Log in

Relevant bibliographies by topics / Hip-hop Hip-hop. Rap (Music)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Hip-hop Hip-hop. Rap (Music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Hip-hop Hip-hop. Rap (Music).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Hip-hop Hip-hop. Rap (Music)"

1

Grewal, Sara Hakeem. "Hip Hop and the University." Journal of Popular Music Studies 32, no. 3 (2020): 73–97. http://dx.doi.org/10.1525/jpms.2020.32.3.73.

Full text

Abstract:

While hip hop and the university appear to operate within radically different social (and socioeconomic) spheres, we nevertheless see increasing overlap between the two that demonstrates a mutual interest and perhaps desire between the two. With the rise of hip hop studies on the one hand and a remarkable array of hip hop songs and films that address the university space and/or university education on the other, these two discursive spheres produce knowledges that are both complementary and contradictory. By analyzing several texts—major academic works of hip hop scholarship; films on hip hop

APA, Harvard, Vancouver, ISO, and other styles

2

Grewal, Sara Hakeem. "Hip Hop and the University." Journal of Popular Music Studies 32, no. 3 (2020): 73–97. http://dx.doi.org/10.1525/jpms.2020.323007.

Full text

Abstract:

While hip hop and the university appear to operate within radically different social (and socioeconomic) spheres, we nevertheless see increasing overlap between the two that demonstrates a mutual interest and perhaps desire between the two. With the rise of hip hop studies on the one hand and a remarkable array of hip hop songs and films that address the university space and/or university education on the other, these two discursive spheres produce knowledges that are both complementary and contradictory. By analyzing several texts—major academic works of hip hop scholarship; films on hip hop

APA, Harvard, Vancouver, ISO, and other styles

3

Knobloch-Westerwick, Silvia, Paige Musto, and Katherine Shaw. "Rebellion in the Top Music Charts." Journal of Media Psychology 20, no. 1 (2008): 15–23. http://dx.doi.org/10.1027/1864-1105.20.1.15.

Full text

Abstract:

Abstract. In spite of great public concern about offensive messages in hip-hop/rap and rock, actual quantitative prevalence is rarely examined. This investigation analyzed 260 rap/hip-hop and rock songs from the top-charts of 1993 and 2003 for rebellious messages about impulsive and hostile behaviors. Results show that the majority of top songs contain rebellious messages. Songs with messages about impulsiveness are more common than those about hostility in the rap/hip-hop genre and have increased.

APA, Harvard, Vancouver, ISO, and other styles

4

SOLOMON, THOMAS. "‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey." Popular Music 24, no. 1 (2005): 1–20. http://dx.doi.org/10.1017/s0261143004000273.

Full text

Abstract:

Hip-hoppers in Istanbul, Turkey, spend much discursive energy talking and rapping about how the Turkish hip-hop movement is underground, putting a particularly local spin on their uses of a global cultural form. This spatial metaphor has thus become central to local constructions of hip-hop in Istanbul. This paper explores the different meanings the underground concept has for Turkish hip-hoppers through a combination of ethnographic research and readings of locally produced hip-hop texts. Through discourses on and around the underground metaphor, Turkish hip-hoppers use the globally circulati

APA, Harvard, Vancouver, ISO, and other styles

5

Pennycook, Alastair. "Global Noise and Global Englishes." Cultural Studies Review 9, no. 2 (2013): 192–200. http://dx.doi.org/10.5130/csr.v9i2.3572.

Full text

Abstract:

Global Noise: Rap and Hip-Hop Outside the USA, alluding to Tricia Rose’s US rap-music book, Black Noise, aims to do much more than merely extend the reach of the study of rap and hip-hop beyond the USA, as its subtitle might suggest. While acknowledging the importance of the work of both Rose and Potter, this collection’s editor, Tony Mitchell, contests their respective views that rap and hip-hop are essentially expressions of African-American culture, and that all forms of rap and hip-hop derive from these origins. He argues that these forms have become ‘a vehicle for global youth affiliation

APA, Harvard, Vancouver, ISO, and other styles

6

Berkson, Sam. "Hip Hop World News: reporting back." Race & Class 59, no. 2 (2017): 102–14. http://dx.doi.org/10.1177/0306396817716053.

Full text

Abstract:

Responding to the BBC 4 documentary, The Hip Hop World News, the author examines a number of debates that the programme, narrated by Rodney P, a pioneer of British rap music, and a believer in the revolutionary potential of hip hop culture, throws up. For hip hop also has many reactionary elements and has become big business for the corporations and rap ‘stars’ involved in its production. Beyond just pointing to individual rappers who have been ‘conscious’ political voices, such as Public Enemy’s Chuck D, we are shown structures embedded in the origins and ‘elements’ of hip hop that continue t

APA, Harvard, Vancouver, ISO, and other styles

7

Templeton, Inez H. "Where in the world is the hip hop nation?" Popular Music 22, no. 2 (2003): 241–45. http://dx.doi.org/10.1017/s0261143003003155.

Full text

Abstract:

The ‘Hood Comes First: Race, Space and Place in Rap and Hip-Hop. By Murray Forman. Middletown: Wesleyan University Press, 2002. 400 pp.Global Noise: Rap and Hip-Hop Outside the USA. Edited by Tony Mitchell. Middletown: Wesleyan University Press, 2001. 352 pp.

APA, Harvard, Vancouver, ISO, and other styles

8

Bennett, Andy. "Hip hop am Main: the localization of rap music and hip hop culture." Media, Culture & Society 21, no. 1 (1999): 77–91. http://dx.doi.org/10.1177/016344399021001004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Yanchenko, Ya M. "HIP-HOP AS A DISCURSIVE SPACE OF THE SUBCULTURE." Bulletin of Udmurt University. Series History and Philology 30, no. 3 (2020): 403–7. http://dx.doi.org/10.35634/2412-9534-2020-30-3-403-407.

Full text

Abstract:

The goal of the article is detection and description of the main linguistic peculiarities of the discourse of hip-hop subculture. The lack of research devoted to hip-hop language and high popularity of rap music give grounds to consider this problem relevant to solve. The article examines the factors of the formation of the subculture and their impact on the linguistic representation of the mental world of the hip-hop culture representatives. It is concluded that there is a direct connection between conditions and lifestyle (economic instability, high crime rates, racial decimations) of hip-ho

APA, Harvard, Vancouver, ISO, and other styles

10

Nzinga, Kalonji L. K., and Douglas L. Medin. "The Moral Priorities of Rap Listeners." Journal of Cognition and Culture 18, no. 3-4 (2018): 312–42. http://dx.doi.org/10.1163/15685373-12340033.

Full text

Abstract:

AbstractA cross-cultural approach to moral psychology starts from researchers withholding judgments about universal right and wrong and instead exploring what the members of a community subjectively perceive to be moral or immoral in their local context. This study seeks to identify the moral concerns that are most relevant to listeners of hip-hop music. We use validated psychological surveys including the Moral Foundations Questionnaire (Graham, Haidt, & Nosek 2009) to assess which moral concerns are most central to hip-hop listeners. Results show that hip-hop listeners prioritize concern

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Hip-hop Hip-hop. Rap (Music)"

1

Del, Hierro Marcos Julian. "It's Bigger and hip-hop Richard Wright, hip-hop, and masculinity /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Evans, Derek. ""It's bigger that hip hop" popular rap music and the politics of the hip hop generation /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5034.

Full text

Abstract:

Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 25, 2008) Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

3

Haery, Todd Cameron. "(Pro-) Socially conscious hip hop: Empathy and attitude, prosocial effects of hip hop." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587747399137313.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Branch, William. "Theological implications of hip-hop culture." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Branch, William. "Thelogical implications of hip-hop culture." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Tinajero, Roberto Jose. "Hip hop rhetoric relandscaping the rhetorical tradition /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Zavortink, Matthew. "Analysis of Rhythm in Rap Music." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20418.

Full text

Abstract:

Although the analysis of popular music has become widely accepted by theorists, rap and related genres are still relatively unexplored. The small body of existing literature suggests several promising analytic methods, such as the discernment and comparison of rhythmic layers within a song. This thesis reviews the current state of rap research and synthesizes a comprehensive theoretical model out of previously published sources and the author’s original ideas. This model is then used to investigate several case studies of varying complexity, revealing a number of previously undocumented musica

APA, Harvard, Vancouver, ISO, and other styles

8

Mohammed-Akinyela, Ife J. "Conscious Rap Music: Movement Music Revisited A Qualitative Study of Conscious Rappers and Activism." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/14.

Full text

Abstract:

The purpose of this study is to explore how conscious rap is used as a form of activism. Interviews of conscious rappers based in Atlanta, GA were used to understand this relationship. In order to complete this investigation, ten unsigned conscious rappers were given a series of questions to explore their involvement as activist; some of these artist were also recruited based on affiliations with political organizations based in Atlanta, GA. By gathering interviews from conscious rappers who consider their music as a form of activism, scholars of African American Studies may further understand

APA, Harvard, Vancouver, ISO, and other styles

9

Dennis, Christopher Charles. "Afro-Colombian hip-hop globalization, popular music and ethnic identities /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1155174476.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Harris, Christopher S. "Gods, God, & Soul Food: Young Black Spirituality in Rap Music." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/448.

Full text

Abstract:

Contrary to popular belief, discussions of morality, spiritual sensibilities, and religion are major themes in the lyrics of rap music. The current study provides an exploratory content analysis of rap lyrics in an effort to better understand the ways in which rap artists and audiences thought and think about their spirituality. Results indicate that there existed a fervent and nuanced discourse around spirituality and its various forms during the rise of rap music between the mid 1990s and early millennium.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Hip-hop Hip-hop. Rap (Music)"

1

Sacks, Nathan. Rap/hip-hop. Twenty-First Century Books, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Hip-hop. Celeste Ediciones, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Dorchin, Uri. Zeman emet: Hip-hop be-Yiśraʼel : hip-hop Yisʻreʼeli = Real time : hip-hop in Israel : Israeli hip-hop. Resling, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hip-hop greats. Capstone Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Garofoli, Wendy. Hip-hop history. Capstone Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hip-hop history. Raintree, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hip Hop Culture. ABC-CLIO, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

George, Nelson. Hip hop America. Viking, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hip hop America. Penguin Books, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Hip hop America. Viking, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Hip-hop Hip-hop. Rap (Music)"

1

Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Rap and Hip-Hop." In Anthology to Accompany Gateways to Understanding Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-56.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Li, Xinling. "Revelations from Black Gay Men Who Rap." In Black Masculinity and Hip-Hop Music. Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-3513-6_4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Palma-Martos, María Luisa, Manuel Cuadrado-García, and Juan D. Montoro-Pons. "Breaking the Gender Gap in Rap/Hip-Hop Consumption." In Music as Intangible Cultural Heritage. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76882-9_5.

Full text

Abstract:

AbstractSome music genres have traditionally and mainly been consumed by men. This is the case of rap/hip-hop. However, data on the consumption of this genre in recent years shows a relevant increase in the number of women interested in this type of music. It would therefore seem to be pertinent to analyse this new trend, not only as a question linked to gender studies but also to marketing decision-making for the music industry, which is struggling to attract new audiences, a factor compounded in the pandemic. To frame this analysis, literature on music consumption, specifically in relation to gender and rap as an alternative music genre, has been reviewed from different approaches. An exploratory survey was conducted to obtain an insight into rap/hip-hop consumption and appreciation by gender. Results show that rap concert attendees’ satisfaction and interest in this kind of music are high, irrespective of gender. Only knowledge, which has not been as extensively studied, seems to be different between men and women, with this factor being slightly higher for the former. In addition, the identification of three clusters (involved, apathetic and hedonists), including both women and men, leads us to suggest that the gender gap in rap/hip-hop consumption is closing.

APA, Harvard, Vancouver, ISO, and other styles

4

Westinen, Elina. "“Who’s Afraid of the Dark?”: The Ironic Self-Stereotype of the Ethnic Other in Finnish Rap Music." In The Sociolinguistics of Hip-hop as Critical Conscience. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59244-2_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vernon, Jim. "‘Pure Treason, I’ll Tell You Why’: The Erasure of Hip Hop Culture by Rap Music and Postmodern Hip Hop Studies." In Sampling, Biting, and the Postmodern Subversion of Hip Hop. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74903-3_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Clauhs, Matthew, Bryan Powell, and Ann C. Clements. "Hip Hop." In Popular Music Pedagogies. Routledge, 2020. http://dx.doi.org/10.4324/9780429294440-17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Norwood, Kenneth. "Chapter 10: The Power of Boy Pussy: The Dichotomy Between Liberation and Objectification in Queer Hip-Hop/Rap in the 2000s." In Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65189-3_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Przybylski, Liz. "Hip Hop Dialogues." In Popular Music and the Politics of Hope. Routledge, 2019. http://dx.doi.org/10.4324/9781315165677-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Perkinson, James W. "Rap Rapture and Manic Mortality." In Shamanism, Racism, and Hip Hop Culture. Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403979186_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Lafrance, Marc, Lori Burns, and Alyssa Woods. "Doing Hip-Hop Masculinity Differently." In The Routledge Research Companion to Popular Music and Gender. Routledge, 2017. http://dx.doi.org/10.4324/9781315613437-25.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Hip-hop Hip-hop. Rap (Music)"

1

French, Kenneth. ""Topomusica" in rap music: Role of geography in hip-hop music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.18.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Watkins, Lee. "Blackness transmuted and sinified by way of rap music and hip hop in the new China." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.38.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Fogarty, Mary. "Sharing hip hop dance: Rethinking taste in cross-cultural exchanges of music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.17.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Platzer, L. K., N. Orthmann, P. Grozinger, et al. "Does music genre affect medical students’ performance in standardized laparoscopic exercises? Comparing exposure to rock, hip-hop, classic and mixed radio music at 70 decibels." In Kongressabstracts zur Tagung 2020 der Deutschen Gesellschaft für Gynäkologie und Geburtshilfe (DGGG). © 2020. Thieme. All rights reserved., 2020. http://dx.doi.org/10.1055/s-0040-1718043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Ayala, Susana. "Becoming the Puppeteer: Reflections on Global Language and Culture by Puppetry Students in Yogyakarta, Indonesia." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-6.

Full text

Abstract:

Puppet theater on the island of Java is an ancient art which has maintained some of its characteristics considered traditional, but has also been transforming innovations such as the wayang with hip-hop music among other popular expressions. The art of puppetry has also been institutionalized and is itself a degree program at the National Institute of Arts of Indonesia. In this paper, I show the outcomes of my research among students and shadow puppet art teachers in Java, Indonesia. There are two special characteristics in training puppeteers: The main use of Jawanese language and the develop

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!