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Relevant bibliographies by topics / Giovanni d'

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Academic literature on the topic 'Giovanni d''

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Giovanni d'"

1

Dessaux, Pierre-Antoine. "Clin d'?il. De don Patillo à Giovanni Panzani." Entreprises et histoire 44, no. 3 (2006): 113. http://dx.doi.org/10.3917/eh.044.0113.

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Lorch, Marjorie Perlman, and Willem J. M. Levelt. "Advanced Psycholinguistics: A Bressanone Retrospective for Giovanni D. Flores d'Arcais." Language 74, no. 3 (1998): 654. http://dx.doi.org/10.2307/417814.

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Maze, Daniel Wallace. "Giovanni Bellini: Birth, Parentage, and Independence*." Renaissance Quarterly 66, no. 3 (2013): 783–823. http://dx.doi.org/10.1086/673583.

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AbstractA number of longstanding questions have surrounded the early life of the fifteenth-century Venetian artist Giovanni Bellini (d. 1516), generally believed to have been the son of Jacopo Bellini (ca. 1400–70/71) and the younger brother of Gentile Bellini (1429/35–1507). The artist’s year of birth and the legitimacy of his birth have been the subjects of debate for well over a century. By reevaluating Bellini-related legal documents under the relevant fifteenth-century Venetian civil laws, this article makes a case that Giovanni Bellini was not Jacopo Bellini’s son, but rather his half-br

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4

Traficante (book author), Antonio, and Massimo Verdicchio (review author). "D. H. Lawrence’s Italian Travel Literature and Translations of Giovanni Verga." Quaderni d'italianistica 29, no. 1 (2008): 204–6. http://dx.doi.org/10.33137/q.i..v29i1.8509.

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Vulić, Boris. "La mediazione salvifica della Madre di Dio." Diacovensia 28, no. 2 (2020): 205–20. http://dx.doi.org/10.31823/d.28.2.4.

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Nell’enciclica Redemptoris Mater (1987) di san Giovanni Paolo II il concetto di mediazione (salvifica) di Maria Madre di Dio ripreso dalla teologia preconciliare, viene reintrodotto, e illuminato dall’insegnamento del Concilio Vaticano II, confermato nella sua validità e così diventa un termine teologico forte, nella misura in cui l’accento dato al suo carattere materno, messo in primo piano, gli fa ritrovare il suo vero valore. La mediazione (salvifica) di Maria viene, quindi, definita e letta prima di tutto come mediazione materna, perché la maternità di Maria costituisce la prima e fondamen

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6

Wiermann, Barbara. "Bach und Palestrina. Neue Quellen aus Johann Sebastian Bachs Notenbibliothek." Bach-Jahrbuch 88 (March 9, 2018): 9–28. http://dx.doi.org/10.13141/bjb.v20021739.

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Johann Sebastian Bachs Interesse an der Musik Giovanni Pierluigi da Palestrinas war bisher nur durch einen Stimmensatz von Palestrinas <Missa sine nomine> aus Bachs Besitz belegt (D-B, Mus. ms. 16714). Ein kaum beachteter Stimmensatz aus den Beständen der Singakademie zu Berlin (Palestrina, 'Missa Ecce sacerdos magnus'; D-Bsak SA 424, geschrieben von Johann Christoph Altnickol und Bach) dokumentiert, dass Bach in den 1740er Jahren die Aufführungen mehrerer Palestrina-Messen andachte. Eine bisher unbekannte Partitur mit einzelnen Sätzen aus sechs Messen Palestrinas belegt, dass Bach sich

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Lorch, Marjorie Perlman. "Advanced psycholinguistics: A Bressanone retrospective for Giovanni D. Flores d'Arcais ed. by Willem J. M. Levelt." Language 74, no. 3 (1998): 654–55. http://dx.doi.org/10.1353/lan.1998.0053.

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8

Vandi, Loretta. "Dalla biblioteca di Giovanni Marco da Rimini, il manoscritto Galenico D XXV 2 della Malatestiana di Cesena." Scriptorium 51, no. 2 (1997): 316–28. http://dx.doi.org/10.3406/scrip.1997.1811.

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Kohl, Benjamin-G. "Readers and Owners of an Early Work of Giovanni Conversini da Ravenna : Oxford, New College, MS D. 155." Scriptorium 40, no. 1 (1986): 95–100. http://dx.doi.org/10.3406/scrip.1986.1431.

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Bentz, Katherine M. "The Afterlife of the Cesi Garden." Journal of the Society of Architectural Historians 72, no. 2 (2013): 134–65. http://dx.doi.org/10.1525/jsah.2013.72.2.134.

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One of the most celebrated gardens in early modern Rome was built by Cardinal Federico Cesi (d. 1565) near St. Peter’s Basilica. Earlier studies of the site have concentrated on the famous sixteenth-century antiquities collection displayed in the garden. The Afterlife of the Cesi Garden: Family Identity, Politics, and Memory in Early Modern Rome shifts the scholarly focus to also examine the changing appearance, functions, and the broader social, political, and economic significance of the garden for the Cesi family and for the city of Rome over the course of the seventeenth and eighteenth cen

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Dissertations / Theses on the topic "Giovanni d'"

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Guida, Giovanni [Verfasser]. "Cäsarius von Terracina, Texte und Illustrationen von Giovanni Guida, Übersetzung von Matthias Schnegg, Köln, 2021 / Giovanni Guida." Cesa : Giovanni Guida, 2021. http://d-nb.info/1236027736/34.

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2

Thiede, Tobias [Verfasser], Giovanni [Akademischer Betreuer] Bruno, Giovanni [Gutachter] Bruno, Christoph [Gutachter] Genzel, and Simone [Gutachter] Carmignato. "A multiscale analysis of additively manufactured lattice structures / Tobias Thiede ; Gutachter: Giovanni Bruno, Christoph Genzel, Simone Carmignato ; Betreuer: Giovanni Bruno." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1219515442/34.

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3

Amendola, Nadia [Verfasser]. "La poesia di Giovanni Pietro Monesio, Giovanni Lotti e Lelio Orsini nella cantata da camera del XVII secolo / Nadia Amendola." Mainz : Universitätsbibliothek Mainz, 2017. http://d-nb.info/1162637811/34.

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4

Guida, Giovanni [Verfasser]. "Grattage und Frottage, Phänomenologie der surrealistischen Maltechnik, Texte und Kunstwerk von Giovanni Guida, Übersetzung von Milena Bergmann, Aschaffenburg, 2021 / Giovanni Guida." Cesa : Giovanni Guida, 2021. http://d-nb.info/1236093968/34.

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Guida, Giovanni [Verfasser]. "Grattage und Frottage, Phänomenologie der surrealistischen Maltechnik, Texte und Kunstwerk von Giovanni Guida, Übersetzung von Milena Bergman, Aschaffenburg, 2021 / Giovanni Guida." Cesa : Giovanni Guida, 2021. http://d-nb.info/1236231384/34.

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Mattarolo, Giovanni [Verfasser]. "Development and Modelling of a Thermophotovoltaic System / Giovanni Mattarolo." Kassel : Kassel University Press, 2007. http://d-nb.info/1006619496/34.

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Storz, Otto-Hermann. "Die persische Karte venezianisch-persische Beziehungen um 1500 ; Reiseberichte venezianischer Persienreisender." Berlin Münster Lit, 2008. http://d-nb.info/994680732/04.

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Ingrassia, Giovanni Filippo Ellert Christin. ""Quod veterinaria medicina formaliter una eademq" (Venedig 1568) Johannes Philippo Ingrassias' Renaissance-Konzept der Tierheilkunde ; deutsche Übersetzung und fachhistorische Erschliessung." Göttingen Sierke, 2009. http://d-nb.info/998310778/04.

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9

Weiss, Johannes. "Giovanni Benedetto Platti: Offertorium "Benedicite" Untersuchung des historischen Umfelds des Manuskripts aus der Pfarrei Ebrach und Erstellen einer praktischen Ausgabe." Norderstedt Books on Demand GmbH, 2001. http://d-nb.info/998499269/04.

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Kristiansen, Anne James. "Giovanni Bellini's "The Blood of the Redeemer" : a public image for a private patron." Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28094.

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Giovanni Bellini's The Blood of the Redeemer has been traditionally approached in terms of its style and iconography. The two separate lines of investigation have shown the painting to be a complex image that participates in the traditions of both private and public Christ imagery. This thesis will focus on the painting with regard to both the function that it served and the Venetian context in which it was produced. The purpose of the study will be to show the work as a private devotional painting in which the public Christ type has been adapted to fulfill the needs of contemporary Venetian m

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Books on the topic "Giovanni d'"

1

Amadeus, Mozart Wolfgang. Il dissoluto punito, o sia il D. Giovanni: Dramma giocoso in due atti : da rappresentarsi nel teatro di Praga l'anno 1787. Sekretariát mezinárodního hudebního festivalu, 1987.

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2

I glaub, Euch lauft die ganze Welt in d' Kling: Don Giovanni als Hanswurstiade : drei süddeutsche Puppenspieltexte des 18. Jahrhunderts : Neudruck nach J. Scheibles Das Kloster, Stuttgart 1846. Lehner, 2004.

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3

1749-1838, Da Ponte Lorenzo, Stavovské divadlo (Prague, Czech Republic), and Národní divadlo v. Praze, eds. Il dissoluto punito, o sia, Il D. Giovanni. Estates Theatre, 1991.

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4

D. H. Lawrence's Italian Travel Literature and Translations of Giovanni Verga: A Bakhtinian Reading. Peter Lang Publishing, 2007.

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5

Viotti, Giovanni Battista. Giovanni Battista Viotti (1755-1824: Concerto No. 24 in d Major for Violin and Piano. Alfred Publishing Company, 2000.

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6

The Liturgy of Love: Images from the Song of Songs in the Art of Cimabue, Michelangelo, and Rembrandt (Franklin D. Murphy Lectures XIV). Spencer Museum of Art University of Kansas, 2002.

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7

Salinger, J. D. Il Giovane Holden. Einaudi, 2003.

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Book chapters on the topic "Giovanni d'"

1

Holtz, Sabine. "Bonaventura (d. i. Giovanni di Fidanza)." In Metzler Philosophen Lexikon. J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_51.

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2

Gänzl, Kurt. "BELLETTI, Giovanni Battista (b Sarzana, Liguria, 17 February ?1813; d Sarzana, 27 December 1890)." In Victorian Vocalists. Routledge, 2017. http://dx.doi.org/10.4324/9781315102962-7.

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3

Tucci, Grazia, Alessandro Conti, and Lidia Fiorini. "3-D Survey and Structural Modelling: The Case of the San Giovanni Baptistery in Florence." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01762-0_23.

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4

Gänzl, Kurt. "VITELLI, Giovanni [WHITTLE, John] (b Spitalfields Market, London, bap 14 August 1825; d in the street, Richmond, Victoria, 20 April 1859)." In Victorian Vocalists. Routledge, 2017. http://dx.doi.org/10.4324/9781315102962-98.

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5

Gänzl, Kurt. "CARADORI, Anna Giovanna [ZANYNGA, Anna] (b Pest, c 1812; d 49 Great Ormond Street, Holborn, London, 18 December 1889)." In Victorian Vocalists. Routledge, 2017. http://dx.doi.org/10.4324/9781315102962-17.

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6

"D." In Dictionary of Italian-Turkish Language (1641) by Giovanni Molino. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110685039-015.

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7

"Appendix D. Benefices Of Giovanni Gaetano Orsini." In Angelus Pacis: The Legation of Cardinal Giovanni Gaetano Orsini, 1326-1334. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004153936.i-249.18.

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8

Michelucci, Stefania. "Translation." In The Edinburgh Companion to D. H. Lawrence and the Arts. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474456623.003.0007.

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This chapter discusses D. H. Lawrence and his art of translation. After an introductory paragraph on Lawrence’s use of foreign languages to represent the otherness of the reality observed in his works, the chapter examines how he thought creatively in more than one language. Selective examples include German translations of poems originally composed in Arabic and rewritings of Russian literary texts translated into English by S. S. Koteliansky. A detailed discussion of Lawrence’s translation of Giovanni Verga’s Mastro Don Gesualdo and Little Novels of Sicily follows, with particular attention paid to his insight into Verga’s extraordinary but difficult Sicilian language. Lawrence did not use a particular English dialect. Rather he created a new idiom to convey the orality and the physicality of Verga’s language free from any local specificity in English. Lawrence’s translations reflect the creativity of an artist who was constantly open to literary experiments which were rooted in a deep knowledge of other cultures, the transmission and sharing of which he always perceived as a never-ending enrichment of his own.

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9

Taber, Douglass F. "Arrays of Stereogenic Centers: The Barker Synthesis of (+)-Galbelgin." In Organic Synthesis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780190200794.003.0043.

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Gang Zhao of the Shanghai Institute of Organic Chemistry and Gang Zou of the East China University of Science and Technology devised (Adv. Synth. Catal. 2011, 353, 3129) an elegant catalyst for the direct enantioselective epoxidation of a simple acyclic enone 1. Ismail Ibrahem and Armando Córdova of Mid Sweden University and Stockholm University prepared (Adv. Synth. Catal. 2011, 353, 3114) 6 by combining three catalysts to effect the enantioselective addition of 5 to 4. Giovanni Casiraghi and Franca Zanardi of the Università degli Studi di Parma used (J. Org. Chem. 2011, 76, 10291) a silver catalyst to mediate the addition of 8 to 7 to give 9. Keiji Maruoka of Kyoto University condensed (Nature Chem. 2011, 3, 642) the diazo ester 10 with an aldehyde 4, leading, after reduction of the initial adduct and protection, to the diamine 11. Christoph Schneider of the Universität Leipzig effected (Synthesis 2011, 4050) the vinylogous addition of 13 to an imine 12, setting both stereogenic centers of 14. In the course of the coupling of 16 with the diol 15, Michael J. Krische of the University of Texas established (J. Am. Chem. Soc. 2011, 133, 12795) four new stereogenic centers. By adding (Chem. Commun. 2011, 47, 10557) an α-nitro ester 18 to the maleimide 19, Professor Maruoka established both the alkylated secondary center and the N-substituted quaternary center of 20. Srinivas Hotha of the Indian Institute of Science Education & Research and Torsten Linker of the University of Potsdam showed (Chem. Commun. 2011, 47, 10434) that the readily prepared lactone 21 could be opened to 23 without disturbing the stereogenic center adjacent to the carbonyls. Allan D. Headley and Bukuo Ni of Texas A&M University-Commerce devised (Synthesis 2011, 1993) a recyclable catalyst for the addition of an aldehyde 7 to a nitroalkene 24 in water to give 25. Alexandre Alexakis of the University of Geneva effected (Chem. Commun. 2011, 47, 7212) the triply convergent coupling of 26, 27, and 28 to give 29 as a single dominant diastereomer.

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Doyno, Mary Harvey. "Classifying Laywomen." In The Lay Saint. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501740206.003.0005.

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This chapter examines female lay saints, looking at the cults of Ubaldesca of Calcinaia (d. 1205) and Rose of Viterbo (d. 1251). The comparison between Ubaldesca's and Rose's conversion stories, as well as the trajectories of their cults, illustrates that what mattered most in the creation of the cult of the female lay saint in communal Italy was institutional affiliation and identity. Rose's early cult did not take off precisely because she did not have the institutional affiliation critical for the cults of female lay saints in the thirteenth and early fourteenth centuries. She was not a conversa or lay associate of an established monastic house; nor was she a lay penitent whom the mendicant friars were interested in cultivating. Thus, Alexander IV's translation of Rose's body was more likely an effort to appease the Viterban Poor Clares who were concerned about the competition Rose's cult could potentially present for their own house, rather than evidence that the papacy was working to promote Rose's memory and reputation. In contrast, Ubaldesca's identity as a lay associate of S. Giovannino and Frate Dotto's early patronage offered her cult institutional as well as male legitimacy.

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Conference papers on the topic "Giovanni d'"

1

Baratin, Laura, Alessandra Cattaneo, and Elvio Moretti. "Porta Valbona a Urbino: la sua rappresentazione tra storia e restauro." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11401.

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Porta Valbona in Urbino: its representation between history and restorationThe Porta Valbona study is part of a complex project of conservation and valorisation of the defensive walls of Urbino that the research group, of the School of Conservation and Restoration of the University of Urbino Carlo Bo, has developed in recent years. Built in 1621 it is the most important gate of the city both because it is connected to Via Mazzini, one of the main streets of the historic centre, and for its spectacular architectural appearance created for the wedding of Prince Federico Ubaldo della Rovere with

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