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Books on the topic 'IRAA Theatre'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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1

Cuocolo, Renato. Interior sites project: Il teatro di Cuocolo/Bosetti : IRAA Theatre. Titivillus, 2017.

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2

Mufrijī, Aḥmad Fayyāḍ. Masraḥ al-thamānīnāt fī al-ʻIrāq: Al-masraḥ fī zaman al-maʻrakah. Dār al-Shuʾūn al-Thaqāfīyah al-ʻAmmah "Āfāq ʻArabīyah", 1989.

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3

Mufarrijī, Aḥmad Fayyāḍ. Masraḥ al-thamānīnāt fī al-ʻIrāq: Al-masraḥ fī zaman al-maʻrakah. Dār al-Shuʼūn al-Thaqāfīyah al-ʻAmmah "Āfāq ʻArabīyah", 1989.

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4

Akbarʹzādah, Taqī. Kitābshinākht-i tāʼtr-i muqāvimat. Anjuman-i Tāʼtr-i Inqilāb va Difā-i Muqaddas, 2006.

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5

Scotland, National Theatre of, ed. The National Theatre of Scotland's Black Watch. Faber, 2010.

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6

Ḥusaynīʹmihr, Nāṣir. Tiʼātr dar Īrān az kūditā tā inqilāb: Theatre in Iran from the coup to the revolution. Nashr-i Māhrīs, 2021.

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7

Hassen, Najaat Essa. Brecht-Rezeption im Irak, in Syrien und Ägypten seit den sechziger Jahren bis 2008. Logos Verlag, 2010.

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8

Air Force History and Museums Program (U.S.), ed. Lucrative targets: The U.S. Air Force in the Kuwaiti Theater of Operations. Air Force History and Museums Program, U.S. Air Force, 2001.

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9

Isaloo, Amin. Power, Legitimacy and the Public Sphere: The Iranian Ta'ziyeh Theatre Ritual. Taylor & Francis Group, 2017.

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10

Rahimi, Babak. Performing Iran: Culture, Performance, Theatre. Bloomsbury Publishing Plc, 2021.

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11

Rahimi, Babak. Performing Iran: Culture, Performance, Theatre. I. B. Tauris & Company, Limited, 2023.

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12

Yŏnʼgŭk iran muŏt inʼga. Hyŏndae Mihaksa, 1996.

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13

The history of theater in Iran. Mage, 2005.

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14

Emami, Iraj. The evolution of traditional theatre and the development of modern theatre in Iran. 1987.

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15

Tudi irada dari. Kannada Visvavidyalaya, 2010.

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16

Isaloo, Amin Sharifi. Power, Legitimacy and the Public Sphere: The Iranian Ta'ziyeh Theatre Ritual. Taylor & Francis Group, 2017.

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17

Isaloo, Amin Sharifi. Power, Legitimacy and the Public Sphere: The Iranian Ta'ziyeh Theatre Ritual. Taylor & Francis Group, 2018.

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18

Isaloo, Amin Sharifi. Power, Legitimacy and the Public Sphere: The Iranian Ta'ziyeh Theatre Ritual. Taylor & Francis Group, 2017.

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19

Power, Legitimacy and the Public Sphere: The Iranian Ta Ziyeh Theatre Ritual. Taylor & Francis Group, 2017.

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20

Esfandiary, Rana. At the Threshold: Contemporary Theatre, Art, and Music of Iran. Routledge, Chapman & Hall, Incorporated, 2023.

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21

A different approach to a unique theatre: Taziyeh in Iran. Kitab-i Arzan, 2008.

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22

Esfandiary, Rana. At the Threshold: Contemporary Theatre, Art, and Music of Iran. Routledge, 2023.

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23

Rostami, Mari R. Kurdish Nationalism on Stage: Performance, Politics and Resistance in Iraq. Bloomsbury Publishing Plc, 2020.

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24

Kurdish Nationalism on Stage: Performance, Politics and Resistance in Iraq. Bloomsbury Publishing Plc, 2019.

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25

Operations in Persia. Official History of the Great War Other Theatres. Naval & Military Press, The, 2013.

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26

Galip, Özlem Belçim. Art, Gender and Migration in the Kurdish Diaspora. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755650620.

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This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect t
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27

Rahmaninejad, Nasser. Man of the Theater: Survival As an Artist in Iran. New Village Press, 2020.

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28

Rahmani-Nejad, Nasser. Man of the Theater: Survival as an Artist in Iran. New Village Press, 2019.

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29

Farhang-i jāmiʻ-i tiʼātr-i difāʻ-i muqaddas. Bunyād-i Ḥifẓ-i Ās̲ār va Nashr-i Arzishʹhā-yi Difāʻ-i Muqaddas, 2011.

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30

Hartley, Julia Caterina. Iran and French Orientalism. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780755645626.

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New translations of Persian literature into French, the invention of the Aryan myth, increased travel between France and Iran, and the unveiling of artefacts from ancient Susa at the Louvre Museum are among the factors that radically altered France’s perception of Iran during the long nineteenth century. And this is reflected in the literary culture of the period. In an ambitious study spanning poetry, historiography, fiction, travel-writing, ballet, opera, and marionette theatre, Julia Hartley reveals the unique place that Iran held in the French literary imagination between 1829 and 1912. Ir
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31

Mantoan, Lindsey. War As Performance: Conflicts in Iraq and Political Theatricality. Springer International Publishing AG, 2019.

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32

Mantoan, Lindsey. War as Performance: Conflicts in Iraq and Political Theatricality. Palgrave Macmillan, 2018.

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33

Hudes, Quiara Alegria. Water by the Spoonful (Acting Edition for Theater Productions). Dramatist's Play Service, 2013.

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34

Last scene underground: An ethnographic novel of Iran. Stanford University Press, 2015.

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35

Auji, Hala, Raphael Cormack, and Alaaeldin Mahmoud, eds. The Arab Nahda as Popular Entertainment. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780755647439.

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What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity’s anxiety-inducing realities? Studies on the 19th to mid-20th century’s transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told fr
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36

Fowle, Kate. Theater of Operations: The Gulf Wars 1991-2011. MoMA PS1, 2019.

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37

Pollack, Howard. The Ballad of John Latouche. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.001.0001.

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Born into a poor Virginian family, John Treville Latouche (1914–1956), in his short life, made a profound mark on America’s musical theater as a lyricist and librettist. The wit and skill of his lyrics elicited comparisons with the likes of Ira Gershwin and Lorenz Hart, but he had too, as Stephen Sondheim noted, “a large vision of what musical theater could be,” and he proved especially venturesome in helping to develop a lyric theater that innovatively combined music, word, dance, and costume and set design. Many of his pieces, even if not commonly known today, remain high points in the histo
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38

Namāyish dar dawrah-i Qājār. Intishārāt-i Mawlá, 2016.

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39

Futter, Andrew. The Proliferation of Nuclear Weapons. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198790501.003.0030.

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Since the end of the cold war, the global landscape of weapons of mass destruction has changed considerably. Three additional states have openly acquired a nuclear capability—India, Pakistan, and North Korea—and a fourth, Iran, may be trying to do the same. Meanwhile, other states were forced to give up or agreed to abandon their nuclear capabilities or ambitions. At the same time, the threat of ‘loose nukes’ and the associated challenge of nuclear security have acquired existential significance given the possibility of nuclear terrorism, the impact of the 9/11 terrorist attacks, and the damag
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40

Rahimi, Babak. Theater State and the Formation of Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals, 1590-1641 CE. BRILL, 2011.

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41

Theater state and the formation of early modern public sphere in Iran: Studies on Safavid Muharram rituals, 1590-1641 CE. Brill, 2011.

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42

Tunalı, Tijen, and Josepha Wessels, eds. Art Against Authoritarianism in Southwest Asia and North Africa. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9780755650682.

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Over the past decade, there has been a burgeoning interest in the realm of art activism within the Southwest Asia and North Africa region, shedding light on the political implications of aesthetic representation. Nevertheless, a critical inquiry into how political aesthetics can formulate both discernible and imperceptible resistance strategies in response to resurging authoritarianism and counter-revolution after the 2011 uprisings in the region remains conspicuously absent. This book delves into a comprehensive examination of diverse art forms, ranging from street art and cinema to performan
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43

Tārīkh-i shafāhī-i namāyish dar Īrān: Mubtanī bar muṣāḥabahʹhā-yi tārīkh-i shafāhī = The oral history of theater in Iran. Sāzmān-i Asnād va Kitābkhānah-i Millī-i Jumhūrī-i Islāmī-i Īrān, 2015.

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44

Robeck, Ilene R., Stephen C. Hunt, Lucile Burgo-Black, Jeremiah McKelvey, Afreen Siddiqui, and Anthony J. Mariano. Pain and Addiction in Military Personnel and Veterans (DRAFT). Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190265366.003.0033.

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Veterans of military service pose a special case both in their susceptibility to addiction and their risk for a co-occurring disorder, posttraumatic stress disorder. The elements of a military history are provided; this is not intuitive, and is salient both for determining entitlement status and to assess the cumulative injury. Numerous pain syndromes can occur as the result of both long-term wear and tear and abrupt injury, requiring consideration for disability compensation. PTSD and traumatic brain injury are more common here than perhaps among any other occupational group. Unique risks and
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45

Von 'Adam und Eva' zu den 'Wurzeln der Liebe': Aspekte eines modernen Musiktheaters im Irak : die enge Verzahnung von Theater, Geschichte und sozio-politischer Realität. R.G. Fischer Verlag, 1997.

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46

Department of Defense. Personnel Replacement Operations During Operations Desert Storm and Desert Shield - Interviews to Assess Theater Replacements in the First Gulf War in Iraq, Doctrinal Publications and Echelon. Independently Published, 2017.

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47

Ira Aldridge: The Early Years, 1807-1833. University of Rochester Press, 2011.

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48

Ira Aldridge: The African Roscius. University of Rochester Press, 2010.

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49

Jain, B. M. South Asia Conundrum. The Rowman … Littlefield Publishing Group, 2019. https://doi.org/10.5040/9781978730564.

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South Asia Conundrum offers fresh ideas and enlightening narratives about how geopolitical and geostrategic entanglements of extra-regional powers, notably the United States, Russia and China, in South Asia and its extended neighborhood have transformed the Af-Pak region into a theater of unending conflict and political instability. The book addresses and illuminates the impending challenges and evaluates policy options before the Trump administration and US allies in dealing with the Afghan imbroglio. The book argues how the emerging strategic alliance among Russia, Iran, China and Pakistan h
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50

Iskra, Darlene M. Women in the United States Armed Forces. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798216037446.

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This handbook provides the reader with an historical and contemporary overview of the service by women in all branches of the U.S. military, tracing the causes and effects of evolving policies, issues, structural barriers, and cultural challenges on the record and in the future of the accomplishments by women warriors. Women in the United States Armed Forces: A Guide to the Issues covers over a century of accomplishments of military women, from the Civil War to the current wars in the Middle East. Readers will learn, for example, that during World War II, 565 women in the Women's Army Corps st
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