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Dissertations / Theses on the topic 'Hip-hop Hip-hop. Rap (Music)'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Del, Hierro Marcos Julian. "It's Bigger and hip-hop Richard Wright, hip-hop, and masculinity /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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Evans, Derek. ""It's bigger that hip hop" popular rap music and the politics of the hip hop generation /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5034.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 25, 2008) Includes bibliographical references.

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3

Haery, Todd Cameron. "(Pro-) Socially conscious hip hop: Empathy and attitude, prosocial effects of hip hop." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587747399137313.

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4

Branch, William. "Theological implications of hip-hop culture." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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5

Branch, William. "Thelogical implications of hip-hop culture." Theological Research Exchange Network (TREN), 2004. http://www.tren.com.

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6

Tinajero, Roberto Jose. "Hip hop rhetoric relandscaping the rhetorical tradition /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.

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7

Zavortink, Matthew. "Analysis of Rhythm in Rap Music." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20418.

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Although the analysis of popular music has become widely accepted by theorists, rap and related genres are still relatively unexplored. The small body of existing literature suggests several promising analytic methods, such as the discernment and comparison of rhythmic layers within a song. This thesis reviews the current state of rap research and synthesizes a comprehensive theoretical model out of previously published sources and the author’s original ideas. This model is then used to investigate several case studies of varying complexity, revealing a number of previously undocumented musica

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8

Mohammed-Akinyela, Ife J. "Conscious Rap Music: Movement Music Revisited A Qualitative Study of Conscious Rappers and Activism." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/14.

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The purpose of this study is to explore how conscious rap is used as a form of activism. Interviews of conscious rappers based in Atlanta, GA were used to understand this relationship. In order to complete this investigation, ten unsigned conscious rappers were given a series of questions to explore their involvement as activist; some of these artist were also recruited based on affiliations with political organizations based in Atlanta, GA. By gathering interviews from conscious rappers who consider their music as a form of activism, scholars of African American Studies may further understand

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9

Dennis, Christopher Charles. "Afro-Colombian hip-hop globalization, popular music and ethnic identities /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1155174476.

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10

Harris, Christopher S. "Gods, God, & Soul Food: Young Black Spirituality in Rap Music." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/448.

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Contrary to popular belief, discussions of morality, spiritual sensibilities, and religion are major themes in the lyrics of rap music. The current study provides an exploratory content analysis of rap lyrics in an effort to better understand the ways in which rap artists and audiences thought and think about their spirituality. Results indicate that there existed a fervent and nuanced discourse around spirituality and its various forms during the rise of rap music between the mid 1990s and early millennium.

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Gomes, Renan Lelis 1984. "Território usado e movimento hip-hop : cada canto um rap, cada rap um canto." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286930.

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Orientador: Marcio Antonio Cataia<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Geociências<br>Made available in DSpace on 2018-08-22T17:23:44Z (GMT). No. of bitstreams: 1 Gomes_RenanLelis_M.pdf: 4755851 bytes, checksum: 51826c17290347dfd4f2551d7e2e01d6 (MD5) Previous issue date: 2012<br>Resumo: Este texto apresenta algumas reflexões que objetivam discutir o hip-hop como uma manifestação territorial que assume particularidades regionais e que tem no rap uma das suas formas de existir. Este tipo de música, mesmo possuindo uma linguagem universal, assume caracterí

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12

Atwood, Brett D. "The role of Rap and Hip-hop music in value acceptance and identity formation." Scholarly Commons, 2006. https://scholarlycommons.pacific.edu/uop_etds/631.

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This study exp !ores the relationship between an individual's interest in and exposure to the rap/hip-hop genre and the messages and values contained within the music, as well as the role of self-esteem in generating interest and motivating exposure to rap/hip-hop music. A survey questionnaire was administered to 213 students at a community college in northern California. Interest and exposure to rap/hip-hop were found to be significantly correlated with acceptance of a number of values portrayed in the music. However, those most interested in and exposed to rap/hip-hop music were less likely

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13

Weaver, Alexandra Alden. "These Are the Days." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/311.

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The genre of film I decided to produce for my thesis in Media Studies (Film/Production) is that of a hip hop music video. In my written work, I explain how I aim to break out of techniques in hip hop music videos that perpetuate, knowingly or unknowingly, the white capitalist patriarchal heterosexual system of oppression. Instead, I incorporate my own and other positive imagery and techniques used in hip hop music videos that subvert the system of oppression and will reflect my positive lyrics. In addition, I briefly discuss hip hop feminism and its relation to hip hop music videos and social

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14

Peterson, Sean. "Something Real: Rap, Resistance, and the Music of the Soulquarians." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23759.

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From 1997-2002, a loose collective of hip hop and R&B musicians known as The Soulquarians collaborated to produce numerous award-winning and critically-acclaimed albums. Drawn together by the heady atmosphere of collaboration with creative, like-minded peers, they were driven by a goal to create alternative sounds and representations in black music. This project has two primary goals: to historicize the collaboration of the Soulquarians and to identify and analyze aspects of their music that situated it in opposition to commercially dominant hip hop of its day. To do so, I perform close listen

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Peck, RaShelle R. "Imperfect Resistance: Embodied Performances in Nairobi Underground Hip Hop." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397664120.

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Jacobson, Ginger L. "Realness and Hoodness: Authenticity in Hip Hop as Discussed by Adolescent Fans." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002804.

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Modell, Amanda Renae. ""You Understand Me Now": Sampling Nina Simone in Hip Hop." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4168.

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The overarching goal of this research is to explicate the implications of hip hop artists sampling Nina Simone's music in their work. By regarding Simone as a critical social theorist in her own right, one can hear the ways that hip hop artists are mobilizing her tradition of socially active self-definition from the Civil Rights/Black Power era(s) in the post-2000 United States. By examining both the lyrics and the instrumental compositions of Lil Wayne, Juelz Santana, Common, Tony Moon, Talib Kweli, Mary J. Blige and Will.I.Am, G-Unit and Timbaland, and bearing in mind the intersecting oppr

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Rotta, Daltro Cardoso. "O hip-hop (en) cena : problematicas acerca do corpo, da cultura e da formação." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253221.

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Orientador: Elisa Angotti Kossovitch<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-06T11:55:42Z (GMT). No. of bitstreams: 1 Rotta_DaltroCardoso_M.pdf: 1451570 bytes, checksum: 12b989de4e1c0290870ac955103ed026 (MD5) Previous issue date: 2006<br>Resumo: Esta dissertação que ora apresento tem como campo de problemáticas algumas práticas de socialização de bairros periféricos, e encontra no movimento hip-hop um grande campo de experimentação. De grande influência na cultura da Juventude contemporânea, o hip-hop engendr

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19

Li, Xin Ling. "Who stole the beat? : black masculinity, hip-hop music, and the black gay men who rap." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708221.

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Forman, Murray W. ""The ‘hood comes first" : race, space and place in Rap music and Hip Hop, 1978-1996." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ50163.pdf.

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Bramwell, Richard. "The aesthetics and ethics of London based rap : a sociology of UK hip-hop and grime." Thesis, London School of Economics and Political Science (University of London), 2011. http://etheses.lse.ac.uk/189/.

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This thesis considers rap music produced in London. The project employs close textual analysis and ethnography to engage with the formal characteristics of rap and the social relations constructed through its production and use. The black cultural tradition has a considerable history and the thesis focuses upon its appropriation in contemporary London. The study begins with an examination of the process of becoming a rapper. I then consider the collaborative work that rap artists engage in and how these skills contribute to construction of the UK Hip-Hop and Grime scenes. Moving on from this f

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22

Glover, Maria A. "Ethos as street credibility : defining the street artist as a hero persona in the hip-hop lyrics of Nas /." Read thesis online, 2010. http://library.uco.edu/UCOthesis/GloverMA2010.pdf.

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White, Russell Christopher. "Constructions of identity and community in hip-hop nationalism with specific reference to Public Enemy and Wu-Tang Clan." Thesis, University of Winchester, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.274442.

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The re-emergence of Black Nationalist thought in black popular culture is most evident in the music of such rap groups as Public Enemy and Wu-Tang Clan. Together with groups such as Brand Nubian, and X-Clan, Public Enemy and Wu-Tang Clan have played a central role in introducing the tenets of Black Nationalism to what Michael Eric Dyson has termed 'the hip-hop generation'. Public Enemy and Wu-Tang Clan utilise highly selective 'sampling strategies' that draw upon a wide variety of Black Nationalist ideologies. This thesis aims to examine the impact of these groups' pluralistic 'sampling strate

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Radford, Crystal Joesell. "In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306255326.

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Schweig, Meredith Lynne. "The Song Readers: Rap Music and the Politics of Storytelling in Taiwan." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10942.

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This dissertation is an ethnographic study of Taiwan's hip-hop scene and an examination of rap music's emergence as a trenchant form of musical narrative discourse in the post-martial law era (1987 to the present). Its central argument is that performers have invoked rap as a storytelling practice to make sound and sense of the dramatic social and political transformations that transpired in the wake of Taiwan's democratization at the dusk of the twentieth century, and in the years thereafter. My discussion draws on a vibrant archive of materials collected over eighteen months of fieldwork and

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Marsh, Peter K. "»We’ve Started a Revolution!« A Survey of Rap, Hip-Hop, and the Pop Music Industry in Mongolia." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A72196.

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Schlabach, Jessica L. "We're Free: The Impact of a Rap Writing Music Therapy Intervention on Self-Esteemof At-Risk Adolescents in a Public Middle School Setting." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429108872.

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Franklin, Serena. "Ill beats : black women rap artists and the representations of women in hip hop culture." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Anthropology

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29

Inglis, Hilary M. "Hip Hop and Hope : exploring the affordances of hip hop centred community music making for enhancing adolescents’ engagement with the field of water-related diseases in peri-urban community settings in KwaZulu-Natal, South Africa." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/64175.

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Adolescents living in peri-urban settings in South Africa face multiple challenges to realising their own health and wellbeing. A lack of opportunities exists for young people to gain practical skills and the self-efficacy necessary to address these challenges. One area in which they have the potential to make an impact is that of water-related disease. In this context Jive Media Africa, a media agency with a focus on health communications, initiated the Hip Hop Health project. The project made use of hip hop centred community music making to enable 60 young people from three schools in peri-u

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Kistner, Gavin. "Hip-Hop Sampling and Twentieth Century African-American Music: An Analysis of Nas' "Get Down" (2003)." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23780/23780.pdf.

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Templeton, Inez H. "What's so German about it? : cultural identity in the Berlin hip hop scene." Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/75.

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Literature on the appropriation of hip hop culture outside of the United States maintains that hip hop engenders local interpretations no longer reliant on African-American origins, and this research project is an attempt to determine the extent to which this is the case in a specific local context. My thesis is an effort to move beyond the rhetoric of much of what constitutes the debates surrounding globalisation, by employing a research strategy combining theoretical analysis and direct engagement with the Berlin hip hop scene. My project not only aims to uncover the meanings young people in

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Magnusson, Madeleine. ""Not Perfect Grammar, Always Perfect Timing" : African American Vernacular English in Black and White Rap Lyrics." Thesis, Karlstad University, Faculty of Arts and Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1749.

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<p>African American Vernacular English, AAVE, is a variant of English spoken mostly by lower-class black citizens in the US. Since the most popular music genre among African Americans today is rap, this paper will describe what characterizes AAVE and rap music, and explore the use of AAVE in rap lyrics of both black and white rappers.</p><p>AAVE is different from Standard English in several respects; grammatically, phonologically and lexically. Examples of grammatical features in AAVE are invariant be, double negations and the differing use of possessive pronouns.</p><p>The hip hop industry ha

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Van, As Rosina. "Die toepassing van die aksieleerbenadering in rap-onderrigleer / R. van As." Thesis, North-West University, 2013. http://hdl.handle.net/10394/9220.

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The way that inner city learners and their educators experience life varies to a great extent. A music programme relevant to the needs of learners can create better understanding between these groups. The success of such a programme depends on an effective teaching-learning approach. The action learning approach, developed by Reginald Revans and adapted for music by Thomas A. Regelski, was implemented in a once-off rap programme at an inner city school in Gauteng. The aim of the programme was the acquisition of practical musical skills by learners through participation in a real-life musical e

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Lüdtke, Solveig. "Globalisierung und Lokalisierung von Rapmusik am Beispiel amerikanischer und deutscher Raptexte." Berlin ; Münster : Lit, 2007. http://books.google.com/books?id=4J-fAAAAMAAJ.

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Grandstrand, Rachel. "The Performance and Perception of Social Identities in Country-Rap Music." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1375280445.

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Stirling, Scott. "The neo-diaspora : examining the subcultural codes of hip-hop and contemporary urban trends in the work of Kudzanai Chiurai and Robin Rhode." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002219.

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This thesis is structured around an exploration of the global phenomenon hip-hop. It considers how its far-reaching effects, as a cultural export from the United States,have influenced cultural production in South Africa. The investigation focuses specifically on the work of two visual artists: Zimbabwean born, Johannesburg-based Kudzanai Chiurai, and Cape Town born, Berlin-based Robin Rhode. The introduction familiarises the reader with the two artists and briefly outlines their histories and methods, as well as giving a short history of the development of hip-hop as a subculture from its beg

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Silva, Antonio Leandro da. "Música rap: narrativa dos jovens da periferia de Teresina." Pontifícia Universidade Católica de São Paulo, 2006. http://tede2.pucsp.br/handle/handle/2628.

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Made available in DSpace on 2016-04-25T20:21:40Z (GMT). No. of bitstreams: 1 AntonioLeandroDaSilva.pdf: 4969154 bytes, checksum: 1a8a40156fffd9128734d2d311eea991 (MD5) Previous issue date: 2006-08-17<br>The present composition has as a center Rap Music analysis; it is understood as a young people narrative from the suburb of Teresina. The option for this subject it is directly tied with my experiences, as Franciscan religious, experiences that were lived in the suburb of this city, where I knew Hip Hop Movement. During six years, I could see, feel and hear daily realities lived by these citi

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Schreiber, Paula Rebecca. "Sprachliche Rekontextualisierung in globalen und lokalen Popkulturen. Hip Hop Linguistics und „Resistance Vernacular” im italienischsprachigen Rap. Ricontestualizzazione linguistica di “Popular Culture”. Hip Hop Linguistics e “Resistance Vernacular”. Il caso del rap italiano tra globalizzazione e localizzazione." Doctoral thesis, Università degli studi di Trento, 2019. http://hdl.handle.net/11572/245432.

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Hiphop è il nome di un movimento giovanile che nasce negli anni settanta nei quartieri del Bronx, del Queens e di Harlem a New York City. Negli anni ottanta la musica e la cultura hiphop si diffondono in Italia e si sviluppano in tre diverse generazioni: la prima negli anni 1987-1999, la seconda negli anni 2000-2007, la terza negli anni 2008-2017. Queste generazioni condividono caratteristiche identitarie e valori come il rispetto, la pace, l'uguaglianza. Il lavoro presenta un’analisi linguistica dei testi italiani delle canzoni rap prodotte nel terzo periodo. A tale scopo la tesi è organizzat

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Katz, Meredith Ann. "The Beats Have No Color Lines: An Exploration of White Consumption of Rap Music." Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/9942.

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The purpose of this study was to examine the relationship between white consumption of politically conscious rap music and the political beliefs of white rap music consumers. The guiding research questions included an exploration of why whites with little prior concern about racism consume rap music with politically conscious antiracist messages; if whites who consume this music believe the messages spoken are an accurate depiction of reality; and if a relationship exists between consumption of politically conscious rap music and an individual's political beliefs. Through interviews of white f

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Smith, Martin. "RAPITALISM." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4272.

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My paper questions the degree to which the hip hop subculture is oppositional to mainstream American society and its ideals. Toward that end, I examine the structure of the hip hop industry and its subculture. While the hip hop subculture in America consistently has projected images of rebellion and resistance to many of the mores, constraints and values of dominant society, the actual structure and organization of the hip hop subculture have mirrored, supported and promoted the values of the dominant culture in the United States. I begin by examining the structure of the main elements of the

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Carr, Nicolas. "“THE GAME DON’T CHANGE”Designing Beats and Rhymes,A metaphor and guide to ideate design concepts." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428070292.

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Sawaya, Silvio Ricardo 1973. "Entre a paranóia da imaginação e a percepção alucinatória = hip-hop e postura de oposição na sociedade do fim da história." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278733.

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Orientador: Laymert Garcia dos Santos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-18T15:40:01Z (GMT). No. of bitstreams: 1 Sawaya_SilvioRicardo_M.pdf: 1004171 bytes, checksum: d1056768c80b8a466d3db6970bc0e089 (MD5) Previous issue date: 2011<br>Resumo: Com o desmoronamento do socialismo real no final do século XX - cujos principais marcos foram a queda do Muro de Berlim e a débâcle soviética -, o mundo parece ter tomado novos rumos. Neste período, Francis Fukuyama e Robert Kurz desafiaram a esq

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Magalhães, Maria Cristina Prado Fleury. "Hibridações locais e processos identitários: o Rap em Goiânia e Aparecida de Goiânia." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/6220.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:02Z No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:25Z (GMT) No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9

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Schreiber, Paula Rebecca [Verfasser]. "Sprachliche Kontextualisierung von globalen und lokalen Popkulturen : Hip Hop Linguistics, Resistance Vernacular und italienischsprachiger Rap / Paula Rebecca Schreiber." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2021. http://d-nb.info/123435506X/34.

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Singson, Brian A. "They Said What About Women!?: An Ethnographic Content Analysis of Mainstream Rap and R&B Lyrics, 2002–2005." Cincinnati, Ohio University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1178296739.

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Thesis (M.A.)--University of Cincinnati, 2007.<br>Title from electronic thesis title page (viewed July 18, 2007). Includes abstract. Keywords: Rap; Hip hop; Misogyny; Lyrics; Content Analysis Includes bibliographical references.

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Williams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.

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South Korea is internationally well known for its ethnic and cultural homogeneity, economic and technical success, and strong sense of nationalism. The peoples of South Korea have flourished economically after a series of colonizations, industrialization and political chaos. Over the past few decades, Korea has gained interest internationally for its entertainment industry through the Korean Wave (or Hallyu in Korean). Korean Wave is a term that refers to the increase in the popularity of South Korean culture since the late 1990’s due to Korean music, television shows and fashion. The Korean W

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Condit-Schultz, Nathaniel. "MCFlow: A Digital Corpus of Rap Flow." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461250949.

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Sewell, John Ike Jr. ""Don't Believe the Hype": The Construction and Export of African American Images in Hip-Hop Culture." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2193.

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This study examines recurring motifs and personas in hip-hop. Interviews with influential hip-hop scholars, writers and music industry personnel were conducted and analyzed using qualitative methods. Interview subjects were selected based on their insider knowledge as music critics, hip-hop scholars, ethnomusicologists, publicists, and music industry positions. The vast majority of constructed imagery in hip-hop is based on a single persona, the gangsta. This qualitative analysis reveals why gangsta personas and motifs have become the de facto imagery of hip-hop. Gangsta imagery is repeatedly

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Sirois, Andre G. 1980. "Scratching the digital itch: A political economy of the hip hop DJ and the relationship between culture, industry, and technology." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11561.

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xviii, 510 p. : ill. (some col.) This work is licensed under a Creative Commons Attribution-NonCommercial- ShareAlike 3.0 License (United States).<br>This study analyzes the culture, history, and technology of the hip hop DJ in order to tease out the relationships between industrial and cultural practices. The following research questions structured the investigation: 1) What historical developments in intellectual property rights and music playback and delivery formats contribute to a political economy of the hip hop DJ; 2) what has been the role of intellectual property exchange and standa

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Sunega, Fernanda Alves. "Bem vindos a zero dezenove : uma etnografia da radio bandeira FM e do programa de rap interior paulista." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279290.

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Orientador: Rita de Cassia Lahoz Morelli<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-10T15:23:19Z (GMT). No. of bitstreams: 1 Sunega_FernandaAlves_M.pdf: 1198744 bytes, checksum: 05e2319aaf71dd5f21e0a9447eade0c0 (MD5) Previous issue date: 2008<br>Resumo: De acordo com Néstor Garcia Canclini, em ¿Cidades e cidadãos imaginados pelos meios de comunicação¿, a sociedade está submetida a uma ¿urbanização que desurbaniza¿, onde os meios de comunicação atuam de maneira a criar vínculos entre os bairro

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