Log in

Relevant bibliographies by topics / IRAA Theatre / Dissertations / Theses

To see the other types of publications on this topic, follow the link: IRAA Theatre.

Dissertations / Theses on the topic 'IRAA Theatre'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 16 dissertations / theses for your research on the topic 'IRAA Theatre.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Johanson, Rachel. "Let Me Be Veiled: Deconstructing Gender in Iran and the United States." Ohio University Honors Tutorial College / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1275596670.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Emami, I. "The evolution of traditional theatre and the development of modern theatre in Iran." Thesis, University of Edinburgh, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381673.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Stanley, Paige Graye. "Project report on Ajax in Iraq." Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523223.

Full text

Abstract:

<p> This paper is presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Lighting Design. This paper examines the lighting design of <i>Ajax in Iraq</i>. This gives the point of view of the production, the approach taken and self-evaluation of the success and failures therein.</p>

APA, Harvard, Vancouver, ISO, and other styles

4

Shahriari, Khosrow School of Media Film &amp Theatre UNSW. "Breaking down borders and bridging barriers: Iranian Taziyeh Theatre." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/26310.

Full text

Abstract:

In the twentieth century, Western theatre practitioners, aware of the gap between actor and spectator and the barrier between the stage and the auditorium, experimented with ways to bridge this gap and cross barriers, which in the western theatrical tradition have been ignored over the centuries. Stanislavski, Meyerhold, Piscator, Brecht, Grotowski, and more recently Peter Brook are only a few of the figures who tried to engage spectators and enable them to participate more fully in the play. Yet in Iran there has existed for over three centuries a form of theatre which, thanks to its unique m

APA, Harvard, Vancouver, ISO, and other styles

5

Al, Jumaili Abbas Kadhum. "Al Ta'azi performance in Iraq : a study of their literary, social and political significance." Thesis, University of Portsmouth, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Lateef, Ayad Abed [Verfasser]. "Entstehung des arabischen Theaters und Rezeption des deutschen Theaters im arabischen Raum : Ägypten, Syrien, Libanon und Irak / Ayad Abed Lateef." Flensburg : Zentrale Hochschulbibliothek Flensburg, 2019. http://d-nb.info/1192393910/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fallahnejad, Naeimeh. "L'influence du théâtre français sur le théâtre moderne persan." Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0218/document.

Full text

Abstract:

Le théâtre persan moderne est véritablement né au XIXe siècle, avec la découverte du théâtre occidental. Les hommes politiques éclairés ont tenté de moderniser la Perse en envoyant des étudiants en France pour apprendre les sciences modernes. Rentrés au pays, ces étudiants avaient un vif intérêt pour la culture française, y compris pour le théâtre. En outre, en Perse, nous constatons également la montée d’une classe bourgeoise où se développaient des idées réformistes et néo-religieuses. C’est sur ce fond de réformes et de mutations économiques, politiques et sociales que se crée la nouvelle f

APA, Harvard, Vancouver, ISO, and other styles

8

Khajehi, Yassaman. "L’hybridité marionnettique iranienne." Thesis, Paris 10, 2015. http://www.theses.fr/2015PA100170.

Full text

Abstract:

La marionnette iranienne, par son fonctionnement, son rôle et son comportement esthétique et sociopolitique sur les scènes théâtrales et à la télévision, est un objet et une sorte de personnage hybride : tout en exhibant la nature hybride de cette forme théâtrale, la démarche marionnettique souligne le « grand » pouvoir de cette « petite » chose mineure et trouve un espace pour jouer avec ce même pouvoir. Ainsi, la marionnette en Iran, depuis au moins dix siècles, participe à un « jeu » au-delà des jeux marionnettiques, tout en résistant aux changements de la société. Elle se renouvelle donc e

APA, Harvard, Vancouver, ISO, and other styles

9

Najmi, Fahimeh. "L'identite nationale et le théâtre en Iran (sous le règne des Pahlavi)." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030053.

Full text

Abstract:

A l’opposé des spectacles traditionnels iraniens qui sont un sujet exploré depuis des années par la recherche théâtrale notamment à l’extérieur des frontières iraniennes, l’étude du« théâtre en Iran » est encore à ses balbutiements. La présente étude se concentre sur une période cruciale de l’histoire contemporaine iranienne où dans un contexte très agité les efforts sincères de trois initiés : Mir Seyfeddin Kermanshahi, Abdolhossein Noushin et Shahin Sarkissian parviennent au lancement d’un théâtre qui se réclamant de l’art, dépasse le cadre du simple divertissement ou de la pure propagande e

APA, Harvard, Vancouver, ISO, and other styles

10

Emad, Mona. "Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.

Full text

Abstract:

Bahram Beyzaie, né en 1938 en Iran, est considéré comme un très grand cinéaste et auteur dramatique de sa génération. Si certains de ses films sont bien connus, son théâtre est moins célèbre à l’étranger parce qu’il a été peu traduit et peu joué. Pour lui le théâtre est le lieu par excellence où renouer avec les formes traditionnelles de spectacle non pas pour les reconstituer mais pour parler au public d’aujourd’hui et lutter contre l’amnésie. Il nourrit donc ses pièces de théâtre, ses films, ses contes et ses narrations de l’héritage culturel oublié de son pays. Cette thèse propose d’examine

APA, Harvard, Vancouver, ISO, and other styles

11

Oliaei, Shadi. "L'art du conteur en Iran : la récitation des histoires du "Sâh-nâme" dans les cafés traditionnels iraniens." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30025.

Full text

Abstract:

L’art du naqqâli en Iran est basé sur une longue tradition de récits épiques portant sur des héros de la légende nationale iranienne. La principale source de ces épopées, Le Livre des rois de Ferdowsi, est un œuvre fondamentale de la culture nationale. Les conteurs professionnels «naqqâl» récitent, en les adaptant, les passages du Livre des rois pendant des heures à l’assistance dans certaines maisons de thé, plus connues sous l'appellation de cafés traditionnels. La représentation du naqqâli qui dure approximativement une heure et demi comporte trois parties d’environ une demi-heure chacune.

APA, Harvard, Vancouver, ISO, and other styles

12

Butler, Jayna D. ""You've Got to Be Carefully Taught": Reflections on War, Imperialism and Patriotism in America's South Pacific." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3812.

Full text

Abstract:

Underneath the romance, comedy and exoticism, South Pacific is a story that questioned core American values, exploring issues of race and power at a time when these topics were intensely relevant-the original opened just four years post WWII, on the heels of Roosevelt's aggressive expansionist response to domestic instabilities. Much has been written about the depiction of war and racial prejudice in South Pacific. However, examining such topics in the context of their cultural and political moment (both in 1949 and 2008) and through the lens of Terry Eagleton's unique take on morality, is not

APA, Harvard, Vancouver, ISO, and other styles

13

Mamdoohi, Nikoo. "Adapting for a New Audience: Ta'zieh-Between Two Rivers." 2018. https://scholarworks.umass.edu/masters_theses_2/732.

Full text

Abstract:

This thesis is the written portion of my experience as a director, staging an adaptation of the traditional Iranian theater form, Ta’zieh, for my thesis project. I start with a brief description of our adapted performance, followed by the inspirations that led to the creation of the piece. I then trace the evolution of the idea from the initial stage to the final performance. I describe the adaptation process in three sections, the story, form, and practice. In each section, in a comparative manner, I write about the ways in which Ta’zieh is traditionally done and elaborate on our decisions wh

APA, Harvard, Vancouver, ISO, and other styles

14

"Translating Tomb Dwellers for USAmericans: What the Process of Translation Reveals About Counter-Censorship Strategies Among Theatre Artists in Iran." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.54849.

Full text

Abstract:

abstract: In this dissertation, I translate and provide a critical analysis of the Iranian play, Tomb Dwellers (2009), by Hussein Kiyani. It was first staged after the contested presidential election in Iran in 2009 which brought Mahmoud Ahmadinejad into power for a second term. The play depicts the socioeconomic situation of Iran and its relation to other countries, the situation of women and the working class during Ahmadinejad’s two terms of presidency. Tomb Dwellers is written as a comedy, a genre more likely to make it past censors in Iran or other despotic countries. My research and tran

APA, Harvard, Vancouver, ISO, and other styles

15

Shohadaei, Setareh. "The biopolitical theatre: tracing sovereignty and history in the 2009 Iranian show-trials." Thesis, 2011. http://hdl.handle.net/1828/3511.

Full text

Abstract:

This work looks at the 2009 Iranian show-trials through modern discourses of biopolitics, sovereignty, and history. I argue that, understood as a theatrical phenomenon, the show trials are situated within the Foucauldian mode of biopower. The latter entails a shift from a politics of death to the preservation of the bios. The show-trials also perform a particularly modern narrative of state sovereignty and teleological history. To consider them in this way requires a rethinking of Michel Foucault’s theory so as to include juridico-philosophical discourse within a biopolitical framework.

APA, Harvard, Vancouver, ISO, and other styles

16

KAO, TIEN-HENG, and 高天恒. "A Bridge Between Illusion and Reality ---Analysis and Interpretation of Chorus in Theatres:A Case Study of "Irma La Douce" by Godot Theatre Company." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/55thq8.

Full text

Abstract:

碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>104<br>In the theatre performance, in addition to the main characters, there is another type of character who act as commentators and narrators by a group of actors and actresses; this role, called "chorus." Chorus has been widely used from the earliest ancient Greek tragedy in theater performances. Through a long artistic development, the usage of chorus has spawned in many different ways. They usually do not have names, and they might represent everything, a spirit, the audiences, a society, an omniscient perspective as God, or just the normal people who are in t

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!