Relevant bibliographies by topics / Illustrations collectionID

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Illustrations collectionID'

Author: Grafiati
Published: 25 July 2024
Last updated: 19 July 2025

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Journal articles on the topic "Illustrations collectionID"

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Lotti, S., A. Altobelli, S. Bambi, and M. Poggesi. "Illustrations of the anatomical wax model collection in the “La Specola” Zoology Museum, Florence." Archives of Natural History 33, no. 2 (2006): 232–40. http://dx.doi.org/10.3366/anh.2006.33.2.232.

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Anatomical illustration has evolved through the centuries, first having artistic and educational purposes and later more strictly medical objectives. Between the eleventh and fifteenth centuries, the analytical model (representation of individual parts, organs and systems) gave way to the composite model (description of the human body as a whole). Between the seventeenth and eighteenth centuries, there was a reversal of tendency: initially the anatomist requested the help of artists, but later the artist asked anatomists to check the accuracy of his work. In this way, anatomical illustration r
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Lack, Hans Walter, James A. Compton, Georg Pflugbeil, Helmut Wittmann, and Robert Lindner. "The Münch-Bellinghausen collection of botanical illustrations in the Haus der Natur, Salzburg." Archives of Natural History 52, no. 1 (2025): 87–101. https://doi.org/10.3366/anh.2025.0964.

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The Münch-Bellinghausen collection of botanical illustrations comprises around 10,000 prints and drawings documenting vascular plants. Gathered by Konstantin Freiherr von Münch-Bellinghausen (1752–1838) sometime between circa 1790 and circa 1836, this material remained in the hands of his descendants until it was donated to the Society for the Foundation and Maintenance of a Free Catholic University in Salzburg in 1904. Deposited on loan in the nascent Haus der Natur in 1924, the collection was donated to this natural history museum in 2015. Arranged according to the Linnaean system as interpr
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Abaydulova, Anna. "Luka Voronin’s Expedition Drawings in the Collection of Illustrations to Peter Simon Pallas’ Zoographia rosso-asiatica: Attribution and Descriptions." Voprosy istorii estestvoznaniia i tekhniki 44, no. 3 (2023): 524. http://dx.doi.org/10.31857/s020596060027061-9.

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Twenty three drawings by Luka Voronin, artist to the J. I. Billings – G. A. Sarychev North-East Expedition (1785–1795), were discovered in the collection of illustrations for Academician P. S. Pallas’ Zoographia rosso-asiatica at the St. Petersburg Branch of the Archive the Russian Academy of Sciences. For Pallas, this expedition became an important source of information about the Russian fauna. The expedition’s materials were used by him in the preparation of Zoographia rosso-asiatica, which is why some of Voronin’s expedition drawings that had been selected by Pallas were preserved in the co
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Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe." African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 2
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Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe." African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 2
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King, Louise. "Treasures from the Collections." Bulletin of the Royal College of Surgeons of England 98, no. 4 (2016): 178. http://dx.doi.org/10.1308/rcsbull.2016.178.

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Isaac, Susan. "Treasures from the Collections." Bulletin of the Royal College of Surgeons of England 101, no. 4 (2019): 160. http://dx.doi.org/10.1308/rcsbull.2019.160.

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Haq, Sara. "Good Girls Marry Doctors." American Journal of Islam and Society 34, no. 2 (2017): 131–34. http://dx.doi.org/10.35632/ajis.v34i2.772.

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From the publisher that brought us Gloria Anzaldua’s classic work Borderlands/La Frontera: The New Mestiza (1987), now comes Good Girls Marry Doctors:South Asian American Daughters on Obedience and Rebellion. AuntLute Books gives us this 2016 anthology of short stories edited by Piyali Bhattacharyathat, I envision, will strike a similar chord of deep resonance withthose who are living in the liminal spaces of mixed consciousness, mixed cultures,mixed religions – the South Asian American diasporic community andbeyond. The striking cover of the book shows a graphic illustration of a browngirl de
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Gibb, W. R. G. "The Ciba Collection of Medical Illustrations." Behavioural Neurology 1, no. 1 (1988): 59–60. http://dx.doi.org/10.1155/1988/259489.

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Cook, A. "Plants illustrating exotic collections." Notes and Records of the Royal Society of London 55, no. 1 (2001): 129–44. http://dx.doi.org/10.1098/rsnr.2001.0130.

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The study of plants was nothing new when The Royal Society was founded, but some of our earliest Fellows changed it drastically. Perhaps they did not do this as suddenly or as completely as did Newton for dynamics, but in the long run they had at least as great an influence on views of the natural world and how to study it. Did God create all the great variety of plants no one (in Europe) had ever seen before, and if so why? Plants brought back by explorers, especially from North America, and plants looked at in the microscope, together with the taxonomic system constructed by Linnaeus, replac
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Dissertations / Theses on the topic "Illustrations collectionID"

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Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.

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Thesis (M.F.A.)--West Virginia University, 2001.<br>Title from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).
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Kerhoas, Marie-José. "Les dessins de costumes de scène de 1750 à 1790 dans les collections patrimoniales françaises." Tours, 2007. http://www.theses.fr/2007TOUR2042.

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Cette étude cherche à démontrer que, si le costume de théâtre trouve actuellement un regain d'intérêt, il est important de connaître son premier geste : le dessin de costume, le seul à subsister à cette époque. L'Esthétique théâtrale, du moins sur le plan théorique, subit une évolution sensible durant cette deuxième moitié de siècle. L'enjeu, pendant cette période, est un balancement entre le maintien de la tradition ou un essai de renouvellement. Or les premiers frémissements d'un changement peuvent-ils naître au sein du système institutionnel figé de ce temps? Les coups de boutoir des théori
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Goëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste." Phd thesis, Grenoble 1, 2009. http://www.theses.fr/2009GRE10070.

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L'indexation des images est une étape indispensable pour valoriser un fond d'archive professionnel ou des collections d'images personnelles. Le "documentaliste" se doit de décrire précisément chaque document collecté dans la perspective de le retrouver. La difficulté est alors d'interpréter les contenus visuels et de les associer entre eux afin de couvrir différentes catégories qui peuvent être souvent très subjectives. Dans ce travail, nous nous inspirons du principe de l'apprentissage actif pour aider un utilisateur dans cette tâche de structuration de collections d'images. A partir de l'ana
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Pommaret, Sabine. "Traitement documentaire et valorisation des fonds iconographiques anciens dans les bibliothèques l'exemple de la collection d'estampes de la B.M. de Bourges /." [S.l.] : [s.n.], 2002. http://www.enssib.fr/bibliotheque/documents/dcb/pommaret.pdf.

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Davila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART." Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.

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Drawing on archetypical aspects of human characteristics and personalities, I create images that illustrate our connection to memory, media, and culture. My work is informed by pop culture, including television, movies, cartoons and comic books as it relates to characters in our own physical world and society. The grid is used to represent both childhood games and the frames of a comic strip, where each panel equals an exact moment of time.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA
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Pucci, Alicia Meredith. "Consuming Surrealism in Modern Mexican Advertising: Remedios Varo's Pharmaceutical Illustrations for Casa Bayer, S.A." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/516897.

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Art History<br>M.A.<br>My thesis investigates an interdisciplinary narrative of the transatlantic migration of Surrealism to Mexico during the 1940s. I focus on the ways exiled European Surrealists approached notions of Mexican material culture in a hybrid society where local traditions coexisted with a global modernity. Looking to popular and print culture outlets, I concentrate on how Mexican material culture was perceived, promoted, and marketed through a Surrealist lens. Specifically, I consider the collaboration of the German pharmaceutical company Casa Bayer, S.A. and exiled Spanish-born
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Phillips, Catherine Victoria. "Art and politics in the Austrian Netherlands : Count Charles Cobenzl (1712-70) and his collection of drawings." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4049/.

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The Cabinet of Count Charles Cobenzl lies at the heart of the Hermitage Museum, forming the core of the collection of Old Master Drawings. Yet despite perpetual references to him as ‘grand collectionneur’, no study of Cobenzl’s collecting has ever been undertaken. Nor, in the absence of prosopographical studies of art production or collecting in the Austrian Netherlands in the middle of the eighteenth century, or indeed of other individual collectors, has it been possible to set him in a ‘collecting context’. Bringing together the works of art themselves and Cobenzl’s abundant correspondence,
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Goëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste." Phd thesis, Université Joseph Fourier (Grenoble), 2009. http://tel.archives-ouvertes.fr/tel-00410380.

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L'indexation des images est une étape indispensable pour valoriser un fond d'archive professionnel ou des collections d'images personnelles. Le "documentaliste" se doit de décrire précisément chaque document collecté dans la perspective de le retrouver. La difficulté est alors d'interpréter les contenus visuels et de les associer entre eux afin de couvrir différentes catégories qui peuvent être souvent très subjectives. Dans ce travail, nous nous inspirons du principe de l'apprentissage actif pour aider un utilisateur dans cette tâche de structuration de collections d'images. A partir de l'ana
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Wightman, Shaun. "PITIFUL CREATURES." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4188.

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By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA
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Yamada, Shigehito. "Graphic and movie illustrations of human prenatal development and their application to embryological education based on the human embryo specimens in the Kyoto collection." Kyoto University, 2006. http://hdl.handle.net/2433/143856.

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Kyoto University (京都大学)<br>0048<br>新制・課程博士<br>博士(医学)<br>甲第12223号<br>医博第2976号<br>新制||医||922(附属図書館)<br>24059<br>UT51-2006-J216<br>京都大学大学院医学研究科外科系専攻<br>(主査)教授 篠原 隆司, 教授 影山 龍一郎, 教授 富樫 かおり, 教授 中辻 憲夫<br>学位規則第4条第1項該当
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Books on the topic "Illustrations collectionID"

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1930-, Hewett James S., ed. Illustrations unlimited. Tyndale House Publishers, 1988.

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Stadtmuseum, Oldenburger, ed. Mythos Aeneis: Vergil-Illustrationen der Sammlung Ulrich Wilke. Stadtmuseum Oldenburg, 2016.

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Hull, European Illustration Collection. European Illustration Collection Hull. European Illustration Collection, 1994.

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Faeti, Antonio. L' illustrazione nel romanzo popolare: Tavole originali dalla collezione Rava (1907-1938). U. Allemandi, 1988.

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Bilibin, Ivan I͡Akovlevich. Ivan Bilibin: Skazki i byliny. Voskresnyĭ denʹ, 2021.

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Bilibin, Ivan I͡Akovlevich. Ivan Bilibin. Izd-vo "Avrora", 1988.

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Bilibin, Ivan I͡Akovlevich. Ivan Bilibin: Po materialam sobranii︠a︡ E.P. Klimova. Izd-vo "TERRA", 1999.

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Corrado, Gizzi, ed. L' arte nuova e Dante. Skira, 2000.

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Corrado, Gizzi, and Casa di Dante in Abruzzo., eds. L' arte nuova e Dante. Skira, 2000.

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Wilke, Ulrich. Die Metamorphosen des Ovid: Francois Foppens, Brüssel 1677. Verlag Make a book, 2018.

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Book chapters on the topic "Illustrations collectionID"

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Sayers, W. C. Berwick. "Exhibitions, Illustration Collections." In A Manual of Children's Libraries. Routledge, 2021. http://dx.doi.org/10.4324/9781003230021-16.

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Riviale, Laurence. "Illustrations." In Joconde ou madone ? La Tête de cire de Lille, énigme de la collection Wicar. Presses universitaires Blaise-Pascal, 2022. https://doi.org/10.4000/13uhe.

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Bates, Denis E. B., and Jörg Maletz. "Collection, Preparation and Illustration of Graptolites." In Graptolite Paleobiology. John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118515624.ch14.

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Rayburn, Alexandria J., and Andrea K. Thomer. "Reconstructing Provenance in Long-Lived Data Systems: The Challenge of Paradata Capture in Memory Institution Collection Databases." In Knowledge Management and Organizational Learning. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53946-6_9.

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AbstractParadata is important for understanding the provenance of data—but capturing and using paradata is challenging because it is often not formalized or explicit. This is particularly the case for complex, long-lived digital objects, such as the databases used to manage long-lived museum collections. These databases are passed down between generations of collections managers, but the documentation explaining their structure and changes over time is often incomplete, thus posing an obstacle to the use and maintenance of the databases. Collection managers must often reverse engineer their databases and create documentation from scratch. Here, we present a case study of paradata reconstruction conducted as part of a larger project studying database maintenance in memory institutions. Through interviews with collection managers at the University of Michigan Herbarium and Matthaei Botanical Gardens, we reconstruct how a database evolved and changed over 50 years. We show how different ways of illustrating the history of a database can be used to help “open up” a database for users. We reflect on the strengths and weaknesses of these approaches, specifically versioned entity relationship diagrams, Sankey diagrams, and narrative case summaries, and discuss the challenges in capturing paradata from long-lived sociotechnical objects.
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Mills, Victoria. "Dandyism, Visuality and the ‘Camp Gem’: Collections of Jewels in Huysmans and Wilde." In Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297395_8.

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Schwarz, Katharina, Pavel Rojtberg, Joachim Caspar, Iryna Gurevych, Michael Goesele, and Hendrik P. A. Lensch. "Text-to-Video: Story Illustration from Online Photo Collections." In Knowledge-Based and Intelligent Information and Engineering Systems. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15384-6_43.

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Page, Joanna. "3. Floras, Herbaria, and Botanical Illustration." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.03.

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New World plants were exhaustively catalogued in the floras and herbaria produced by the great scientific expeditions led by European naturalists in the eighteenth and nineteenth centuries, such as the Royal Botanical Expedition to New Granada (1783–1816), directed by José Celestino Mutis. Species were primarily illustrated in a way that would allow their identification according to Linnaean taxonomies. Three contemporary artists from Colombia—Alberto Baraya, María Fernanda Cardoso and Eulalia de Valdenebro—have reworked the Enlightenment norms of botanical illustration in order to draw attention to their many erasures and to chart environmental change over the past two centuries. Baraya’s Herbario de plantas artificiales (2002–) celebrates the anomalies and aberrations that were smoothed out in the European quest for a universal system of classification, exposing the relationship between modern Western science and the dynamics of economic and cultural dispossession. De Valdenebro’s seed collections contrast the homogenization and commercialization of transgenic varieties with the greater biodiversity of native seeds, whose cultivation has unfolded within a much higher degree of reciprocity between humans and their environment. In On the Marriages of Plants (2018), Cardoso reflects on Linnaeus’s use of sexual terms borrowed from the human world in her exploration of more recent research into reciprocal relationships between plants, insects, and humans. I bring these projects into dialogue with a selection of illustrations by Abel Rodríguez (Mogaje Guihu), an artist whose work preserves the ancestral knowledge of the Nonuya and Muinane communities in the Colombian Amazon. Contrasting with Linnaean abstraction, Rodríguez’s drawings and paintings depict rainforest ecosystems in ways that cast light on Amazonian concepts of cohabitation and the co-constitution of human and nonhuman subjects. These enter into conflict with two dominant Western paradigms: extraction, on the one hand, and conservation, on the other.
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Müller, Frank. "The Botanical Collection." In Scientific an Art Collections. TUD Dresden University of Technology. Technische Universität Dresden, 2024. http://dx.doi.org/10.25368/2024.246.

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Describing plants and exploring their appearance, occurrence and usefulness have been common practice from antiquity. Even though the term “herbarium” underwent various changes in meaning over the centuries, it generally referred to a book on herbs, listing plants that were believed to possess pharmaceutical properties. Illustrations – some of them of high artistic quality – in books on herbs have been known since the Early Modern Period. Illustrative woodcuts created between 1530 and 1546, depicting the herbaria of the three pioneers of botany, Otto Brunfels, Leonhart Fuchs and Hieronymus Bock, had additional value as botanical reference points (Dressendörfer 2011). Nature printing, using the plant itself as the printing plate, was another method used in illustrating botanical books. It drew on the idea of nature inscribing itself to determine the technique of illustration. The rather elaborate procedure, described by Leonardo da Vinci and perfected during the 19th century, allowed for a detailed image of the plant in question.
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Young, Terrell A., Barbara A. Ward, Nancy L. Hadaway, and Paul H. Ricks. "Poetic Images." In Celebrating Poetry Across the K-12 Curriculum. IGI Global Scientific Publishing, 2025. https://doi.org/10.4018/979-8-3693-7778-9.ch003.

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This chapter focuses on how illustrations in poetry collections differ from those in picturebooks. The living recipients of the NCTE Excellence in Poetry for Children Award were interviewed about the purpose and functions of illustrations in poetry collections, and illustrators who illustrated the winners' poetry collections were interviewed about their process for displaying the poems. Findings include the illustrators' considerations and approaches to illustrating poetry collections, criteria for analyzing illustrations in poetry collections, and an analysis of the illustrators' creative choices in support of poetry.
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Cook, Karen Severud. "The Contribution of à la poupée Inking to Natural History Illustration in France, 1800–70." In Printing Colour 1700 - 1830. British AcademyLondon, 2024. https://doi.org/10.5871/bacad/9780197267530.003.0022.

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Abstract During the final decades of the 18th century French natural history books were typically illustrated by the established method of inserting a black intaglio print, often with added hand colouring. An upsurge of zoological publishing after 1800, associated with the increasing number of illustrated scientific journals and expedition reports, provided a stimulus for change. The advance of zoological science meant that more accurate illustrations with consistent colouring were needed. An intaglio colour-printing method, already in use in France for separate prints and for illustrating other types of books, involved printing multiple colours simultaneously from a single, etched copper plate inked à la poupée. Zoological illustrations printed by the à la poupée process depended upon the interaction of the author/artist, etcher/engraver, plate inker, and printer, but especially upon the skill of the inker. However, after 1850 there was a shift away from detailed stipple and linear shading to simpler outline etchings, still printed in colour à la poupée but finished with hand-applied watercolour washes. This change reflected the ongoing transition from intaglio printing to lithography as the method of choice for natural history illustration in France. This study is based on natural history books published in Paris between 1750–1870 in the Ralph Ellis Collection, University of Kansas.
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Conference papers on the topic "Illustrations collectionID"

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Ruedisueli, R. L., and R. A. Hays. "Corrosion Sensors in Navy CHT Tanks." In CORROSION 2003. NACE International, 2003. https://doi.org/10.5006/c2003-03423.

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Abstract Sensors increasingly play key roles in monitoring the material and functional condition of naval, merchant marine and maritime industry machinery and operational and structural spaces. Choosing parameters for monitoring functions can be challenging. Selecting and proving sensors that will be sufficiently robust to perform reliably for an economic service-life can be truly daunting. A good illustration is the trial of tank fluid and coating monitoring sensors applied to test service in U. S. Navy CHT (collection, holding, and transfer) tanks.
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Hamner, Norman E. "Computerized Corrosion Control Data Available from NACE." In CORROSION 1986. NACE International, 1986. https://doi.org/10.5006/c1986-86041.

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Abstract A computerized Index of more than 3000 documents published by the National Association of Corrosion Engineers during the past decade permits Identification topically, chronologically, by author or by document type. Access is provided by the use of the NACE Corrosion Science and Indexing Outline which consists of more than 3200 terms. As many as four terms can be used concurrently to identify documents. Copies of any document Identified can be obtained. Products of the system Include line bibliographies, abstracts and Indexes. The latter Improve usefulness of both formal and informal c
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Löbling, Zuzana. "The Struggle for Justice: Post-WWII Restitution of Richard Morawetz’ Art Collection." In International Legal History Meeting of PhD Students. Masaryk University Press, 2024. https://doi.org/10.5817/cz.muni.p280-0628-2024-14.

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This paper examines the post-WWII restitution efforts for the significant art collection of Richard Morawetz, which was deposited in the National Gallery Prague in 1939. Following the family’s escape from Czechoslovakia to avoid Nazi persecution, Richard Morawetz engaged in a legal battle after the war to reclaim his art collection. Although his ownership was legally recognised, the artworks remained in the gallery’s vaults and were officially confiscated by the state in the 1960s. This research paper focuses on the immediate post-war restitution efforts, detailing the court proceedings and il
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Chapman, Daniel, Orin Wakefield, and Jake Davies. "Application of Non-Intrusive, Fixed Wireless Thickness Monitoring for Sulfidation Corrosion to Provide Improved Data over Conventional Inspection." In CORROSION 2015. NACE International, 2015. https://doi.org/10.5006/c2015-06169.

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Abstract Fixed wireless thickness monitoring sensors are being utilized as part of a corrosion control strategy to monitor for sulfidation corrosion in several of the side cuts and the bottoms circuit of a crude unit atmospheric column as well as a hydroprocessing fractionation bottoms system. The system is non-intrusive and uses wireless communication to minimize the cost of installation. Real time wall thickness sensors are monitoring for fluctuations in corrosion rate due to operational or feed changes. The simple visualization interface allows the data to be seen by the end user from their
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Lhuillier, Emmanuel, Tung Hu Dang, Adrien Khalili, David Darson, Pierre Potet, and Angela Vasanelli. "Nanophotonics applied to the design of nanocrystal based infrared sensor." In CLEO: Applications and Technology. Optica Publishing Group, 2024. http://dx.doi.org/10.1364/cleo_at.2024.jm4d.3.

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It's fascinating to witness the significant progress achieved in leveraging colloidal nanocrystals as a viable platform for infrared optoelectronics. Their adaptability as a spin-coatable resist with infrared photoactive properties has spurred developments that transcend mere material advancements and delve deeply into advanced device design. A standout accomplishment in the infrared domain is the development of infrared cameras utilizing nanocrystal thin films as their active layers. This marks a paradigm shift in infrared imaging, challenging the long-held focus on high-quality monocrystalli
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Håland, Sirina, Trond Karlsen Strøm, and Petra Galuščáková. "Navigating Speech Recording Collections with AI-Generated Illustrations." In SIGIR '25: The 48th International ACM SIGIR Conference on Research and Development in Information Retrieval. ACM, 2025. https://doi.org/10.1145/3726302.3730136.

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Mei, Xiyao, Yu Zhang, Chaofan Yang, Rui Shi, and Xiaoru Yuan. "ZuantuSet: A Collection of Historical Chinese Visualizations and Illustrations." In CHI 2025: CHI Conference on Human Factors in Computing Systems. ACM, 2025. https://doi.org/10.1145/3706598.3713276.

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Vinogradova, Tatiana. "“DEPEND ON HEAVEN FOR FOOD”: A WELL-KNOWN PROVERB IN LITERATURE, ILLUSTRATIONS AND COMMENTS." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.16.

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“Depend on Heaven for food” (kao tian chi fan, 靠天吃飯) is a well-known Chinese proverb. The presumed author of this expression was Wen Kang (文康), his novel Legend of Heroes and Heroines (儿女英雄傳) Ernü Yingxiong Zhuan first published in late 1870s became very popular. The expression “depend on Heaven for food” is from the 33rd chapter of the novel. Yet, the image under the title Picture Depend on Heaven for Food (kao tian chi fan tu, 靠天吃飯圖) appeared earlier than novel: two stone steles dated 1813 with the same picture, but different commentary text. In the academician Vasyli M. Alekseev’s collectio
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Coelho, Filipe, and Cristina Ribeiro. "Automatic illustration with cross-media retrieval in large-scale collections." In 2011 9th International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2011. http://dx.doi.org/10.1109/cbmi.2011.5972515.

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Kriuchkova, E. A., D. D. Ryzhakova, and P. D. Gudkova. "Genus Festuca L. in the Altai Territory." In Problems of studying the vegetation cover of Siberia. TSU Press, 2020. http://dx.doi.org/10.17223/978-5-94621-927-3-2020-21.

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The work presents original key, illustrations, notes on morphology and distribution extensions for 12 species of the genus Festuca in the Altai territory. The revision of the genus and the selection of material for illustrations was made on the basis of the herbariums ALTB, NSK, NS, TK, and the author's own collections.
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