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Books on the topic 'Glyptics'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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1

Samsonia, Nino. Šuamdinaruli gliptika: Mesopotamian glyptic. Tʻbilisis universitetis gamomcʻemloba, 2008.

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2

Albert, Molayem, ed. Archeogem mologia: Pietre antiche, glittica, magia e litoterapia. La Meridiana, 1990.

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3

Werner, Peter. Die Glyptik. Saarbrücker Druckerei und Verlag, 2004.

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4

Martinčeková-Šimerová, Ester. Kamey. Vydavatel̕stvo Matice slovenskej, 1998.

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5

Pʻiliposyan, A. S. Haykakan leṛnashkharhi knikʻnerě hin arevelkʻi knkʻagortsutʻyan hamakargum. Arame, 1998.

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6

Parni︠u︡k, T. V. Anatoliĭ Zhukov. Izd-vo AMB, 2006.

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7

1988), Colloque international de glyptographie de Samoëns (6th. Actes du VIe Colloque international de glyptographie de Samoëns: 5-10 juillet 1988. Editions de la Taille d'Aulme, 1989.

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8

Müller, Bernd. Johann Michael Scharff: Steinschneider und Medailleur. Bernd Müller, 2001.

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9

Franke-Vogt, Ute. Die Glyptik aus Mohenjo-Daro: Uniformität und Variabilität in der Induskultur : Untersuchungen zur Typologie, Ikonographie und räumlichen Verteilung. Zabern, 1991.

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10

Wickede, Alwo von. Prähistorische Stempelglyptik in Vorderasien. Profil Verlag, 1990.

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11

Dirk, Syndram, Achilles-Syndram Katrin, and Kunstgewerbesammlung-Stiftung Huelsmann, eds. Naturschätze, Kunstschätze: Vom organischen und mineralischen Naturprodukt zum Kunstobjekt. KunstgewerbeSammlung/Stiftung Huelsmann, 1991.

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12

Matthews, Donald M. Principles of composition in Near Eastern glyptic of the later second millennium B. C. Universitätsverlag, 1990.

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13

Volkmar, Enderlein, and Staatliche Museen zu Berlin (Germany : East), eds. Das Siegel im Altertum: Gebrauchsgegenstand und Kunstwerk : Staatliche Museen zu Berlin, Ägyptisches Museum, Islamisches Museum, Antikenmuseum, Vorderasiatisches Museum. Die Museen, 1986.

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14

Dittmar, Machule, ed. Die Ausgrabungen in Tall Munbāqa--Ekalte. Saarbrücker Druckerei und Verlag, 1998.

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15

Haussperger, Martha. Die Einführungsszene: Entwicklung eines mesopotamischen Motivs von der altakkadischen bis zum Ende der altbabylonischen Zeit. Profil Verlag, 1991.

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16

Kunstmuseum, Universität Bonn Akademisches, ed. Siegel und Abdruck: Antike Gemmen in Bonn : 130 ausgewählte Stücke : Akademisches Kunstmuseum-Antikensammlung der Universität Bonn, Sonderausstellung vom 18. September 2002 bis 31. Januar 2003. Akademisches Kunstmuseum-Antikensammlung, 2002.

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17

Colbow, Gudrun. Die spätaltbabylonische Glyptik Südbabyloniens. Profil Verlag, 1995.

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18

Herbordt, Suzanne. Neuassyrische Glyptik des 8.-7. Jh. v. Chr.: Unter besonderer Berücksichtigung der Siegelungen auf Tafeln und Tonverschlüssen. The Neo-Assyrian Text Corpus Project, 1992.

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19

Mora, Clelia. La glittica anatolica del II millennio A.C.: Classificazione tipologica. G. Iuculano, 1987.

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20

Pittman, Holly. The glazed steatite glyptic style: The structure and function of an image system in the administration of protoliterate Mesopotamia. D. Reimer, 1994.

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21

1908-, Güterbock Hans Gustav, ed. Glyptik aus dem Stadtgebiet von Boǧazköy: Grabungskampagnen 1931-1939, 1952-1978. Mann, 1987.

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22

G, Younger John. Bronze Age Aegean seals in their middle phase (ca. 1700-1550 B.C.). P. Åströms, 1993.

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23

Salje, Beate. Der " Common Style" der Mitanni-Glyptik und die Glyptik der Levante und Zyperns in der späten Bronzezeit. P. v. Zabern, 1990.

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24

Sabine, Böhme, and Keel Othmar 1937-, eds. Die neuassyrische Glyptik aus Assur. Harrassowitz, 2014.

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25

Content, Derek J. Glyptic arts-- ancient jewelry: An annotated bibliography. Crow Hill, 1985.

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26

Colloque international de glyptographie d'Hoepertingen (8th Hoepertingen, Belgium 1992). Actes du VIIIe Colloque international de glyptographie d'Hoepergingen: 26/6-4/7/1992 : EUREGIO. Centre international de recherches glyptographiques, 1993.

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27

Mazzoni, Stefania. Le impronte su giara eblaite e siriane nel bronzo antico. Missione archeologica italiana in Siria, 1992.

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28

Colloque international de glyptographie de Rochefort-sur-Mer. (7th 1990). Actes du VIIe Colloque international de glyptographie de Rochefort-sur-Mer: 3-8 juillet 1990. Centre international de la mer, 1991.

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29

Otto, Adelheid. Die Entstehung und Entwicklung der klassisch-syrischen Glyptik. De Gruyter, 2000.

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30

Civitillo, Matilde. La scrittura geroglifica minoica sui sigilli: Il messaggio della glittica protopalaziale. Fabrizio Serra editore, 2016.

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31

Younger, John G. A bibliography for Aegean glyptic in the Bronze Age. Gebr. Mann Verlag, 1991.

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32

Eder, Christian. Die ägyptischen Motive in der Glyptik des östlichen Mittelmeerraumes zu Anfang des 2 Jts. v. Chr. Peeters, 1995.

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33

Nestorović, Aleksandra. Images of the world engraved in jewels: Roman gems from Slovenia. Narodni muzej Slovenije, 2005.

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34

Śliwa, Joachim. Magical gems from the collection of Constantine Schmidt-Ciążyński and from other Polish collections. 2nd ed. Archeobooks, 2014.

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35

Xornadas, Internacionais de Gliptografía (1993 Noya Spain). Actas das Xornadas Internacionais de Gliptografía: Marcas en Pedra, celebradas do 12 ó 15 de agosto de 1993. Dirección Xeral de Patrimonio, Consellería de Cultura, 1993.

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36

(Russia), Gosudarstvennyĭ Ėrmitazh, ed. Britanskai︠a︡ gliptika XIV-XX vekov: Katalog kollekt︠s︡ii. Izdatelʹstvo Gosudarstvennogo Ėrmitazha, 2015.

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37

Colloque international de glyptographie de Belley (9th 1994). Actes du IXe Colloque international de glyptographie de Belley: 5 au 9 juillet 1994. Editions de la Taille d'Aulme, 1995.

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38

Guilmin, Christian. Catalogue des scarabées & scaraboïdes: Collection C. Guilmin. ANIMA, 1992.

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39

Marcus, Michelle I. Emblems of identity and prestige: The seals and sealings from Hasanlu, Iran : commentary and catalog. University Museum, University of Pennsylvania, 1996.

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40

Museo civico archeologico di Bologna. Les scarabées à noms royaux du Museo civico archeologico de Bologna. Comune di Bologna, 1993.

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41

Museo civico archeologico di Bologna. Les scarabées à noms royaux du Museo civico archeologico de Bologna. Comune di Bologna, 1993.

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42

Wolfgang, Oberleitner, Langthaler Gerhart, and Kunsthistorisches Museum Wien, eds. Geschnittene Steine: die Prunkkameen der Wiener Antikensammlung. H. Böhlaus, 1985.

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43

Gesztelyi, Tamás. Vésett ékkövek Pannoniában. Enciklopédia, 1998.

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44

González-Palacios, Alvar. Las colecciones reales españolas de mosaicos y piedras duras. Museo Nacional del Prado, 2001.

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45

Tassinari, Gabriella. Le pitture delle Antichità di Ercolano nelle gemme del XVIII e XIX secolo: The paintings of the Antichità di Ercolano in 18th and 19th century Gem-Carving. Associazione internazionale amici di Pompei, 2015.

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46

Galanakis, Konstantinos. Minoan glyptic: Typology, deposits and iconography : from the early Minoan period to the late Minoan IB destruction in Crete. University of Birmingham, 2003.

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47

Victoria, National Gallery of, ed. Ancient Near Eastern glyptic in the National Gallery of Victoria, Melbourne, Australia. Paul Aströms Förlag, 2001.

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48

Pavia (Italy). Musei civici. Sezione Arti minori, ed. La collezione di impronte glittiche del Marchese Luigi Malaspina di Sannazzaro: Musei civici di Pavia, Sezione arti minori. ETS, 2006.

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49

Wilfried, Seipel, and Kunsthistorisches Museum Wien Kunstkammer, eds. Die Kunst des Steinschnitts: Prunkgefässe, Kameen und Commessi aus der Kunstkammer : eine Ausstellung des Kunsthistorischen Museums Wien : Kunsthistorisches Museum, 17. Dezember 2002 bis 27. April 2003. Kunsthistorisches Museum, 2002.

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50

Teresa, Amaré Tafalla María, ed. Astorga. Universidad de León, Secretariado de Publicaciones y Medios Audiovisuales, 2002.

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