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Journal articles on the topic 'Helen Oyeyemi'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Sanchez, Alexandra J. "“Bluebeard” versus black British women’s writing." English Text Construction 13, no. 1 (2020): 1–21. http://dx.doi.org/10.1075/etc.00032.san.

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Abstract Helen Oyeyemi’s 2011 novel Mr. Fox artfully remasters the “Bluebeard” fairytale and its many variants and rewritings, such as Jane Eyre and Rebecca. It is also the first novel in which Oyeyemi does not overtly address blackness or racial identity. However, the present article argues that Mr. Fox is concerned with the status of all women writers, including women writers of colour. With Mr. Fox, Oyeyemi echoes the assertiveness and inquisitiveness of Bluebeard’s last wife, whose disobedient questioning of Bluebeard’s canonical authority leads her to discover, denounce, and warn other wo
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2

Cousins, Helen. "Helen Oyeyemi and the Yoruba gothic:White is for Witching." Journal of Commonwealth Literature 47, no. 1 (2012): 47–58. http://dx.doi.org/10.1177/0021989411431672.

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3

Cuder-Domínguez, Pilar. "Double Consciousness in the Work of Helen Oyeyemi and Diana Evans." Women: A Cultural Review 20, no. 3 (2009): 277–86. http://dx.doi.org/10.1080/09574040903285735.

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4

Eric Schlich. "Unpresidented! The Charcoal Issue Prose Award Winner as judged by Helen Oyeyemi." Fairy Tale Review 14 (2018): 105. http://dx.doi.org/10.13110/fairtalerevi.14.1.0105.

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5

G., Vetriselvi. "A Psychic Journey to “Somewhere House” in Helen Oyeyemi‟s the Icarus Girl, the Opposite House and White is for Witching." International Journal of Psychosocial Rehabilitation 24, no. 5 (2020): 332–34. http://dx.doi.org/10.37200/ijpr/v24i5/pr201698.

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6

Albert, Noémi. "The Hysteric Belongs to Me: Helen Oyeyemi’s The Opposite House." Eger Journal of English Studies 20 (2020): 45–63. http://dx.doi.org/10.33035/egerjes.2020.20.45.

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The term hysteria has undergone several substantial changes throughout its history. A charged concept, deemed for a long time as pejorative and offensive to womanhood, it has lately been re-appropriated for literature under the concept of the “hysterical narrative.” This new trend purports to redeem hysteria and, together with it, redeem the feminine and show all its complexity. Helen Oyeyemi’s 2007 novel, The Opposite House, conflates the private and the public in two female characters, one human, the other divine. Through this double perspective the work self-reflexively re-evaluates hysteri
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7

Stephanou, Aspasia. "Helen Oyeyemi’s White Is for Witching and the Discourse of Consumption." Callaloo 37, no. 5 (2014): 1245–59. http://dx.doi.org/10.1353/cal.2014.0209.

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8

Williams, Erika Renée. "Subverted Passing and Trans* Transition in Helen Oyeyemi’s Boy, Snow, Bird." College Literature 48, no. 2 (2021): 181–208. http://dx.doi.org/10.1353/lit.2021.0007.

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9

Harris Satkunananthan, Anita. "Otherworlds, Doubles, Houses: Helen Oyeyemi’s The Opposite House and White Is for Witching." GEMA Online® Journal of Language Studies 18, no. 4 (2018): 201–15. http://dx.doi.org/10.17576/gema-2018-1804-13.

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10

Ouma. "Reading the Diasporic Abiku in Helen Oyeyemi's The Icarus Girl." Research in African Literatures 45, no. 3 (2014): 188. http://dx.doi.org/10.2979/reseafrilite.45.3.188.

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11

Ilott, Sarah, and Chloe Buckley. "“Fragmenting and becoming double”: Supplementary twins and abject bodies in Helen Oyeyemi’s The Icarus Girl." Journal of Commonwealth Literature 51, no. 3 (2016): 402–15. http://dx.doi.org/10.1177/0021989414563999.

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12

HARRIS SATKUNANANTHAN, ANITA. "The Baby’s Not for Burning: The Abject in Sarah Kane’s Blasted and Helen Oyeyemi’s Juniper’s Whitening." 3L: The Southeast Asian Journal of English Language Studies 21, no. 2 (2015): 17–29. http://dx.doi.org/10.17576/3l-2015-2102-02.

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13

Radford, Clare Louise. "‘The Desert is Our Neighbour’: A Postcolonial Feminist Ethic of Narrative Encounter in Helen Oyeyemi’s Mr Fox." Literature and Theology 32, no. 2 (2018): 193–210. http://dx.doi.org/10.1093/litthe/fry006.

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14

Mafe. "Ghostly Girls in the “Eerie Bush”: Helen Oyeyemi's The Icarus Girl as Postcolonial Female Gothic Fiction." Research in African Literatures 43, no. 3 (2012): 21. http://dx.doi.org/10.2979/reseafrilite.43.3.21.

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15

Satkunananthan. "Mise en Abyme and Katabasis: Helen Oyeyemi's and Tanith Lee's Reimaginings of “Snow White”." Marvels & Tales 34, no. 2 (2020): 180. http://dx.doi.org/10.13110/marvelstales.34.2.0180.

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16

Tatar, Maria. "Mirrors and webs: Fairy tales, cultural memory and trauma in Helen Oyeyemi’s Boy, Snow, Bird and Neil Gaiman’s Anansi Boys." Book 2.0 7, no. 2 (2017): 177–90. http://dx.doi.org/10.1386/btwo.7.2.177_1.

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17

Bonatti, Diego, and Denise Almeida Silva. "ENTRE A ÁFRICA E A EUROPA: DESLOCAMENTO E FRAGMENTAÇÃO IDENTITÁRIA EM A MENINA ÍCARO, DE HELEN OYEYEMI." Caderno Seminal 32, no. 32 (2019). http://dx.doi.org/10.12957/cadsem.2019.37742.

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Resumo: A literatura pós-colonial, enquanto campo de estudos que investiga os problemas causados pelo imperialismo europeu, tem representado a dificuldade de localização cultural e identitária do sujeito pós-colonial. Nessa perspectiva, o objeto de análise escolhido para este trabalho é A Menina Ícaro, da escritora nigeriana-inglesa Helen Oyeyemi. A protagonista, Jessamy, é uma menina negra inglesa, filha de pai inglês e mãe nigeriana. Ela transita entre as culturas inglesa e nigeriana, sentindo-se deslocada em ambas. Assim, elegemos como objetivos deste estudo a investigação das questões de i
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18

Yeandle, Heidi. "Re-imagining Bluebeard’s Wives: Helen Oyeyemi’s Mr Fox." Alluvium: 21st-Century Writing, 21st-Century Approaches 4, no. 5 (2016). http://dx.doi.org/10.7766/alluvium.v4.6.04.

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