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Journal articles on the topic 'Hiroshige'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 February 2023

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1

OKAICHI, HIROSHIGE, and TOMOKO UEKITA. "Interview with Dr. Hiroshige Okaichi." Japanese Journal of Animal Psychology 66, no. 1 (2016): 77–83. http://dx.doi.org/10.2502/janip.66.1.1.

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2

Higuchi, Masanobu, and Hidetoshi Nagamasu. "Dr. Hiroshige Koyama (1937–2016)." Taxon 66, no. 2 (May 4, 2017): 530–31. http://dx.doi.org/10.12705/662.29.

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3

Foster, Michael Dylan. "Tōkaidō Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada (Marks, ed.)." Museum Anthropology Review 10, no. 2 (December 31, 2016): 143–45. http://dx.doi.org/10.14434/mar.v10i2.21768.

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4

KAMIYAMA, Akira. "A Expressin of Pictorial Space by Hiroshige." Journal of Graphic Science of Japan 40, no. 3 (2006): 15–20. http://dx.doi.org/10.5989/jsgs.40.3_15.

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5

Waterhouse, David, Henry D. Smith II, Amy G. Poster, Henry D. Smith II, and Robert Buck. "Hiroshige: One Hundred Famous Views of Edo." Harvard Journal of Asiatic Studies 49, no. 1 (June 1989): 285. http://dx.doi.org/10.2307/2719309.

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6

Kroll, Paul W., Amy G. Poster, and Henry D. Smith II. "Hiroshige. One Hundred Famous Views of Edo." Journal of the American Oriental Society 107, no. 4 (October 1987): 831. http://dx.doi.org/10.2307/603359.

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7

IKARUGA, Shinji, Satoshi HAGISHIMA, Atsushi DEGUCHI, Takeru SAKAI, and Shichen ZHAO. "COMPOSITION OF RIVER LANDSCAPE IN THE UKIYOE PAINTINGS DRAWN BY HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 61, no. 482 (1996): 155–63. http://dx.doi.org/10.3130/aija.61.155_1.

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8

SAKAI, Takeru, Atsushi DEGUCHI, Satoshi HAGISHIMA, Jong-chui PARK, and Tatsuyuki SUGAWARA. "A STUDY ON THE LANDSCAPE CLASSIFICATION IN THE UKIYOE PAINTINGS OF HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 59, no. 461 (1994): 165–74. http://dx.doi.org/10.3130/aija.59.165.

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9

ABE, Mika. "The Characteristics of the Nouns Used by Utagawa Hiroshige to Describe Landscapes." Landscape Research Japan Online 5 (2012): 43–46. http://dx.doi.org/10.5632/jilaonline.5.43.

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10

IKARUGA, Shinji, Keiichiro HITAKA, Nobuaki SATANI, Takeru SAKAI, and Satoshi HAGISHIMA. "RELATIONS BETWEEN TREES AND LANDSCAPE COMPOSITION IN THE UKIYOE PAINTINGS DRAWN BY HIROSHIGE." Journal of Architecture and Planning (Transactions of AIJ) 63, no. 507 (1998): 165–71. http://dx.doi.org/10.3130/aija.63.165_1.

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11

Saito, Tatsuya. "Critical Reactions to the 1890 Japanese Print Exhibition in Paris." Journal of Japonisme 2, no. 1 (January 18, 2017): 38–72. http://dx.doi.org/10.1163/24054992-00021p02.

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The great Japanese pictorial arts retrospective held in Paris in 1890 drew considerable attention from critics. By examining press reviews, this article aims to clarify how the critics responded to the exhibition and Japanese prints. Many reviewers expressed favorable opinions of the exhibition, describing the characteristics of Japanese art and notable painters such as Hokusai, Hiroshige, and Utamaro as well as the so-called “primitive artists.” However, there was also harsh criticism of Japonisme and Japanese art, which is discussed here as well. Writers such as Teodor de Wyzewa, Edmond Pott

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12

Herwig, Henk. "VAN HONDERD DICHTERS, ELK EEN GEDICHT: EEN SERIE JAPANSE PRENTEN VAN KUNIYOSHI, HIROSHIGE EN KUNISADA." Aziatische Kunst 37, no. 4 (July 5, 2007): 15–26. http://dx.doi.org/10.1163/25431749-90000112.

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13

Rincón Borrego, Iván I. "Rodríguez Llera, Ramón: Resonancias orientales en la obra de Juan Navarro Baldeweg. La vuelta de Hiroshige." Boletín de Arte, no. 36 (October 31, 2015): 266–67. http://dx.doi.org/10.24310/bolarte.2015.v0i36.3356.

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A estas alturas, la incansable labor investigadora de Ramón Rodríguez Llera (Santander, 1955) nos sigue sorprendiendo. Después de la publicación de Japón en Occidente. Arqui-tecturas y paisajes del imaginario japonés, del exotismo a la modernidad (2013), obra en la que estudia los intercambios culturales entre la arquitectura occidental y la japonesa desde el despertar del Japón moderno en época Meiji hasta nuestros días, nos descubre Resonancias Orientales en la obra de Juan Navarro Baldeweg.

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14

SUTOU, Kumpei, and Kazuji WATABE. "A Study of Composition of Riverside Space in "One Hundred Edo Noted Place Pictures" Painted by Hiroshige." Journal of The Japanese Institute of Landscape Architecture 69, no. 5 (2006): 725–30. http://dx.doi.org/10.5632/jila.69.725.

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15

Zavyalova, Anna E. "“The House on Fontanka”: Formation of the Image of Petersburg in Mstislav Dobuzhinsky’s Works." Observatory of Culture 16, no. 5 (December 4, 2019): 526–35. http://dx.doi.org/10.25281/2072-3156-2019-16-5-526-535.

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The article examines a number of graphic works by M.V. Dobuzhinsky: the drawings “Magnificent City, Poor City...”, “View of a Petersburg House”, and a decorative drawing with a fragment of a house in the style of classicism. In spite of the fact that M.V. Dobuzhinsky’s creativity is quite well studied, these works are considered for the first time in the article, in order to explore the process of finding the original artistic language in which the master “spoke” about his favorite city. The article identifies the architectural monuments of St. Petersburg that served as prototypes of those d

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16

LYTVYNIUK, Liudmyla, Kateryna SHAULIS, and Kostiantin ZHERNOKLOV. "Romanticization of regional features and poetics of journeys throughout the country in the series of engravings of Katsushik Hokusay and Ando Hiroshige." Humanities science current issues 2, no. 41 (2021): 69–75. http://dx.doi.org/10.24919/2308-4863/41-2-10.

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17

Nunokawa, Yumiko. "Influence of Japonisme on Art of M. K. Čiurlionis and His Contemporaries." International Journal of Area Studies 10, no. 1 (March 1, 2015): 85–118. http://dx.doi.org/10.1515/ijas-2015-0005.

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Abstract The aim of this paper is to show how Japonisme was introduced to Europe in the late 19th century and how it influenced artists in major cities. Japanese woodblock prints (ukiyo-e), especially those of Hokusai and Hiroshige, fascinated the Impressionists and other contemporaries such as Claude Monet (1840-1926), Vincent van Gogh (1853-1890), and James Abbott McNeill Whistler (1834-1903). Many of them adopted japonaiserie motifs in their paintings or sculptures, and it formed a major artistic trend called Japonisme. The Lithuanian composer and painter Mikalojus Konstantinas Čiurlionis (

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18

McArthur, Meher. "Utagawa Hiroshige and New Year's Eve Foxfires at Nettle Tree, Ōji from NATURE/SUPERNATURE: Visions of This World and Beyond in Japanese Woodblock Prints." Review of Japanese Culture and Society 32, no. 1 (2020): 154–56. http://dx.doi.org/10.1353/roj.2020.0023.

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19

Koh, Yasuhiro, Satoru Miura, Jun Oyanagi, Hiroshige Yoshioka, Koichi Azuma, Hidenobu Ishii, Kayoko Kibata, et al. "Abstract 5153: Longitudinal cell-free DNA analysis in phase I study evaluating afatinib in combination with osimertinib in patients who failed prior osimertinib treatment." Cancer Research 82, no. 12_Supplement (June 15, 2022): 5153. http://dx.doi.org/10.1158/1538-7445.am2022-5153.

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Abstract Background: To overcome resistance to EGFR TKI osimertinib in EGFR-mutated lung cancer is critically needed. We performed a biomarker study utilizing serially collected plasma samples in a phase I study to investigate the safety and efficacy of the combination of osimertinib and afatinib in patients who failed osimertinib (jRCTs051180008), in which a total of 13 patients were enrolled and the overall response rate and the median progression-free survival were 7.7% and 2.4 months, respectively, to access the trajectory of the mutational landscape and its association with the efficacy.

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20

YANAGISAWA, Kazuhiko, and Shigeyuki OKAZAKI. "AN ANALYSIS OF SPATIAL COMPOSITION ON THE LANDSCAPE PAINTINGS DONE BY HIROSHIGE BASED ON THE "LANDSCAPE MONTAGE TECHNIQUE" : Focusing on the relationship between the picture frame and the river." Journal of Architecture and Planning (Transactions of AIJ) 67, no. 559 (2002): 179–86. http://dx.doi.org/10.3130/aija.67.179_1.

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21

Yasuda, Hiroshi. "Developing practical techniques of retrospective dosimetry for affected individuals in radiological emergencies." Impact 2020, no. 7 (November 30, 2020): 31–33. http://dx.doi.org/10.21820/23987073.2020.7.31.

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Professor Hiroshi Yasuda, based at Hiroshima University in Japan, is seeking to advance techniques for radiation dosimetry and radiological risk assessment. Radiation dosimetry includes measurement, calculation and prediction of ionising radiation doses absorbed by the organs and tissues of a human body. The techniques will be useful after a range of incidents including: nuclear/radiological accidents; failures in medical treatment using radiation; increase of solar flare particles in aviation; and terrorist attacks using radionuclides. It can save lives by determining someone's exposure to ra

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22

Takesue, Yoshio, Hideaki Hanaki, Shinya Kusachi, Hiroshige Mikamo, Takashi Ueda, Kazuhiro Tateda, and Hiroshi Kiyota. "878. Antimicrobial Susceptibility of Pathogens Isolated from Surgical Site Infections in Japan: Comparison of Data from Nationwide Surveillance Studies Conducted in 2010, 2014–2015 and 2018-2019." Open Forum Infectious Diseases 7, Supplement_1 (October 1, 2020): S476. http://dx.doi.org/10.1093/ofid/ofaa439.1066.

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Abstract Background A nationwide survey was conducted in Japan from 2018–2019 to investigate the antimicrobial susceptibility of pathogens isolated from surgical site infections (SSI). Methods The resulting data were compared with that obtained in earlier surveys, conducted in 2010, 2014–2015, and 2018-2019. Results Seven main organisms were collected, and in total 2081 isolates were studied. Although a significant increase of extended-spectrum β-lactamase (ESBL) producing organisms among Enterobacteriaceae was demonstrated in 2014–15 (13.5%) compared with 2010 (5.3%), the incidence remained 6

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23

Ariyoshi, Tadashi, Mao Hagihara, Shuhei Egushi, Fukuda Aiki, Kentaro Oka, Motomichi Takahashi, and Hiroshige Mikamo. "1205. Protectin D1 Induced by Clostridium butyricum MIYAIRI 588 Has an Anti-inflammatory Effects on Antibiotic-induced Intestinal Disorder." Open Forum Infectious Diseases 7, Supplement_1 (October 1, 2020): S624—S625. http://dx.doi.org/10.1093/ofid/ofaa439.1390.

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Abstract Background The administration of Clostridium butyricum MIYAIRI 588 (CBM 588) upregulates protectin D1,the anti-inflammatory lipid metabolites, in colon tissue under the antibiotic therapy. However, how CBM 588 induces protectin D1 nor whether the metabolite has anti-inflammatory effects on antibiotic-induced enteritis are unclear. Therefore, we evaluated the effect of CBM 588 on lipid metabolism and protectin D1 on immunological functions in colon tissue. Methods Mice were divided into five groups and clindamycin (CLDM), CBM 588 and/or protectin D1 were administered for 4 days (1. Con

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24

Tester, Keith. "Hiroshima." Thesis Eleven 129, no. 1 (June 30, 2015): 27–39. http://dx.doi.org/10.1177/0725513615592976.

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25

Wheelwright, Betty. "Hiroshima." Psychological Perspectives 19, no. 1 (March 1988): 120–25. http://dx.doi.org/10.1080/00332928808408779.

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26

Rifka, Fuad, and Adnan Haydar. "Hiroshima." World Literature Today 78, no. 2 (2004): 46. http://dx.doi.org/10.2307/40158402.

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27

Sorokin, Vladimir, and Jamey Gambrell. "Hiroshima." Grand Street, no. 71 (2003): 48. http://dx.doi.org/10.2307/25008633.

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28

Takahashi, Yoshito. "Hiroshima." Lancet 366, no. 9495 (October 2005): 1434. http://dx.doi.org/10.1016/s0140-6736(05)67596-4.

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29

Sim, Jeongmyoung. "Writing ‘Hiroshima’ in Oda Makoto’s HIROSHIMA." Korean Journal of Japanology 126 (February 28, 2021): 191–215. http://dx.doi.org/10.15532/kaja.2021.02.126.191.

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30

Pelletier, Philippe. "Hiroshima, ville-delta / Hiroshima, a delta city." Revue de géographie de Lyon 65, no. 4 (1990): 290–99. http://dx.doi.org/10.3406/geoca.1990.5747.

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31

Tanemura, Kenny. "Hiroshima Haibun." Iowa Review 43, no. 1 (March 2013): 82. http://dx.doi.org/10.17077/0021-065x.7297.

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32

NAONO, Akiko. "Hiroshima Memoryscape." Japanese Sociological Review 60, no. 4 (2010): 500–516. http://dx.doi.org/10.4057/jsr.60.500.

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33

Mouchard, Claude, and Tôge Sankichi. "Temps Hiroshima." Po&sie 112-113, no. 2 (2005): 208. http://dx.doi.org/10.3917/poesi.112.0208.

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34

Berthier, Jean. "Penser Hiroshima." Lignes 26, no. 3 (1995): 34. http://dx.doi.org/10.3917/lignes0.026.0034.

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35

Shapiro, Michael J. "Hiroshima temporalities." Thesis Eleven 129, no. 1 (July 2, 2015): 40–56. http://dx.doi.org/10.1177/0725513615592979.

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36

Friedman, Hideko Tamura. "Hiroshima Memories." Bulletin of the Atomic Scientists 51, no. 3 (May 1995): 16–22. http://dx.doi.org/10.1080/00963402.1995.11658067.

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37

Updike, John. "Hiroshima, 2000." Yale Review 89, no. 2 (June 28, 2008): 23. http://dx.doi.org/10.1111/0044-0124.00501.

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38

Spence, S. "Hiroshima Notes." BMJ 311, no. 7001 (August 5, 1995): 398–99. http://dx.doi.org/10.1136/bmj.311.7001.398a.

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39

Day, Iyko. "Hiroshima Hesitant." Photography and Culture 10, no. 2 (May 4, 2017): 169–71. http://dx.doi.org/10.1080/17514517.2017.1321853.

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40

Bugnion, François. "Remembering Hiroshima." International Review of the Red Cross 35, no. 306 (June 1995): 307–13. http://dx.doi.org/10.1017/s0020860400083911.

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The seventh largest city in Japan by population size, located on the mouth of the Ota River, whose muddy waters pour into the Inland Sea, Hiroshima had been almost spared by the bombing until the summer of 1945.At dawn on 6 August 1945, four reconnaissance planes flew over the city and disappeared again without dropping any bombs. At 7:31 the sirens signaled the end of the alert. The inhabitants left their shelters and went about their business.

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41

The Lancet. "Remembering Hiroshima." Lancet 366, no. 9484 (August 2005): 427. http://dx.doi.org/10.1016/s0140-6736(05)67032-8.

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42

Alexander, Ronni. "Remembering Hiroshima." International Feminist Journal of Politics 14, no. 2 (June 2012): 202–22. http://dx.doi.org/10.1080/14616742.2012.659852.

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43

Iwamoto, Yoshio, Kenzaburō Ōe, David L. Swain, and Toshi Yonezawa. "Hiroshima Notes." World Literature Today 70, no. 2 (1996): 475. http://dx.doi.org/10.2307/40152276.

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44

Hager, Henry B. "Hiroshima Notes." Missouri Review 14, no. 1 (1991): 91–110. http://dx.doi.org/10.1353/mis.1991.0045.

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45

Thompson, James. "No More Bystanders: Grandchildren of Hiroshima and the 70th Anniversary of the Atomic Bomb." TDR/The Drama Review 61, no. 2 (June 2017): 87–104. http://dx.doi.org/10.1162/dram_a_00649.

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2015 marked the 70th anniversary of the American atomic bombing of the cities of Hiroshima and Nagasaki. Amidst the commemorations in Hiroshima, London Bubble Theatre staged a performance created by an intergenerational Japanese cast from interviews with elders who experienced the day. Grandchildren of Hiroshima, in its performance and devising, troubled the idea of a nuclear war “bystander,” proposing that in fact there are no more bystanders, and all are participants in the history of the bombs’ performative power.

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46

Cantrell, Akiyo M. "The management of survivors’ guilt through the construction of a favorable self in Hiroshima survivor narratives." Discourse Studies 19, no. 4 (May 25, 2017): 377–401. http://dx.doi.org/10.1177/1461445617706589.

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This study examines how Hiroshima atomic bomb survivors linguistically construct favorable selves – that is, selves that they want to present to others – in stories about events where they may feel survivors’ guilt. While discourse analysts started studying Holocaust narratives in the past decade, the field has not yet investigated narratives from Hiroshima survivors, nor has guilt been extensively investigated linguistically. In narrating those episodes where guilt can be attributed, Hiroshima survivors use various prosodic and syntactic devices to maintain their favorable selves by describin

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47

DIEHL, CHAD R. "Envisioning Nagasaki: from ‘atomic wasteland’ to ‘international cultural city’, 1945–1950." Urban History 41, no. 3 (November 4, 2013): 497–516. http://dx.doi.org/10.1017/s0963926813000746.

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ABSTRACTThis article looks at the first five years of reconstruction in Nagasaki City after the atomic bombing of 9 August 1945, elucidating how the municipal vision of reconstruction shaped the city's post-war urban identity, especially in comparison to Hiroshima. From early on, city officials envisioned the future of Nagasaki as a restored ‘international cultural city’, not solely as a centre of atomic memory, while Hiroshima made the atomic experience the centre of its urban identity. This article seeks to revive Nagasaki as a subject of historical inquiry in order to balance scholarly, as

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48

Bauckham, R. "Theology after Hiroshima." Scottish Journal of Theology 38, no. 4 (November 1985): 583–601. http://dx.doi.org/10.1017/s0036930600030362.

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The year after Hiroshima the American theologian Henry Wieman wrote, ‘The bomb that fell on Hiroshima cut history in two like a knife. Before and after are two different worlds. That cut is more abrupt, decisive and revolutionary than the cut made by the star over Bethlehem. It may not be more creative of human good than the star, but it is more swiftly transformative of human existence than anything else that has ever happened.’ One might not expect many Christian theologians to agree too readily to such a statement of the significance of Hiroshima, but it illustrates the challenge which Hiro

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49

BOSI (PUC-SP), Isabela Magalhães. "MARGUERITE DURAS E O TESTEMUNHO DO IMPOSSÍVEL EM HIROSHIMA MON AMOUR." Margens 16, no. 27 (December 23, 2022): 113. http://dx.doi.org/10.18542/rmi.v16i27.13445.

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A couple of lovers meet in Hiroshima in August 1957. He is Japanese. She, a French actress, is in town to shoot a film about peace. Lying in bed in a hotel, she tells everything she saw in Hiroshima, the museums, the images, the survivors, the tracks. To which he replies, emphatically: Tu n'as rien vu to Hiroshima. Thus, she starts Hiroshima Mon Amour, text by Marguerite Duras, written as a script for the homonymous film by Alain Resnais, in which she creates a dialogue between these two characters, marked in different ways by the horrors of war. Her writing reveals the impossibility of talkin

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50

Schliephake, Christopher Martin. "The Materiality of History and the Shifting Shapes of Memory in J. Hersey's Hiroshima and A. Resnais's Hiroshima Mon Amour // Materialidad de la historia y formas cambiantes de la memoria: Hiroshima e Hiroshima mon amour." Ecozon@: European Journal of Literature, Culture and Environment 4, no. 1 (May 1, 2013): 61–77. http://dx.doi.org/10.37536/ecozona.2013.4.1.500.

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The essay argues that the atomic bombing of Hiroshima cannot be told without taking into account and recognising the diverse entanglements of matter that were (and still are) involved in this historic event. In order to analyse the multiple meanings connected to the bombing, the essay draws on Serenella Iovino and Serpil Opperman’s theory of “material ecocriticism”, which deals with the way in which various material forms interact with the human or social dimension, constantly producing configurations of meanings and discourses. Consequently, the essay points out that memory of Hiroshima is a

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