Relevant bibliographies by topics / Intertextuality indicator

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Academic literature on the topic 'Intertextuality indicator'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Intertextuality indicator"

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В.Ф., Антонова, та Нешко С.И. "ФОЛЬКЛОРНАЯ ТРАДИЦИЯ КАК ИСТОЧНИК ИНТЕРТЕКСТУАЛЬНОГО ЗАИМСТВОВАНИЯ В АНГЛИЙСКОЙ ЛИТЕРАТУРЕ". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 88 (2018): 6–16. https://doi.org/10.5281/zenodo.1490147.

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Intertextuality is an integral part of culture and indicator of literary activity. Modern science believes that the theory of intertextuality is based on understanding the development of literature as a continuous interaction of texts and world views, whereby each word of the work specifically adopts and process earlier literature and cultural material of various forms, and intertextual analysis is aimed at revealing such traces ‘alien words’ in the works. The article interprets the phenomenon of intertextuality in various manifestations and functions within the specific artistic c
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Голикова, Оксана Николаевна. "НОМИНАТИВНЫЙ РЯД КАК СРЕДСТВО СОЗДАНИЯ ИНТЕРТЕКСТУАЛЬНЫХ СВЯЗЕЙ: АНАЛИЗ ТЕКСТА ЭДМУНДА ШКЛЯРСКОГО СКВОЗЬ ПРИЗМУ СТИХОТВОРЕНИЯ БОРИСА ПАСТЕРНАКА". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 31–35. https://doi.org/10.5281/zenodo.33566.

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<em>The article deals with the specific intertextual potential of nominative rows. The grammatical nature of the constructions being analyzed is described in connection with their functioning as the indicators of intertextuality. The precedence of the nominative row in the Russian poetic tradition is outlined. The nominative rows are described in connection with their functioning as the indicators of intertextuality in the derivative texts. The article deals with fact that based on precedent texts, the </em><em>nominative row&rsquo;s form reiterates a specific sense or specific senses. The foc
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Zhalko, D. "MARKING INTERDISCURSIVITY / INTERTEXTUALITY IN COGNITIVE LINGUISTICS." MESSENGER of Kyiv National Linguistic University. Series Philology 25, no. 1 (2022): 30–42. http://dx.doi.org/10.32589/2311-0821.1.2022.263106.

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The article examines the concept of marking interdiscursiveness / intertextuality from the standpoint of cognitive linguistics, in particular, it defines four terms: a) “interdiscursiveness” is a phenomenon that demonstrates the interaction between discourses; it is an indicator of the residue in the discourse of previous discourses, which provide a kind of “preparation “, “raw material” for another discourse; b) “interdiscourse” is a discourse and ideological space in which discourse formations unfold with their relation of dominance, subordination and contradiction; c) “intertextuality” is t
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Скоробогатова, Елена Александровна. "ГРАММАТИЧЕСКИЕ ПОКАЗАТЕЛИ МЕЖТЕКСТОВОГО ВЗАИМОДЕЙСТВИЯ: МОРФОЛОГИЧЕСКАЯ СЕЛЕКЦИЯ В РОМАНЕ А. ГРИНА «БЕГУЩАЯ ПО ВОЛНАМ» И В СТИХОТВОРЕНИИ Б. ХЕРСОНСКОГО «ОНА»". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 3–6. https://doi.org/10.5281/zenodo.33561.

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<em>The grammatical features of selection in the poem &quot;She&quot; by Boris Khersonskiy and in the novel&quot;She Who Runs on the Waves&quot; by Alexander Grin are researched in the article. It is alleged that the grammatical selection serves as the indicator of their intertextual links. The method of linguopoetical comparative analysis reveals the grammatical markers of intertextual interactions and allows concluding that the form of the participle-formed nominalized transpositive adjective is the morphological and syntactic dominant of both texts. It is assumed that the grammatical charac
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BOBER, Nataliia, Olha LIASHKO, Yan KAPRANOV, Olesya CHERKHAVA, and Larysa MELESHKEVYCH. "Interpretation of Keywords as Indicators of Intertextuality in English New Testament Texts (Antconc Corpus Manager Toolkit)." WISDOM 22, no. 2 (2022): 193–207. http://dx.doi.org/10.24234/wisdom.v22i2.736.

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The article deals with the interpretation of keywords as indicators of registering intertextual properties in English New Testament texts. The notion of “intertextuality” is represented in terms of three approaches: philosophical-poststructuralist, philological, and genre-textual is considered to be a complex interdisciplinary phenomenon and is characterised as a system-textual and prototypical category, with an emphasis on the typological properties of textuality. It has been proved that in order to register the intertextuality in English New Testament Texts, the notions of “keywords” and “li
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Steblyna, Nataliia. "Emotionality and Intertextuality in Official Discourses of Post-Soviet Authoritanian States (Kazakhstan, Belarus, and Russia)." Humanitarian vision 6, no. 2 (2020): 21–27. http://dx.doi.org/10.23939/shv2020.02.021.

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Official discourses of Kazakhstan, Belarus and Russia are discovered with formal analysis in the article. The official discourses were represented with presidents’ web-sites. With the help of computer programs (Python language) the indicators of emotionality, direct and indirect intertextuality were calculated. The low emotionality and direct intertextuality are characteristic features of all three discourses. This underlines low intensity (or formality) of political interrelations. Average indicators of Kazakhstan and Russia discourses emotionality are (0,26; 0,24), for Belarus (0,39). These
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Diogo, Nildo. "Análise da textualização publicitária turístico-hoteleira em Moçambique: descrevendo os mecanismos de construção argumentativa." Redis: Revista De Estudos Do Discurso 9 (2020): 79–105. http://dx.doi.org/10.21747/21833958/red9a3.

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This paper aims to analyse and describe the devices of tourism and hotel advertising textualization in Mozambique. It is a qualitative approach combined with pragmatic methods and Discourse Analysis. The corpus was selected from Facebook pages of tourism and hotel institutions, using the following categories as criteria: dialogism; polyphony; intertextuality; autonomic modal- ity; and the reinforcing illocutionary devices. Dialogism is on the top of textual relations; it recov- ers the polyphony and intertextuality notions. The polyphony recovers intertextuality, and the last manifests itself
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Anwar, Sjaeful. "PENGEMBANGAN CD PEMBELAJARAN INTERAKTIF KIMIA SMA BERBASIS INTERTEKSTUALITAS ILMU KIMIA SEBAGAI ALTERNATIF MODEL PEMBELAJARAN." Jurnal Pengajaran Matematika dan Ilmu Pengetahuan Alam 15, no. 1 (2015): 50. http://dx.doi.org/10.18269/jpmipa.v15i1.296.

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Chemistry learning based on the intertextuality of chemistry demands relationship among chemistry representsation on three levels, which are macrocospic, microscopic, and symbol level with the daily experience of students and the social interaction developed by teachers. Through the research entitled “Pengembangan CD Pembelajaran Interaktif Kimia SMA Berbasis Intertekstualitas sebagai Alternatif Model Pembelajaran”, we will have a learning CD for teachers using competency standard and basic competency; concepts and indicators; the representation of chemistry materials on three levels macroscop
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Kiorsak, Vladyslav. "Border images of Rus in Fornaldarsagas: intertextuality as an indication of collective memory." Text and Image: Essential Problems in Art History, no. 1 (2021): 29–44. http://dx.doi.org/10.17721/2519-4801.2021.1.02.

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Fornaldarsagas or legendary sagas is an exemplary source to research the environment of Icelandic authors in the late Medieval time. They combine aspects of fiction writing, historical narrative, and folklore. The plots of these works had functioned in the memory a long time before reaching the pages of books. As a result of this, the meaning of these texts was constantly adapting to new conditions, leaving just some elements of the historic core. These aspects make Fornaldarsagas a valuable source for studying the collective memory and worldview of that time. In the current article, it was at
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Barker, Naomi J. "The Italian Keyboard Toccata c.1615–1650: A Repository for Oral Compositional Practices." Royal Musical Association Research Chronicle 50 (2019): 1–28. http://dx.doi.org/10.1080/14723808.2018.1513973.

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This research uses statistical analysis of a sample of keyboard toccatas including pieces by Frescobaldi, Rossi, Froberger and the anonymous composer of the manuscript R-Vat Mus Chigi Q.IV.25 to investigate the extent to which surviving written examples of the genre contain indicators of their unwritten compositional processes. The results of the analysis indicate that within the measurably formulaic textural disposition, there are clearly defined motivic patterns and melodic shapes that are present in the work of all three composers. The intertextuality thus implied is indicative of common un
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Book chapters on the topic "Intertextuality indicator"

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Malcolm, William K. "Autofiction: Stained Radiance and The Thirteenth Disciple." In Lewis Grassic Gibbon. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620627.003.0004.

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Mitchell’s first two novels are examined as works deploying the medium of imaginative literature for introspection and analysis of his own past. In reverse chronological order they recreate the narrative of his childhood and early adulthood, in the course of which they present a state of the nation critique of early twentieth century Britain. The forthright verisimilitude of the social realism is in keeping with the philosophical nihilism prevailing in the inter-war years, with the political responses of mainstream parties and of radical splinter groups such as the Anarchocommunist Party appea
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O’Regan, Susan. "Civic and Urban Performance of Song." In The Oxford Handbook of Irish Song, 1100-1850. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190859671.013.28.

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Abstract This chapter considers songs written and performed in Cork during the politically contentious period 1750-1850. Following a turbulent century from 1640 onward, major demographic resettlements in the city resulted in two distinct communities, divided according to religion, class, and language. The songs reflect these divisions. While art songs were based on European models, new popular and vernacular songs were created through engagement with source airs from diverse traditions and genres, resulting in hybridized musical and textual forms, which proliferated in Irish urban centres from
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Conference papers on the topic "Intertextuality indicator"

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DORIS, Sava. "Perspectives of contrastive textology." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p242-250.

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The interest for the text as research object is diverse, the theoretical-methodological approaches in the analysis of the "text" as a linguistic and communicative product are complex from an intermedial, typological, linguistic, or cultural point of view. The complexity of the texts require a broadening of the research area and a focus on other disciplines that host phenomena such as intertextuality, intermediality, and interculturality. The present paper highlights the emergence of contrastive textology as a branch of text linguistics dedicated to the interlinguistic and intercultural compari
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Kuzmina, Luiza, and Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE." In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in
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