Relevant bibliographies by topics / Gothic literature Space in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Gothic literature Space in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Gothic literature Space in literature"

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Crochunis, Thomas. "Writing Gothic Theatrical Spaces." Gothic Studies 3, no. 2 (2001): 156–69. http://dx.doi.org/10.7227/gs.3.2.4.

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Russell, Lorena. "Queer Gothic and Heterosexual Panic in the Ass-End of Space." Gothic Studies 7, no. 2 (2005): 143–57. http://dx.doi.org/10.7227/gs.7.2.4.

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Barron, Lee. "Ultraviolent Gothic Visions: Lucio Fulci's ‘Gates of Hell’ Trilogy as Derridean Cinematic Haunted Spaces." Gothic Studies 22, no. 2 (2020): 197–213. http://dx.doi.org/10.3366/gothic.2020.0049.

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This article examines films produced by the Italian director Lucio Fulci between 1980 and 1981: City of the Living Dead/Paura nella città dei morti viventi (1980), The Beyond/L'aldilà (1981), and The House by the Cemetery/Quella villa accanto al cimitero (1981). Unofficially termed the Gates of Hell trilogy, the films stress a distinctive gothic sensibility brought together by the vivid and extreme subjects of decay and unflinching depictions of ultraviolent death and bodily destruction. The article explores the gothic motifs of the film series from the perspective of the work of Jacques Derri
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Williams, Anna. "Grad School Gothic: The Mysteries of Udolpho and the Academic #MeToo Movement." Gothic Studies 22, no. 2 (2020): 115–30. http://dx.doi.org/10.3366/gothic.2020.0044.

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In the age of #MeToo, the Female Gothic rises from the critical crypt once again. Examining the educational narrative of Emily St. Aubert in Ann Radcliffe's The Mysteries of Udolpho, I argue that the Female Gothic has always vividly portrayed emotional invalidation – a term borrowed from cognitive psychologist Marsha Linehan – as a tool to silence righteous, yet naïve, voices and perpetuate imbalances of social power. As the recent #MeToo movement in academic culture demonstrates, the fourth-wave feminist critique of workplace discrimination targets not only sexual misconduct, but also intelle
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Yiannitsaros, Christopher. "Unhomely Counties: Gothic Surveillance and Incarceration in the Villages of Agatha Christie." Gothic Studies 23, no. 1 (2021): 77–95. http://dx.doi.org/10.3366/gothic.2021.0079.

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This article examines the ways in which Agatha Christie's fictional villages may be interpreted as fundamentally gothic spaces. It makes the case that within the novels The Murder at the Vicarage (1930) and The Moving Finger (1943), outdoor spaces do not offer the potential release from captivity that is set out in more traditional gothic paradigms. Instead, exterior landscapes surrounding and connecting homes function as a continuation of domestic interiority, thus acting as able accomplices in a gothic transformation of ‘home’ into ‘prison’. By examining the shifting meanings of panoptic sur
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Holland, Alison T. "Identity in Crisis: The Gothic Textual Space in Beauvoir's "L'Invitee"." Modern Language Review 98, no. 2 (2003): 327. http://dx.doi.org/10.2307/3737814.

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Dunn, James A. "Charlotte Dacre and the Feminization of Violence." Nineteenth-Century Literature 53, no. 3 (1998): 307–27. http://dx.doi.org/10.2307/2903042.

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Charlotte Dacre's relatively neglected fictions create a unique space in the dialectic of violence that characterizes so much of British Romanticism. Her simultaneous attraction to and repulsion from violence is reflective of an era that apotheosized the sublime, which formed its imagination on the bloody Revolution in France and the increasingly visible brutalities of industrialism, and that made the Gothic its most popular literary commodity. But Dacre's peculiar contribution to this hermeneutic is to build through her four major novels a mythology by which violence emerges, most of all, fro
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Sepúlveda do Vale, Nathálya Suyane, and Cláudio Moura. "SPATIALITY IN GOTHIC LITERATURE: AN ANALYSIS OF THE FALL OF THE HOUSE OF USHER BY EDGAR ALLAN POE." REVISTA DE LETRAS - JUÇARA 4, no. 1 (2020): 421–35. http://dx.doi.org/10.18817/rlj.v4i1.2271.

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This paper aims at investigating the use of the literary space in Edgar Allan Poe's The Fall of the House of Usher (1839) through its relations regarding the characters and the plot; also, its role in the creation of a unique ambience based in the combination of gothic elements. It approaches the object by Bakthin’s (1981) theory of the chronotope in order to explain the literary effects achieved by its use as a fictional tool. Furthermore, this study closes with a comparison between the house and the protagonist Roderick Usher, proposing that the former might be also perceived as a character
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Ćwiklak, Nina. "Edgar G. Ulmer — Roger Corman — Stuart Gordon. Filmowe adaptacje opowiadania Edgara Allana Poego Czarny kot." Literatura i Kultura Popularna 25 (July 28, 2020): 429–44. http://dx.doi.org/10.19195/0867-7441.25.24.

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The article entitled Edgar G. Ulmer — Roger Corman — Stuart Gordon. Movie adaptations of Edgar Allan Poe’s short story “The Black Cat” is a comparative analysis of three adaptations of a gothic short story. The attempt at finding inspirations from romantic poetics in the works of film directors, created in different decades and answering the question of how is it possible to transfer assumptions of romantic literature into movie language, was made in this text. In the movie from 1934, Edgar G. Ulmer connects gothic poetics with modernism aesthetics. He also adds historical context, referring t
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Malhotra, Ashok. "The English “Self” under Siege." Nineteenth-Century Literature 72, no. 1 (2017): 1–34. http://dx.doi.org/10.1525/ncl.2017.72.1.1.

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Ashok Malhotra, “The English ‘Self’ under Siege: A Comparison of a Memsahib’s Private Journals and her Novel The History of George Desmond” (pp. 1–34) This paper examines Mary Sherwood’s The History of George Desmond (1821) alongside and against the author’s private journals to demonstrate the ways in which the novel both aligned with and veered away from Sherwood’s own personal experiences as a memsahib living in colonial India. It argues that while the novel reflects her awareness of the agency of colonized Indians and the precarious predicament of the colonizer in the subcontinent, its depl
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Dissertations / Theses on the topic "Gothic literature Space in literature"

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Cohenour, Gretchen M. "Eighteenth-century Gothic novels and gendered spaces : what's left to say? /." View online ; access limited to URI, 2008. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3314452.

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Davids, Courtney Laurey. "Female identity and landscape in Ann Radcliffe's Gothic Novels." Thesis, University of the Western Cape, 2008. http://hdl.handle.net/11394/2800.

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Magister Artium<br>The purpose of this dissertation is to chart the development of an ambivalent female identity in the Gothic genre, as exemplified by Ann Radcliffe's late eighteenth century fictions. The thesis examines the social and literary context of the emergence of the Gothic in English literature and argues that it is intimately tied up with changes in social, political and gender relations in the period.<br>South Africa
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Hill, Francis H. ""The Whole Foundations of the Solid Globe were Suddenly Rent Asunder": Space Place and Homelessness in Poe's "The Narrative of Arthur Gordon Pym" and Melville's "Benito Cereno"." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2280.

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My project examines the phenomenon of the hazy spaces on the periphery of the antebellum imagination that, while existing geographically at the very fringes of daily American life, are nonetheless active in the conceptualization, production, and representation of an idiosyncratic American sense of space: an anxiety of spatial fragmentation, formlessness, and modulation. In particular I am interested in Poe's “The Narrative of Arthur Gordon Pym” and Melville's “Benito Cereno,” both of which deal with American transoceanic travel to the proximity of Antarctica and its surrounding seas. These got
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Santos, Camila de Mello. "Representações da família na narrativa gótica contemporânea." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2353.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>A tese se insere nos estudos sobre o gótico literário. Seu objetivo principal é mostrar o lar como lugar crucial para o desenvolvimento das temáticas caras ao gênero, destacando o corpo feminino como pivô. Na primeira parte, foram analisados estudos teóricos sobre o romance inglês, apontando para uma possível mudança na maneira como o gótico vem sendo tratado. Na segunda parte, obras ficcionais importantes para a discussão do lar e do corpo feminino dentro da tradição gótica foram analisadas, promovendo a articulação de tais obras
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Morse, Samantha E. "Dreading He Knew Not What: Masculinities, Structural Spaces, Law and the Gothic in The Castle of Otranto, Pride and Prejudice, and Wuthering Heights." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/pitzer_theses/58.

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This essay investigates the integral linkages between Gothic spaces and Gothic masculinities in three texts: Horace Walpole’s The Castle of Otranto (1764), Jane Austen’s Pride and Prejudice (1813), and Emily Brontë’s Wuthering Heights (1847). At the core of this examination is architecture, or more specifically, the physical constructions and built environments that comprise a man’s property. I explore how a man uses his property to construct, legitimize, and perform his identity. In the Female Gothic, the home is a place of anxiety for women, where patriarchal dominance and violence reign to
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Andrews, Elizabeth. "Devouring the Gothic : food and the Gothic body." Thesis, University of Stirling, 2008. http://hdl.handle.net/1893/375.

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At the beginnings of the Gothic, in the eighteenth century, there was an anxiety or taboo surrounding consumption and appetite for the Gothic text itself and for the excessive and sensational themes that the Gothic discussed. The female body, becoming a commodity in society, was objectified within the texts and consumed by the villain (both metaphorically and literally) who represented the perils of gluttony and indulgence and the horrors of cannibalistic desire. The female was the object of consumption and thus was denied appetite and was depicted as starved and starving. This also communicat
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Smith, Sarah Nicole. "Group representations in Gothic literature /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1136093421&sid=6&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Garcia, de Leon Olga Marissa. "A Curriculum on Gothic Literature." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/323631.

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Heinemann, Chloe Janelle. "Women's Agency in Gothic Literature." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/595049.

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The objective of this thesis is to argue for and analyze the progression of women's agency in the first century of Gothic literature. Starting with Horace Walpole's The Castle of Otranto (1764), there are stirrings of women's agency as female protagonists begin to challenge male authority and attempt to escape the entrapment of the patriarchal hierarchy. As we move from Otranto to Ann Radcliffe's The Mysteries of Udolpho (1794), we can see the progression of women's agency as the heroine acquires social, financial, and romantic control through her strong moral disposition. Finally, a new level
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Davison, Carol Margaret. "Gothic Cabala : the anti-semitic spectropoetics of British Gothic literature." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34941.

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The figure of the Wandering Jew in British Gothic literature has been generally regarded as a static and romantic Everyman who signifies religious punishment, remorse, and alienation. In that it fails to consider the fact that the legend of the Wandering Jew signalled a noteworthy historical shift from theological to racial anti-Semitism, this reading has overlooked the significance of this figure's specific ethno-religious aspect and its relation to the figure of the vampire. It has hindered, consequently, the recognition of the Wandering Jew's relevance to the "Jewish Question," a vital issu
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Books on the topic "Gothic literature Space in literature"

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Women and domestic space in contemporary gothic narratives: The house as subject. Palgrave Macmillan, 2015.

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Zalomkina, G. V. Poėtika prostranstva i vremeni v goticheskom si︠u︡zhete. Samarskiĭ gos. universitet, 2006.

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Chaplin, Susan. Gothic literature. Pearson Longman, 2011.

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London gothic. Continuum, 2010.

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Mulvey-Roberts, Marie, ed. The Handbook to Gothic Literature. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4.

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Townshend, Dale, ed. The Gothic World. Routledge, 2013.

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Gothic passages: Racial ambiguity and the American gothic. University of Iowa Press, 2003.

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Farndon, John. Space. Miles Kelly, 2008.

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Duhamel, Megan. Space. Scholastic, 2010.

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Space. Rosen Pub. Group, 2008.

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Book chapters on the topic "Gothic literature Space in literature"

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Willard, Thomas, Alexandra Warwick, Jerrold E. Hogle, et al. "Gothic Specialisms." In The Handbook to Gothic Literature. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4_2.

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Soltysik Monnet, Agnieszka. "Gothic Literature in America." In When Highbrow Meets Lowbrow. Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-349-95168-0_6.

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Farr, Jason S. "Crip gothic." In The Routledge Companion to Literature and Disability. Routledge, 2020. http://dx.doi.org/10.4324/9781315173047-12.

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Bailey, Lauren. "Gothic Economies." In The Routledge Companion to Literature and Economics. Routledge, 2018. http://dx.doi.org/10.4324/9781315640808-8.

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Groom, Nick. "Gothic and Celtic Revivals." In A Companion to British Literature. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch74.

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Cottle, Basil. "The Eighteenth Century: Gothic Revival English." In The Language of Literature. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_10.

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Gilbert, R. A., Allan Lloyd Smith, Gerry Turcotte, et al. "Gothic Writers and Key Terms." In The Handbook to Gothic Literature. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4_1.

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Burkhardt, G., U. Esser, H. Hefele, et al. "Space Research." In Literature 1992, Part 1. Springer Berlin Heidelberg, 1993. http://dx.doi.org/10.1007/978-3-662-12379-9_8.

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Böhme, S., Walter Fricke, H. Hefele, et al. "Space Research." In Literature 1984, Part 2. Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-662-12346-1_8.

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Böhme, S., U. Esser, W. Fricke, et al. "Space Research." In Literature 1985, Part 1. Springer Berlin Heidelberg, 1985. http://dx.doi.org/10.1007/978-3-662-12352-2_8.

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Conference papers on the topic "Gothic literature Space in literature"

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Zhang, You. "Views on Gothic Tradition from British and American Literature." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.50.

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Yang, Siyu. "Homophobia and the Queered Gothic in Frankenstein." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.504.

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Stovall, Abbie, Jonathan Black, David Jacques, and Brian Engberg. "Satellite Risk Analysis Literature Review." In AIAA SPACE 2011 Conference & Exposition. American Institute of Aeronautics and Astronautics, 2011. http://dx.doi.org/10.2514/6.2011-7187.

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Blair, Brad R. "Use of Space Resources: Literature Survey." In Sixth ASCE Specialty Conference and Exposition on Engineering, Construction, and Operations in Space. American Society of Civil Engineers, 1998. http://dx.doi.org/10.1061/40339(206)74.

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Ural, Tülin. "Gender and Landscape in Turkish Literature." In 7th International Conference on Gender Studies: Gender, Space, Place & Culture. Eastern Mediterranean University, 2019. http://dx.doi.org/10.33831/gspc19/634-648/39.

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Tang, Chih-chun. "Fluid Mind and Kaleidoscopic Space in Thomas Hardy’s “Poems of 1912-13”." In Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l312115.

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"The Concept of Cosmos in Hindu Literature." In 55th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.iac-04-iaa.6.16.1.01.

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Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.

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The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The sam
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"Quest for Identity in Women’s Autobiographical Writing: Struggle for Space in Suprabha Datter Diary (The Diary of Suprabha Datta)." In International Conference on Humanities, Literature and Economics. International Centre of Economics, Humanities and Management, 2014. http://dx.doi.org/10.15242/icehm.ed0114008.

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Reports on the topic "Gothic literature Space in literature"

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Teas, Don C. Review of Audition Literature: Selection of Acoustic Signals for Use in the Synthesis of Auditory Space. Defense Technical Information Center, 1990. http://dx.doi.org/10.21236/ada234579.

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Ehsanipour, Tina, and Florencia Gomez Zaccarelli. Exploring Coaching for Powerful Technology Use in Education. Digital Promise, 2017. http://dx.doi.org/10.51388/20.500.12265/47.

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This literature review, published in partnership with Stanford University’s Center to Support Excellence in Teaching, summarizes findings from existing research on teacher coaching and explores the following questions: What is the role of technology in the 21st century classroom? How do we best provide teachers with the time, support, and space to learn how to use new technological tools and resources effectively and to support deeper learning?
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Lenhardt, Amanda. Defining Characteristics of Democracy in the 21st Century. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.064.

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This report offers a brief overview of the literature on the defining characteristics of democracy in the 21st century. This report seeks to map out a range of conceptual approaches to understanding democracy, evidence on emerging trends in democratisation, and challenges to realising democracy in its varied forms. The report begins with a discussion on definitions of democracy that have emerged in recent decades (Section 2), highlighting a range of qualifiers that are widely used to differentiate and analyse different democratic regime types. Section 3 summarises trends in key indicators of d
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Snijder, Mieke, and Marina Apgar, J. How Does Participatory Action Research Generate Innovation? Findings from a Rapid Realist Review. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/clarissa.2021.009.

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This Emerging Evidence Report shares evidence of how, for whom, and under what circumstances, Participatory Action Research (PAR) leads to innovative actions. A rapid realist review was undertaken to develop programme theories that explain how PAR generates innovation. The methodology included peer-reviewed and grey literature and moments of engagement with programme staff, such that their input supported the development and refinement of three resulting initial programme theories (IPTs) that we present in this report. Across all three IPTs, safe relational space, group facilitation, and the a
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Downing, W. Logan, Howell Li, William T. Morgan, Cassandra McKee, and Darcy M. Bullock. Using Probe Data Analytics for Assessing Freeway Speed Reductions during Rain Events. Purdue University, 2021. http://dx.doi.org/10.5703/1288284317350.

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Rain impacts roadways such as wet pavement, standing water, decreased visibility, and wind gusts and can lead to hazardous driving conditions. This study investigates the use of high fidelity Doppler data at 1 km spatial and 2-minute temporal resolution in combination with commercial probe speed data on freeways. Segment-based space-mean speeds were used and drops in speeds during rainfall events of 5.5 mm/hour or greater over a one-month period on a section of four to six-lane interstate were assessed. Speed reductions were evaluated as a time series over a 1-hour window with the rain data. T
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Oltarzhevskyi, Dmytro. HISTORICAL FEATURES OF CORPORATE MEDIA FORMATION IN UKRAINE AND IN THE WORLD. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11067.

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The article examines the world and Ukrainian history of corporate periodicals. The main purpose of this study is to reproduce an objective global picture of the emergence and formation of corporate periodicals, taking into account the business and socio-economic context. Accordingly, its tasks are to compare the conditions and features of corporate media genesis in different countries, to determine the main factors of their development, as well as to clarify the transformations of the terminological apparatus. The research is based on mostly foreign secondary scientific works published from 19
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