1996&gt. ""Old English Boethius" - a scholar digital edition." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18407.

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12

Arnold, Hannah. ""A minor Atlantic Goethe" : W.H. Auden's Germanic bias." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:061fdedc-d1f0-4cb0-a4a1-59b4b27d7ef3.

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This thesis is an account of the poet and critic W.H. Auden's relations with Germany and Germans over the course of his life (1907-1973), presented through a selection of influences that have received little critical attention in the corpus of secondary literature to date. While these connections and influences are manifold and sometimes disparate, they can serve as a prism to tell Auden's life-story from a particular, relatively unexplored angle and to illuminate his work. The thesis is divided into three chapters. Chapter One discusses Auden’s engagement with German literature before 1928, h
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13

Spiers, Emily. "'Alpha-Mädchen sind wir alle' (we're all Alpha Girls) : subjectivity and agency in contemporary pop-feminist writing in the US, Britain and Germany." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:21fd8597-82a0-40e7-9a21-fdcd3da27641.

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This thesis investigates models of subjectivity and agency in early twenty-first-century pop-feminist fiction and non-fiction. Non-fiction accounts of subjectivity (Haaf, Klingner and Streidl, 2008; Valenti, 2007; Moran, 2011 et al.) draw on poststructuralist notions of incoherent, performative identity, yet retain the assumption that there remains a sovereign subject capable of claiming full autonomy. The pop-feminist non-fictions reflect a neoliberal model of entrepreneurial individualism where self-optimisation replaces an ethics of intersubjective relations. In exploring the theoretical bl
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14

Hopkins, Stephen Chase Evans. "Solving the Old English Exodus: An Active Problem Solving Approach to the Poem." Miami University Honors Theses / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1303488106.

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15

BASSI, Roberta. "Saints' lives and miracle stories in Bede, the old english Bede and Ælfric between translation and rewriting." Doctoral thesis, Università degli studi di Bergamo, 2012. http://hdl.handle.net/10446/26701.

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The aim of the present study is to explore the ways in which selected hagiographic sections of Bede’s Historia ecclesiastica gentis Anglorum have been rendered in the anonymous Old English translation of the Historia ecclesiastica, and in the Homilies and in the Lives of Saints written by Ælfric of Eynsham. The analysis is focused on five different saintly figures, each embodying a different model of sanctity in Bede’s Historia ecclesiastica: St. Alban, the martyr; Æthelthryth, virgin queen and abbess; Oswald, king of Northumbria, warrior, and saint; Fursey, a model of monastic peregrinatio wh
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16

Gurnari, Marta <1996&gt. ""Material culture and ecocriticism in the Exeter Book riddles: a new perspective on Old English enigmatic texts."." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19240.

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"The purpose of this paper is to interpret the riddles of the Exeter Book by reconsidering previous and modern research, claiming that the descriptions of many subjects through different devices offer the reader an insight into Anglo-Saxon sense of playfulness, material culture, literary and ecological consciousness. First chapter analyses riddle genre starting with a historical approach, showing how it could be considered one of the most ancient kinds of literature. In chapter two Anglo-Saxon riddle production and its circulation is investigated. Third chapter has its focus on how the range
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17

Parker, Eleanor Catherine. "Anglo-Scandinavian literature and the post-conquest period." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:18aa9912-85f6-4cba-b4d6-4f8f7453402f.

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This thesis concerns narratives about Anglo-Scandinavian contact and literary traditions of Scandinavian origin which circulated in England in the post-conquest period. The argument of the thesis is that in the eleventh century, particularly during the reign of Cnut and his sons, literature was produced for a mixed Anglo-Danish audience which drew on shared cultural traditions, and that some elements of this largely oral literature can be traced in later English sources.  It is further argued that in certain parts of England, especially the East Midlands, an interest in Anglo-Scandinavian hist
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18

Avis, Robert John Roy. "The social mythology of medieval Icelandic literature." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:2837907c-57c8-4438-8380-d5c8ba574efd.

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This thesis argues that the corpus of Old Norse-Icelandic literature which pertains to Iceland contains an intertextual narrative of the formation of Icelandic identity. An analysis of this narrative provides an opportunity to examine the relationship between literature and identity, as well as the potency of the artistic use of the idea of the past. The thesis identifies three salient narratives of communal action which inform the development of a discrete Icelandic identity, and which are examined in turn in the first three chapters of the thesis. The first is the landnám, the process of set
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19

Carlsen, Christian. "Old Norse visions of the afterlife." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:9b3b8518-912e-4425-8748-dea135e695d0.

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The nature of life after death is only tentatively sketched out in the canonical writings of the Christian Church, yet it represents one of the most prominent literary subjects in medieval Europe. The so-called Visiones represent a genre that enjoyed a particularly broad dissemination between the fourth and thirteenth centuries. This study aims to assess the impact of this Latin tradition on Norse-Icelandic authors and processes of cultural appropriation evident in medieval vernacular adaptations of the genre. The first chapter outlines the historical and theological conditions surrounding the
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20

King, Anne. "Old English ABCs : on the origins and development of the Old English orthographic system, and its relationship to Old English phonology." Thesis, University of Edinburgh, 1991. http://hdl.handle.net/1842/19902.

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In the opening Chapter of the thesis, various possible approaches to the reconstruction of Old English phonology are considered. Of the five types of approach normally employed, it is concluded that the limitations and drawbacks involved in using orthoepic, metrical, contact and comparative evidence, mean that only the fifth approach, that which makes use of the evidence of Old English spelling itself is direct and reliable enough to be used in the reconstruction of Old English phonology. An examination and critique of traditional approaches to the interpretation of Old English spelling data,
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21

Fekete, Denise M. "Pro-drop and verb-second : romance and germanic in Old French." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63760.

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22

Ohkado. "Clause structure in Old English." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2005. http://dare.uva.nl/document/78186.

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23

Cavill, Paul. "Maxims in Old English poetry." Thesis, University of Nottingham, 1996. http://eprints.nottingham.ac.uk/11063/.

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The focus of the thesis is on maxims and gnomes in Old English poetry, but the occasional occurrence of these forms of expression in Old English prose and in other Old Germanic literature is also given attention, particularly in the earlier chapters. Chapters 1 to 3 are general, investigating a wide range of material to see how and why maxims were used, then to define the forms, and distinguish them from proverbs. The conclusions of these chapters are that maxims are ‘nomic’, they organise experience in a conventional, authoritative fashion. They are also ‘proverbial’ in the sense of being rec
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24

Nykiel, Jerzy. "Expressing obligation in Old English." Doctoral thesis, Katowice : Uniwersytet Śląski, 2007. http://hdl.handle.net/20.500.12128/4949.

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Celem niniejszej monografii jest charakterystyka przymusu wyrażanego przy pomocy czasowników dostępnych w tekstach staroangielskich. Zagadnienie to naturalnie wpisuje się w rozważania na temat modalności, jej semantycznej natury i urzeczywistnienia w języku. Punktem wyjścia jest lokalizacja przymusu w teoriach modalności, wyodrębnienie czasowników będących przedmiotem badań oraz sprecyzowanie miarodajnej metody pozwalającej na porównanie przymusu charakterystycznego dla każdego z czasowników. Pojęcie PRZYMUSU, a raczej szersze pojęcie KONIECZNOŚCI, którego PRZYMUS jest integralną części
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25

Giofré, Valeria. "L'evoluzione del genitivo e di espressioni concorrenti da antico a medio inglese." Doctoral thesis, Università degli studi di Bergamo, 2019. http://hdl.handle.net/10446/128665.

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The purpose of this work is to investigate the evolution of genitive noun phrases (i.e. Genitive+Noun and Noun+Genitive structures, split genitives, his genitives and combined genitives) and their “analytic” equivalents (i.e. N+[of+N] structures) in some prose texts belonging to Old and Middle English. In the first part of the study, different aspects of the various synthetic structures are examined. Firstly the investigation of the alternation between G+N and N+G structures in Old English shows that the (in)animacy of the genitive referent is a more important factor than the relative morpho
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26

Sinar, Rebecca. "A history of English reflexives : from Old English into Early Modern English." Thesis, University of York, 2006. http://etheses.whiterose.ac.uk/11018/.

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Styles, Tania. "Old English semantics : problems of evidence." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285515.

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Mines, Rachel. "Kuhn's laws and Old English metre." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392199.

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Wolfe, Catherine Ann. "The audience of Old English literature." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/270452.

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30

Brown, Raymond David. "Apo koinou in Old English poetry /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487684245465626.

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Momma, H. "The composition of Old English poetry /." Cambridge [GB] : Cambridge university press, 1997. http://catalogue.bnf.fr/ark:/12148/cb366995688.

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32

Larrington, Carolyne. "Old Icelandic and Old English wisdom poetry : gnomic themes and styles." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304642.

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33

Clark, David. "Vengeance and the heroic ideal in Old English and Old Norse literature." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401257.

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34

Smith, Andrea Beth. "Old English words for Old Testament law : the evidence of the anonymous parts of the Old English Hexateuch and other literal translations of Latin." Thesis, University of Cambridge, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252651.

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35

Kitch, Sandra. "A comprehensive analysis of Old English breaking." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38538.pdf.

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36

Lynch, Clare. "Enigmatic diction in the Old English Exodus." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426467.

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Wyly, Bryan Weston. "Figurative diction in the Old English `Exodus'." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.627284.

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Steen, Janie. "Latin rhetoric and Old English poetic style." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406996.

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Pasicki, Adam. "Temporal adverbials in old and middle English /." Lublin : RW KUL, 1987. http://catalogue.bnf.fr/ark:/12148/cb357128543.

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Gerald, Amy. "Spinning a tale, English translations and adaptations of La belle au bois dormant from the Enlightenment to the Magic Kingdom." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ58455.pdf.

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41

Klein, Thomas Peter. "The coarser senses in Old English, a study of the Old English verbs of tasting, smelling, touching, and perceiving." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/NQ41449.pdf.

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42

Fishwick, Stephanie Joanne. "The representation of boundaries and borderlands in old English and old Norse literature." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543683.

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Missuno, Filip. "'Shadow' and paradoxes of darkness in Old English and Old Norse poetic language." Thesis, University of York, 2012. http://etheses.whiterose.ac.uk/3158/.

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This thesis confronts, explores, and attempts to meaningfully interpret a surprising nexus of stimulating cruces and paradoxes in Old English poetry and prose and Old Norse skaldic and Eddic poetry. The study focuses on the complex linguistic and literary manifestations of darkness, a complex and long-underestimated phenomenon for which the most appropriate term is ‘shadow’. Rather than operating with modern categories and traditional dichotomies (light/darkness), I attempt to approach the evidence on its own terms, working from the words, their collocations, and narrow contexts up to larger l
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Harris, Ruth L. "The meanings of Waste in Old and Middle English /." Thesis, Connect to this title online; UW restricted, 1989. http://hdl.handle.net/1773/9338.

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Sundmalm, Sara Maria. "The Syntactic Origin of Old English Sentence Adverbials." Thesis, Stockholm University, Department of English, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-42888.

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<p> </p><p>Languages rely on grammatical rules, by which even such variable constituents as adverbials are affected. However, due to the many different positions in Old English sentences taken up by adverbials, it is easy to wrongfully assume that there is an absence of grammatical rules regarding adverbials in Old English. Hence, it may be possible to detect patterns of behaviour among Old English adverbs if their different position and movement within various clauses is studied systematically. This paper has been focused on examining two conjunct adverbs, and two disjunct adverbs, functionin
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Hyer, Maren Clegg. "Textiles and textile imagery in Old English literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0013/NQ41444.pdf.

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Gameson, Fiona. "Anxiety, fear and misery in Old English verse." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358500.

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Teele, Elinor Bartlet. "The heroic tradition in the Old English Riddles." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614765.

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Brigatti, Federico. "The Old English Judith : sources, analysis and context." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340760.

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Monteverde, Margaret Pyne. "The patterning of history in Old English literature." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1241188005.

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