Academic literature on the topic 'Heterosexual men in motion pictures'

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Journal articles on the topic "Heterosexual men in motion pictures"

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Lübke, Katrin T., Charlotte Sachse, Matthias Hoenen, and Bettina M. Pause. "Mu-Suppression as an Indicator of Empathic Processes in Lesbian, Gay, and Heterosexual Adults." Archives of Sexual Behavior 49, no. 2 (2019): 635–44. http://dx.doi.org/10.1007/s10508-019-01491-2.

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Abstract Self-reported empathy differs with gender and sexual orientation. The current study investigated whether mu-suppression, reflecting brain activity especially related to state empathy, also is modulated by gender and sexual orientation. Pictures of painful and non-painful actions were presented to 20 lesbians, 20 gay men, 20 heterosexual men and 20 heterosexual women, while EEG was recorded. Individual peak frequencies of mu-activity (electrodes C3, C4) were detected within the 6–11 Hz band for each participant, and mu-suppression indices were calculated. Further, verbal indicators of
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Aboyoun, Darren C., and James M. Dabbs. "THE HESS PUPIL DILATION FINDINGS: SEX OR NOVELTY?" Social Behavior and Personality: an international journal 26, no. 4 (1998): 415–19. http://dx.doi.org/10.2224/sbp.1998.26.4.415.

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Pupil dilation research initially focused upon emotional reactions and then shifted almost entirely to information processing. The present study returns to the initial research and addresses the question of whether pupil dilation in response to nudity reflects general arousal or more specific sexual arousal. Among heterosexual subjects, pictures of opposite sex nudes should produce sexual arousal, while pictures of nudes of either sex should produce a general novelty reaction. Pupil dilation was monitored among men and women viewing pictures of clothed men, clothed women, nude men, and nude wo
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Hirschman, Elizabeth C. "Consumer Preferences in Literature, Motion Pictures, and Television Programs." Empirical Studies of the Arts 5, no. 1 (1987): 31–46. http://dx.doi.org/10.2190/3c9d-4vf6-v7nt-hbpw.

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This study examined the relationship between five motives—sensory arousal, cognitive arousal, escapism, mastery-control, and emotional involvement—and preferences for different types of content in three cultural media—television programs, motion pictures, and books. The findings both confirmed and extended prior theorization and found some intriguing differences in content preferences between women and men.
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Albury, Kath, and Paul Byron. "Queering Sexting and Sexualisation." Media International Australia 153, no. 1 (2014): 138–47. http://dx.doi.org/10.1177/1329878x1415300116.

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Recent Australian research on ‘sexting’ (the production and exchange of naked and semi-naked digital pictures) has observed that formal legal and educational discourses have failed to fully account for young people's understandings and experiences. While there is a proliferation of scholarly and popular texts focusing on the risks that sexting might pose to young (heterosexual) women, there is a relative absence of academic, educational or popular discourse acknowledging same sex-attracted young people's participation in cultures of creating and sharing pictures via dating and hook-up apps. Th
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Albury, Kath. "Just because it’s public doesn’t mean it’s any of your business: Adults’ and children’s sexual rights in digitally mediated spaces." New Media & Society 19, no. 5 (2017): 713–25. http://dx.doi.org/10.1177/1461444816686322.

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This article engages with media responses to the 2015 Ashley Madison hack (which largely exposed the sexual details of adult heterosexual men) and the 2014 ‘Fappening’ hack (which exposed private sexual images of adult female celebrities). It draws on Petchesky’s concept of positive sexual rights and Warner’s framework of sexual ethics to reflect on the ways current educational and policy responses to ‘teen sexting’ (or sharing nude/semi-nude pictures) might change if young people’s sexual rights were recognized as being similar (if not the same) to those of the adult victims of the 2014 and 2
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Kosonogov, Vladimir, José M. Martínez-Selva, Ginesa Torrente, Eduvigis Carrillo-Verdejo, Aurelio Arenas, and Juan P. Sánchez-Navarro. "Head Motion Elicited by Viewing Affective Pictures as Measured by a New LED-Based Technique." Multisensory Research 32, no. 7 (2019): 575–88. http://dx.doi.org/10.1163/22134808-20191363.

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Abstract The complex sensory input and motor reflexes that keep body posture and head position aligned are influenced by emotional reactions evoked by visual or auditory stimulation. Several theoretical approaches have emphasized the relevance of motor reactions in emotional response. Emotions are considered as a tendency or predisposition to act that depends on two motivational systems in the brain — the appetitive system, related to approach behaviours, and the defensive system, related to withdrawal or fight-or-flight behaviours. Few studies on emotion have been conducted employing kinemati
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Danel, Dariusz P., Kasper Kalinowski, Natalia Nowak-Szczepanska, et al. "Shifts in Female Facial Attractiveness during Pregnancy." International Journal of Environmental Research and Public Health 17, no. 14 (2020): 5176. http://dx.doi.org/10.3390/ijerph17145176.

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It has been proposed that women’s physical attractiveness is a cue to temporal changes in fertility. If this is the case, we should observe shifts in attractiveness during pregnancy—a unique physiological state of temporal infertility. The aim of this study was to examine how women’s facial attractiveness changes during the subsequent trimesters of pregnancy and how it compares to that of nonpregnant women. Sixty-six pictures of pregnant women (22 pictures per trimester) and 22 of nonpregnant women (a control group) were used to generate four composite portraits, which were subsequently assess
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Kobayashi, Maiko, Koyo Nakamura, and Katsumi Watanabe. "Sex Differences in the Motivation for Viewing Sexually Arousing Images." Evolutionary Psychological Science 7, no. 3 (2021): 273–83. http://dx.doi.org/10.1007/s40806-021-00276-y.

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AbstractSexual motivation strongly influences mate choice and dating behavior and can be triggered by merely viewing sexually arousing visual images, such as erotic pictures and movies. Previous studies suggested that men, more than women, tend to search for sexual cues that signal promiscuity in short-term mates. However, it remains to be tested whether sex differences in the motivation to view sexual cues can be observed by using robust and well-controlled behavioral measures. To this end, we employed a pay-per-view key-pressing task. Japanese self-identified heterosexual male and female par
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Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels." EduLite: Journal of English Education, Literature and Culture 6, no. 2 (2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

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This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from
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Marwah, Diniati, Ismunandar Ismunandar, and Regaria Tindarika. "BENTUK PENYAJIAN TARI LANGKAH DUA BELAS DI DESA SUNGAI BUNGKOK KALIMANTAN BARAT." Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) 11, no. 6 (2022): 421. http://dx.doi.org/10.26418/jppk.v11i6.55840.

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This research aims to describe the Langkah Dua Belas dance. This study used qualitative approach with method of interview, observation and document analysis. The documents that the author used in this study were written documents, pictures and videos. The authors concluded that Langkah Dua Belas dance has an opening movement structure, namely the motion of respect, the core movement which consists of 12 steps and the closing motion is the motion of the throne. The number of dancers must be even, namely 4, 6, 8, and so on. This dance can be danced by both men and women. The floor pattern is a s
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