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Books on the topic 'Gothic literature Space in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Women and domestic space in contemporary gothic narratives: The house as subject. Palgrave Macmillan, 2015.

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2

Zalomkina, G. V. Poėtika prostranstva i vremeni v goticheskom si︠u︡zhete. Samarskiĭ gos. universitet, 2006.

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3

Chaplin, Susan. Gothic literature. Pearson Longman, 2011.

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4

London gothic. Continuum, 2010.

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5

Mulvey-Roberts, Marie, ed. The Handbook to Gothic Literature. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26496-4.

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6

Townshend, Dale, ed. The Gothic World. Routledge, 2013.

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7

Gothic passages: Racial ambiguity and the American gothic. University of Iowa Press, 2003.

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8

Farndon, John. Space. Miles Kelly, 2008.

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9

Duhamel, Megan. Space. Scholastic, 2010.

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10

Space. Rosen Pub. Group, 2008.

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11

Space. Belitha, 2003.

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12

Farndon, John. Space. MC Publishers, 2009.

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13

Space. Rourke Pub., 2009.

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14

ill, Goldberg Grace, ed. Space. McClanahan Book Co., 1993.

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15

Space. Scholastic, 2010.

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16

Davison, Carol Margaret. Anti-semitism and British gothic literature. Palgrave Macmillan, 2004.

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17

Edwards, Justin D. Tropical Gothic in Literature and Culture. Routledge, 2016. http://dx.doi.org/10.4324/9781315689999.

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18

Conrich, Ian, and Laura Sedgwick. Gothic Dissections in Film and Literature. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-30358-5.

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19

Davison, Carol Margaret. Anti-Semitism and British Gothic Literature. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230006034.

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20

Osborne, Will. Space. Random House, 2002.

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21

The gothic tradition. Cambridge University Press, 2000.

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22

Queer Gothic. University of Illinois Press, 2006.

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23

Gunderson, Jessica Sarah. Gothic art. Creative Education, 2008.

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24

Delafosse, Claude. Space. Scholastic, 2000.

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25

Brusic, Sharon A. Space. Delmar Publishers, 1993.

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26

Paul, Harrison. Space. Franklin Watts, 2010.

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27

Hewitt, Sally. Space. Stargazer Books, 2007.

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28

Amos, Janine. Space. Parragon, 2008.

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29

Hunter, Rebecca. Space. Raintree Steck-Vaughn, 2001.

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30

Space. Belitha, 1995.

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31

Butterfield, Moira. Space. Dorling Kindersley, 1994.

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32

Space. Franklin Watts, 2008.

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33

Cutting, Brian. Space. Wright Group, 1996.

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34

Ardagh, Philip. Space. Scholastic, 2010.

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35

Furniss, Tim. Space. F. Watts, 1985.

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36

Space. Dorling Kindersley Pub., 2001.

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37

Gallagher, Belinda. Space. Miles Kelly, 2013.

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38

Shayler, David. Space. Random House, 1994.

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39

Oxlade, Chris. Space. Children's Press, 1998.

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40

Space. M. Cavendish, 1990.

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41

Snedden, Robert. Space. Chelsea House Publishers, 1995.

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42

Space. Reader's Digest Children's Books, 1999.

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43

Nelson, Nigel. Space. Thomson Learning, 1993.

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44

Wiseman, Sam. Locating the Gothic in British Modernity. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954897.001.0001.

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The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen’s The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnes

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45

Sobol, Valeria. Haunted Empire. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750571.001.0001.

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This book shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. The book argues that the persistent Gothic tropes in the literature of the Russian Empire enact deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. It brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as the book explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol ter

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46

Smith, Andrew. Gothic Literature. Edinburgh University Press, 2013.

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47

Smith, Andrew. Gothic Literature. Edinburgh University Press, 2013.

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48

Machen, Arthur. The Great God Pan (Creation Classics). Creation Books, 1991.

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49

Fielding, Penny. Scotland and the North. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.7.

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The term ‘Romanticism’ takes on different associations when we consider its geographical extent. This chapter thinks about national configurations of space and time. Scotland was at once a modern producer of literature in the period and a way of imagining an ancient Romance past for modern culture. Scotland reinvents northern spaces, such as the Highlands or the Borders, as literary ones that signify this doubled temporality. Taking as key examples the poetry and novels of James Macpherson, Robert Burns, Walter Scott, and James Hogg, the chapter explores how the legal, economic, and political

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50

History Of The Gothic Gothic Literature 18251914. University of Wales Press, 2009.

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