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1

Lei, Shuko. "Hiroshige et ses oeuvres." Paris, INALCO, 1992. http://www.theses.fr/1992INAL0015.

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2

Baker, Jennifer Helen. "The Eight Views: from its origin in the Xiao and Xiang Rivers to Hiroshige." Thesis, University of Canterbury. Humanities, 2010. http://hdl.handle.net/10092/4256.

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This thesis focuses upon the artistic and poetic subject of the Eight Views of the Xiao and Xiang, from its origin in the Xiao-Xiang region in the Hunan province of China throughout its dispersal in East Asian countries such as Korea and Japan. Certain aesthetics and iconography were retained from the early examples, throughout the Eight Views’ transformation from the eleventh to the nineteenth century. The subject‟s close associations with poetry, atmospheric phenomena and the context of exile were reflected in the imagery of the painting and the accompanying verses. This thesis will discuss
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Nguyen, Hoang hau. "L'influence de la musique asiatique sur la composition chez Claude Debussy." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040160.

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L’interférence et interaction Europe-Asie sur le plan culturel et artistique qui s’est épanouie durant le XIXe siècle a ouvert une nouvelle réserve de nouveaux matériaux pour la création littéraire et artistique. De cet échange chacun des deux continents a retiré pour lui-même des éléments qui lui étaient bénéfiques aux points de vue littérature, peinture, musique, architecture, et même religion... La thèse intitulée “Influence de la musique asiatique sur la composition chez Claude Debussy” est entreprise dans le but de rechercher les ingrédients exotiques exploités avec grande délicatesse et
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4

Petko, Lukas. "From Dameisho to Meisho." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-170826.

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Seen from abroad, Tokyo appears as a huge, vibrant metropolis where 21st-century Japan meets the traditional side of the country. Tokyo´s skyline is a diverse jumble of traditional houses and shrines, and modern architecture from skyscrapers of glass to 1970´s living capsules. Since the beginning, Tokyo has had great prerequisites for creating a city with amazing urban environment. Water was the first reason for people to settle down in Tokyo Bay. During Edo period (1603 – 1867), Tokyo was always described as a picturesque city with well-planned hydrology and a harmonic relationship with natur
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5

Huber, Thomas Christian. "36Cl-Messungen zur Erklärung der Neutronen-Diskrepanz von Hiroshima." [S.l. : s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=967123526.

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6

Murray, Philippa, and pmurray@swin edu au. "The Floating World - An investigation into illustrative and decorative art practices and theory in print media and animation." RMIT University. Arts and Culture, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080506.143949.

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Considered under the theme 'The Floating World', the aim of this research project was to create a written exegesis and a series of artworks, primarily in the form of digital animation and illustration, which investigate decorative and illustrative art practices and their historical lineages. Particular emphasis was given to investigating the links between contemporary decorative/illustrative art practice and the aesthetics and psychology of the Edo period in Japan (C17th - C19th), in which the term 'The Floating World' was used to describe the city of Edo (old Tokyo). The writing concerned wit
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7

Nakagawa, Cristiane Izumi. "Hiroshima: a catástrofe atômica e suas testemunhas." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-06112014-155200/.

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Ao longo das duas Guerras Mundiais, observou-se o rompimento da humanidade com as normas de conduta inauguradas pelo Iluminismo, legitimando a violência como algo intrínseco à sociedade moderna. Essa mudança de valores foi acompanhada pelo crescente investimento científico e tecnológico, que atingiu um elevado desenvolvimento durante o século XX e trouxe, como um de seus resultados, os maiores genocídios realizados pelos Estados autoritários em nome de seus interesses políticos e econômicos. A barbárie nos leva a considerar um elemento para a reflexão: as testemunhas. Essas corporificam a nece
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8

Yurita, Makito. "Metahistory and memory making/remaking the knowledge of Hiroshima's atomic bombing /." Diss., Connect to online resource - MSU authorized users, 2008.

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9

Courmont, Barthélémy. "Pourquoi Hiroshima? : la décision d'utiliser la bombe atomique /." Paris : L' Harmattan, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016718784&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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10

Almeida, Angela Prada. "A escrita da luz Hiroshi Sugimoto." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284394.

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Orientador: Roberto Berton de Angelo<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-20T07:56:25Z (GMT). No. of bitstreams: 1 Almeida_AngelaPrada_D.pdf: 44209189 bytes, checksum: 325da0af7c1faf9daa34119e12a721ef (MD5) Previous issue date: 2011<br>Resumo: Esta Tese de Doutorado tem como objetivo analisar obras do fotógrafo japonês Hiroshi Sugimoto. Na introdução, são analisadas cinco séries de fotografias do artista: Dioramas, Portraits, Architecture, Theaters e Seascapes. A seguir, discussões sobre as séries Dioramas e Portra
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11

Ayukawa, Michiko Midge. "Creating and recreating community, Hiroshima and Canada, 1891-1941." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ32731.pdf.

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Navarro, Montaniel S. "The atomic bombing of Hiroshima a reasonable and just decision /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/650835034/viewonline.

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Brum, Alessandra Souza Melett. "Hiroshima Mon Amour e a recepção da critica no Brasil." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284097.

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Orientador: Antonio Fernando da Conceição Passos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-14T11:53:17Z (GMT). No. of bitstreams: 1 Brum_AlessandraSouzaMelett_D.pdf: 6418413 bytes, checksum: dad9e2871db7b089481e37ab5aa01174 (MD5) Previous issue date: 2009<br>Resumo: O primeiro longa-metragem de Alain Resnais Hiroshima Mon Amour foi lançado em circuito comercial no Brasil em 1960, ano seguinte a sua estreia na França. O filme causou grande impacto entre a crítica especializada motivando inúmeros artigos em jornais e revi
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Juslin, Kajsa. "Remembering Hiroshima : Hadashi no Gen from a Trauma Theory Perspective." Thesis, Högskolan Dalarna, Japanska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30777.

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In this thesis, a semi-autobiographical manga, Hadashi no Gen, written by Nakazawa Keiji, is analyzed through the lens of trauma theory. By using trauma theory, I hope to shed light on in what way trauma might affect narrative techniques and in what way the narrative techniques convey trauma and emotion to the reader. For the analysis “Trauma Fiction” by Anne Whitehead was chosen and categories based on her findings were made. The categories are: Intertextuality, repetition, dispersed and fragmented narrative voice, memory place, choiceless choice and fantastic. I discovered that all these the
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15

Madella, Alessandra. "The woman condition: love and technology in Hiroshima mon amour." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1245.

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This dissertation is a rhetorical study of the critical reception of the French film Hiroshima mon amour (1959; dir.: Alain Resnais; screenplay: Marguerite Duras). My main argument is that the themes of love and technology followed a dialectical progression in the critical reception of Hiroshima mon amour. They were important and politically charged in the first essays on the film at the turn of the Sixties. But they lost momentum and became more neutral due to the academization of Film Studies and to the rise of semiology that privileged linguistic abstractions. The return of the themes of lo
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16

Stone, Daisy. "Le Traumatisme Dans Hiroshima, Mon Amour: Une Analyse Des Souvenirs." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1390.

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In this thesis, the different aspects of trauma are discussed at length while looking at the French New Wave Film directed by Alain Resnais, Hiroshima, Mon Amour. Through this film, I discuss how language shapes testimonies of traumatic events and if this shaping of language can possibly be seen in the film itself. Furthermore, I discuss if there is merit to looking at a work of art as an accurate depiction of historical trauma.
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17

Comotti, Francesco <1980&gt. "La ricostruzione di una voce : Hiroshima e Nagasaki nella letteratura giapponese." Doctoral thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3060.

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The atomic bombings of Hiroshima and Nagasaki have been the subject of many works of literature in Japan. Despite the considerable amount of prose and poetry, and the pivotal quality of the two events in Japanese history, literature dealing with the atomic bomb has been considered a minor production on the literary scene after the end of the Second World War. Specifically, it has been neglected on various negative assumptions: lack of literacy, political ambiguity, pre-war nostalgia, and so on. Through the analysis of the works of three authors, Ota Yoko, Inoue Mitsuharu and Oba Minako, we wil
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18

Courmont, Barthélémy. "L'utilisation de la bombe atomique à Hiroshima : éléments de décision et alternatives." Paris 7, 2005. http://www.theses.fr/2005PA070005.

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Soixante ans après la première utilisation de la bombe atomique, le nom d'Hiroshima continue de symboliser la destruction de toute forme de vie, et incarne la technique mise au service de la barbarie humaine. Le paradoxe de la ville japonaise totalement détruite réside dans ce qu'elle représente tant la fin d'une période que le commencement d'une autre. Certains célèbrent ainsi Hiroshima comme l'événement qui mit fin à la plus meurtrière de toutes les guerres de l'histoire. D'autres au contraire voient dans la capacité de feu de la nouvelle arme l'élément qui conduira l'homme à sa propre destr
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Oliveira, Isabel Lopes Almeida Nery de. "Jornalismo Literário: Aspetos Cognitivos da Receção." Doctoral thesis, Instituto Superior de Ciências Sociais e Políticas, 2021. http://hdl.handle.net/10400.5/23422.

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Tese de Doutoramento em Ciências da Comunicação<br>Através da leitura de um texto Noticioso e outro de Jornalismo Literário procuramos demonstrar, recorrendo a instrumentos das Neurociências e das Ciências Sociais, os efeitos da comunicação jornalística nos indivíduos. Fizemo-lo utilizando ferramentas psicofisiológicas, como medidas das emoções, perceção de Dor e Batimentos Cardíacos. Mas também utilizando medidas de autorrelato, como inquéritos por questionário. A metodologia utilizada proporcionou a recolha de respostas autorrelatadas, através de questionários depois da leitura, mas sobret
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20

Shimizu, Priscila Yanagihara. "Shin-hanga e Hiroshi Yoshida: paisagens de uma nova gravura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-31102018-155822/.

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A presente pesquisa investiga o movimento de gravura moderna japonesa Shin-hanga, que se iniciou na Era Meiji (1868 1912) e foi desenvolvido nas duas eras subsequentes, Taish (1912 1926) e Shwa (1926 1989), em um momento em que o Japão passava por um processo de ocidentalização. Tal contexto histórico é explicado no primeiro capítulo, o qual nos ajuda a entender o desenvolvimento do Shin-hanga e suas relações com o mundo e a arte ocidental, principalmente a europeia. O movimento em si é explicado no segundo capítulo: o seu início, o desenvolvimento e os principais artistas. A paisagem, ou a
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Ernst, Christian. "Marguerite Duras et Alain Resnais : Hiroshima mon amour - la passion de la mémoire." Universität Potsdam, 2006. http://opus.kobv.de/ubp/volltexte/2008/2171/.

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22

Warner, Carol. "Peace education in Hiroshima : problems of a radical movement in post-1945 Japan /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09AR/09arw279.pdf.

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23

Gonçalves, Ana Cristina. "Representações de Hiroshima: a problemática da representação a partir de Gen Pés Descalços." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-29052012-153648/.

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A proposta deste trabalho é buscar refletir e compreender como são construídas as representações do horror, em especial de Hiroshima, enfocando o evento violento da bomba atômica a partir da narrativa de Nakazawa Keiji, Gen Pés Descalços, fazendo uma articulação com outras obras que também representam a catástrofe. Para tal, foi realizada uma discussão sobre a possibilidade da escrita da catástrofe e do horror, o discurso histórico e as representações, a questão da memória, história e escrita, das dimensões da construção de si pelo seu autor, as questões políticas e ideológicas que são parte d
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Agee, Ellen Leigh. "Hiroshima mon amour and L'Annee derniere a Marienbad: Meaning Conveyed through Cinematic Organization." PDXScholar, 1997. https://pdxscholar.library.pdx.edu/open_access_etds/5210.

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This thesis examines how the cinematic organization of film is used to convey meaning. Hiroshima mon amour (1959) and L'Annee derniere a Marienbad (1961) I two films directed by Alain Resnais, are used as models for this purpose. This thesis argues for a new type of film criticism, one that recognizes the uniqueness of film by adding technical analysis to the literary methods that currently dominate. Traditionally, film criticism has followed two directions: firstly that of the "film reviewer" whose efforts bow to the economic needs of the industry, and secondly the academic or scholarly appro
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Slaymaker, Douglas. "Japanese literature after Sartre : Noma Hiroshi, Ōe Kenzaburō, and Mishima Yukio /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11079.

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Lam, Ka-yan, and 林家欣. "Narrating singularity and regionalism: the representation of identity and resistance in Gima Hiroshi's woodblockprints." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48334674.

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This dissertation gives an aesthetic analysis on the selected woodblock prints of the Okinawan artist Gima Hiroshi concurrent with an exploration of the identity politics of the Okinawans. Deconstructing the historical circumstances of the archipelago, the contradictions and predicaments that the islanders have been struggling with from the trade era and annexation period, to the wartime, the U.S. occupation and the reversion to the Japanese state are portrayed in the war prints. With the constitution of a multi-vocal identity, a regionalist identity has been articulated. This regionalism is
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Palmgren, Linnea. "75 år sedan bombningen i Hiroshima : En studie av informationsgrafik med fokus på etik." Thesis, Mälardalens högskola, Akademin för innovation, design och teknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-49238.

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The following essay is a thesis in information design with orientation on informative illustration. The purpose of this study is to investigate, based on a given graphic assignment, how to shape an event that is a response to the great big and world-wide event, the bombing in Hiroshima. The purpose of the thesis is to explore how, in an ethical way, the way radiation can be seen on people who was on the scene. The aim of the work is to design a visualization that is ethical and at the same time easily understandable and interesting. This study is done after a graphic assignment assigned from t
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De, Pieri Veronica <1988&gt. "Letteratura della catastrofe: Auschwitz, Hiroshima e Nagasaki, Fukushima. La parola come veicolo di memoria." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4335.

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Con questa ricerca si intende proporre un' analisi di testi letterari appartenenti alla shinsai bungaku 震災文学 (letteralmente “letteratura della catastrofe di origine sismica”) e alla jinsai bungaku 人災文学 (letteralmente “letteratura della catastrofe provocata dall'uomo”) , termini usati per indicare opere di autori che direttamente o indirettamente raccontano l'esperienza dell'essere umano di fronte ad eventi traumatici quali una calamità naturale o uno sterminio di massa. Soprattutto, si intende concentrare l'attenzione sulla posizione assunta dalle vittime nei confronti della letteratura e il p
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Loula, André Lopes. "A “Associação Hibakusha Brasil pela Paz” e os sobreviventes de Hiroshima e Nagasaki no Brasil." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/19970.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-04-10T13:58:29Z No. of bitstreams: 1 André Lopes Loula.pdf: 788536 bytes, checksum: 22f0dd829a381de090e9199e7eb831ef (MD5)<br>Made available in DSpace on 2017-04-10T13:58:29Z (GMT). No. of bitstreams: 1 André Lopes Loula.pdf: 788536 bytes, checksum: 22f0dd829a381de090e9199e7eb831ef (MD5) Previous issue date: 2017-03-30<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The objective of this work is to analyze the trajectory of the Association of the Victims of Atomic Bombs in Brazil, an institution founded i
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Watanabe, Tomoyuki, Masaru Miyao, Ryumon Honda, and Yuichi Yamada. "Hiroshima survivors exposed to very low doses of A-bomb primary radiation showed a high risk for cancers." springer, 2008. http://hdl.handle.net/2237/11144.

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MELLO, IOANA CAETANO ALVES PARENTE DE. "INSTANT INFINI: UN REGARD BERGSONIEN DU TEMPS SUR LES PHOTOS DE HIROSHI SUGIMOTO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13918@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>La dissertation Instant Infini. Un regard bergsonien du temps sur les photos de Hiroshi Sugimoto a pour but analyser le langage photographique contemporain et sa relation avec le temps à partir de l’œuvre du photographe japonais Hiroshi Sugimoto. Pour cela, le texte aborde le système d’idées du philosophe Henry Bergson et ses concepts de temporalité, mémoire, réalité, conscience, perception et durée. Ce travail entrevoit comment ces deux artistes et chercheurs ont une vision créative du temps, en le libérant des grilles de mesures
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Terne, Nicole [Verfasser], Gesine [Gutachter] Foljanty-Jost, and Ulrich [Gutachter] Smeddinck. "Von Hiroshima nach Fukushima : die nuklearen Opfer Japans / Nicole Terne ; Gutachter: Gesine Foljanty-Jost, Ulrich Smeddinck." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2020. http://d-nb.info/1214240933/34.

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Smart, James Richard. "Rhetorical and narrative structures in John Hersey's Hiroshima: How they breathe life into the tale of a doomed city." CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2718.

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Wagner, Patricia Fogel. "Um pouco de tempo em estado puro - Hiroshi Sugimoto e a poética da duração." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-14032013-105207/.

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Mesmo sendo este um trabalho que conjuga relações entre a arte fotográfica de Hiroshi Sugimoto e a arte literária de Marcel Proust, fotografia e literatura não se confundem na intenção de justificar a obra de Sugimoto como uma ilustração da obra proustiana. O elo comum entre elas é a representação do tempo, mas não o tempo espacializado, alvo de uma racionalização histórica provocada pela ciência e pela metafísica, mas um tempo que se perpetua no fluxo contínuo da sua duração. Analisaremos alguns dos trabalhos do fotógrafo que lidam de maneira mais próxima com as ideias de tempo, duração e mem
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Capezzuto, Joseph F. Jr. "Persistence of vision| Hamaya Hiroshi's Yukiguni and Kuwabara Kineo's Tokyo Showa 11-nen in the transwar era." California State University, Long Beach, 2013.

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Meira, Thiago Martins. "Comportamento biomecânico de mini-implantes ortodônticos em diferentes angulações / Thiago Martins Meira ; orientador, Hiroshi Maruo." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2010. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1818.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2010<br>Inclui bibliografias<br>Introdução: O objetivo do presente estudo foi avaliar o torque de inserção, força de arrancamento axial e superfície de osso cortical em contato com miniimplantes ortodônticos em diferentes angulações. Materiais e Método: 102 mini-implantes foram inserido<br>Introduction: This study aimed to evaluate the insertion torque, axial pull-out strength and surface area of cortical bone in contact with orthodontic miniimplants at different insertion angles. Methods: 102 mini-implants were ins
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Li, Minggang. "The early years of Bungei Shunjū and the emergence of a middlebrow literature." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211903086.

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Theodoro, Artur Rafael Agostinho. "Elaboração do passado e indústria cultural: possibilidades de esclarecimento a respeito dos bombardeios às cidades de Hiroshima e Nagasaki." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-12082015-112730/.

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Esta pesquisa tem como objetivo analisar o potencial de esclarecimento de dois conjuntos de materiais. O primeiro consiste em uma exposição a respeito do ataque nuclear às cidades de Hiroshima e Nagasaki. Essa exposição é composta por 30 painéis contendo desenhos, fotografias, textos e gráficos. O segundo conjunto de materiais consiste em matérias jornalísticas recentemente publicadas pela mídia impressa a respeito da bomba atômica. Tais matérias, por sua vez, utilizam-se de textos, fotografias e gráficos. A partir de contribuição de autores vinculados à Teoria Crítica da Sociedade, em especia
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Biladt, Claudia. "Der "Antipode Eichmanns" : Briefwechsel G. Anders & Claude Eatherly /." St. Wolfgang : Ed. Art Science, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016600865&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Castro, Marco Luiz de. "Entre o Japão e o Brasil : a construção da nacionalidade na trajetoria da vida de Hiroshi Saito." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281999.

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Orientador: Guillermo Raul Ruben<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-07-19T11:29:18Z (GMT). No. of bitstreams: 1 Castro_MarcoLuizde_M.pdf: 4869203 bytes, checksum: 3529efb7d1e20930ba479459f7670756 (MD5) Previous issue date: 1994<br>Resumo: Não informado.<br>Abstract: Not informed.<br>Mestrado<br>Mestre em Antropologia Social
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Kanai, Yoko. "Hiroshi Naito : a study of the Sea-Folk Museum and the Makino Museum of Plants and People." Kansas State University, 2002. http://hdl.handle.net/2097/36129.

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42

Thys, Daniela Greenhalgh. "Estudo das dimensões dentocraniofaciais de indivíduos respiradores predominantemente nasais ou bucais / Daniela Greenhalgh Thys ; orientador, Hiroshi Maruo." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2004. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=223.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2004<br>Inclui bibliografia<br>O objetivo deste estudo foi avaliar e comparar por meio de radiografias cefalométricas laterais as características dentocraniofaciais de 41 indivíduos com maloclusão Classe II, divisão 1, 24 respiradores predominantemente nasais (RPN) com 17 respiradores
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43

Brundell, Ywonne. "Synen på japanen som Den Andre : en studie av fyra svenska dagstidningars reaktioner på nyheten om atombombssprängningarna över Hiroshima och Nagasaki." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-14033.

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44

Bürkner, Daniel Verfasser], Michael [Akademischer Betreuer] [Diers, and Horst [Akademischer Betreuer] Bredekamp. "Fotografie und atomare Katastrophe : die visuelle Repräsentation der Ereignisse von Hiroshima / Nagasaki und Tschernobyl / Daniel Bürkner. Gutachter: Michael Diers ; Horst Bredekamp." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2015. http://d-nb.info/107091049X/34.

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Bürkner, Daniel [Verfasser], Michael [Akademischer Betreuer] Diers, and Horst [Akademischer Betreuer] Bredekamp. "Fotografie und atomare Katastrophe : die visuelle Repräsentation der Ereignisse von Hiroshima / Nagasaki und Tschernobyl / Daniel Bürkner. Gutachter: Michael Diers ; Horst Bredekamp." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät III, 2015. http://d-nb.info/107091049X/34.

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46

Stamm, Gina M. "The Context of Loss: Contextualization of the Language of Traumatic Memory in Hiroshima Mon Amour and Le Ravissement de Lol V. Stein." Miami University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=miami1279639764.

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Bernard, de Courville Florence. "Problématique du double cinématographique dans Oedipe roi de Pier Paolo Pasolini, Hiroshima mon amour d'Alain Resnais et dans les analyses critiques d'André Bazin." Paris 3, 2004. http://www.theses.fr/2004PA030144.

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Œdipe roi de Pier Paolo Pasolini (1967), Hiroshima mon amour d’Alain Resnais (1959) et les textes critiques d’André Bazin se donnent à la fois comme les témoins et les acteurs d’une relation théorique en acte qui se propose de réfléchir à la notion de mimesis dans la modernité cinématographique. Ces trois systèmes sont le fondement d’une interrogation sur la représentation et l’imitation cinématographiques au sein de ce que Jacques Rancière nomme « le régime esthétique de l’art », à partir d’un retour vers ce qui constitue l’essence de la mimesis : les textes de Platon et ceux d’Aristote. Une
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Madokoro, Hiroshi [Verfasser], and T. [Akademischer Betreuer] Schulenberg. "Thermo-structural analysis of a reactor pressure vessel lower head during core-melt severe accidents / Hiroshi Madokoro ; Betreuer: T. Schulenberg." Karlsruhe : KIT-Bibliothek, 2018. http://d-nb.info/1172351775/34.

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Niemann, Holger [Verfasser], Pedersen Thomas [Akademischer Betreuer] Sunn, Pedersen Thomas [Gutachter] Sunn, and Hiroshi [Gutachter] Yamada. "Power decay in the scrape-off layer of Wendelstein 7-X / Holger Niemann ; Gutachter: Thomas Sunn Pedersen, Hiroshi Yamada ; Betreuer: Thomas Sunn Pedersen." Greifswald : Universität Greifswald, 2020. http://d-nb.info/1222161958/34.

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Kato, Takahiro Verfasser], Walter [Akademischer Betreuer] [Slaje та Hiroshi [Akademischer Betreuer] Marui. "The first two chapters of Bhāskara’s Śarīrakamīmāṃsābhāṣya : critically edited with an introduction, notes and an appendix / Takahiro Kato. Betreuer: Walter Slaje ; Hiroshi Marui". Halle, Saale : Universitäts- und Landesbibliothek Sachsen-Anhalt, 2011. http://d-nb.info/1031915001/34.

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