Relevant bibliographies by topics / Improvisation (Acting) Method acting

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Improvisation (Acting) Method acting'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Improvisation (Acting) Method acting"

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Kozodaev, Pavel I., and Ekaterina K. Titova. "Pedagogical factors of formation of improvisational acting skills in amateur theatre." Psychological-Pedagogical Journal GAUDEAMUS, no. 47 (2021): 21–30. http://dx.doi.org/10.20310/1810-231x-2021-20-1(47)-21-30.

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We consider some issues of modern society related to the growing trend of social and emotional isolation of the individual, changes in their worldview, leading to the degradation of thinking and intellectual abilities. There is need to search for psychological and pedagogical ways, means and methods to activate the intellectual, emotional and creative development of the individual. A possible way to solve the identified social issues is the possibility of forming a person's skills for improvisation. We consider the implementation of this process in educational and creative activities of an ama
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Barnych, Mykhailo, and Nataliіa Horbachuk. "Acting: From Imagination to Transformation." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 18–27. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235062.

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The purpose of the research is to analyze the actor’s work on himself before going on stage or set and reveal the main ways to prepare the actor for a stage role or movie role in the imagination. Working on a role in the imagination is one of the most important points in preparing for playing on stage or the set. The research methodology is based on the theoretical and analytical method of defining the main creative methods of preparing an actor for the playing and their application while playing to get used to the role. The scientific novelty consists in a holistic study of the work of a thea
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박서연 and Nakwon Song. "A study of improvisational acting theory and method." journal of the moving image technology associon of korea 1, no. 23 (2015): 99–117. http://dx.doi.org/10.34269/mitak.2015.1.23.006.

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Budanov, Vladimir Grigoryevich, and Tamara Andreevna Sinitcyna. "Quantum-synergetic ontology of generalized corporeality (Part III): psychosemantic language of theater, anthropological jazz." Культура и искусство, no. 12 (December 2020): 138–59. http://dx.doi.org/10.7256/2454-0625.2020.12.34793.

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This article is a continuation of the topic on methodology of generalized corporeality, which stems from the concept of quantum-synergetic anthropology, developed in the previous parts of the triptych. Ontologies of the states (functional bodies and subbodies of generalized corporeality), as well as temporal ontologies are viewed on the example of theatrical acting. The author structures an isomorphism of the well-known musical notation, and representation of the changing anthropological profile in form of a chord of the simultaneously activated “resonating” states of the a
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Keogh, Kathleen, and Liz Sonenberg. "Designing Multi-Agent System Organisations for Flexible Runtime Behaviour." Applied Sciences 10, no. 15 (2020): 5335. http://dx.doi.org/10.3390/app10155335.

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We address the challenge of multi-agent system (MAS) design for organisations of agents acting in dynamic and uncertain environments where runtime flexibility is required to enable improvisation through sharing knowledge and adapting behaviour. We identify behavioural features that correspond to runtime improvisation by agents in a MAS organisation and from this analysis describe the OJAzzIC meta-model and an associated design method. We present results from simulation scenarios, varying both problem complexity and the level of organisational support provided in the design, to show that increa
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Yevsyukov, Yu S. "Characteristic features of the upbringing of modern actor." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 51, no. 51 (2018): 209–22. http://dx.doi.org/10.34064/khnum1-51.12.

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In the time of changing global norms and rapidly developing technologies, modern theatre constantly evolves, adopting new theatrical forms; many of these emerged at the turn of the twentieth and twenty first centuries. In this regard, it is appropriate to talk about the formation of the new creative individual, the modern actor in contemporary theatre. Higher educational institutions, for both theatrical and cinematic professionals, should be aimed to develop not only highly qualified and competitive experts, but also creative individuals. As society is constantly evolving both culturally and
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Merlin, Bella. "Albert Filozov and the Method of Physical Actions." New Theatre Quarterly 15, no. 3 (1999): 228–35. http://dx.doi.org/10.1017/s0266464x00013026.

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As a complementary piece to her preceding article on the formative significance of The Seagull to Stanislavsky's early thinking, Bella Merlin here looks at the play in the context of Stanislavsky's later work, when he was developing the Method of Physical Actions – an approach to a text which placed improvisation and the physical exploration of a scene at the centre of the actor's rehearsal process. This was in some ways a contravention of what was becoming codified in the West (through limited material being available in translation) as the psychological basis of the system. In 1995, Bella Me
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Hattori, Kenji. "Utilizing Applied Drama in Clinical Ethics Education." Studia Universitatis Babeş-Bolyai Bioethica 66, Special Issue (2021): 88. http://dx.doi.org/10.24193/subbbioethica.2021.spiss.53.

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"We examine the significance and necessity of introducing applied drama into clinical ethics education to build ethics competency. Case-based clinical ethics, distant from abstract theory-based discursive ethics, pays close attention to emotions of persons involved in a given case, and of participants in deliberation. Some authors have sensibly emphasized this point. For example, CURA, a reflective method puts forward the crucial step to become aware of own emotions and physical reactions to each difficult situation. These suggest that we should not stay just in rational reasoning to resolve m
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Friedberg, Robert D., and Gina M. Brelsford. "Training Methods in Cognitive Behavioral Therapy: Tradition and Invention." Journal of Cognitive Psychotherapy 27, no. 1 (2013): 19–29. http://dx.doi.org/10.1891/0889-8391.27.1.19.

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Cognitive behavioral supervisors influence new generations of clients and clinicians. Accordingly, the task is meaningful, rewarding, challenging, and critically important. This article describes traditional and unconventional approaches to supervising clinicians in cognitive behavioral therapy (CBT). Traditional methods such as the use of the Cognitive Therapy Rating Scale, videotape/audiotape review, live supervision, and cotherapy are reviewed. Further, inventive procedures for teaching supervisees cognitive flexibility, empathy, tolerance for ambiguity, and remaining steadfast when faced w
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Kovalenko, Yu B. "Composition and improvisation in the aspect of the music infl uence on the expressive structure of the fi lm." Aspects of Historical Musicology 15, no. 15 (2019): 60–79. http://dx.doi.org/10.34064/khnum2-15.03.

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Background. In recent years, there has been an increasing interest in interdisciplinary research of arts due to the fact that human consciousness has a unity of principles and approaches in the perception of the surrounding world. In this regard, synthetic arts are of particular interest because they form their creative potential by the expressive means of their art forms. And cinema is one of those open to interaction with the audiovisual means of its other components. There are a lot of studies on fi lm music that contain the analysis of functional and structural features, as well as a point
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Dissertations / Theses on the topic "Improvisation (Acting) Method acting"

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Kintigh, Monica R. "Peer Education: Building Community Through Playback Theatre Action Methods." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2230/.

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The primary purpose of this study was to use some of the action methods of playback theatre to facilitate the acquisition of knowledge through the experience of building community. The impact of action methods on group dynamics and the relationship among methods, individual perceptions, and the acquisition of knowledge were analyzed. The researcher suggested that playback theatre action methods provided a climate in which groups can improve the quality of their interactions. The Hill Interaction Matrix (HIM) formed the basis for the study's analysis of interactions. Since the researcher conclu
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McLaughlin, James Anthony. "Meisner across paradigms : the phenomenal dynamic of Sanford Meisner's technique of acting and its resonances with postmodern performance." Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8066.

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The Meisner Technique emerged as a part of the realist, modern theatre of the early-Twentieth Century and extended its influence through the rest of that century, including the 1960s and 1970s when there was an explosion of various forms of postmodern performance. This work will demonstrate that while Meisner’s Technique is a part of the paradigm of modern, realist theatre, it simultaneously challenges this ideology with disruptive processes of the sort that postmodern performance instigates. It is the thesis of this work that the Meisner Technique operates according to a set of phenomenologic
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Calburn, Caroline. "A critical documentation of Mavis Taylor's teaching of improvisation." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/13849.

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Bibliography: leaves 186-191.<br>This study documents Mavis Taylor's teaching of Improvisation at the University of Cape Town and provides a critical analysis of the improvisational methods she uses in the training of actors. It places her teaching within the wider field of improvisation understanding the importance of knowledge of 'self for the craft of acting. There is discussion around the role of the imagination and spontaneity in actor-training, and debate is raised regarding the concepts and practice of sensory and emotional memory training. The significance of teaching structure and for
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Frey, Connie Jean. "Improvisation, ? motions for living texts." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ32709.pdf.

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Fortier, Brad. "Long Form Improvisation - Creating Spontaneous Communities Through Collaborative Comedic Performance." PDXScholar, 2008. https://pdxscholar.library.pdx.edu/open_access_etds/32.

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Improvisational theater can tell us much about the driving social and cultural forces behind collaboration and collective constructions of reality, as well as the sorts of behaviors and practices that bolster their efficacy. The collaboration of the performers on generating a comedic piece of theater spontaneously from audience suggestions in a long improvisation creates a sense of what Victor Turner called communitas for the performers. That phenomenon can create a larger sense of socio-emotional unity between the audience and performers. Turning an anthropological lens on comedy theater, thi
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Garrett, Yanis. "Offer, Accept, Block, Yield: the poetics of open scene additive improvisation." Faculty of Education and Social Work, 2006. http://hdl.handle.net/2123/1901.

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Master of Philosophy<br>This single case study examines the way that Johnstone’s (1981) Impro ‘Poetics’ are being used in the contemporary practice of Open Scene Additive Improvisation (OSAI). Johnstone’s Poetics have become a ubiquitous part of contemporary drama improvisation parlance, yet they have never themselves been the subject of any academic examination. This study attempts to fill that void by looking at their use in Open Scene Impro, the purest form of theatre improvisation (since OSAI relies on no structures other than the audience suggestion around which to improvise a ‘Scene’.)
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Minut, Bogdan A. "Applying Constantin Stanislavski's acting system to choral rehearsals." CardinalScholar 1.0, 2009. http://liblink.bsu.edu/uhtbin/catkey/1536752.

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This research explores possible applications in choral rehearsals of techniques, methods, and theories of acting that were established by Russian actor, director, theoretician, and pedagogue Constantin Stanislavski (1863-1938). The parallel between the dramatic art and the art of choral music focuses on the discussion of the Stanislavski ‘system’ as described in detail in his ‘Acting Trilogy’ and other critical literature as well as on the use of psycho-technique by Romanian conductor Marin Constantin (b. 1925) and his Madrigal Choir of Bucharest. The introductory chapter presents the premises
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Henry, Meghann Elise. "Devising dramaturgy an investigation into the art of dramatic composition when devising theatre for young audiences /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002157.

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Skordis, Ranza (Ranza Nora-J). "Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53461.

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Thesis (MDram)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: In this thesis the author investigates aspects of the use of improvisation and improvisational methods, techniques and exercises by modem practitioners. The study commences with a look at the beginnings of modem improvisation in the nineteenth century, when improvisation was used only tentatively by performers as a preproduction aid to the exploration of character and personal response. In more recent times the process has become one of collaboration and research; as a means of selfdiscovery, as a means of text creation
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Rupsch, Stephen Joseph. "Sublime union : the pedagogy of ecstasy, an examination of the superconscious state in acting training /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190504.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 198-203). Also available for download via the World Wide Web; free to University of Oregon users.
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Books on the topic "Improvisation (Acting) Method acting"

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Podervi͡anskiĭ, P. Dramaticheskie igry: Opyt i otkrytii͡a Teatra dramaticheskikh improvizat͡siĭ. [Teatr dramaticheskikh improvizat͡siĭ], 1996.

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Dee, Merrion Margaret, ed. Creative drama and music methods: Activities for the classroom. 3rd ed. Rowman & Littlefield Publishers, Inc., 2011.

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Bradshaw, Kevin. The curriculum, training methods and history of a comptetitive improvisational comedy company. E. Mellen, 2004.

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Rubin, Janet. Creative drama and music methods: Introductory activities for children. Linnet Professional Publications, 1996.

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L' analyse-action. Actes sud, 2006.

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Matthew, Lundquist, ed. Unscripted learning: Using improv activities across the K-8 curriculum. Teachers College, Columbia University, 2007.

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McKnight, Katherine S. The Second City guide to improv in the classroom: Using improvisation to teach skills and boost learning in the content areas, grades K-12. Jossey-Bass, 2008.

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McKnight, Katherine S. The Second City guide to improv in the classroom: Using improvisation to teach skills and boost learning in the content areas, grades K-12. Jossey-Bass, 2008.

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Improv for actors. Allworth Press, 2004.

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The improvisation game: Discovering the secrets of spontaneous performance. Nick Hern Books, 2006.

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Book chapters on the topic "Improvisation (Acting) Method acting"

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Krasner, David. "Improvisation and Jazz Acting." In An Actor’s Craft. Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-35772-3_8.

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Lutterbie, John. "Improvisation." In Toward a General Theory of Acting. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119468_6.

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Pope, Brant L. "Redefining Acting." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_9.

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Carlson, Marla. "Acting and Answerability." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_4.

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Smith, Terry Donovan. "Method(ical) Hybridity." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_17.

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Krasner, David. "I Hate Strasberg." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_1.

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Giebel, Jean Dobie. "Significant Action." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_10.

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Wiles, David. "Burdens of Representation." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_11.

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Lobdell, Peter. "Practicing the Paradox." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_12.

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Luse, James. "The Heart as Center." In Method Acting Reconsidered. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62271-9_13.

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Conference papers on the topic "Improvisation (Acting) Method acting"

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Sun, Jin-feng, Xiao-xian Yao, and Ling-cong Nie. "Double-Acting Cylinder PWM Pneumatic Servo System's Analysis Method." In 2010 International Conference on Intelligent Computation Technology and Automation (ICICTA). IEEE, 2010. http://dx.doi.org/10.1109/icicta.2010.259.

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Eugen, Avrigean. "Method of Analyzing the Forces Acting upon Butt Welded Polyethylene Pipes." In The 3rd Virtual Multidisciplinary Conference. Publishing Society, 2015. http://dx.doi.org/10.18638/quaesti.2015.3.1.199.

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Ono, Takashi. "A Method for Estimating Frost Heave Forces Acting on Ground Anchors." In 16th International Conference on Cold Regions Engineering. American Society of Civil Engineers, 2015. http://dx.doi.org/10.1061/9780784479315.035.

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Fujioka, Katsunari, Yasunori Nihei, and Kazuhiro Iijima. "Seaquake Loads Acting on Offshore Wind Turbine." In ASME 2016 35th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/omae2016-54492.

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In this paper, we will discuss the effects of seaquake loads acting on offshore wind turbine in case of earthquake. It may be assumed that offshore structures are generally free from the effects of earthquakes. However, even floating structures can be subjected to serious shock by earthquake induced waves which propagate through sea water. This phenomenon is called seaquake, and caused by compressibility of the sea water. The effects of seaquakes acting on the float of offshore wind turbine have to be considered to ensure the safety in earthquakes which occur at the bottom of the sea. In this
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Chen, Feiyan, Guoqing Hu, and Baihai Wu. "An Effective Method for Improving the Lifetime of Double Acting Vane Pump." In 2011 International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2011. http://dx.doi.org/10.1109/icmtma.2011.99.

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Eremenko, Y. I., A. I. Glushchenko, and A. V. Fomin. "PI-controller parameters tuning method to reject disturbances acting on heating furnaces." In 2016 2nd International Conference on Industrial Engineering, Applications and Manufacturing (ICIEAM). IEEE, 2016. http://dx.doi.org/10.1109/icieam.2016.7910910.

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Korous, L., I. Doleel, P. Karban, and F. Mach. "Higher-Order Eggshell Method for Computation of Forces Acting on Ferromagnetic Bodies." In 9th IET International Conference on Computation in Electromagnetics (CEM 2014). Institution of Engineering and Technology, 2014. http://dx.doi.org/10.1049/cp.2014.0188.

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Chen, Zhibin, Yan Liang, ShuLi Long, and Yong Zhang. "Research on Appreciation Method for the Maximum Acting Distance of Infrared TV Goniometer." In Photonics Asia 2002, edited by Zhicheng Weng, Jose M. Sasian, and Yongtian Wang. SPIE, 2002. http://dx.doi.org/10.1117/12.471444.

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Ohyama, Takumi. "A Numerical Method of Solitary Wave Forces Acting on a Large Vertical Cylinder." In 22nd International Conference on Coastal Engineering. American Society of Civil Engineers, 1991. http://dx.doi.org/10.1061/9780872627765.066.

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Egorov, Gennadiy V., Yuriy L. Vorobyov, and Katrin Y. Foedorova. "The Wave Loads Acting on the Underwater Pipeline." In ASME 2008 27th International Conference on Offshore Mechanics and Arctic Engineering. ASMEDC, 2008. http://dx.doi.org/10.1115/omae2008-57585.

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The nonlinear boundary value problem is studied for potential function of progressive surface waves with finite amplitude in shallow water. For the first time the method of space deformation is used to get an approximate solution for evaluation of wave load on a horizontal pipe lying at the bottom. The theoretical results are compared with experimental data and showed practically good conformity.
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