Relevant bibliographies by topics / Immediate Theater

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Immediate Theater'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Immediate Theater"

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Vukajlov, Ljiljana, Aleksandra Milinkovic, and Dijana Brkljac. "Recommendations for urban revitalization of theater locations: A case study - Republic of Serbia." Facta universitatis - series: Architecture and Civil Engineering 17, no. 4 (2019): 387–400. http://dx.doi.org/10.2298/fuace190708023v.

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Theater location quality is researched according to a pre-formed model with the aim to improve quality in the functioning of theaters in settlements of the Republic of Serbia. An omnipresent process of globalization has led to significant changes in the field of culture, and thus a reduction in interest for classic theater performances has occurred. The poor condition of theater buildings in architectural and structural terms as well as their immediate environment, in urbanistic sense, is the result of neglecting the field of culture on a national level for many years. By summing up the total
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fateh, Daryani Amirhossein, and Saghian Mehdi Hamed. "The Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet)." Components of Peter Brooke's Immediate Theater in the Performance of Shakespeare: Regarding the Element of Present in the Ideas of Jan Katt works (Case Study The Tempest and The Tragedy of Hamlet) 30, no. 1 (2025): 31–43. https://doi.org/10.22059/jfadram.2024.377384.615889.

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Peter Brook, as a theater director, has a circle of wide and varied and sometimes conflicting experiences, which categorized by himself as Deadly, Holy and Rough theater. These experiences, directly lead to the introduction of his final and most profound way The Immediate theater. This research examines the ideas of Jan Katt about Shakespeare's contemporaneity, which had a significant impact on changing the way directors like Brook looked at Shakespeare in the 20th century. A look that points out the contemporary elements of these plays and tries to find the contemporary presence in these work
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Otto, Devin. "An Interdisciplinary Conducting Curriculum: Selected Theater Games From Viola Spolin’s “Improvisation for the Theater”." SAGE Open 10, no. 4 (2020): 215824402095492. http://dx.doi.org/10.1177/2158244020954927.

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This article presents a series of theater games with clear connections to conducting and rehearsing music ensembles, explaining both how to play them and how young conductors will benefit from the experience. These games are published in Viola Spolin’s seminal text Improvisation for the Theater, which presents a series of exercises that foster communication, creativity, immediacy, and spontaneity. Many games also focus on creating and communicating character through physical movement and posture, awareness of the body in space, and manipulation of “space objects,” which are imaginary props mad
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PANDELE, Georgeta Simona. "About the timeless time in theater." Theatrical Colloquia 13, no. 1 (2023): 175–81. http://dx.doi.org/10.35218/tco.2023.13.1.20.

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"The theater from the perspective of physical time is the theater of antiquity, middle ages, renaissance, classicism, romanticism, realism or the modern period. The primitive man's first approaches to theatrical art 313 will be realized through mimicry and in and will express man's need to assert himself through an instinctive-emotional manifestation supported by his innate gift to approach others through imitation 314 . If in its beginnings, this creative act of prehistoric man was chaotic, in time, it became a complex theatrical manifestation, which will mirror the evolutionary trajectory of
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Azeeva, Irina V., and Artem V. Nazlukhanyan. "Russian directing school and dramaturgy in Vahe Shakhverdyan's theater." World of Russian-speaking countries 1, no. 11 (2022): 134–49. http://dx.doi.org/10.20323/2658-7866-2022-1-11-134-149.

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The authors focus on the theater of the director Vahe Shakhverdyan, which is a phenomenon in the history and modern life of Armenian performing art. Emphasizing the relevance and significance of the theatrical and cultural description of this artistic phenomenon, the authors correlate it with the phenomenon of the independent theater. The research is based on the principles of studying and analysing the director’s theater developed by the Russian school of theater studies. The article is the first attempt of the theatrical analysis of Shakhverdyan’s creative work as a stage director. The autho
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Karpenko, Elena Aleksandrovna. "The evolution of theater placement in the urban space of the city using the example of Moscow from the late 17th to the early 20th century." Урбанистика, no. 2 (February 2024): 98–107. http://dx.doi.org/10.7256/2310-8673.2024.2.70923.

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The current trend of urban sprawl in major cities is creating conditions for territorial injustice in the distribution of cultural assets. One of the key problems in the modern theater urban development of Moscow is associated with the uneven distribution of theater complexes between the city core and the periphery. The object of the study is the theater as an element of the cultural environment of urban space. The subject of the study is the spatial features of theater placement in the urban structure and its influence on shaping the city's cultural landscape, as well as the spatial evolution
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Sendetskyi, Andrii. "Cultural and artistic dialogue of ukrainian theaters in polish periodicals at the beginning of the 21st century." Bulletin of Mariupol State University Series Philosophy culture studies sociology 12, no. 23 (2022): 131–43. http://dx.doi.org/10.34079/2226-2849-2022-12-23-131-143.

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The paper gives an analysis of articles, reports, and reviews of specialized Polish periodicals from 2000 to 2010, which include interviews, reviews, impressions, and comments of theater experts about contemporary cultural and artistic events in Poland in which Ukrainian artists participated. To fulfill the tasks set in the research, the author considers the main theatrical magazines of Poland “Dialog. Miesięcznik poświęcony dramaturgii współczesnej”, “Didaskalia”, “Pamiętnik Teatralny”, “Scena”, “Teatr”, which have had a long history of activity since the last century. The analytical work of
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Sulistyaningsih, Ni Kadek, Zanella Yolanda Lie, and Danang Himawan Limanto. "Iatrogenic pseudoaneurysm as a complication of hemodialysis vascular access: a descriptive study." Journal of Indonesia Vascular Access 2, no. 2 (2022): 25–28. http://dx.doi.org/10.51559/jinava.v2i2.23.

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Introduction: Iatrogenic pseudoaneurysm (PSA) in hemodialysis vascular access puncture site is the most common complication in a patient with ERSD, which needs urgent surgical intervention. This research explained the patients’ characteristics with pseudoaneurysm in vascular access that underwent surgical intervention immediately. Methods: Retrospectively, it reported cases of pseudoaneurysm that underwent immediate surgical intervention in an operating theatre in the emergency department of RS Dr. Soetomo Surabaya. Result: Twenty-one patients, whose age range from 26-to 64 years old (mean 46.
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BARNETT, DAVID. "Resisting the Revolution: Heiner Müller's Hamlet/Machine at the Deutsches Theater, Berlin, March 1990." Theatre Research International 31, no. 2 (2006): 188–200. http://dx.doi.org/10.1017/s0307883306002124.

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Heiner Müller directed Shakespeare's Hamlet together with his own The Hamletmachine as Hamlet/Machine in March 1990 at the Deutsches Theater, East Berlin. This article investigates the production's conception, its rehearsal and its execution against the backdrop of the fall of the Wall. Müller, a playwright whose dramaturgies actively resist reductive interpretation, sought to put Hamlet/Machine beyond the reach of an allegorical reading. Strategies in acting, staging and design were adopted to frustrate the ease with which Hamlet could have merely illustrated the historical changes taking pla
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Barker, Lisa M. "Invoking Viola Spolin: Improvisational Theater, Side-Coaching, and Leading Discussion." English Journal 105, no. 5 (2016): 23–28. http://dx.doi.org/10.58680/ej201628533.

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The author describes how the central principles of improvisational theater align with the facilitation of whole-class discussion, and how Viola Spolin’s framework for “sidecoaching”—the instructional practice of providing immediate, public, verbal feedback during a rehearsal—can inform discussion leadership.
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Dissertations / Theses on the topic "Immediate Theater"

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Sibthorpe, Nathan L. "The effect of embodied metafiction in contemporary performance." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/121498/1/Nathan_Sibthorpe_Thesis.pdf.

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This study seeks to define a particular sub-genre of contemporary performance where self-awareness is a significant factor in the audience's experience. Exemplified in the development of a new performance work ('Spectate'), the term 'embodied metafiction' is proposed as a way of understanding the effect of highlighting an audience's presence and participation in the theatrical experience. Principles of 'embodied metafiction' are observed through 'Spectate' to demonstrate how an audience can be stimulated to experience a more vivid sense of the immediate present when their bodies and minds are
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Hluch, Alexander. "Immediacy in Comedy: How Gertrude Stein, Long Form Improv, and 5 Second Films Can Revolutionize the Comedic Form." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5946.

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Comedy has typically been derided as second-tier to drama in all aspects of narrative. Throughout history, comedy has seen short shrift in both critical reception and academic investigation. Merit is simply placed on drama far before that of comedy. This is not for comedy's own lack of skill or craft, but simply for comedy's misappropriation as a narrative form. Throughout the years, by way of either competition or economic superiority, comedy has been pigeonholed into the typified dramatic structure that drama so thoroughly encapsulates. Being forced into a form that exemplifies complex,
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Hunsaker, Carrie Elizabeth. "Deconstructing the Fourth Wall: Immediacy in Performative Architecture." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212100640.

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Thesis (Master of Architecture)--University of Cincinnati, 2008.<br>Advisors: Michael McInturf (Committee Chair), Tom Bible (Committee Co-Chair). Title from electronic theses title page (viewed Sept. 7, 2008.). Includes abstract. Keywords: Chatauqua; Boulder; Colorado; performative architecture; immediacy; event; performing arts; festival grounds; mountain architecture; fourth wall; theatre. Includes bibliographical references.
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Berglund, Sanna. "To be or not to be a theatre - The future of Brighton Hippodrome : An investigation of the roles of immediate stakeholders in the case of a building at risk." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-360612.

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The research investigates those conflicting interests in the future for the Brighton Hippodrome theatre. The building is in a permanent state of disuse since it closed in 2006. It is in poor condition and is adversely affecting its surrounding environment. Though there has not been much happening in regard to the specific building, there have been a lot in relation to it. It has been sold several times, reports being produced, planning applications have been submitted, but its current state remains the same. The stakeholders involved in Brighton Hippodrome has been the subject of a qualitative
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Becker, Theresa. "Evaluating Improvisation as a Technique for Training Pre-Service Teachers for Inclusive Classrooms." Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5129.

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Improvisation is a construct that uses a set of minimal heuristic guidelines to create a highly flexible scaffold that fosters extemporaneous communication. Scholars from diverse domains: such as psychology, business, negotiation, and education have suggested its use as a method for preparing professionals to manage complexity and think on their feet. A review of the literature revealed that while there is substantial theoretical scholarship on using improvisation in diverse domains, little research has verified these assertions. This dissertation evaluated whether improvisation, a specific t
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Francis, A. M. "A theatre of immediacy." Thesis, 2014. http://hdl.handle.net/10539/15661.

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imagine. visualise. respond. A Community Theatre provides a social intervention. It energises, transforms and effects change within the social fabric of a community by creating a dialogue for conflict resolution. It presents an opportunity to bridge divisions of race, nationality, gender, class, culture and other barriers through the use of dramatic art therapy by creating a platform for engagement, reflection and understanding. “It was simply the contemporary manifestation of a recurring cultural ideal of an art relegated not to cultural palaces but relevant to daily life, an art whose home
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O'Connor, Lloyd Grant. "'Summoning the healing' : intercultural performance, immediacy, and historical and ritual dialectics in Brett Bailey's The plays of miracle and wonder (2003)." Thesis, 2006. http://hdl.handle.net/10413/1546.

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Books on the topic "Immediate Theater"

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author, Arden John, and D'Arcy Margaretta, eds. Immediate rough theatre for citizens' involvement. Bloomsbury, 2013.

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Brook, Peter. The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate. Touchstone, 1995.

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Biehl, Richard. Trauma in the Theater of the Body. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039409.003.0006.

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In this chapter, the author talks about his teaching of somatic yoga for relief of trauma, supporting this with current research on post-traumatic stress disorder (PTSD) and including parts of his own story with PTSD. He has been practicing yoga since 1992 and expands his bodily pursuits through an active intellectual life. Here he offers an in-depth discussion based on research and his personal experience of the role of body consciousness in trauma and traumatic illnesses. He explores various ways to develop conscious embodiment in focused, restorative, and ultimately safe ways through engage
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Theatre de L'interpretation: L'histoire Immediate en Scene. Classiques Garnier, 2021.

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Teulade, Anne. Theatre de L'interpretation: L'histoire Immediate en Scene. Classiques Garnier, 2021.

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Immersive Theatres Intimacy And Immediacy In Contemporary Performance. Palgrave Macmillan, 2013.

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Barzel, Tamar. “We Began from Silence”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190842741.003.0010.

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In the late 1970s, the Mexican ensemble Atrás del Cosmos, a pioneering free improvisation collective (1975–1983), held an eight-month residency at El Galeón, a city theater. Jazz and experimental theater were twin touchstones for the ensemble, which adapted ideas borrowed from Alejandro Jodorowsky, a Chilean expatriate known for his radical influence on the city’s 1960s theater scene, including the notion that theatrical performance should shatter social decorum and elicit liberating ways of being-in-the-world. For Atrás del Cosmos, art’s transformative potential also lay in articulating a per
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Bauman, Thomas. From Pillar to Post. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038365.003.0007.

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This chapter focuses on the decline of the Pekin Theater after Robert T. Motts's death. Motts had died intestate. Chicago's Municipal Court assigned the settling of his estate to Judge Charles S. Cutting. The case seemed simple enough at first. Only one lawyer, Edward E. Wilson, represented all those who initially presented themselves as next of kin. But almost immediately another black lawyer, J. Gray Lucas, presented a suit on behalf of further claimants to the Motts fortune. This chapter first discusses the court hearings over Motts's estate that involved delving into his family history to
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The immediate experience: Movies, comics, theatre & other aspects of popular culture. Harvard University Press, 2001.

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Warshow, Robert. The Immediate Experience: Movies, Comics, Theatre, and Other Aspects of Popular Culture. Harvard University Press, 2002.

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Book chapters on the topic "Immediate Theater"

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Pickering, Kenneth, and Jayne Thompson. "The Immediate Legacy." In Naturalism in the Theater. Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32911-0_9.

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LeVine, Mark, and Bryan Reynolds. "Theatre of Immediacy, Transversal Poetics." In Performance Studies. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-46315-9_24.

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McIvor, Charlotte, and Ian R. Walsh. "Language." In Contemporary Irish Theatre. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-55012-6_8.

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AbstractEnglish spoken in Ireland is made unique by the influence of and translation from the Irish language and in this process becomes inherently theatrical in its strangeness, intensity and immediacy. Irish playwrights have exploited this and the tradition of storytelling in Ireland with its power to create communion amongst characters and audiences. The unique phrases and rhythms of Hiberno-English have been employed to adapt works written in other languages to register the similarities and differences of other cultures. The three frameworks and accompanying case studies that model the app
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Crossley, Mark. "A Recalibration of Theatre’s Hypermediality." In Beyond Media Borders, Volume 1. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49679-1_2.

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Abstract It is often proposed that the unique capacity of theatre is that it allows all media hosted within it to manifest themselves in their own particular forms. This chapter pursues Lars Elleström’s notion that theatre is indeed highly multimodal and integrates many basic and qualified media, prompting a recalibration of current definitions of a hypermedium incorporating all arts and media. The author contends that, alongside the significance of material mobility, there are specific temporal, spatial and sensorial modes that are fundamental in defining the mechanics and the potential of th
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Cassiers, Edith. "1.4.2. Drama." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.20cas.

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Theatre is often defined by its ephemerality, its fundamental presence in the here and now. Can we circumvent performance’s immediacy and study theatre through the genetic documents of its creative process? How are drama drafts related to other literary drafts? Can we use the same methodological techniques to study drama and literary drafts? In this chapter, I will first suggest a new definition for drama drafts and discuss the theoretical domain of genetic criticism as an analytical tool. In the second part, I will explain the differences between dramatic and other literary drafts, and connec
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Cassiers, Edith. "1.4.2. Drama." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.20cas.

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Theatre is often defined by its ephemerality, its fundamental presence in the here and now. Can we circumvent performance’s immediacy and study theatre through the genetic documents of its creative process? How are drama drafts related to other literary drafts? Can we use the same methodological techniques to study drama and literary drafts? In this chapter, I will first suggest a new definition for drama drafts and discuss the theoretical domain of genetic criticism as an analytical tool. In the second part, I will explain the differences between dramatic and other literary drafts, and connec
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Parker, Fred. "3. Imperfect Witness." In Tragedy and the Witness. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0435.03.

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Tragic figures in Shakespeare, from Lavinia through Cressida to Coriolanus, find themselves threatened or betrayed by the way others see them, their anguish reduced to the terms of a knowing objectivity which disallows their specialness. Tragedy arises out of the resistance this encounters, or the pain it inflicts. This discussion of the problematics of the heroic in Shakespeare is framed by reference to Pirandello’s Six Characters, Crimp’s Attempts on Her Life, and Miller’s Death of a Salesman. The chapter then moves to a different, proactive kind of witnessing, which tells a story about the
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Farrell, Michael. "The First Federal Summer Theatre: Training Ground for “a New, Imaginative Theatre”." In Federal Theatre Project (1935-1939) : contexte & enjeux / context & issues. Sorbonne Université Presses, 2023. https://doi.org/10.70551/lcis5732.

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In the summer of 1937, the First Federal Summer Theatre was convened at Vassar College by Hallie Flanagan, Director of the Federal Theatre Project. This article, relying on well-known sources, as well as newly uncovered archival records, examines the immediate impact and long-lasting legacy of this particular moment in the history of the Federal Theatre Project. And it sheds new light on the far-reaching objectives of Director Flanagan, who hoped to use the summer retreat, attended by theater artists and practitioners from across the country, as an opportunity to raise the quality of the shows
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Barnett, David James. "Perceptual Justification and the Cartesian Theater." In Oxford Studies in Epistemology Volume 6. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198833314.003.0001.

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According to a traditional Cartesian epistemology of perception, perception does not provide one with direct knowledge of the external world. Instead, your immediate perceptual evidence is limited to facts about your own visual experience, from which conclusions about the external world must be inferred. Cartesianism faces well-known skeptical challenges. But this chapter argues that any anti-Cartesian view strong enough to avoid these challenges must license a way of updating one’s beliefs in response to anticipated experiences that seems diachronically irrational. To avoid this result, the a
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"Jo Carson." In Writing Appalachia, edited by Katherine Ledford and Theresa Lloyd. University Press of Kentucky, 2020. http://dx.doi.org/10.5810/kentucky/9780813178790.003.0069.

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Playwright, fiction writer, poet, and horsewoman Jo Carson was born in Johnson City, Tennessee, where she lived almost all her life. She became interested in theater while studying at East Tennessee State University, where she earned degrees in theater and communications. Early in her career, Carson worked for Broadside Television, a Johnson City cable series featuring locally made documentaries about the history and folklife of northeastern Tennessee, southwestern Virginia, and western North Carolina. From 1972 to 1992, she worked for the Johnson City–based Road Company, a professional tourin
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Conference papers on the topic "Immediate Theater"

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Pavel, Tal. "CYBER STUDIES IN ROMANIA." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/s02/08.

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There are many issues in cyberspace that have an impact on people and society overall in different ways, affecting all industries and nations. Part of what makes cyberspace so unique is how creatively it uses modern technologies. The research emphasises the need for a proliferation of cyber studies among academic institutions in Romania: The cyber domain is related to every area of our modern lives and affects them in an immediate and far-reaching way, being a space based on technology. Cyber programs should focus on Bachelor�s degrees to enable a broad and well-trained cyber Master students.
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Starciuc, Mariana. "Traditional theater versus documentary theater: theoretical references and conceptual boundaries." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.15.

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The purpose of the author’s approach is to identify the characteristics of the documentary theater by referring to the traditional one. Reflecting on the concepts of theater theorists, we conclude that traditional theater is illusory, the receiver-spectator believes the fictional world produced by the theatrical performance as reality. Dramatic subjects have an integral and logical structure, with „beginning, middle and end”, the stage action succeeds in a canonical order. Unlike traditional theatre, documentary theater is anti-illusory, anti-fiction and stands out for its faithful, exact repr
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Rosa, Andressa Vieira da, Natanielle Silva Dutra, Keila Cristiane Deon, and Andrea Pires Souto Damin. "Effects of taping application on the post-operative period following reconstructive breast surgery: a case series from the Breastaping I study." In XXVI Brazilian Mastology Congress. Mastology, 2024. https://doi.org/10.29289/259453942024v34s2005.

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Introduction: Surgical treatment is the cornerstone for most cases of breast cancer. Working alongside the multidisciplinary team, the role of the physiotherapist has been increasing in early intervention for oncological, aesthetic, and reconstructive breast surgeries. Currently, it is possible to initiate therapies even in the surgical theater to prevent complications and minimize adverse events resulting from the acute inflammatory reactions of the body in response to surgical trauma. In this context, the use of taping—a sticky elastic tape—stands out, as it can act on the skin's mechanorece
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Broomfield, Rebecca, Hannah Murch, and Huw Williams. "P35 Using simulation teaching to increase confidence in paediatric emergencies, within the emergency, pre-hospital and immediate care (EPIC) intercalated BSc." In Abstracts of the Association for Simulated Practice in Healthcare 9th Annual Conference, 13th to 15th November 2018, Southport Theatre and Convention Centre, UK. The Association for Simulated Practice in Healthcare, 2018. http://dx.doi.org/10.1136/bmjstel-2018-aspihconf.127.

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Mohamed, Mohamed Mokhtar. "My Personal HSE Commitment Program – A Valuable Web Portal to Improve the HSE Leadership at a Workplace." In Abu Dhabi International Petroleum Exhibition & Conference. SPE, 2021. http://dx.doi.org/10.2118/208013-ms.

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Abstract Safety at work is not just a priority, but a fundamental value, shared by employees, contractors and local stakeholders. People are both as the starting point and the final goal of all its actions. This is why we work hard to ensure the safety of each of us and those around us, in order to eliminate all accidents. we are all committed to spreading and strengthening a culture of safety among all our people, employees or contractors, as an essential part of our work. Companies develop campaigns and projects to promote a safe and healthy behavior in any workplace and, more in general, in
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Reports on the topic "Immediate Theater"

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Secules, Stephen, Darryl Dickerson, Maimuna Begum Kali, Nivedita Kumar, and Bailey Bond. Advisor Intervention Training: Diversity and Culture of Inclusion. Florida International University, 2024. http://dx.doi.org/10.25148/succeed.2024.4.

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This document contains the PowerPoint presentation, the handout, and the script for an interactive theater-based training we created for inclusive graduate advising. The scripts and scenarios were drawn from a graduate student inclusion education research study conducted by FIU student researchers. We created scenarios of inequity on their basis and helped scaffold participants to be able to respond to the inequities. The Bystander Intervention process (adapted from the FIU ADVANCE team) was: Notice, Interpret, Take responsibility, Think strategically, and Act. The decision for how to act in r
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