Relevant bibliographies by topics / Germany Drama

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Germany Drama'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Germany Drama.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Germany Drama"

Sharp, Jonathan. "Drama in SPRACHPRAXIS at a German University English Department: Practical Solutions to Pedagogical Challenges." Scenario: A Journal of Performative Teaching, Learning, Research VIII, no. 1 (2014): 19–35. http://dx.doi.org/10.33178/scenario.8.1.3.

Full text

Abstract:

This article describes the initial phase of incorporating drama-in-education classes into the practical language curriculum of a German university English department. It offers a brief overview of drama in (higher) education, before focusing on some recent developments in Germany and the UK: specifically the current increase of interest in Theaterpädagogik in Germany, and the incorporation of performative pedagogy in UK higher education, with the example of an initiative at the University of Warwick. The practical language curriculum of the University of Tübingen English Department, within whi

APA, Harvard, Vancouver, ISO, and other styles

Gamer, Michael. "National Supernaturalism: Joanna Baillie, Germany, and the Gothic Drama." Theatre Survey 38, no. 2 (1997): 49–88. http://dx.doi.org/10.1017/s0040557400002076.

Full text

Abstract:

As the most critically lauded dramatist of her time, Joanna Baillie recently has received considerable attention from critics interested in arguing that our neglect of Romantic drama has arisen from “conventional and mistaken assumptions about its strategies and principles.” In a recent issue of Wordsworth Circle devoted exclusively to Romantic drama, Baillie figures in three of its seven articles as a central dramatist of the period, while Jeffrey Cox devotes an entire section of his introduction in Seven Gothic Dramas 1789—1825 (1992) to her work. Even more recently, she has been the subject

APA, Harvard, Vancouver, ISO, and other styles

Duffy, Susan, and Bruce Zortman. "Hitler's Theatre: Ideological Drama in Nazi Germany." Theatre Journal 37, no. 2 (1985): 241. http://dx.doi.org/10.2307/3207084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Haynes, Michael. "Todesspieland the terrorist docu‐drama in Germany." German Politics 8, no. 3 (1999): 125–40. http://dx.doi.org/10.1080/09644009908404571.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Glajar, Valentina. "“What Is Your Price?”." Southeastern Europe 48, no. 1 (2024): 84–108. http://dx.doi.org/10.30965/18763332-48010005.

Full text

Abstract:

Abstract This article focuses on the Cold War operation “Retrieval,” a ransoming agreement between West Germany and communist Romania. It engages with the German and Romanian perspectives, as articulated in a volume of documents published by the National Council for the Study of the Securitate Archives (cnsas; 2011) and in one by Heinz Günther Hüsch (2016), the main West German intermediary. It elucidates how cultural representations of the ethnic German exodus from Romania contribute to the understanding of the diverging perspectives of the German and Romanian parties involved in the operatio

APA, Harvard, Vancouver, ISO, and other styles

Göksel, Eva, and Stefanie Giebert. "Notes on the third Drama in Education Days 2017." Scenario: A Journal of Performative Teaching, Learning, Research XI, no. 1 (2017): 117–20. http://dx.doi.org/10.33178/scenario.11.1.10.

Full text

Abstract:

After two successful conferences (2015 & 2016) at Reutlingen University, the third Drama in Education Days was held at Konstanz University of Applied Sciences, June 30th and July 1st, 2017. The bilingual (English/German) conference focuses on best practice and research in the field of drama and theatre in education in second and foreign language teaching, and is organised by Dr. Stefanie Giebert (Konstanz University of Applied Sciences, Germany) und MA Eva Göksel (Centre for Oral Communication, University of Teacher Education Zug, Switzerland). The two-day event caters to teachers, scholar

APA, Harvard, Vancouver, ISO, and other styles

Thomson, Aidan J. "‘Proficiscere, anima Christiana’: Gerontius and German Mysticism." Journal of the Royal Musical Association 138, no. 2 (2013): 275–312. http://dx.doi.org/10.1080/02690403.2013.830475.

Full text

Abstract:

ABSTRACTThe popularity in Britain of Elgar's The Dream of Gerontius was triggered by the successful reception of the work in Germany in December 1901 and May 1902. By examining some of the writings on Elgar by German critics in this period, I explain that what may particularly have appealed to German audiences was the composer's engagement with mysticism, something that as well as being a distinct strand of German theology since medieval times had acquired a new popularity among German artists in a number of fields, as part of a reaction to the materialism of Wilhelmine Germany. Through a read

APA, Harvard, Vancouver, ISO, and other styles

Heinrich, Anselm. "‘It is Germany where he Truly Lives’: Nazi Claims on Shakespearean Drama." New Theatre Quarterly 28, no. 3 (2012): 230–42. http://dx.doi.org/10.1017/s0266464x12000425.

Full text

Abstract:

That the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented, but recently theatre historians have claimed that their ‘success’ was rather limited. Instead, commentators have asserted that plays such as Othello, Antony and Cleopatra, and The Merchant of Venice offended National Socialist precepts and were sidelined. This article attempts a re-evaluation and shows that the effect of the Nazi claims on Shakespeare was substantial, and the official efforts that went into realizing these in productions were considerable. It is also argued that the Nazis established a

APA, Harvard, Vancouver, ISO, and other styles

Freeman, Sandra, Michael Jamieson, Christopher Murray, et al. "Reviews and notices." Moderna Språk 88, no. 1 (1994): 96–120. http://dx.doi.org/10.58221/mosp.v88i1.10120.

Full text

Abstract:

Includes the following reviews:pp. 96-97. Sandra Freeman. Griffiths, T.R. & Llewellyn, M. (eds.), British and Irish Women Dramatists Since 1958. pp. 97-98. Michael Jamieson. Esslin, M., Pinter the Playwright. pp. 98-100. Christopher Murray. Hodgson, T., Modern Drama: From Ibsen to Fugard. + Innes, C., Modern British Drama 1890-1990. pp. 100-103. Ulf Danatus. Russell, J.R., The Penguin Dictionary of the Theatre. + Wandor, M., Drama Today; A Critical Guide to British Drama. + Acheson, J. (ed.), British and Irish Drama since 1960. + Hilton, J. (ed.), New Directions in Theatr

APA, Harvard, Vancouver, ISO, and other styles

Seidensticker, Bernd. "Ancient Drama and Reception of Antiquity in the Theatre and Drama of the German Democratic Republic (GDR)." Keria: Studia Latina et Graeca 20, no. 3 (2018): 75–94. http://dx.doi.org/10.4312/keria.20.3.75-94.

Full text

Abstract:

Theatre in the German Democratic Republic was an essential part of the state propaganda machine and was strictly controlled by the cultural bureaucracy and by the party. Until the early sixties, ancient plays were rarely staged. In the sixties, classical Greek drama became officially recognised as part of cultural heritage. Directors free to stage the great classical playwrights selected ancient plays, on one hand, to escape the grim socialist reality, on the other to criticise it using various forms of Aesopian language. Two important dramatists and three examples of plays are presented and d

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Germany Drama"

Kennedy, Shane Michael. "Expressionist Art and Drama Before, During, and After the Weimar Republic." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.

Full text

Abstract:

Expressionism was the major literary and art form in Germany beginning in the early 20th century. It flourished before and during World War I and continued to be the dominant art for of the Early Weimar Republic. By 1924, Neue Sachlichkeit replaced Expressionism as the dominant art form in Germany. Many Expressionists claimed they were never truly apart of Expressionism. However, in the periodization and canonization many of these young artists are labeled as Expressionist. This thesis examines the periodization and canonization of Expression in art, drama, and film and proves that Expressioni

APA, Harvard, Vancouver, ISO, and other styles

Findlay, H. "The representation and function of angels in medieval German Easter and passion plays." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381869.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Waldmann, Elinor. "Frank Wedekinds Bismarck : deutschnationale Heldenverehrung oder Dokument subversiver Kritik /." Frankfurt am Main [u.a.] : Lang, 2005. http://www.loc.gov/catdir/toc/fy0716/2007468668.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Muirhead, Rachael. "Johann von Rist (1607-77) and the theory and performance of drama in seventeenth century Germany." Thesis, Durham University, 2015. http://etheses.dur.ac.uk/11227/.

Full text

Abstract:

Receiving Rist’s theatre – a literary-historical challenge A claim in Die AllerEdelste Belustigung Kunsst- und Tugenliebender Gemüther (1666) indicates that Rist may have composed as many as 30 dramas. There are now only five dramatic works attributed to him: Irenaromachia (1630), Perseus (1634), Das Friedewünschende Teutschland (1647), Das Friedejauchtzende Teutschland (1653), Depositio Cornuti Typographici. The best estimate claims that only a further two had been published, a Herodes and a Wallenstein. The others have since been lost, perhaps even destroyed during Rist’s lifetime as his hom

APA, Harvard, Vancouver, ISO, and other styles

Schor, Ruth. "Eine alltägliche Tätigkeit : performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:f182a548-e450-4efa-a3a0-478461d44ab6.

Full text

Abstract:

This dissertation situates late nineteenth-century Berlin's reception of naturalist drama in contemporary discourse about European modernism, which to date has disregarded the significant impact of this cultural environment. Examining the Berlin avant-garde's demand for "truth" and "authenticity," this study highlights its legacy of promoting more honest and dynamic forms of human interaction. Sketching the historical background, Chapter 1 demonstrates how the reception of Henrik Ibsen in Berlin fuelled creative strategies for a more honest approach to theatre. From literary matinees to more e

APA, Harvard, Vancouver, ISO, and other styles

Georgiou, Michalis. ""Digital Theatre" and "Cyber Theatre" in Drama Education at School : A study of 2 performance projects at a High-school in Eberswalde, Germany." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-105834.

Full text

Abstract:

The aim of this study is to highlight: 1. how the introduction of new technologies in Drama Education at school can renew the context in which performance projects take place and 2. how the constraints imposed by a pandemic, such as those caused by COVID-19, can be overcome through cybertheatre. The phenomenological method is used to analyze a digital and a cyberperformance project, as theatre is an event that takes place between its creators and its spectators. With the use of digital tools in school performances a new experience emerges for students and spectators, as the "living" actor is c

APA, Harvard, Vancouver, ISO, and other styles

Heuer, Imke. "'The German's tale' : German history, English drama and the politics of adaptation." Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/14111/.

Full text

Abstract:

This thesis investigates the adaptation history of Harriet Lee's novella 'Kruitzner, or The German's Tale' (1801). Published in The Canterbury Tales, a collection of novellas by Harriet Lee and her sister Sophia, 'Kruitzner' is now largely remembered as the source of Byron's tragedy Werner (1822) . However, in addition to Werner, the story was incarnated as a closet drama (1802) by Georgiana, Duchess of Devonshire, in collaboration with her sister Harriet, Countess of Bessbororough; a stage play by Lee herself (1825), and a stage adaptation of Werner by William Charles Macready (1830).

APA, Harvard, Vancouver, ISO, and other styles

Koszta, Cindy A. "The hero in German revolutionary drama." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/MQ52096.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Jefferis, Sibylle Anna Bierhals. "Ein spätmittelalterliches Katharinenspiel aus dem Cod. Ger. 4 der University of Pennsylvania Text und Studien zu seiner legendengeschichtlichen Einordnung /." Göppingen : Kümmerle, 2007. http://books.google.com/books?id=PO5lAAAAMAAJ.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Weiss-Schletterer, Daniela. "Das Laster des Lachens ein Beitrag zur Genese der Ernsthaftigkeit im deutschen Bürgertum des 18. Jahrhunderts /." Wien : Böhlau, 2005. http://catalog.hathitrust.org/api/volumes/oclc/61488343.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Germany Drama"

Krauß, Florian. Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Kurz, Gerhard. The great drama: Germany and the French revolution. Inter Nationes, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Stern, Fritz Richard. Dreams and delusions: The drama of German history. Vintage Books, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

McKenzie, John R. P. Social comedy in Austria and Germany 1890-1933. P. Lang, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Groffmann, Anne Claire. Das unvollendete Drama: Jugend- und Skinheadgruppen im Vereinigungsprozess. Leske + Budrich, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Stern, Fritz Richard. Dreams and delusions: The drama of German history. Knopf, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Denise, Varney, ed. Theatre in the Berlin Republic: German drama since reunification. P. Lang, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Böll, Heinrich, Alexander Kluge, Wolfgang Baechler, and Eberhard Junkersdorf. Deutschland im Herbst: Germany in autumn. Facets Video, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Uwe, Japp, Scherer Stefan, and Stockinger Claudia, eds. Das romantische Drama: Produktive Synthese zwischen Tradition und Innovation. Niemeyer, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

John, David Gethin. The German Nachspiel in the eighteenth century. University of Toronto Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Germany Drama"

Krauß, Florian. "Contents and Forms of German TV Drama: Aesthetic and Narrative Styles and Criticisms." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_7.

Full text

Abstract:

AbstractThis chapter explores how the television professionals discussed the state of German television fiction, including its contents and forms. The chapter first describes how the TV creators, on the basis of their estimations of quality TV, critically dealt with current television fiction from Germany. The comparison with production from other countries also played a role. The chapter’s second part looks more closely at the practitioners’ criticism of contemporary quality drama projects from Germany. Finally, the third part shows how the producers dealt with German television history in th

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Germany’s Television Landscape: Actors and Production Areas." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_4.

Full text

Abstract:

AbstractThis chapter begins the actual investigation of German television drama, starting with an introduction to its structures. It describes production areas and central players by focusing on programme commissioners—a role that, like that of the commissioning editor, has diversified considerably since the 2010s, due to pay TV and streaming services beginning to produce German TV series. The second part of the chapter focuses on production companies. These are a very decisive factor in television drama production in Germany, since they, and not the broadcasters themselves, are who generally

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "To Be Continued: Conclusion and Outlook." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_9.

Full text

Abstract:

AbstractThe concluding chapter highlights the broader transformation processes of television against which practitioners have negotiated the quality TV drama in Germany and its storytelling and screenwriting practices. Linked to the multiplication and expansion of the television landscape (in and beyond Germany), this final chapter addresses changes in distribution, in programmes, in production methods and especially in screenwriting as well as reception. The interviewed and observed TV practitioners repeatedly dealt with the socialisation of viewers in Germany, which is manifesting in increas

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Introduction." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_1.

Full text

Abstract:

AbstractThe introduction establishes the central research question: How have television professionals in Germany negotiated the so-called quality TV drama from 2015 to the present (2024)? The central hypothesis is that practitioners have adapted quality TV drama from the US into a national context and, through this concept, have dealt with recent broader transformations of television and the local television industry. The introduction places practitioners’ discourse on quality TV drama and its writing and storytelling in the context of recent television history in Germany. Subsequently, the in

APA, Harvard, Vancouver, ISO, and other styles

Eichner, Susanne. "Crime Scene Germany." In European Television Crime Drama and Beyond. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96887-2_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Quality TV and Its Production Cultures: Negotiations on Writing and Producing." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_8.

Full text

Abstract:

AbstractThis chapter is fundamentally concerned with production cultures as a central object of the industry discourse on quality drama, and it focuses in particular on screenwriting. The practitioners considered this early phase to be a cornerstone of quality and discussed deficits in this regard. First, chapter 8 discusses the economic framework conditions of screenwriting. Subsequently, it elaborates on how producers negotiated the writers’ room and describes writers’ room practices in the German industry, including obstacles posed by its production cultures. The third part of the chapter f

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Drama Production in Networks: Starting Points, Methods and First Results." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_3.

Full text

Abstract:

AbstractThis chapter explains the two concepts of “project network” and “screen idea work group”, which form a central basis for the investigation of Germany’s television practitioners. The methodology employed builds on these two models, especially because the study includes interviews conducted with members of such screenwriting and production networks. In addition to the expert interview method, that of participant observation is presented in more detail. Subsequently, this chapter discusses the analysis and interpretation of the data obtained. Here, the project network and the screen idea

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Financing and Distributing Television Drama: Economic Networks." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_5.

Full text

Abstract:

AbstractThis chapter follows on from Chapter 4’s overview of current broadcasters and platforms by first explaining the networks they form to finance and distribute series. The second part goes into more detail on approaches to transnational co-productionand co-financing, which have gained new momentum within Europe since the 2010s, but which practitioners also regard as a challenge for screenwriting and storytelling. This chapter also deals with opportunities and challenges by taking a closer look at the economic interplay between the commissioning broadcaster or platform and the production c

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Quality Drama as Transnational Expansion: Exports and Local Specifics." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_6.

Full text

Abstract:

AbstractThis chapter analyses how practitioners are negotiating the transnational expansion of German television fiction and its industry in their discussions on quality TV. In doing so, this chapter takes into account local aspects and particularities that accompany processes of globalisation and transnationalisation in the sense of “glocalisation”. The chapter’s second part specifically deals with negotiations on series exports, which historically have taken place sporadically in the German context but for which, today, a larger number of licensees in different countries and territories are

APA, Harvard, Vancouver, ISO, and other styles

Krauß, Florian. "Quality TV Drama: Fields of Research and Practitioners’ Perspectives." In Television Drama from Germany. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60622-9_2.

Full text

Abstract:

AbstractThis chapter goes into more detail about the term “quality TV drama” and the related field of research, dealing with the connection between television and quality. In addition to discussing the well-known quality TV criteria according to Robert J. Thompson (1996), to which a number of analyses link, this chapter identifies gaps in quality TV research as well as other contexts, which have mostly arisen through the single-minded attention on US series. German and public-service television fiction represent different contexts through which these gaps can be addressed. The chapter then exp

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Germany Drama"

COMAN, George Ștefan. "German Post-Wagnerian Opera. Richard Strauss." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0006.

Full text

Abstract:

Richard Wagner’s scenic creations are considered the pinnacle of the genre in the 19th century for their technical-vocal difficulty, coupled with the need for endurance acquired over time through proper study, as well as a turning point in the entire history of music, for their innovative visions and impact on subsequent composers. Convinced of Wagner’s influence on the European cultural music scene, the second stage of the research focused on the composers who appeared in the German-Austrian area, particularly in the first decades of the 20th century, and who produced countless masterpieces,

APA, Harvard, Vancouver, ISO, and other styles

Butusova, Yu A. "PERVYY PEREVOD I POSTANOVKA DRAMY M. GOR'KOGO «NA DNE» V GERMANII." In NEMETSKIY YAZYK V SOVREMENNOM MIRE: ISSLEDOVANIYA STATUSA I KORPUSA I VOPROSY METODIKI PREPODAVANIYA. Publishing House of Tomsk state University, 2019. http://dx.doi.org/10.17223/9785946218740/32.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Harahap, Ahmad. "Short Story Development of Der Gegenwart Prosa For German Drama Manuscript Using Adjacency Pair Model: (Social Science and Humaniora)." In Proceedings of The 5th Annual International Seminar on Trends in Science and Science Education, AISTSSE 2018, 18-19 October 2018, Medan, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.18-10-2018.2287414.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Yuhan, N. L. "PROJECTION OF PSYCHOANALYTIC CONCEPTS AND PSYCHODRAMA IN CONTEMPORARY GERMAN DRAMA: N.-M. STOCKMANN’S PLAY “THE SHIP WILL NOT COME” IN THE INTERTEXTUAL CONTEXT." In MODERN PHILOLOGY: THEORY, HISTORY, METHODOLOGY. PART 1. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-425-2-11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!