Relevant bibliographies by topics / Humanities -> art -> renaissance art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Humanities -> art -> renaissance art'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Humanities -> art -> renaissance art"

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Kyomugisha T., Asiimwe. "The Impact of Historical Art Movements on Medicine." NEWPORT INTERNATIONAL JOURNAL OF CURRENT ISSUES IN ARTS AND MANAGEMENT 5, no. 3 (2024): 31–35. https://doi.org/10.59298/nijciam/2024/5.3.31350.

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Art and medicine have long influenced one another, with historical art movements shaping not only aesthetic trends but also conceptions of health, disease, and human anatomy. This paper examines the intertwined evolution of art and medicine across pivotal historical periods, highlighting the Renaissance’s focus on anatomical accuracy, Romanticism’s emotional engagement with the human condition, and Modernism’s reflection of trauma from warfare and disease. The analysis considers how visual representations, from anatomical sketches to symbolic portrayals of illness, have impacted public health
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Mieli, Anna, and Margaret D’Ambrosio. "IRIS: Consortium of Art History and Humanities Libraries in Florence." Art Libraries Journal 30, no. 4 (2005): 26–31. http://dx.doi.org/10.1017/s0307472200014218.

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Florence in Italy, a renowned centre for art and culture, has been called a ‘living museum’ of the Italian Renaissance. Today it is also the site of a co-operative international project bringing the world’s scholarly community access to the bibliographic patrimonies of a group of special art and humanities libraries. The IRIS consortium is a unique resource for art historians, but it is also of value and use for anyone interested in the many aspects of this rich artistic period.
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Smith, Timothy B. "Renaissance Siena. Art in Context (review)." Catholic Historical Review 93, no. 4 (2007): 934–35. http://dx.doi.org/10.1353/cat.2007.0329.

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Reed, Corey. "Signifying the Sound: Criteria for Black Art Movements." Journal of Aesthetic Education 57, no. 4 (2023): 36–59. http://dx.doi.org/10.5406/15437809.57.4.03.

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Abstract “Black art” is often understood as being inherently political. In examining two major Black arts movements, the Harlem Renaissance and the Black Arts movement, many of the works attributed to those periods fit the description of “political art” but not all of them. Black art movements are not defined exclusively by similar styles or methodologies, like Expressionism or Surrealism, either. Instead, Black art movements are complex movements that blend social, political, and aesthetic criteria. In this article, I list seven conditions that I take to be jointly sufficient for a Black art
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Wood, Jeryldene M., Megan Holmes, Patricia L. Rubin, and Alison Wright. "The Practice of Art in Renaissance Florence." Journal of Aesthetic Education 35, no. 2 (2001): 107. http://dx.doi.org/10.2307/3333677.

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Squire, Michael. "Art and Archaeology." Greece and Rome 66, no. 2 (2019): 312–21. http://dx.doi.org/10.1017/s0017383519000123.

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Attributes are fundamental to the study of classical archaeology, just as they are to the discipline of art history at large. When it comes to identifying figures on an Attic vase – or for that matter the subject of a medieval fresco, Renaissance canvas, or Neoclassical statue – scholars regularly rely on the associative value of objects. Consider the ease with which we recognize ‘Heracles’ on the grounds of a club or lionskin; observe, too, how often a spiked wheel is understood to signal ‘St Catherine’, or a golden key to betoken ‘St Peter’. In all these scenarios, viewers have learned to ‘r
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(Kees-Jan) Schilt, Cornelis J. "From ancient wisdom to computational humanities." Project Repository Journal 23, no. 1 (2025): 98–101. https://doi.org/10.54050/prj23271.

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From ancient wisdom to computational humanities VERITRACE enhances our understanding of the role of ancient wisdom writings in the development of early modern natural philosophy by employing state-of-the-art digital techniques on a large corpus of early modern texts. The project charts the spread of this discourse from Renaissance Italy to early modern Europe and identifies watershed moments in the reception of these ancient wisdom writings.
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Freedman, Luba. "Neptune in classical and Renaissance visual art." International Journal of the Classical Tradition 2, no. 2 (1995): 219–37. http://dx.doi.org/10.1007/bf02678622.

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Endres, Johannes. "Hans Blumenberg and Leonardo." New German Critique 49, no. 1 (2022): 67–96. http://dx.doi.org/10.1215/0094033x-9439629.

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Hans Blumenberg’s, frequently oblique, reflections on art rank among the most erudite in twentieth-century theories of art. The following investigations focus especially on his views on the visual arts as they unfold from his critical reception of Leonardo da Vinci’s art and science. At the center of such a reception stands a preeminent image concept of the Renaissance, the “window image,” and its epistemological implications, which Blumenberg counters with a skeptical attitude toward the mimetic aesthetics of images. In doing so, he contradicts Paul Valéry’s influential interpretation of Leon
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Donougho, Martin, and James S. Ackerman. "Distance Points. Essays in Renaissance Art and Architecture." Journal of Aesthetic Education 27, no. 3 (1993): 110. http://dx.doi.org/10.2307/3333255.

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Dissertations / Theses on the topic "Humanities -> art -> renaissance art"

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Lambert-Monteleon, Michelle. "Heavenly Venus Mary Magdalene in Renaissance Noli Me Tangere images /." [Tampa, Fla.] : University of South Florida, 2004. http://purl.fcla.edu/fcla/etd/SFE0000365.

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Marianacci, Caitlyn D. "Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.

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This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways t
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Mucciarone, Louise Jane. "The Disney Renaissance Era and young adults: The influence of a decade of Disney on artists." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2867.

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The Disney Renaissance Era, a term which defines the ten-year period from 1989 to 1999, of feature-length animated filmmaking at the Walt Disney Animation Studios, is considered one of the Disney company’s biggest triumphs to date. The Disney Renaissance Era is celebrated by fans worldwide for the successful and influential films released during this time. The Disney company boasts a loyal and widespread following of global fans. For a particular group of Disney fans, they celebrate Disney and the Disney Renaissance Era through fan art making. Yet, research examining the relationship between t
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Brunon, Hervé. "Pratolino : art des jardins et imaginaire de la nature dans l'Italie de la seconde moitié du XVIe siècle." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2001. http://tel.archives-ouvertes.fr/tel-00349346.

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L'étude aborde l'art des jardins dans l'Italie de la seconde moitié du XVIe siècle comme expression des rapports entre homme et nature en recourant à la notion d'imaginaire ; elle est centrée sur Pratolino, la villa du grand-duc François Ier de Médicis aménagée au nord de Florence, de 1568 à 1586, sous la direction de Bernardo Buontalenti. Cet exemple, analysé en détail, est replacé dans un contexte à différentes échelles : le règne de son commanditaire (1574-1587) ; les réalisations importantes en Toscane et dans le reste de l'Italie ; enfin la place du jardin dans la société et la culture de
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Mellado, Corriente Marina. "THE ARCHITECTURE OF KNOWLEDGE: THE JESUIT COLLEGE OF OAXACA (XVI-XIX CENTURIES)." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4011.

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ABSTRACT THE ARCHITECTURE OF KNOWLEDGE: THE JESUIT COLLEGE OF OAXACA (XVI-XIX CENTURIES). By Marina Mellado Corriente, MA. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art Historical and Curatorial Studies at Virginia Commonwealth University. Virginia Commonwealth University, 2015 Major Director: Michael Schreffler, Associate Professor, Department of Art History The educational endeavor that the Jesuits – members of the religious order known as the Society of Jesus – carried out in Mexico in the course of the colonial period, whe
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Benitez, Jorge Miguel. "Drawing Through A Linear Temperament." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/646.

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I am a draftsman, painter and printmaker. This first person statement is a written extension of the art that constitutes my thesis. It discusses the links between my work and the Enlightenment, Humanism, Catholicism, ethics and the Western canon as well as my use of perspective and other classical techniques in relation to history, language, high art, popular culture, propaganda, contemporary upheavals, Christian and Islamic Fundamentalism, globalization and the digital revolution. Furthermore, the main arguments draw upon my Cuban origin and European ancestry, the Cuban Revolution, my Belgian
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Hayden, Margaret. "The Medici Example: How Power Creates Art and Art Creates Power." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3917.

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This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only on
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Nibbs, Simone E. "Binding Ochre to Theory." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/122.

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Widely found throughout the archaeological and artistic records in capacities ranging from burial contexts to early evidence of artistic expression, red ochre has been studied in archaeological and art conservationist communities for decades. Despite this, literature discussing binders is disparate and often absent from accessible arenas. Red ochre is important historically because its use can be used to help further the understanding of early humans, their predecessors, and their cognitive capabilities. However, there is not much written speculation on the processes involved in binder selecti
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Knotts, Robert Marvin. "Judith in Florentine Renaissance Art, 1425-1512." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1261076833.

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McCue, Maureen Clare. "British Romanticism and Italian Renaissance art." Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2680/.

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This study examines British Romantic responses to Italian Renaissance art and argues that Italian art was a key force in shaping Romantic-period culture and aesthetic thought. Italian Renaissance art, which was at once familiar and unknown, provided an avenue through which Romantic writers could explore a wide range of issues. Napoleon’s looting of Italy made this art central to contemporary politics, but it also provided the British with their first real chance to own Italian Old Master art. The period’s interest in biography and genius led to the development of an aesthetic vocabulary that m
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Books on the topic "Humanities -> art -> renaissance art"

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Schüssler, Stephanie. Das Grabmal Sixtus IV. in Rom: Zur Ikonographie der Artes Liberales. Chorus, 1998.

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Chen, Jinfang. Toward an age of love: Dr. T.F. Chen's neo-iconography : a post modern art for humanity's sake-advocating a global new renaissance in love. T.F. Chen Cultural Center, 2003.

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Spilsbury, Richard. Renaissance art. Heinemann Library, 2008.

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Legrand, Gérard. Renaissance art. Chambers, 2004.

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A, Mittler Gene, ed. Art in focus: Art and humanities. Glencoe/McGraw-Hill, 2001.

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1969-, Richardson Carol M., and Lymberopoulou Angeliki, eds. Viewing Renaissance art. Yale University Press, 2007.

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Kim, Woods, ed. Making Renaissance art. Yale University Press, 2007.

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Gabriele, Neher, and Shepherd Rupert, eds. Revaluing Renaissance art. Ashgate, 2000.

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1969-, Richardson Carol M., ed. Locating Renaissance art. Yale University Press, 2007.

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Cooper, Tracy Elizabeth. Renaissance. Abbeville Press, 1995.

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Book chapters on the topic "Humanities -> art -> renaissance art"

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Brown, Alison. "Art and architecture." In The Renaissance. Routledge, 2020. http://dx.doi.org/10.4324/9780429055560-14.

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Hubbell, J. Andrew, and John C. Ryan. "Environmental art." In Introduction to the Environmental Humanities. Routledge, 2021. http://dx.doi.org/10.4324/9781351200356-9.

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Crawford, Paul, Brian Brown, Charley Baker, Victoria Tischler, and Brian Abrams. "Visual Art and Transformation." In Health Humanities. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137282613_6.

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Kaborycha, Lisa. "Likenesses in art and in art history." In Voices from the Italian Renaissance. Routledge, 2024. http://dx.doi.org/10.4324/9781003284284-9.

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Selzer, Michael. "Symmetry in Renaissance Art." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-02848-4_1153-2.

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Selzer, Michael. "Symmetry in Renaissance Art." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_1153-3.

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Selzer, Michael. "Symmetry in Renaissance Art." In Encyclopedia of Renaissance Philosophy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_1153.

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Dolan, Marion. "Renaissance Art and Astronomy." In Decoding Astronomy in Art and Architecture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76511-8_15.

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Falco, Charles M. "Optics and Renaissance Art." In Optics in Our Time. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31903-2_11.

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Kroonenberg, Pieter M. "Complex response data: Evaluating Marian art." In Multivariate Humanities. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69150-9_9.

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Conference papers on the topic "Humanities -> art -> renaissance art"

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Sugar, Viktoria, Zsuzsanna Faczanyi, and Anthony Gall. "HISTORICAL TENEMENTS OF BUDAPEST: A TYPOLOGICAL APPROACH." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s09.21.

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The stock of the historical tenement houses is the major architectural heritage of Budapest, built largely during the long 19th century, a testimony to a prosperous period in the Hungarian history. These buildings are all unique, yet their massing over an area of 13 km2 forms a unified street and townscape. The purpose of the study is to analyze and create an architectural typology for this important heritage of the Hungarian capital. As main research methods, architectural measurements and GIS-based data gathering were used, the data processed by mathematical analysis. More than 2000 building
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Bliem, Friedrich. "DO YOU KNOW WHAT SCIENCE ART IS? A definition of and introduction to an art genre." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/ks01.01.

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The increasing impact of science and technology in our daily lives calls for more science communication within the general public and science art offers an effective means. Science Art is not new, but until about 20 years ago science topics in the general art world were still a rarity. This was treated as a niche form of graphic art. However, especially over the last 10 years there has true surge of interest in the artistic depiction of science subject matter in the digital networks. So, what is Science Art? Well, to date there is no clear description. So, in this presentation I will offer an
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Basty, Roshanak, Heekyoung Jung, and Shane Halse. "Digital Art Ecosystem: A Proposed Theoretical Construct." In 2024 Artificial Intelligence x Humanities, Education, and Art (AIxHEART). IEEE, 2024. https://doi.org/10.1109/aixheart62327.2024.00021.

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Liu, Yishan, Zhen Chen, Xin Xie, et al. "MoodMonster: Integrating AI and Art for Emotional Journaling." In 2024 Artificial Intelligence x Humanities, Education, and Art (AIxHEART). IEEE, 2024. https://doi.org/10.1109/aixheart62327.2024.00022.

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Leandri, Gaia, and David Sunnucks. "FROM ANATOMY TO ART. GENOESE PAINTINGS IN THE LATE RENAISSANCE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.11.

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From the early 15th century, anatomical knowledge was considered fundamental to artists and even architects. Not only medically trained scientists, but also artists found a primary source of inspiration in the human body, directly investigating it under cover of the night or, later on, in public dissections. Direct observation, �to see with one�s eyes� � as states the original meaning of the Greek word autopsia � was fundamental to Renaissance artists. The body, standardized in its dimensions and used as a measurement reference, was rationalised in geometrical forms and masses in order to shap
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Jakupi, Syzana. "PIANO WORKS BY COMPOSER RAUF DHOMI (ANALYSIS FOR INTERPRETATION)." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.14.

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The primary purpose of the paper is to present research analysis which aims to recognize the art of Kosovan piano music through analysis for interpretation as a relatively new discipline born in the late �90s that today in the world counts numerous publications. The qualitative-descriptive methodology is used in this paper. It entails interpreting and analyzing music, with a focus on Rauf Dhomi�s Opus �70 Pieces for Piano�. Many European countries have previously experienced the splendor and enchantment of the Renaissance, but Kosovo is currently undergoing a true Renaissance following its ind
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Abos, Ileana Ana. "CULTURAL HERITAGE AT THE CROSSROADS: THE RENAISSANCE CASTLES OF THE MURE? VALLEY, TRANSYLVANIA, ROMANIA IN THE 20TH-21ST CENTURIES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs05.06.

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The Mure? Valley is one of Romania's most culturally cohesive landscapes. Its cultural heritage intertwines with Western and Central Europe. Europe's cultural heritage includes this region's heritage. Starting in the 16th century, several noble residences were constructed in this region in magnificent geographical surroundings. Some of these were built according to designs based on Italian Renaissance architectural treatises. The most impressive style of Transylvanian Renaissance architecture is represented by these monuments. These belonged to noble and princely families, and they varied grea
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Herczeg, Agnes. "THE RELATIONSHIP BETWEEN HUNGARIAN AND ITALIAN EARLY RENAISSANCE GARDENS." In 8th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2021. SGEM World Science, 2021. http://dx.doi.org/10.35603/sws.iscah.f2021/s06.08.

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Wei, Bingqing. "The Influence of Materials and Techniques on Art Studios in the Early Renaissance." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.041.

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DIMITRAKOPOULOU, GEORGIA. "A CRITIQUE ON: THE RENAISSANCE ENGLISHWOMAN IN PRINT: COUNTERBALANCING THE CANON." In 7th SWS International Scientific Conferences on ART and HUMANITIES ISCAH 2020. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.f2020.7.2/s16.21.

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Reports on the topic "Humanities -> art -> renaissance art"

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Day, Tim L. Network Centric Warfare - Death or Renaissance of the Operational Art and the Operational Level of War. Defense Technical Information Center, 2005. http://dx.doi.org/10.21236/ada463423.

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Leslie, Catherine Amoroso, and Diane G. Scillia. Northern Renaissance: Art and the Birth of Fashion, a collaborative progression from multidisciplinary through interdisciplinary to transdisciplinary. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-367.

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Our Voices, Our Images: A Celebration of Hispanic Heritage Month. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0006425.

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This event brought together winners of an art and literature competition for Washington DC artists who explored issues and events relevant to Hispanic Americans and the Hispanic experience in the United States. The exhibition was a joint initiative of the IDB Cultural Center and the D.C. Commission on the Arts and Humanities. The Awards Ceremony took place in September 2003 at the IDB Cultural Center Art Gallery with the participation the Honorable Anthony Williams, Mayor of the District of Columbia. The selected visual artists and poets received IDB Cultural Center grants.
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Our Voices, Our Images: A Celebration of Hispanic Heritage Month. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0008242.

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Presents an exhibition that celebrates and recognizes the abundance of extraordinary artistic talent in Washington, D.C. and its metropolitan area was open to the public on August 18, 2003 at the Art Gallery of the Inter-American Development Bank¿s Cultural Center. The exhibition was a initiative of the IDB Cultural Center and the D.C. Commission on the Arts and Humanities.
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My Generation: An Essay Competition for Residents of the District of Columbia. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0005927.

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On March 22, 2010, the Director of the Inter-American Development Bank Cultural Center, Mr. Felix Angel, received a grant as part of the Mayor¿s Award for Visionary Leadership in the Arts. Organized by the District of Columbia Commission on the Arts and Humanities, the Mayor¿s Art Awards are the highest honors the City confers upon individuals and organizations which distinguish themselves for contributing significantly to the cultural activity of the city. The purpose of the grants is to help foster the arts in Washington, DC. The Grant was used to implement My Generation Essay Competition am
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