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Dissertations / Theses on the topic 'Glyptics'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Aruz, Joan. "Marks of distinction : seals and cultural exchange between the Aegean and the Orient : (ca. 2600-1360 B.C.) /." Mainz am Rhein : Zabern, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016485626&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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2

Menes, Julia C. "The Tazza Farnese : a reinterpretation /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420940.

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3

Al-Thani, Haya. "Making Dilmun seals speak : stylistic elements of Dilmun glyptics and their implications for social and economic life in early Dilmun, c. 2000-1800 BCE." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444489/.

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This study has attempted to explain the emergence and development of the socio-economic complexity detected in Dilmun material culture, particularly its seals, which emerged in the Gulf region c. 2100-1800 BCE. My research aims to present a regional perspective through emphasising the internal dynamic, or endogenous processes establishing Dilmun society. A new perspective is presented as the result of a reassessment of current theories of the relationships between suppliers and consumers in long distance trading networks which suggests important modifications to the models presented by Renfrew

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4

Loughlin, Eleanor. "Representations of the cow and calf in Minoan art." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/9790.

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Research into the depiction of cattle in Minoan Art ha'i concentrated on representations of interaction between men and cattle, in particular, the images of bull sports. This emphasis has detracted from other types of cattle imagery. In this thesis the representation of the cow and calf in Minoan glyptic is assessed. Discussion of representation and meaning are of equal value, as a full understanding of the potential meaning of an image is dependent upon a detailed knowledge of what is represented. Specific anatomical and behavioural details described in the images are therefore compared with

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5

Aubry, Sébastien. "Les inscriptions grecques et latines des pierres gravées antiques : abréviations, configurations, interprétations et lectures." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2090.

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Depuis plus d’un siècle, tout a été dit sur l’art de la glyptique, cela tant au niveau de la stylistique que de l’iconographie, à l’exception de sa dimension épigraphique. Cette étude doctorale vise donc à analyser les inscriptions grecques et latines sous leurs formes les plus variées, figurant sur les intailles et les camées, et à en donner une grille de lecture ainsi que des clés d’interprétation. Afin de dresser un aperçu cohérent de ces abréviations, initiales, termes et autres formules apparaissant sur les pierres gravées, le spectre de recherche s’étend de la Grèce des périodes archaïqu

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6

Alexandri, Alexandra. "Gender symbolism in Late Bronze Age Aegean glyptic art." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/251901.

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7

Hill, Jane A. "Cylinder seal glyptic in predynastic Egypt and neighboring regions /." Oxford : Archaeopress, 2004. http://catalogue.bnf.fr/ark:/12148/cb39186667t.

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8

Salje, Beate. "Der common style der Mitanni-Glyptik und die Glyptik der Levante und Zyperns in der späten Bronzezeit /." Mainz am Rhein : P. von Zabern, 1990. http://catalogue.bnf.fr/ark:/12148/cb366686660.

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9

Palmer, Jennifer Linda. "An analysis of Late Bronze Age Aegean glyptic motifs of a religious nature." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5467/.

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This thesis presents an analysis of glyptic motifs of a religious nature attested on the Greek mainland in the Late Helladic period and on Crete post Late Minoan IB. Its purpose is to ascertain to what extent such an analysis can, firstly, expand our knowledge of religious practices in the Late Bronze Age Aegean, and, secondly, elucidate the nature of the relationship between Minoan Crete and Mycenaean Greece. This was achieved through the classification and analysis of five glyptic themes generally regarded as possessing religious significance in scholarship. These are anthropomorphic figures

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10

Matthews, D. M. "Principles of composition in Near Eastern Glyptic of the later Second Millennium B.C." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/272362.

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11

Otto, Adelheid. "Die Entstehung und Entwicklung der klassisch-Syrischen Glyptik /." Berlin ; New-York : W. de Gruyter, 2000. http://catalogue.bnf.fr/ark:/12148/cb38900903j.

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12

Fügert, Anja [Verfasser]. "Die neuassyrische und spätbabylonische Glyptik aus Dūr-Katlimmu / Magdalu / Anja Fügert." Berlin : Freie Universität Berlin, 2013. http://d-nb.info/1064110991/34.

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13

Flórez, Andrés Fabián Herrera. "Considerações taxonômicas sobre os Banchinae e revisão das espécies brasileiras de Glyptini (Hymenoptera: Ichneumonidae)." Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/2000.

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Made available in DSpace on 2016-06-02T19:31:52Z (GMT). No. of bitstreams: 1 3148.pdf: 13443734 bytes, checksum: 57ea96ccf6dc345429e1a7f0a1672f2c (MD5) Previous issue date: 2010-06-07<br>Universidade Federal de Sao Carlos<br>The Banchinae is a cosmopolitan group of Ichneumonidae comprising three tribes: Atrophini, Banchini and Glyptini; it includes about 50 genera and 1500 described species. The Banchinae generally have long, apically notched ovipositor, a propodeum without or with only a few carinae, and frequently, a tergite I with spiracles located around or before the centre, and the ant

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14

Galanakis, Konstantinos. "Minoan glyptic : typology, deposits and iconography : from the early Minoan period to the late Minoan IB destruction in Crete." Thesis, University of Birmingham, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275706.

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15

Helgestad, B. E. "Power negotiations and distributions of knowledge : glyptic iconographies and visual media strategies in late fourth millennium BC Greater Mesopotamia." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/20173/.

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In Greater Mesopotamia during the fourth millennium BC, several technological developments, as well as entirely new inventions, occurred concomitantly with wide-ranging social changes. Hence, already in the last few centuries of the millennium, several societies were radically different from those preceding them. Of particular importance are aspects such as networks of exchange, urbanisation, organisation and objectification of the labour force, and the interrelated complex administrative practises; particularly writing and glyptic technologies. Beyond writing, none of these aspects were entir

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16

Eder, Christian. "Die ägyptischen Motive in der Glyptik des östlichen Mittelmeerraumes zu Anfang des 2. Jts. v. Chr. /." Leuven : Peeters, 1995. http://catalogue.bnf.fr/ark:/12148/cb37110087m.

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17

Dickers, Aurelia. "Die spätmykenischen Siegel aus weichem Stein : Untersuchungen zur spätbronzezeitlichen Glyptik auf dem griechischen Festland und in der Ägäis /." Radhen/Westf. : M. Leidorf, 2001. http://catalogue.bnf.fr/ark:/12148/cb39275559n.

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18

Poinsot, Delphine. "Les animaux de la Perse : étude du corpus des sceaux et des bulles d’époque sassanide." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP026.

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La dynastie des perses sassanides (224-651) a laissé un important répertoire d’images via le conséquent corpus de la glyptique. Son iconographie est caractérisée par une représentation répétitive et normée, et possède plusieurs thèmes, dont celui de la figuration animale. En quoi la représentation des animaux dans la glyptique d’époque sassanide est-elle l’enregistrement d’un savoir zoologique ? Peut-on trouver à son aspect répétitif et normé une forme de structuration ? Pour répondre à ces questions, nous avons suivi la méthode d’analyse iconologique d’E. Panofsky, en l’adaptant à notre corpu

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19

Decorte, Roeland Pieter-Jan Ewoud. "The origins of writing, and its relation to art on Bronze Age Crete." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274634.

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This thesis sheds first light on the complex narrative behind the earliest appearance of writing in Europe. A radical new framework of interpretation, recognising art and writing as different ends of a single mode of graphic expression, is applied to the material culture of Early to Middle Bronze Age Crete as a context-conscious alternative to the strict and anachronistic divisions imposed by traditional models. This allows for a novel way of viewing and identifying structures of meaning embedded in otherwise familiar evidence. A comprehensive synthesis of the archaeological evidence for the u

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20

Olianas, Cinzia. "Scarabei in pietra dura della Sardegna punica (fine VI-III sec. a. C.) nel Museo Archeologico Nazionale di Cagliari: catalogazione e analisi iconografico-stilistiche e tipologiche." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3424534.

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The study of scarabs made in semi-precious stone of Punic Sardinia (end of the 6th-3rdCentury B.C.), subject of this PhD thesis, starts from a personal deep interest in glyptic, developed on the occasion of the graduation thesis and matured across the following years. This research tried to meet the necessity of an updating, reaching, as much as possible, a full summary of a typology of handworks that still require further investigations, pointing out technological, functional, typologic, iconographic and stylistic aspects. The remarkable number of finds which needed to be registered and st

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21

Ali, Cheikhmous. "Recherches sur les représentations architecturales dans la glyptique du Proche-Orient ancien." Phd thesis, Université de Strasbourg, 2012. http://tel.archives-ouvertes.fr/tel-00869944.

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Les représentations architecturales que nous donne à voir la glyptique du Proche-Orient ancien constituent une source primordiale d'informations sur l'art de bâtir dans cette région du IVe au Ier millénaire av. J.-C.,car les édifices, généralement en briques crue, sont la plupart du temps mal conservés. Le but de cette recherche est donc de recenser tous les motifs architecturaux présents sur sceaux ou sur empreintes et de les réunir dans un corpus qui sert de base à une vaste exploration de l'architecture mésopotamienne à travers son iconographie, les bâtiments trouvés en fouille, les formes

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22

Muhesen, Nibal. "Le roi et son image en Syrie au bronze moyen : étude iconographique d’après la glyptique et d’autres documents figurés et écrits." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20081.

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Cette thèse a pour objectif d’étudier la « figure du roi » au travers de documents iconographiques du Bronze Moyen provenant de Syrie et plus particulièrement de la zone du Moyen-Euphrate entre 2000 et 1600 avant J.-C. Notre approche méthodologique qui porte prioritairement sur la partie sigillaire a consisté à établir un corpus des plus exhaustifs possibles des sceaux publiés et inédits. Après l’établissement de celui-ci, nous opérons des comparaisons pour dégager les caractéristiques de la représentation royale. Dans un premier temps, le cadre spatio-temporel retenu pour cette étude est défi

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23

Gross, Robert Allen. "Hellenistic royal iconography in glyptics." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17135.

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24

Gołyźniak, Paweł. "Use of engraved gems for self-presentation and propaganda purposes in the Roman Republic and under Augustus." Praca doktorska, 2019. https://ruj.uj.edu.pl/xmlui/handle/item/148716.

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The study aims at tackling a problem of use of engraved gems for self-presentation and propaganda purposes in the Roman Republic and under Augustus. The most important observation about the gems in this dissertation is that they portray Roman society at each level. They are snapshots of people believes, ideologies, everyday life and thus, they might cast some light at propaganda actions performed by Roman political leaders and their factions in the past. Gems are plausible to show both, general trends in propaganda activities as well as individual and private acts of being involved in politics

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25

Castro, Susana Marília Magalhães Ferreira de. "Gemas e Camafeus da Época Moderna do Museu Nacional Soares dos Reis." Master's thesis, 2013. http://hdl.handle.net/10316/35973.

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