Academic literature on the topic 'Iberian ceramic'

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Journal articles on the topic "Iberian ceramic"

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Ruiz-Ardanaz, Iván, Sayoa Araiz-González, Esther Lasheras, and Adrián Durán. "The Ceramic Production and Distribution Network in the Ancient Kingdom of Navarre (Spain) during the 12th–15th Centuries." Heritage 7, no. 9 (2024): 4814–28. http://dx.doi.org/10.3390/heritage7090228.

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The Kingdom of Navarre was a Christian kingdom located in the north of the Iberian Peninsula during the Middle Ages. Its location on the west of the isthmus between the Iberian Peninsula and the European continent allowed an exchange of cultural currents. The main pottery production centres were in Estella, Lumbier, Pamplona, Tafalla, and Tudela. Ceramic pastes from various mediaeval sites were analysed for both elemental and mineralogical composition determination. The results were evaluated using Principal Component Analysis and allowed us to identify each production centre. Each manufacturi
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Oms, F. Xavier, Araceli Martín, Xavier Esteve, et al. "The Neolithic in Northeast Iberia: Chronocultural Phases and14C." Radiocarbon 58, no. 2 (2016): 291–309. http://dx.doi.org/10.1017/rdc.2015.14.

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AbstractAs in many other regions, the periodization of the Neolithic in the northeastern Iberian Peninsula was based upon relative dating obtained through ceramic typologies. Moreover, this prehistoric period was structured using nomenclature borrowed from the Neolithization of southern France. A total of 37 new radiocarbon dates for NE Iberia have been recently obtained with appropriate sampling criteria. These results have been used in conjunction with other reliable14C dates in order to assess the validity of traditional classifications established through the study of ceramic typologies. T
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Pérez-Arantegui, Josefina, and Paz Marzo. "Characterization of Islamic Ceramic Production Techniques in Northeast Iberian Peninsula: The Case of Medieval Albarracin (Spain)." Applied Sciences 11, no. 16 (2021): 7212. http://dx.doi.org/10.3390/app11167212.

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Ceramic objects found in the Islamic Taifa of Albarracin (Spain), 12th century CE, were studied to ascertain the main characteristics and influences of its manufacture. Production centers even from small kingdoms can add new insights in medieval ceramic technology. Several types of decorated ceramics, such as tin-opacified glazed, monochrome glazed and cuerda seca, were investigated. Ceramic bodies were analyzed by ICP-Optical Emission Spectrometry, and glazes were studied by Scanning Electron Microscopy with Energy Dispersive X-ray Spectrometry. All the ceramic bodies showed the use of Ca-ric
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Kondakova, Olga V. "Imitation as an adaptation tool in pottery making in New Spain." Latinskaia Amerika, no. 6 (December 15, 2024): 55–75. http://dx.doi.org/10.31857/s0044748x24060041.

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Ceramics produced in the Viceroyalty of New Spain in the 16th – 18th centuries serve as a valuable source for studying the history of intercultural contacts and colonization of the American continent. This article focuses on tableware ceramics and their significance in the sociocultural adaptation of colonial populations. The production of pottery on the Iberian Peninsula prior to colonization is described, and the function of ceramic vessels during the initial stages of conquest is explored. The article also examines questions of continuity and innovation in pottery production technology, and
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Oms Arias, F. Xavier, Josep Mestres, Rafael Laborda, Àngel Bosch, Araceli Martín, and Josep Tarrús. "5300-4700 cal BC in the Middle Ebro valley and the northeast of the Iberian peninsular." SAGVNTVM. Papeles del Laboratorio de Arqueología de Valencia 56 (February 2, 2024): 49–78. https://doi.org/10.7203/sagvntvm.56.27752.

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Neolithic of impressed, incised and grooved potteries and the Epicardial Neolithic represent cultural phenomena that are part of the first agropastoral groups in the Iberian Peninsula, sometimes as the first stage of neolithization, and sometimes as its consolidation. In Ebro valley and the NE of Iberia, these two cultural groups have a similar chronological development and similar ceramic decorations. However, their geographical distribution differs markedly. In this work we have analyzed these parameters to determine the origins of each group, its development and its dissolution in others, i
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Sinner, Alejandro G., and Joan Ferrer i Jané. "Novedades epigráficas de Ilduro (Cabrera de Mar, Barcelona)." Palaeohispanica. Revista sobre lenguas y culturas de la Hispania Antigua, no. 18 (April 5, 2019): 203–16. http://dx.doi.org/10.36707/palaeohispanica.v0i18.17.

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We here present thirteen graffiti on ceramic vessels recovered from the various archaeological sites of Cabrera de Mar. Unfortunately, the inscriptions are short, all of one or two signs, but attest to the use of the Iberian script in the Cabrera de Mar valley during the 2nd and 1st centuries BC, and confirm that the inhabitants of Ilduro used the Iberian language until at least the first half of the 1st century BC.
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Rivero, Saúl Guerrero, Javier G. Iñañez, Fernando Amores Carredano, et al. "From Andalusia to the Atlantic During Early Globalization: Multidisciplinary Archaeometric Approach to Ceramic Production from Jerez de la Frontera (Spain)." Ceramics 8, no. 1 (2025): 20. https://doi.org/10.3390/ceramics8010020.

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The technological development of ceramic production during the early modern period in the Iberian Peninsula is a crucial topic in historical archaeological research. The present study analyzes pottery from Jerez de la Frontera, Andalusia, focusing on ceramic materials from the Convent of Santo Domingo (late 15th to early 17th centuries). Through the analysis of production wastes, including dolia and olive jars (botijas), this text unveils key aspects of regional ceramics practices. Using a multidisciplinary archaeometric approach, we applied petrography, X-ray diffraction (XRD), and inductivel
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Meulemeester, Johnny De. "Islamic archaeology in the Iberian peninsula and Morocco." Antiquity 79, no. 306 (2005): 837–43. http://dx.doi.org/10.1017/s0003598x00114978.

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The author reviews the development of Islamic archaeology in Spain, Portugal and Morocco through its publications and fieldwork, identifying research themes such as ceramic studies, fortified settlement and landscape archaeology, irrigation and urban archaeology. Features excavated in Spain or Portugal can best be understood through ethno-archaeological studies of the Moroccan landscape and its living traditions.
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de Groot, Beatrijs G., Kamal Badreshany, Jesús F. Torres-Martínez, and Manuel Fernández-Götz. "Capturing technological crossovers between clay crafts: An archaeometric perspective on the emergence of workshop production in Late Iron Age northern Spain." PLOS ONE 18, no. 5 (2023): e0283343. http://dx.doi.org/10.1371/journal.pone.0283343.

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In the Iberian Iron Age, the transition to workshop-based pottery production involved the use of innovative tools (the potter’s wheel and kiln) and dedicated workspace. This facilitated an intensification of production, with repercussions for consumption practices and the economy. Cross-craft comparison can contribute to understanding the transmission processes underpinning this transition, as well as its impact on local craft traditions. This paper discusses an archaeometric methodology to compare the technological procedures underpinning different clay crafts to reveal crossovers and diverge
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Nádai, Zsófia, Ágnes Kolláth, and Bianka Gina Kovács. "A Unique Iberian Majolica Fragment from the Marketplace of Győr (Hungary)." Hungarian Archaeology 12, no. 3 (2023): 35–45. http://dx.doi.org/10.36338/ha.2023.3.5.

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This paper explores the origin, chronology, and connections of a majolica vessel found during excavation in the marketplace of Győr. The piece is of exceptionally high quality and counts as exceptional in the archaeological record of Hungary. It is adorned with painted cobalt blue motifs and lustre decoration. Its analogies are known from major museums’ collections, including the Metropolitan Museum, the British Museum, and the Louvre. Based on these, its place and time of origin could be identified as the 15th-century Valencia in today’s Spain, more specifically, Manises (now a district of Va
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Dissertations / Theses on the topic "Iberian ceramic"

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Faura, i. Vendrell Josep-Miquel. "El conjunt ceramic del VII mil·leni cal Bc de Tell Halula (Siria). una evidencia dels processos de canvi socioeconomic." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/399329.

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El treball que es presenta és l’estudi aprofundit del conjunt ceràmic de l’horitzó Prehalaf del jaciment de Tell Halula, a la vall mitjana del riu Èufrates (Síria). L’objectiu de l’estudi és aportar dades sobre les característiques tecnològiques, morfològiques i tipològiques al corpus de coneixement del jaciment. Aquestes dades permetran inferir interpretacions de tipus socioeconòmic en el debat sobre els canvis que es produeixen entre l’horitzó de neolític preceràmic i el neolític amb ceràmica. En la tesi s’estudien quina era la tecnologia emprada, determinar l’origen de les produccions (loca
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Sacilotto, Charlotte. "La céramique de l'âge du Fer dans le Bas-Aragon (Espagne) à l'Ibérique Moyen et Récent : production, distribution, usages." Electronic Thesis or Diss., Toulouse 2, 2021. http://www.theses.fr/2021TOU20111.

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La céramique ibérique à pâte claire et décorée de motifs peints en rouge fut fabriquée par les populations ibériques entre le VIème et la fin du Ier s. av. J.-C. Au IIIème s. av. J.-C., les décors peints de ces céramiques s’enrichirent avec une iconographie associant motifs géométriques, végétaux et figurés, et qui permis de distinguer plusieurs ensembles régionaux, dont le Bas-Aragon. Le Cabezo de Alcalá à Azaila donna son nom au style régional en raison de la richesse du matériel qui y fut découvert. Depuis, d’autres sites ont livré du matériel caractéristique de ce phénomène, sans que les é
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Breu, Barcons Adrià. "Earliest pottery uses in north-eastern Iberia." Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/669839.

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L’aparició i difusió del mode de vida neolític constituí un esdeveniment que afectà profundament les societats humanes. La recerca centrada en els canvis econòmics del pas de la caça i la recol·lecció a l’agricultura i la ramaderia suggereix que les practiques culinàries es podrien haver vist igualment afectades. Menjar és un acte social que transcendeix la satisfacció d’una necessitat biològica i, per tant, el seu estudi ofereix una oportunitat única d’obtenir noves dades sobre la relació entre les esferes econòmiques i culturals de la societat. Una nova onada de recerca està revelant n
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Sagrera, i. Aradilla Jordi. "Les ceràmiques de producció ibèrica de Sant Julià de Ramis: el poblat i els camps de sitges." Doctoral thesis, Universitat de Girona, 2002. http://hdl.handle.net/10803/7852.

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The paper analyzes the Iberian ceramics from Sant Julià de Ramis (Girona). The scope of research includes the village itself and other archaeological sites as areas of the Bosc del Congosts silos and Escalers. The research draws several archaeological material dug up in the Iberian site and made in the fields of silos.<br>El treball analitza ceramiques procedents del poblat ibèric de Sant Julià de Ramis (Girona). L'abast de la recerca comprèn el mateix poblat i altres jaciments arqueològics com els camps de sitges del Bosc del Congost i els dels Escalers. La recerca es nodreix de material exh
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Velimirovic, Nada. "Reflections of the divine| Muslim, Christian and Jewish images on luster glazed ceramics in Late Medieval Iberia." Thesis, Graduate Theological Union, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10240733.

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<p> For eight centuries, from 711 until 1492, a unique combination of political, cultural, and faith traditions coexisted in the mostly southern region of the Iberian Peninsula now called Spain. From the thirteenth century through the fifteenth century, two key production centers of luster glazed ceramics emerged in this region: Islamic-ruled M&aacute;laga and Christian-ruled Valencia. Muslim artisans using Islamic decorative motifs on reflective luster glaze ceramics created objects that patrons, including nobility and Christian royalty, clamored to collect. Initially, traditional Islamic de
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Coentro, Susana Xavier. "An Iberian Heritage: Hispano-Moresque architectural tiles in Portuguese and Spanish collections." Doctoral thesis, 2017. http://hdl.handle.net/10362/24220.

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This is the first archaeometric study comparing Hispano-Moresque tiles from different Portuguese and Spanish collections, no other published one being known at the time of writing. Despite the increasing interest in the Iberian ceramic cultural heritage, a specific study dedicated to architectural tiles was lacking. With this in mind, this thesis offers a first approach on the technological features of these impressive – although somehow undervalued – architectural tiles. With this work, important Portuguese and Spanish Hispano-Moresque tile collections are characterised, compared and studied
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GIARDINO, SARA. "La ceramica fenicia da mensa: un indicatore culturale e cronologico delle relazioni tra la madrepatria e la Penisola Iberica nei secoli X - VI a.C." Doctoral thesis, 2012. http://hdl.handle.net/11573/917680.

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Il presente progetto di dottorato si propone di analizzare il fenomeno dell’espansione fenicia in Occidente, con una particolare attenzione alla questione cronologica dei suoi inizi, attraverso lo studio della cultura materiale. Nello specifico la ricerca è incentrata sull’analisi delle forme aperte della ceramica fenicia da mensa e, dunque, dei reperti ceramici accomunati dalla destinazione funzionale del contenimento e della presentazione delle vivande, e che, dal punto di vista della classificazione geometrica, presentano un diametro della bocca, misurato nel punto di massima espansione, di
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Books on the topic "Iberian ceramic"

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aut, Area Xela, ed. Escultura cerámica ibérica contemporánea: Pazo da Cultura de Pontevedra : do 11 de abril ao 13 de maio de 2007. Xunta de Galicia, 2007.

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Zaldívar, Elena Ma Maestro. Cerámica ibérica decorada con figura humana. Departamento de Ciencias de la Antigüedad (Prehistoria), 1989.

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1942-, Ramos Fernández Rafael, and Abad Casal Lorenzo, eds. Cerámica ibérica de La Alcudia (Elche-Alicante). Instituto de Cultura "Juan Gil-Albert," Diputación Provincial de Alicante, 1990.

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Fernández, Rafael Ramos. Simbología de la cerámica ibérica de La Alcudia de Elche. Museo Monográfico de La Alcudia, 1991.

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David, Bea Castaño, and Vil·laseca Canals Albert, eds. L' assentament ibèric de Les Planetes (Tortosa, Baix Ebre). Arola Editors, 2003.

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Palazón, Juan Manuel Abascal. La cerámica pintada romana de tradición indígena en la Península Ibérica: Centros de producción, comercio y tipología. [s.n.], 1986.

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ed, Rojo-Guerra Manuel, García-Martínez de Lagrán, Íñigo, ed., and Garrido-Pena Rafael ed, eds. El Campaniforme en la Península Ibérica y su contexto europeo =: Bell beakers in the Iberian Peninsula and their European context. Universidad de Valladolid, Secretariado de Publicaciones e Intercambio Editorial, 2005.

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Giardino, Sara. La ceramica fenicia da mensa: Un indicatore culturale e cronologico delle relazioni tra la madrepatria e la Penisola Iberica nei secoli IX-VI a.C. Missione archeologica a Mozia, 2017.

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Saiz, Francisco Javier Marcos. La Prehistoria Reciente del entorno de la Sierra de Atapuerca (Burgos, España):: Catálogo de sitios del VI al II milenio cal. BC, análisis tecno-tipológico de las industrias líticas y cerámicas, y organización funcional del poblamiento. British Archaeological Reports, 2016.

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Almasi, Ghufran 'Iffah. Iberian Ceramics: Muslim, Christian, Jewish Depictions. Methuen Educational, Limited, 2023.

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Book chapters on the topic "Iberian ceramic"

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Lucena, M., A. L. Martínez-Carrillo, J. M. Fuertes, F. Carrascosa, and A. Ruiz. "Applying Mathematical Morphology for the Classification of Iberian Ceramics from the Upper Valley of Guadalquivir River." In Lecture Notes in Computer Science. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07491-7_35.

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Martínez-Carrillo, A. L., A. Ruiz, M. J. Lucena, and J. M. Fuertes. "Computer Tools for Archaeological Reference Collections: The Case of the Ceramics of the Iberian Period from Andalusia (Spain)." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-27978-2_5.

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Martins, Andrea, César Neves, José M. Arnaud, and Mariana Diniz. "Os motivos zoomórficos representados nas placas de tear de Vila Nova de São Pedro (Azambuja, Portugal)." In Arqueologia em Portugal 2020 - Estado da Questão - Textos. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa43.

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From the excavations carried out between 1936 and 1967 in the Chalcolithic settlement of Vila Nova de São Pedro (Azambuja, Portugal), there were recovered more than 500 ceramic elements usually known as “loom weights” with different shapes, dimensions and, in the majority, with decorated surfaces. The iconographic repertoire is quite diverse, with the geometric motifs in higher representation, followed by soliforms, anthropomorphic and zoomorphic motifs. For the zoomorphic motifs there were identified eleven decorated surfaces, whose typology is split into two categories: quadruped – whose spe
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Oliveira, Nuno, and Cristina Seoane. "Zoomorfos na cerâmica da Idade do Ferro no NW Peninsular: inventário, cronologias e significado." In Arqueologia em Portugal 2020 - Estado da Questão - Textos. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa83.

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In the Iron Age ceramics studies on the NW of Iberian Peninsula, had number of pieces that feature decoration with zoomorphic motifs stand out. Probably their relative rarity within the ceramics in this period, where geometric motifs dominate, become of special interest as a social and ideological instrument for the society. The aim of this study was to carry out the first inventory of this type of motifs associated with its geographical context and its chronology and the functionality, social and symbolic value of this representation in that society. After organizing the data obtained, these
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Carvajal López, José C. "After the conquest: ceramics and migrations." In What Was the Islamic Conquest of Iberia? Routledge, 2021. http://dx.doi.org/10.4324/9781003165972-4.

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Conference papers on the topic "Iberian ceramic"

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Rivero, L., R. Cardona, L. Galone, et al. "A Possible New Find of an Iberian Ceramic Kiln." In NSG2023 29th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2023. http://dx.doi.org/10.3997/2214-4609.202320104.

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Busto Zapico, Miguel, Alfonso Menéndez Granda, Estefanía Sánchez Hidalgo, and Francisco Lara Piñera. "Ceramics from an urban palace in a fishing village in the north western part of the Iberian Peninsula: La Casa del Cercáu in Llanes (Asturias, Spain)." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/kytb9855.

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During 2020 and 2021, MSarqueo Estudio de Arqueología S.L. has been working to document and excavate in the Casa del Cercáu, located in Llanes (Asturias, Spain). A study of the evolution of the whole complex has been carried out, using archaeological and architectural techniques, together with the execution of archaeological surveys. Archaeological excavation brought to light an interesting ceramic assemblage that begins in the 13th century and continues until the present.
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Navarro, Pablo, Celia Cintas, Manuel Lucena, et al. "IberianVoxel: Automatic Completion of Iberian Ceramics for Cultural Heritage Studies." In Thirty-Second International Joint Conference on Artificial Intelligence {IJCAI-23}. International Joint Conferences on Artificial Intelligence Organization, 2023. http://dx.doi.org/10.24963/ijcai.2023/647.

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Accurate completion of archaeological artifacts is a critical aspect in several archaeological studies, including documentation of variations in style, inference of chronological and ethnic groups, and trading routes trends, among many others. However, most available pottery is fragmented, leading to missing textural and morphological cues. Currently, the reassembly and completion of fragmented ceramics is a daunting and time-consuming task, done almost exclusively by hand, which requires the physical manipulation of the fragments. To overcome the challenges of manual reconstruction, reduce th
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