Relevant bibliographies by topics / Interpretation of a musical composition

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Interpretation of a musical composition'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Interpretation of a musical composition.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Interpretation of a musical composition"

1

SAMOILENKO, OLEXANDRA, SVITLANA OSADCHA, ALLA CHERNOIVANENKO, JULIA GRYBYNENKO, and OLEXANDRA OVSYANNIKOVA-TREL. "MUSICAL COMPOSITION AS METONYMY OF CULTURE AND THE SUBJECT OF MUSICOLOGICAL STUDIES." AD ALTA: Journal of Interdisciplinary Research 12, no. 1 (2022): 190–92. http://dx.doi.org/10.33543/120125190192.

Full text
Abstract:
The study of musical composition as a unique artistic phenomenon remains an urgent task of modern musicology. Despite the constant use of this concept, it did not acquire a sufficiently stable categorical status. Some ambiguities in the theoretical interpretation of the concept of musical composition are due to the complex nature of this phenomenon, in which the main principles of musical form and meaning formation are focused. It is found that, on the one hand, the temporal nature of music and its impact allows us to consider musical compositions as conditional chronotopic indicators of the h
APA, Harvard, Vancouver, ISO, and other styles
2

Shcholokova, Olha, Natalia Mozgalova, and Iryna Baranovska. "Interpretation of musical composition: a methodical aspect." Scientific bulletin of South Ukrainian National Pedagogical University named after K. D. Ushynsky, no. 3 (128) (October 31, 2019): 151–58. http://dx.doi.org/10.24195/2617-6688-2019-3-21.

Full text
Abstract:
The article presents the issue regarding activation of artistic and interpretative activities of the students majoring in musical specialties at higher pedagogical educational institutions. The artistic-interpretative activity is considered as a factor of students’ creative development, growth and self-realization. The method of categorical analysis of the issue “interpretation” facilitated the establishment of a number of its values which were considered and implemented in the step-by-step experimental methods of training future music teachers in interpreting musical works. The course and res
APA, Harvard, Vancouver, ISO, and other styles
3

Okhotnikov, Vladimir E. "The Semantic Explicitization of the Musical Text in Work with Beginner Guitarists." ICONI, no. 3 (2020): 107–20. http://dx.doi.org/10.33779/2658-4824.2020.3.107-120.

Full text
Abstract:
The procedure of interpreting the content of the musical composition studied in a performance class is often reduced to reconstituting the version created by the instructor. The foundation of the joint interpretation with the pupil of the compositions may be served by the process of functioning of semantic fi gures in the context of the musical theme. Its semantic organization is impossible without turning to the foundational concept of semantic analysis — the intonational lexis, which summate the perceptions of the intonational vocabulary of the composer and the musical work he created. There
APA, Harvard, Vancouver, ISO, and other styles
4

Parson, Dale. "Quantum Composition and Improvisation." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 8, no. 4 (2021): 21–25. http://dx.doi.org/10.1609/aiide.v8i4.12552.

Full text
Abstract:
Quantum mechanical systems exist as superpositions of complementary states that collapse to classical, concrete states upon becoming entangled with the measurement apparatus of observer-participants. A musical composition and its performance constitute a quantum system. Historically, conventional musical notation has presented the appearance of a composition as a deterministic, concrete entity, with interpretation approached as an extrinsic act. This historical perspective inhabits a subspace of the available quantum space. A quantum musical system unifies the composition, instruments, situate
APA, Harvard, Vancouver, ISO, and other styles
5

Beličová, Renáta. "Musical Idioms as Meaningful and Expressive Constants. Marek Piaček: Apolloopera - A Melodrama about Bombing for the Choir, Actor and Trombone." ESPES. The Slovak Journal of Aesthetics 7, no. 2 (2018): 4–13. https://doi.org/10.5281/zenodo.6377497.

Full text
Abstract:
Musical idioms may appear side by side in a wide variety of historical, group-based or individual compositional styles used in the postmodern compositions. The reception interpretation of musical works is based on the idioms of musical speech as meaningful and expressive constants. Not only do the reveal the positive or negative ties of current musical language to the musical poetics from previous periods, they also update their meanings. The idiomatic musical structures naturally grow into the social system of music and thus become part of the deeper levels of European compositional tradition
APA, Harvard, Vancouver, ISO, and other styles
6

Herliana, Emmelia Tricia. "ANALOGI MUSIK-ARSITEKTUR MELALUI PROSES TRANSFORMASI PADA SIMULASI PERLUASAN GEREJA KATEDRAL BOGOR." Jurnal Arsitektur KOMPOSISI 10, no. 1 (2017): 57. http://dx.doi.org/10.24002/jars.v10i1.1054.

Full text
Abstract:
The selection of appropriate approaches for specific design project is the most creative step in a design process. In the recent research report (Herliana 2010), the approach which is derived from auditorial sensation through a conceptual interpretation of the characteristics of liturgical music in the Catholic Church explores the analogy of the musical composition elements and the architectural elements of design. The aim of this study is to implement the interpretation of the analogous of musical composition elements to the simulation in designing the extension of Cathedral Church in Bogor.
APA, Harvard, Vancouver, ISO, and other styles
7

Варганич, Г. О. "ОСОБЛИВОСТІ ВИКОНАВСЬКОЇ ІНТЕРПРЕТАЦІЇ ХОРОВОГО ТВОРУ". Spiritual-intellectual upbringing and teaching of youth in the 21st century, № 4 (2022): 251–55. http://dx.doi.org/10.34142//2708-4809.siuty.2022.59.

Full text
Abstract:
Article considers the concept of interpretation in music, analyses modern scientific views on the problem of musical composition interpretation, reveals the essence of performance interpretation of choral composition and the specifics of the embodiment of interpretation in the choir
APA, Harvard, Vancouver, ISO, and other styles
8

Górny, Tomasz. "Związki retoryki i muzyki – kantata Christ lag in Todesbanden Jana Sebastiana Bacha / Rhetoric And Music: Johann Sebastian Bach’s Cantata Christ Lag in Todesbanden." Ruch Literacki 53, no. 6 (2012): 731–43. http://dx.doi.org/10.2478/v10273-012-0045-8.

Full text
Abstract:
Summary The first part of the article outlines the tradition which gave shape to the Baroque musical rhetoric. Among its constitutive elements were the style of the Florentine Camerata with its insistence on the role of speech in musical composition; Athanasius Kircher’s doctrine of the affects (Affektenlehre); Johann Mattheson’s model of the aria and Joachim Burmeister’s idea of musical figures. The second part of the article contains a rhetorical interpretation of Johann Sebastian Bach’s Cantata No.4 BW V Christ lag in Todesbanden”. The interrelationship between the words and the musical str
APA, Harvard, Vancouver, ISO, and other styles
9

Song, Jinzhu. "Musical Characteristics and Playing Technique of Liszt’s Second Narrative." Journal of Social Science and Humanities 7, no. 2 (2025): 24–29. https://doi.org/10.53469/jssh.2025.7(02).04.

Full text
Abstract:
Liszt was born in Hungary and is a representative composer of the age of romanticism. His creative style is innovative and personalized, and his outstanding compositions throughout his life are countless. The value of “Ballade No.2 in B minor” is one of Liszt’s relatively underestimated compositions. Firstly, this article analyzes the musical structure of the composition. Secondly, an analysis is conducted on the themes that occupy a significant amount of space, as well as the thematic transformation of each theme, in terms of musical image and. Finally, a more detailed explanation of the five
APA, Harvard, Vancouver, ISO, and other styles
10

Domokos, Zsuzsanna. "Gretchen’s figure in Liszt’s musical interpretation." Studia Musicologica 54, no. 4 (2013): 389–96. http://dx.doi.org/10.1556/smus.54.2013.4.5.

Full text
Abstract:
The salvation role of Gretchen, embodying the “Ewig-Weibliche,” has already been mentioned by several scholars analyzing Liszt’s “Faust” Symphony. According to them, Liszt found the most direct models to the characterization of the female protagonist of his work in Wagner’s operas. This interpretation can be made more differentiated in the view of another musical quotation of the “Gretchen” movement of the Symphony. I would like to go further on the basis of some concrete musical analogies, following the genesis of the composition and Liszt’s writings. I seek to answer the following questions:
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Interpretation of a musical composition"

1

Oliver, Benjamin. "Portfolio of musical composition : integration in music : controlling diverse methods of expression within the context of the globalisation of musical culture." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/6260/.

Full text
Abstract:
Musical culture is increasingly globalised and technology allows us to engage with an evermore diversified range of musical approaches, traditions and sound-worlds. How composers react to this diversity of musical approaches is an important theme in contemporary composition. My approach to composition within this globalised situation has been to focus on the notion of ‘integration' and creating structurally consistent score-based frameworks. I have composed a portfolio of work that reflects the central focus of ‘integration', concentrating on three inter-related research areas: 1. Exploring ho
APA, Harvard, Vancouver, ISO, and other styles
2

Silva, Eliana Maria de Almeida Monteiro da. "Clara Schumann: compositora x mulher de compositor." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-05072009-234006/.

Full text
Abstract:
Clara Josephine Wieck, Clara Schumann após o casamento com o compositor Robert Schumann, foi das poucas crianças-prodígio que asseguraram sua fama e reconhecimento como virtuosas do piano por toda a vida. A história de sua longa carreira como concertista (63 anos), reflete a história da vida musical do século XIX. E seu nome aparece como grande influência na mudança de hábitos que se deu entre seu primeiro recital público, em 1828, e o último, em 1891; em termos de escolha de repertório, programação de turnês, os papéis desempenhados pela criança-prodígio e pela mulher profissional, além da at
APA, Harvard, Vancouver, ISO, and other styles
3

Fonseca, Angelo Rafael Palma da. "Uma concepção musical para as “Impressões Sinfônicas” Festas das Igrejas, do compositor Francisco Mignone. O uso da Hermenêutica do ponto de vista da Regência." reponame:Repositório Institucional da UFBA, 2008. http://www.repositorio.ufba.br/ri/handle/ri/9081.

Full text
Abstract:
143 f.<br>Submitted by JURANDI DE SOUZA SILVA (jssufba@hotmail.com) on 2013-03-08T15:01:19Z No. of bitstreams: 1 Tese Angelo Rafael Palma da Fonseca.pdf: 2475279 bytes, checksum: d3c3de5a34a5b87d44e2afce487825ab (MD5)<br>Approved for entry into archive by Rodrigo Meirelles(rodrigomei@ufba.br) on 2013-03-22T14:01:28Z (GMT) No. of bitstreams: 1 Tese Angelo Rafael Palma da Fonseca.pdf: 2475279 bytes, checksum: d3c3de5a34a5b87d44e2afce487825ab (MD5)<br>Made available in DSpace on 2013-03-22T14:01:29Z (GMT). No. of bitstreams: 1 Tese Angelo Rafael Palma da Fonseca.pdf: 2475279 bytes, checksum:
APA, Harvard, Vancouver, ISO, and other styles
4

Keventsidou, Eleni. "Max Reger's variations and fugue on an original theme Op.73 : issues of musical structure, performance practice and interpretation." Thesis, Canterbury Christ Church University, 2016. http://create.canterbury.ac.uk/16226/.

Full text
Abstract:
The thesis investigates Max Reger's Variations and Fugue on an Original Theme Op. 73, demonstrates the refinement of Reger's composition, and underlines his connection to the great performer Karl Straube. His musical language, dynamic markings and technical problems regarding the tempo, registration and acoustics will be examined by an actual performance in Canterbury Cathedral. Several issues such as cathedral acoustics, mechanical or pneumatic actions and choice of tempi have underpinned this study. Within each variation, the characteristics and techniques of Reger's compositions express his
APA, Harvard, Vancouver, ISO, and other styles
5

Silva, Anderson Afonso. "Música para trompa e sixxen, de Estércio Marquez Cunha: resultados sonoros na colaboração entre compositor e intérprete." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7291.

Full text
Abstract:
Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-10T11:43:45Z No. of bitstreams: 2 Dissertação - Anderson Afonso Silva - 2017.pdf: 7480769 bytes, checksum: c5fae92480b7a51c53b754f1e5b4aac3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-05-10T11:44:55Z (GMT) No. of bitstreams: 2 Dissertação - Anderson Afonso Silva - 2017.pdf: 7480769 bytes, checksum: c5fae92480b7a51c53b754f1e5b4aac3 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made ava
APA, Harvard, Vancouver, ISO, and other styles
6

Laycock, Kevin. "The translation and interpretation of the structural elements of musical compositions through painting and digital media." Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589023.

Full text
Abstract:
Historically much of the activity in the area of visual music has been focused on the creation of visual compositions stimulated by musical performance. For the purpose of this investigation the studio practice will concentrate on the shared systems and language of composition, what Zilcer identifies as the 'application of formal compositional elements of music to painting'. 1 In part, the project will draw on the expertise of British composer Michael Berkeley and conductor Peter Manning.' The premise for the research is to identify the presence of process and system in each of the practitione
APA, Harvard, Vancouver, ISO, and other styles
7

Sousa, Bittencourt Pedro. "Interprétation musicale participative : la médiation d'un saxophoniste dans l'articulation des compositions mixtes contemporaines." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080075/document.

Full text
Abstract:
Étude sur la collaboration et la participation active d’un saxophoniste-chercheur avec plusieurs compositeurs dans la création musicale mixte. Les musiques mixtes combinent un performeur jouant d’un instrument acoustique qui interagit avec des outils électroniques et informatiques, se faisant entendre par des hauts-parleurs. Nous comprenons la participation comme des multiples échanges humains intégrant l’écoute, l’instrument acoustique, l’électronique et les dernières technologies numériques dans la musique. Notre méthodologie s’est nourrie des sciences cognitives, de la systémique, de la rec
APA, Harvard, Vancouver, ISO, and other styles
8

Gomes, Vinicius Bastos 1990. "Alma : o estilo pianístico de Egberto Gismonti." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285172.

Full text
Abstract:
Orientadores: Paulo José de Siqueira Tiné, Maria José Carrasqueira Dias de Moraes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-28T08:39:12Z (GMT). No. of bitstreams: 1 Gomes_ViniciusBastos_M.pdf: 4078852 bytes, checksum: 8d976dfab947524a738a217c3bd1ed44 (MD5) Previous issue date: 2015<br>Resumo: Dividido em três capítulos, este trabalho constitui-se de uma investigação de aspectos do estilo pianístico e composicional do multi-instrumentista Egberto Gismonti tendo como material de estudo o álbum "Alma" (EMI-Odeon, 198
APA, Harvard, Vancouver, ISO, and other styles
9

Thom, Wium Magtild Johanna. "Contextual readings of analysis and compositional process in selected works by Arnold van Wyk (1916-1983)." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80050.

Full text
Abstract:
Thesis (PhD)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: In this project, contextual readings of four works by Arnold van Wyk are developed. They are the Symphony No. 1 in A Minor, the First String Quartet, the Duo Concertante and the Missa in illo tempore. These readings are grounded in richly detailed descriptions of the compositional processes, drawing on material such as sketches, autographs, diaries, correspondence and reception documents, as well as in structural analyses of Van Wyk’s music and of certain peer compositions. Each reading is set in a separate theoretical frame, re
APA, Harvard, Vancouver, ISO, and other styles
10

Nascimento, Fabio Serra. "Mentiras sinceras: um estudo sobre as letras de Cazuza." Programa de Pós-Graduação em Letras e Lingüística da UFBA, 2005. http://www.repositorio.ufba.br/ri/handle/ri/10972.

Full text
Abstract:
110f.<br>Submitted by Suelen Reis (suziy.ellen@gmail.com) on 2013-05-13T19:43:27Z No. of bitstreams: 1 dissertacao Fabio Nascimento.pdf: 446714 bytes, checksum: 343e143ab0150d6737cebe047ddff1b0 (MD5)<br>Approved for entry into archive by Rodrigo Meirelles(rodrigomei@ufba.br) on 2013-05-16T17:16:21Z (GMT) No. of bitstreams: 1 dissertacao Fabio Nascimento.pdf: 446714 bytes, checksum: 343e143ab0150d6737cebe047ddff1b0 (MD5)<br>Made available in DSpace on 2013-05-16T17:16:21Z (GMT). No. of bitstreams: 1 dissertacao Fabio Nascimento.pdf: 446714 bytes, checksum: 343e143ab0150d6737cebe047ddff1b0 (MD5)
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Interpretation of a musical composition"

1

Miereanu, Costin. Fuite et conquête du champ musical. Méridiens Klincksieck, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Lima, Paulo Costa. Ernst Widmer e o ensino de composição musical na Bahia. COPENE Cultura e Arte Especial, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Schwob, Rainer J. Klavierauszug und Klavierskizze bei Alban Berg: Untersuchungen zur Rolle des Klaviers als 'Hilfsmittel'. Mueller-Speiser, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Paz, Ermelinda Azevedo. Edino Krieger: Crítico, produtor musical, compositor. SESC, Departamento Nacional, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gohon, Kévin. Penser le discours musical électroacoustique: Trajectoire Boulez-Nono. Presses universitaires de Rennes, 2022.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Malcolm, Floyd, ed. Composing the music of Africa: Composition, interpretation, and realisation. Ashgate, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Jan, Steven B. Aspects of Mozart's music in G minor: Toward the identification of common structural and compositional characteristics. Garland, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Goldman, Jonathan. The musical language of Pierre Boulez: Writings and compositions. Cambridge University Press, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

1935-, Charles Daniel, and Cauquelin Anne, eds. De la composition: L'après Cage. Jean-Michel Place, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

1903-1969, Adorno Theodor W., ed. Composing for the films. Athlone Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Interpretation of a musical composition"

1

Squibbs, Ronald. "6. Iannis Xenakis’s Free Stochastic Music Program as an Aid to Analysis." In Meta-Xenakis. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0390.08.

Full text
Abstract:
In 1962, Xenakis composed five works with the assistance of a computer program that he titled Free Stochastic Music. Xenakis provided the code for the program, as well as other documentation required to produce output, in Formalized Music and elsewhere. As with any computer program, the best way to understand its operation is to run it and to test its output against one’s expectations. Despite the documentation that Xenakis provided, it is not possible to run Free Stochastic Music on modern compilers without editing its code for compatibility. Even after this obstacle has been overcome, interp
APA, Harvard, Vancouver, ISO, and other styles
2

Rimas, Juozas, and Juozas Rimas Jr. "In Lieu of Conclusions." In Etudes on the Philosophy of Music. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-63965-4_28.

Full text
Abstract:
AbstractMeaningful expression emerges only when there is an intention—the focusing of the consciousness on the object of interpretation (the work). A work exists insofar as it exists in relation to the person who interprets it (A. Maceina). Music is an art deserving of pity: verses, if they are printed, already live; but a printed composition is still not music: it is necessary to reproduce it, to intone it (B. Asaf’ev). The book highlights the qualities required for the act of interpretation, which is the only path to meaningful expression. Intertextuality: the world is a text and everything
APA, Harvard, Vancouver, ISO, and other styles
3

Mazzola, Guerino, Joomi Park, and Florian Thalmann. "Creativity in Composition and Improvisation." In Musical Creativity. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Rusak, Helen. "Women and musical composition." In Women, Music and Leadership. Routledge, 2023. http://dx.doi.org/10.4324/9781003183631-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Braga, Francisco, and H. Sofia Pinto. "Sculpture Inspired Musical Composition." In Artificial Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72914-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cumming, Naomi. "Four Philosophies of Musical Interpretation." In Musicology And Sister Disciplines Past,Present,Future. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0043.

Full text
Abstract:
Abstract The four contributors to this Round Table present quite different perspectives on the question of how to engage philosophically with issues relating to musical interpretation. Peter Kivy, a philosopher in the analytical tradition, encapsulates briefly some arguments he has made at greater length elsewhere, suggesting that semantic interpretations of non-texted instrumental music are ill-founded. In this forum, he seeks to show how these arguments may be used to refute the interpretative enterprise of some ‘New Musicologists’. Ruth Katz draws both on her experience of a German hermeneu
APA, Harvard, Vancouver, ISO, and other styles
7

Wegman, Rob C. "For Whom the Bell Tolls: Reading and Hearing Busnoys’s Anthoni usque limina." In Hearing The Motet. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195097092.003.0008.

Full text
Abstract:
Abstract Postmodernism is said to celebrate the multiplicity of meanings in musical works. What is meant by this, principally, is this: since every composition admits a variety of possible interpretations (depending on who is performing or listening), no preferred interpretation can be claimed to be objectively true, that is, immanent in the music itself. If others hear or perform the same work as we do, it cannot be the work that compels us to prefer our interpretation over theirs. The reasons for our preference must lie rather in what makes us different from others: the particular beliefs, v
APA, Harvard, Vancouver, ISO, and other styles
8

Genevieve Burghart Rice, Sarah, and Ann Clements. "Developing Soundcrafters." In The Oxford Handbook of Music Composition Pedagogy. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780197574874.013.29.

Full text
Abstract:
Abstract Soundcrafting as a means of music production highlights the combination of artistic and technological knowledge and skills needed throughout the production process. Music production is a multifaceted process of bringing recorded music together. This chapter will provide unique ways to foster the skills needed for all students to become soundcrafters and become engaged in digital recording. It includes concrete examples of developing musical interpretation skills and how to put these skills to work within recording projects. From understanding the mechanics of audio engineering, to kno
APA, Harvard, Vancouver, ISO, and other styles
9

Maconie, Robin. "The Pleasure of Hearing." In The Concept of Music. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198162155.003.0002.

Full text
Abstract:
Abstract Some basic distinctions: Music: the idea behind or beyond the sound. A musical composition: the idea in sound, usually but not always imagined in terms of musical instruments. Music, the performance: the sound which actually emerges from an interpretation of the composer’s instructions, and which may aspire to communicate the composer’s original idea. The sound of music: a listener’s perception of the idea conveyed by a musical performance or expressed in a feature of the sound environment.
APA, Harvard, Vancouver, ISO, and other styles
10

Hermerén, Göran. "The Full Voic’d Quire: Types of Interpretations of Music." In The Interpretation of Music. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198239581.003.0002.

Full text
Abstract:
Abstract The role and the freedom of the musician or the conductor, if any, is, of course, not always the same; it varies in different kinds of music (jazz, classical music, pop music, raga, folk music, etc.). It is therefore important to specify which music we are dealing with; the problems of interpretation may be very different depending on what sort of music we have in mind. Moreover, music is not a static phenomenon. It is historical in the sense that the structure and texture of musical compositions have changed over the centuries. This is true also of instruments, forms of production, c
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Interpretation of a musical composition"

1

Temple, Mark D. "DNA Sonification Using 8-Channel Audio for Data Analyses and Music Composition." In ICAD 2024: The 29th International Conference on Auditory Display. International Community for Auditory Display, 2024. http://dx.doi.org/10.21785/icad2024.016.

Full text
Abstract:
DNA sequences contain vast amounts of biological data and computer algorithms play an important role in processing these data for human inspection. Here we describe an updated computer-generated auditory display tool to be used as stand-alone audio or as a complement to a visual display for DNA sequence inspection. The auditory display uses musical notes to represent the data in relation to the process of gene expression or DNA replication. Given the use of musical notes in the auditory display raises the possibility these may be considered algorithmic music. To pursue this notion further the
APA, Harvard, Vancouver, ISO, and other styles
2

Tseng, Hua Hui. "PROGRAM NOTES: EDUCATING MUSICIANS AND AUDIENCES IN PROFESSIONAL MUSIC TRAINING - THE TUT EXPERIENCE." In International Conference on Education and New Developments. inScience Press, 2022. http://dx.doi.org/10.36315/2022v1end062.

Full text
Abstract:
"This paper is written in response to the request to consider musical experiences at Western Classical Music concerts, and more specifically, the role of the program note that informs listeners and performers about the historical context of the composition and includes the composers’ biographical details and compositional thinking. Program notes are similar to reading the “spoilers” before seeing movies. What follows is based on observations and reflections from the Tainan University of Technology (TUT), Taiwan, and its educators’ experiences of teaching graduate music students. The idea put f
APA, Harvard, Vancouver, ISO, and other styles
3

VIERU, Niculai. "Aspecte descriptive ale trăsăturilor stilistice în folclorul muzical." In "Cercetarea pedagogică: exigențe contemporane și perspective de dezvoltare". Materialele conferinţei ştiinţifice internaționale. Ion Creangă Pedagogical State University, 2023. https://doi.org/10.46727/c.03-04-11-2023.p369-374.

Full text
Abstract:
Musical folklore is a component of the spirituality of the Romanian people. Through musical folklore, the musicality of our people can be reconstructed, with the universe of customs, traditions and popular creations in accordance with the social transformations that occurred in the historical stages. The repertoire of Romanian folk songs and dances is particularly varied in terms of structure and musical content, representing specific stylistic features that have been particularized and preserved from ancient times to the present day. Some of the popular creations possess archaic Romanian feat
APA, Harvard, Vancouver, ISO, and other styles
4

Serbinov, Maria. "SIGISMUND TODUŢĂ’S SONATA FOR FLUTE AND PIANO NO. 2: INTREPRETATIVE RECOMMENDATIONS." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.14.

Full text
Abstract:
The name of Sigismund Toduţă is a particularly important one in the Romanian musical culture of the 20th century. With a significant career as a musicologist and teacher, the musician also excelled in the field of composition, leaving us a valuable legacy that includes creations in various musical genres. This article refers to Sonata no. 2 for flute and piano, whose score saw the light of day in the late stage of Sigismund Toduţă’s composition. This would be a solid argument in perceiving the opus as an artistic expression of the Romanian social-political context of the respective time, as we
APA, Harvard, Vancouver, ISO, and other styles
5

Ionica, Svetlana. "State I for soprano and instrumental group by Vlad Burlea – composition and dramaturgical features." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.22.

Full text
Abstract:
Vlad Burlea is a prominent representative of contemporary national music, who actively participates in the national artistic life, manifesting himself in fields such as music propagation projects, pedagogy, animator of musical life etc. He has tackled almost all the chamber, instrumental, symphonic and oratorical genres. One of the representative works is Starea I (State I), composed in 2018 for soprano and instrumental group. The interpretation of the work State I presents certain difficulties for musicians – both intonational (for the soprano part), and rhythmic and of character (in the pian
APA, Harvard, Vancouver, ISO, and other styles
6

Saulova, Inessa. "SONATA FOR VIOLIN AND PIANO BY ZLATA TKACI COMPOSITION AND MUSICAL LANGUAGE, QUESTIONS OF PERFORMANCE INTERPRETATION." In Conferinţa ştiinţifică internaţională „Învăţământul artistic – dimensiuni culturale“ 2023. Academy of Music, Theater and Fine Arts, 2024. http://dx.doi.org/10.55383/iadc2023.13.

Full text
Abstract:
The article characterizes the recent achievements of the work of Zlata Tkaci, The Sonata for violin and piano, written by the author in 2005, is analyzed in detail. The author gives methodological recommendations for solving technical and artistic tasks when performing this work. The conclusion is made about the importance of the Sonata both in the educational process and in the concert repertoire of violinists and pianists.
APA, Harvard, Vancouver, ISO, and other styles
7

Langa, Mariana. "On the systematization of the creation of the composer Igor Iachimciuc." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.05.

Full text
Abstract:
Musical art continues to play an important role in contemporary society, being a source of connection and expression of emotions and contributing to the preservation and promotion of cultural identity, values and traditions. One of the promoters of musical arts in contemporary times is Igor Iachimciuc – composer, musician and pedagogue originally from the Republic of Moldova and trained in the United States, known and appreciated both in his country of origin and overseas. His work covers a wide range of genres, themes, and approaches various compositional techniques. A characteristic feature
APA, Harvard, Vancouver, ISO, and other styles
8

Juncu, Alexandru. "Concert piece for trombone and piano by David Fedov." In Cultura și arta: cercetare, valorificare, promovare. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/ca2024.02.

Full text
Abstract:
Considering the significant contribution of composer David Fedov to the development of the performing art on wind instruments, the author of this article has set himself the goal of a musicological and interpretative analysis of one of the most popular compositions for trombone, the Concert Piece. Written in 1973, this work is frequently included in the didactic repertoire of specialized disciplines in music education institutions and in the program of various performance competitions. Thus, the author analyses the musical language, the architecture of the creation, the means of expression, an
APA, Harvard, Vancouver, ISO, and other styles
9

Talambuta, Radu, and Diana Bunea. "Aspects of interpreting the themes of folklore inspiration in the Concerto for violin and orchestra by Valerii Poleacov." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.18.

Full text
Abstract:
The concerto for violin and orchestra by V. Poleacov has a special value both within the composer's creation and for the national musical culture, representing an example of the approach to the concerto genre in Moldovan composition, through the synthesis of the classical concerto model with elements characteristic of instrumental folk music. The author appeals to the stylization of the Moldovan melos, expressed in its rhythmic and intonational themes and formulas. In this context, the article deals with the issue of the interpretation of diverse themes, which can be highlighted through techni
APA, Harvard, Vancouver, ISO, and other styles
10

Ciobanu-Suhomlin, Irina. "Works for solo instruments from the perspective of the 21st century: the new opuses by the composer Gh. Ciobanu." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.06.

Full text
Abstract:
The 2000s were marked by Gh. Ciobanu's persistent interest in the field of music for solo instruments: these are compositions for woodwinds and keyboards. The author explores the reasons for the composer’s increased attention to this area of modern music, as well as the factors that contributed to the concert demand for new works. Annotations to the works reveal the special attention that the composer pays to the study of the possibilities of the musical sound. It is concluded that the compositions for solo instruments were the result of a holistic understanding of this area by the composer, i
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Interpretation of a musical composition"

1

Hagel, Stefan. Understanding early auloi: Instruments from Paestum, Pydna and elsewhere. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/oeai_ambh_3.

Full text
Abstract:
Starting from data on the ‘Paestum’ or ‘Poseidonia’ aulos established by Paul andBarbara Reichlin-Moser and Stelios Psaroudakēs, the ‘Pydna’ aulos, and comparable finds ofearly, mainly six-hole one-hole-shift, doublepipe fragments, possible musical interpretations ofthis important instrument type of the early Classical Period are considered. Probable pitchesand intervals are assessed by means of well-tested software and confirmed experimentally;the required double reeds of a much longer type than known from later periods are shownto be substantiated by iconographic and literary testimony. The
APA, Harvard, Vancouver, ISO, and other styles
2

Duch, Michael. Performing Hanne Darboven's Opus 17a and long duration minimalist music. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481276.

Full text
Abstract:
Hanne Darboven’s (1941-2009) Opus 17a is a composition for solo double bass that is rarely performed due to the physical and mental challenges involved in its performance. It is one of four opuses from the composers monumental 1008 page Wünschkonzert (1984), and was composed during her period of making “mathematical music” based on mathematical systems where numbers were assigned to certain notes and translated to musical scores. It can be described as large-scale minimalism and it is highly repetitive, but even though the same notes and intervals keep repeating, the patterns slightly change t
APA, Harvard, Vancouver, ISO, and other styles
3

Hansen, Erwin, Luis Oscar Herrera, and Kevin Cowan. Currency Mismatches, Balance-Sheet Effects and Hedging in Chilean Non-Financial Corporations. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0010955.

Full text
Abstract:
Using a new database on the currency composition of assets and liabilities, this paper explores the determinants and consequences of currency mismatches in Chilean non-financial firms. As in previous firm level studies for Chile, we find that in periods following a depreciation firms with higher dollar debt do not underperform their peso counterparts. However, once we adequately control for differences in the currency composition of assets, income and net derivative positions, we do find a significant balance sheet effect. In addition, we find that derivatives play a role in insulating firm le
APA, Harvard, Vancouver, ISO, and other styles
4

Pedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481294.

Full text
Abstract:
Symphonies Reframed recreates symphonies as chamber music. The project aims to capture the features that are unique for chamber music, at the juncture between the “soloistic small” and the “orchestral large”. A new ensemble model, the “triharmonic ensemble” with 7-9 musicians, has been created to serve this purpose. By choosing this size range, we are looking to facilitate group interplay without the need of a conductor. We also want to facilitate a richness of sound colours by involving piano, strings and winds. The exact combination of instruments is chosen in accordance with the features of
APA, Harvard, Vancouver, ISO, and other styles
5

Alves, Pana, Carmen Broto, María Gil, and Matías Lamas. Risk and vulnerability indicators for the spanish housing market. Banco de España, 2023. http://dx.doi.org/10.53479/36275.

Full text
Abstract:
The residential real estate market has a significant weight in the Spanish economy and its performance is closely linked to that of the financial cycle. In addition, as evidenced by the real estate crisis that began in Spain in 2008, the risks generated in this sector have important implications for financial stability. The development of a framework for the early identification of risks in this market is therefore key. This article presents two complementary tools to meet this objective. The first is a heat map that provides a visual interpretation of risk levels in this market for a wide sel
APA, Harvard, Vancouver, ISO, and other styles
6

Wilson. PR-239-9525-E01 Integrated Test Plan. Pipeline Research Council International, Inc. (PRCI), 1996. http://dx.doi.org/10.55274/r0011046.

Full text
Abstract:
In order to understand and eventually control formaldehyde emissions, it is necessary to investigate formaldehyde formation mechanisms and evaluate the applicability of these mechanisms to industrial gas engines. An extensive literature review was conducted to identify possible formaldehyde formation mechanisms, factors that favor these chemical mechanisms, and the relationships between various engine operating conditions and engine-out formaldehyde emissions. The literature review provided the following information on formaldehyde emissions: Formation and subsequent destruction of formaldehyd
APA, Harvard, Vancouver, ISO, and other styles
7

Shriver, Greg, and Leah Rudge. Grassland bird and raptor inventory of Harpers Ferry National Historical Park, 2022. National Park Service, 2024. http://dx.doi.org/10.36967/2304340.

Full text
Abstract:
Harpers Ferry National Historical Park (NHP) includes grassland habitats that are maintained for the interpretation of historic Civil War battles. In 2022, as part of the National Park Service Inventory and Monitoring program, the University of Delaware conducted a grassland bird and raptor inventory in the park. The goals of this inventory were to determine the grassland bird use of Harpers Ferry grasslands during Spring and Fall migration, estimate the abundance and daily nest survival for focal breeding species, and determine the raptor use during migration. We established and used multiple
APA, Harvard, Vancouver, ISO, and other styles
8

Downes, Jane, ed. Chalcolithic and Bronze Age Scotland: ScARF Panel Report. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.184.

Full text
Abstract:
The main recommendations of the panel report can be summarised under five key headings:  Building the Scottish Bronze Age: Narratives should be developed to account for the regional and chronological trends and diversity within Scotland at this time. A chronology Bronze Age Scotland: ScARF Panel Report iv based upon Scottish as well as external evidence, combining absolute dating (and the statistical modelling thereof) with re-examined typologies based on a variety of sources – material cultural, funerary, settlement, and environmental evidence – is required to construct a robust and up to da
APA, Harvard, Vancouver, ISO, and other styles
9

Graville. L51764 Hydrogen Cracking in the Heat-Affected Zone of High-Strength Steels-Year 2. Pipeline Research Council International, Inc. (PRCI), 1997. http://dx.doi.org/10.55274/r0010170.

Full text
Abstract:
During year 1 of this project a test to evaluate the sensitivity of the heat affected zone (HAZ) to hydrogen cracking was developed. This was in response to a need for a test which provided unambiguous results in contrast to existing test methods which often led to difficulties in interpretation. For example, WIC tests usually cracked in the weld metal rather than the HAZ and therefore did not produce a clear indication of the sensistivity of the HAZ. The new test involves a machined notch which can be placed in the HAZ thus forcing crack initiation to occur in the desired region. A further ad
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Interpretation of a musical composition' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography