Academic literature on the topic 'Helen Oyeyemi'

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Journal articles on the topic "Helen Oyeyemi"

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Sanchez, Alexandra J. "“Bluebeard” versus black British women’s writing." English Text Construction 13, no. 1 (2020): 1–21. http://dx.doi.org/10.1075/etc.00032.san.

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Abstract Helen Oyeyemi’s 2011 novel Mr. Fox artfully remasters the “Bluebeard” fairytale and its many variants and rewritings, such as Jane Eyre and Rebecca. It is also the first novel in which Oyeyemi does not overtly address blackness or racial identity. However, the present article argues that Mr. Fox is concerned with the status of all women writers, including women writers of colour. With Mr. Fox, Oyeyemi echoes the assertiveness and inquisitiveness of Bluebeard’s last wife, whose disobedient questioning of Bluebeard’s canonical authority leads her to discover, denounce, and warn other wo
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Cousins, Helen. "Helen Oyeyemi and the Yoruba gothic:White is for Witching." Journal of Commonwealth Literature 47, no. 1 (2012): 47–58. http://dx.doi.org/10.1177/0021989411431672.

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Cuder-Domínguez, Pilar. "Double Consciousness in the Work of Helen Oyeyemi and Diana Evans." Women: A Cultural Review 20, no. 3 (2009): 277–86. http://dx.doi.org/10.1080/09574040903285735.

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Eric Schlich. "Unpresidented! The Charcoal Issue Prose Award Winner as judged by Helen Oyeyemi." Fairy Tale Review 14 (2018): 105. http://dx.doi.org/10.13110/fairtalerevi.14.1.0105.

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G., Vetriselvi. "A Psychic Journey to “Somewhere House” in Helen Oyeyemi‟s the Icarus Girl, the Opposite House and White is for Witching." International Journal of Psychosocial Rehabilitation 24, no. 5 (2020): 332–34. http://dx.doi.org/10.37200/ijpr/v24i5/pr201698.

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Albert, Noémi. "The Hysteric Belongs to Me: Helen Oyeyemi’s The Opposite House." Eger Journal of English Studies 20 (2020): 45–63. http://dx.doi.org/10.33035/egerjes.2020.20.45.

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The term hysteria has undergone several substantial changes throughout its history. A charged concept, deemed for a long time as pejorative and offensive to womanhood, it has lately been re-appropriated for literature under the concept of the “hysterical narrative.” This new trend purports to redeem hysteria and, together with it, redeem the feminine and show all its complexity. Helen Oyeyemi’s 2007 novel, The Opposite House, conflates the private and the public in two female characters, one human, the other divine. Through this double perspective the work self-reflexively re-evaluates hysteri
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Stephanou, Aspasia. "Helen Oyeyemi’s White Is for Witching and the Discourse of Consumption." Callaloo 37, no. 5 (2014): 1245–59. http://dx.doi.org/10.1353/cal.2014.0209.

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Williams, Erika Renée. "Subverted Passing and Trans* Transition in Helen Oyeyemi’s Boy, Snow, Bird." College Literature 48, no. 2 (2021): 181–208. http://dx.doi.org/10.1353/lit.2021.0007.

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Harris Satkunananthan, Anita. "Otherworlds, Doubles, Houses: Helen Oyeyemi’s The Opposite House and White Is for Witching." GEMA Online® Journal of Language Studies 18, no. 4 (2018): 201–15. http://dx.doi.org/10.17576/gema-2018-1804-13.

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Ouma. "Reading the Diasporic Abiku in Helen Oyeyemi's The Icarus Girl." Research in African Literatures 45, no. 3 (2014): 188. http://dx.doi.org/10.2979/reseafrilite.45.3.188.

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Dissertations / Theses on the topic "Helen Oyeyemi"

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Wiltshire, Allison. "The "Split Gaze" of Refraction| Racial Passing in the Works of Helen Oyeyemi and Zoe Wicomb." Thesis, Mississippi State University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10843277.

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<p> In this thesis, I expand considerations of diaspora as not only a migration of people and cultures but a migration of thought. Specifically, I demonstrate that literary representations of diaspora produce what I consider to be an epistemological migration, challenging the idea that race and culture are stable and impermeable and offering instead racial and cultural fluidity. I assert that this causal relationship is best exemplified by narratives of racial passing written by diasporic writers. Using Homi Bhabha&rsquo;s concepts of mimicry, hybridity, and ambivalence, I analyze Helen Oyeyem
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Lundell, Åse. ""Jess-who-wasn't-Jess" : Double Consciousness and Identity Construction in Helen Oyeyemi's The Icarus Girl." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-6242.

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Abstract During the last decade many female writers of British decent have focused on identity construction and coming of age. These writers have been especially interested in exploring how people living in the diaspora are trying to cope with their ambivalent feelings towards their mixed cultural heritage. Helen Oyeyemi's The Icarus Girl is one of these novels. The novel depicts a young girl's struggle with the dualism within her, being both British and Nigerian, that threatens to dissolve her self-identity. This essay will explore how The Icarus Girl deals with the theme “double consciousnes
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Rowe, Rachel Marie. "Multiplicity of the Mirror: Gender Representation in Oyeyemi's Boy, Snow, Bird." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1438613978.

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Books on the topic "Helen Oyeyemi"

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Ilott, Sarah, and Chloe Buckley. Telling It Slant: Critical Approaches to Helen Oyeyemi. Sussex Academic Press, 2020.

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Telling It Slant: Critical Approaches to Helen Oyeyemi. Sussex Academic Press, 2017.

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Book chapters on the topic "Helen Oyeyemi"

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Pardey, Hannah. "Oyeyemi, Helen." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15547-1.

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Pardey, Hannah. "Oyeyemi, Helen: The Icarus Girl." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_15548-1.

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Bekers, Elisabeth, and Helen Cousins. "Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Women’s Literature." In Women Writers and Experimental Narratives. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-49651-7_12.

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Kim Stone, E. "“Recordless Company”: Precarious Postmemory in Helen Oyeyemi’s The Icarus Girl." In Madness in Black Women’s Diasporic Fictions. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58127-9_10.

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Feldner, Maximilian. "Second-Generation Nigerians in England: Helen Oyeyemi’s The Icarus Girl (2005) and the Negative Experience of Hybridity." In Narrating the New African Diaspora. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05743-5_8.

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Stevens, Benjamin Eldon. "“The Nearest Technically Impossible Thing”: Classical Receptions in Helen Oyeyemi." In Once and Future Antiquities in Science Fiction and Fantasy. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350068971.ch-007.

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"5. Reconstructing a Nation of Strangers: Soucouyants in the Work of Tessa McWatt, David Chariandy, and Helen Oyeyemi." In The Things That Fly in the Night. Rutgers University Press, 2019. http://dx.doi.org/10.36019/9780813565750-008.

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Spencer, Rochelle. "Mat Johnson’s Pym and Helen Oyeyemi’s boy snow bird." In AfroSurrealism. Routledge, 2019. http://dx.doi.org/10.4324/9781315145778-2.

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"Fairy-Tale Reflections: Space and Women Host(age)s in Helen Oyeyemi’s Boy, Snow, Bird." In Contemporary Fairy-Tale Magic. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004418998_005.

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