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Journal articles on the topic 'Japanese fairy tales'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 March 2023

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1

Li, Jingwei. "Japanese Fairy Tales and Another World Writing." Journal of Education, Humanities and Social Sciences 8 (February 7, 2023): 273–76. http://dx.doi.org/10.54097/ehss.v8i.4260.

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Since ancient times, Japanese stories have been describing the gradual and subtle communication and collision between different worlds and the real world, but under the vivid picture set off, the total sends out a kind of faint sadness. How should we understand and interpret the abrupt end of the story? This paper sorts out different age, different social background of Japanese fairy tale, explore throughout Japan’s fairy tale one thing in common, that is, from beginning to end for persistent description and different world, as well as the eternal theme of the story of vanity, and for the deve

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2

Zhiyun, Cui. "Analysis of “the Other World” in Naoko Awa’s Fairy Tales." Studies in Linguistics and Literature 6, no. 4 (2022): p1. http://dx.doi.org/10.22158/sll.v6n4p1.

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This paper analyzes the other world in Naoko Awa’s fairy tales. Firstly, it elaborates the definition of other world, then analyzes the types of other world and the symbolic meaning of other world in her works, and then discusses the characteristics of other world in her fairy tales and the reasons for its formation. Naoko Awa’s fairy tales have strong Japanese classical culture color. The other world in her fairy tales is not only deeply influenced by Japanese ancient language, but also can feel the strong atmosphere of Japanese ocean belief and mountain belief.

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Petkova, Gergana. "Night and the Japanese Fairy Tale." KronoScope 17, no. 1 (2017): 94–116. http://dx.doi.org/10.1163/15685241-12341371.

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Time, and particularly night, in folktales can be approached from various perspectives. In the present study, we shall see time in its structural function and will analyze the protagonist’s experience of time, as well as the “anthropic” nature of time and night as structural elements in fairy tales. We shall accomplish this by examining the theme of time, and particularly nighttime with its functions and characteristics, within the framework of the Japanese tale. We shall attempt to rethink the position of night and time in fairy tales as a motif, a background, a facilitator, and an opportunit

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Noviana, Fajria. "Gender Inequality in Japanese Fairy Tales with Female Main Character." E3S Web of Conferences 202 (2020): 07053. http://dx.doi.org/10.1051/e3sconf/202020207053.

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Gender at root is a system of inequality that is founded on cultural beliefs about status differences between men and women. Women usually became the one who are disadvantaged in a relatively similar-situated men. This paper discusses the gender inequality upon women that can be found in Japanese fairy tales that have female main character entitled Kaguyahime and Tsuru no Ongaeshi. Fairy tales chosen as the object of this study because as a traditional story that is told from generation to generation, fairy tales are able to absorb aspects of life found in the supporting community groups, both

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Naumovska, N. "The Motif of Getting an Enchanted Wife in Japanese and Ukrainian Fairy Tales." Science and Education a New Dimension IX(257), no. 75 (2021): 45–48. http://dx.doi.org/10.31174/send-ph2021-257ix75-10.

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The article is devoted to the analysis of the character of the Dragon/Serpent in Japanese and Ukrainian fairy tales. Its main functions, the role in plots and motifs, teratomorphic and anthropomorphic features are compared. The mythological basis of the character as a participant in the creation of the world and antagonist of the protagonist is outlined. Through comparative analysis is justified, that in Japanese fairy tales, the character of a Dragon/Serpent has the same features as the Ukrainian and Western European tradition, as well as purely national specifics

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Ramadhani, Anis Kusuma, Enna Rachmawati, and Irwan Siagian. "Comparative Analysis of Cultural Elements in the Fairy Tales of “Timun Mas” and “Momotaro”." Japanese Research on Linguistics, Literature, and Culture 4, no. 1 (2021): 57–66. http://dx.doi.org/10.33633/jr.v4i1.5454.

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This study aims to analyze and describe the comparison of cultural elements found in the Indonesian fairy tale "Timun Mas" and the Japanese fairy tale "Momotaro". This research is a comparative literature study. This study uses qualitative research methods with a comparative literature approach and Koentjaraningrat theory to compare the cultural elements contained in the two fairy tales. The data source is a collection of folklore books, including the Timun Mas fairy tale and the Japanese "Momotaro" http://kursus-jepang-evergreen.com/index.php/cerita-dongeng-jepang/63-momotaro The study found

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Rachmawati, Amalia, Tengsoe Tjahjono, and Resdianto Permata Raharjo. "FROM GOLD-TREE, HASE-HIME, BALNA, TO BAWANG PUTIH: FAIRY TALES AS A VEHICLE TO BUILD YOUNG LEARNERS’ INTERCULTURAL UNDERSTANDING." PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan 22, no. 2 (2022): 221–32. http://dx.doi.org/10.30996/parafrase.v22i2.7488.

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Currently the importance of Intercultural understanding has no doubted. People can not resist the existence of world Englishes or English as international language which require not only the ability to use English language but also to use English language respectfully across culture. To achieve those goals, the intercultural understanding is highly needed. One of the ways that can be done to gain intercultural understanding is through reading fairy tales. The aim of this study is to investigate and analyze the possibility to use fairy tales for fostering young learners’ intercultural understan

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8

Stolte, M. "Diagnosis of gastric carcinoma: Japanese fairy tales or Western deficiency?" Virchows Archiv 434, no. 4 (1999): 279–80. http://dx.doi.org/10.1007/s004280050342.

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Plath, David W., and Hayao Kawai. "The Japanese Psyche: Major Motifs in the Fairy Tales of Japan." Journal of Japanese Studies 18, no. 1 (1992): 240. http://dx.doi.org/10.2307/132725.

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10

Trahutami, Sri Wahyu Istana. "Efektifitas Penggunaan Mukashi Banashi Untuk Meningkatkan Kompetensi Berbahasa Jepang." KIRYOKU 4, no. 1 (2020): 26–33. http://dx.doi.org/10.14710/kiryoku.v4i1.26-33.

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Penelitian ini menggunakan metode deskriptif kualitatif yang bertujuan untuk mendeskripsikan bagaimana penggunaan dongeng atau mukashibanasi dalam belajar Bahasa Jepang. Dalam pembelajaran Bahasa, empat keterampilan berbahasa baik mendengar, berbicara, membaca, maupun menulis harus diajarkan secara terpadu, tidak terlepas antara satu dengan lainnya.. Melalui metode dan strategi pembelajaran yang tepat dongeng dapat menjadi sarana melatih keterampilan berbahasa. Dongeng juga dapat digunakan pada berbagai aktifitas kelas dokkai, choukai, kaiwa, dan sakubun.This research uses descriptive qualitat

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Musaev, Talaibek, Jamaluddin Aziz, and Jamila Mohd. "The Analysis of Japanese Fairy Tales Using Propp’s Structural-typological Narratives by Japanese Language Learners." GEMA Online® Journal of Language Studies 22, no. 4 (2022): 351–71. http://dx.doi.org/10.17576/gema-2022-2204-20.

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12

Gagum, Kyung Lee. "Grimms Manga as a Transcultural Product." IAFOR Journal of Cultural Studies 7, no. 2 (2023): 19–31. http://dx.doi.org/10.22492/ijcs.7.2.02.

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This research examines how Kei Ishiyama’s Grimms Manga series create a transcultural product by retelling selected Grimm brothers’ fairy tales, and by incorporating Japanese visual language. Ishiyama’s Grimms Manga has its own transcultural beginning, and its inception began when Ishiyama was temporarily living in Germany and encountered the Tokyopop publisher of Germany. Ishiyama Grimms’ fairy tales retellings use various modes with contemporary visual styles, such as commercialized and domesticated notions of exaggerated cuteness, which are very common in manga targeting young female readers

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Naumovska, N. "The character of the Dragon/Serpent in Japanese and Ukrainian fairy tales." Science and Education a New Dimension VII(212), no. 63 (2019): 40–46. http://dx.doi.org/10.31174/send-ph2019-212vii63-10.

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14

HyunjinLee. "Research on a Collection of Japan fairy Tales Published During Japanese Colonial Era." Journal of the society of Japanese Language and Literature, Japanology ll, no. 82 (2018): 435–54. http://dx.doi.org/10.21792/trijpn.2018..82.021.

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Okuhara, Rieko. ""Deja lu or deja entendu"?: Comparing a Japanese Fairy Tale with European Tales." Lion and the Unicorn 24, no. 2 (2000): 188–200. http://dx.doi.org/10.1353/uni.2000.0021.

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Hardacre, Helen. "The Japanese Psyche: Major Motifs in the Fairy Tales of Japan. Hayao Kawai , Sachiko Reece." Journal of Religion 72, no. 1 (1992): 151–52. http://dx.doi.org/10.1086/488840.

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17

Gromova, Mariya. "Transformation of the Image of Japan in Murzilka Magazine in the 20th century." Stephanos Peer reviewed multilanguage scientific journal 49, no. 5 (2021): 18–24. http://dx.doi.org/10.24249/2309-9917-2021-49-5-18-24.

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The image of Japan in the children’s magazine “Murzilka” has been changing depending on the relations between the USSR and Japan and the development of interliterary ties during the 20th century. During the period of the Japanese invasion to Manchuria and the Lake Khasan Battle, abstract “Japanese” are presented as aggressors, fascists, encroaching on the Soviet borders. The class nature of the Japanese-Chinese conflicts is emphasized. During the period of the Khrushchev Thaw Japan turns out to be a country with an interesting and unique culture. There are published poems and songs of Japanese

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18

Gregory, Richard L. "Oliver Louis Zangwill. 29 October 1913 – 12 October 1987." Biographical Memoirs of Fellows of the Royal Society 47 (January 2001): 515–24. http://dx.doi.org/10.1098/rsbm.2001.0031.

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Oliver Zangwill was the Disraeli of psychology. He came from a distinguished, unusually interesting family, and was literary with sophisticated political skills. Oliver's father was the influential novelist and dramatist Israel Zangwill (1864–1926), whose writings include Children of the ghetto and The master. Evidently a formidable character, Oliver confessed to me that his father was the only person in his life that he had truly feared. Oliver was 12 when his father died. His mother, born Edith Ayrton, was an early woman doctor (examined for her doctorate by Paul Broca, in Paris), becoming i

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19

Murai, Mayako. "Japanese Legends and Folklore: Samurai Tales, Ghost Stories, Legends, Fairy Tales, Myths, and Historical Accounts by A. B. Mitford, and: Japanese Folktales: Classic Stories from Japan's Enchanted Past by Yei Theodora Ozaki." Marvels & Tales 36, no. 2 (2022): 328–30. http://dx.doi.org/10.1353/mat.2022.0013.

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Jin, Sunhee. "A Study on the Fairy Tales in Japanese Colonial Rule as the Materials in Elementary Textbooks of the Unification Era." Korea Association of Literature for Children and Young Adlult 25 (December 31, 2019): 407–55. http://dx.doi.org/10.24993/jklcy.2019.12.25.407.

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21

Zaremba-Penk, Joanna. "Baśnie i bajki w japońskich komiksach." Art of the Orient 1, no. 1 (2012): 101–18. http://dx.doi.org/10.15804/aoto201206.

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Manga is a fascinating product of contemporary Japanese culture. Strongly rooted in tradition, inferred from art, associated with literature, it has become an inexhaustible source for researchers who wants to explore the achievement of sequential art. Everything is interesting about manga, starting from the artists themselves, ending with the transition from idea to effect. Japanese artists creating comics draw a lot of inspiration from literature and world art. Much comes from myths, legends, fables and fairy tales, both domestic and from around the world. They can be found in the text layer,

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22

Holthaus, Mary Ann. "Novelist and Analyst Search the Japanese Psyche Haruki Murakami .The Wind-Up Bird Chronicle. New York, Vintage International, 1998. Hayao Kawai .The Japanese Psyche; Major Motifs in the Fairy Tales of Japan. Dallas, Spring Publications, 1988;Dreams, Myths & Fairy Tales in Japan. Einsiedeln, Switzerland, Daimon, 1995." San Francisco Jung Institute Library Journal 19, no. 3 (2000): 35–48. http://dx.doi.org/10.1525/jung.1.2000.19.3.35.

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장정희. "The Comparative Analysis of the Archetypes of the Korean and Japanese Fairy-Tales of ‘a Geezer with a Lump on His Cheek’." 한국학논집 ll, no. 48 (2012): 381–411. http://dx.doi.org/10.18399/actako.2012..48.012.

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Schooler, Carmi. "The Japanese Psyche: Major Motifs in the Fairy Tales of Japan. By Hayao Kawai. Dallas: Spring Publications, 1988. vi, 234 pp. $17.50." Journal of Asian Studies 48, no. 4 (1989): 866–67. http://dx.doi.org/10.2307/2058170.

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25

조은애. "The Modern Populization of the Classical Literature -With a Focus on Hisamoto Simazu 『Lecture of twelve: the japanese fairy tales for nation』-." Journal of Japanese Studies ll, no. 78 (2018): 231–57. http://dx.doi.org/10.15733/jast.2018..78.231.

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26

Zabiyako, Anna A., and E. Yanian. "The story of eating ginseng and the ascension of the Immortal in the “Folk Tale of Ginseng” (Qilin magazine, 1943)." World of Russian-speaking countries 2, no. 12 (2022): 61–72. http://dx.doi.org/10.20323/2658-7866-2022-2-12-61-72.

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This article studies the folk tale of ginseng eating and ascension to the Immortal, which originated in the early 17th century and published in the Northeastern Qilin (Manchu-Digo) magazine in 1943, and its reception in modern Chinese culture and science. Phytolatry as an inherent feature of the north-eastern Chinese religious consciousness is inseparable from the healing characteristics of ginseng itself. Since ancient times, people have attributed miraculous qualities to ginseng, among them gaining immortality by eating the root. Phytolatry is associated with animism and anthropomorphism – i

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27

Ortabasi, Melek. "From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West by Mayako Murai, and: Japanese Animal-Wife Tales: Narrating Gender Reality in Japanese Folktale Tradition by Fumihiko Kobayashi." Monumenta Nipponica 71, no. 2 (2016): 477–83. http://dx.doi.org/10.1353/mni.2016.0061.

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28

Kwon, Hyeok Rae. "A Study of Taiwanese Folktales and Fairy Tales Published in Japanese Before 1945 -Focused on the Perspective of Post-colonialism and Asian Cultural Assets." Journal of Korean Oral Literature 63 (December 31, 2021): 195–226. http://dx.doi.org/10.22274/koralit.2021.63.007.

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Gromova, M. M. "Japan in <I>Murzilka</I> Magazine (1924–2021)." Russian Japanology Review 5, no. 2 (2023): 116–35. http://dx.doi.org/10.55105/2658-6444-2022-2-116-135.

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The article attempts to generalize and analyze the materials dedicated to Japan, its folklore, culture, and literature in the children’s literary and art magazine Murzilka since its founding up to the present time. It traces the evolution of the image of Japan in the pages of the magazine for almost a hundred years, taking into consideration the historical circumstances, the SovietJapanese relations, the change in the approach to showing the peculiarities of daily life of other peoples in children’s literature. One can single out five periods of interest towards Japan in the magazine. In the s

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30

FUJINO, Masako. "“Japanese Fairy Tale Series” en español impresos en papel de crepé." HISPANICA / HISPÁNICA 1999, no. 43 (1999): 172–82. http://dx.doi.org/10.4994/hispanica1965.1999.172.

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Chinen, Allan B. "Psyche in Japan Hayao Kawai .The Japanese Psyche: Major Motifs in the Fairy Tales of Japan. Translated by Hayao Kawai and Sachiko Reece . Dallas, TX, Spring, 1988." San Francisco Jung Institute Library Journal 10, no. 1 (1991): 71–77. http://dx.doi.org/10.1525/jung.1.1991.10.1.71.

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Мозгунова, Александра Дмитриевна. "JAPANESE ADVERTISEMENTS AND COMMERCIALS IN THE CONTEXT OF PRECEDENT-RELATED PHENOMENA: IDEAS AND IMAGES." Pedagogical Review, no. 2(32) (March 25, 2022): 112–35. http://dx.doi.org/10.23951/2312-7899-2022-2-112-135.

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Философы постмодерна рассматривают язык не пассивным посредником между реальностью и мышлением, а призмой, через которую человек воспринимает эту реальность. Так, Ж. Бодрийяр высказывает идею о том, что человек посредством СМИ потребляет сами знаки, а не действительность. Схожая задача ставится и перед рекламными текстами. Реклама представляет собой особый вид текста, который, являясь одним из инструментов, стимулирующих экономические процессы, одновременно обладает огромной силой психологического воздействия. Реклама стала неотъемлемой частью массовой культуры современного общества, ее основн

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33

Agbayani, Brian, and Chris Golston. "Phonological constituents and their movement in Latin." Phonology 33, no. 1 (2016): 1–42. http://dx.doi.org/10.1017/s0952675716000026.

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We document a fronting process in Latin that is difficult to model as syntactic movement but fairly easy to model as phonological movement. Movement with similar properties has been observed elsewhere in Classical Greek, Russian, Irish and Japanese; we suggest that the Latin movement is of the same type and takes place in the phonological component of the grammar, following the mapping from syntactic to prosodic structure.

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Milutin, Otilia. "Shōjo Murasaki, Seinen Genji: Sexual Violence and Textual Violence in Yamato Waki’s Fleeting Dreams and Egawa Tatsuya’s Tale of Genji Manga." Japanese Language and Literature 55, no. 1 (2021): 275–305. http://dx.doi.org/10.5195/jll.2021.159.

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This paper examines how two manga versions of the Heian classic Tale of Genji, belonging to two different genres and targeting different readership, engage with and interpret the tale’s episodes depicting sexual encounters, which may be read as problematic in the original text. The shojo version, Yamato Waki’s Asaki yumemishi, published between 1980 and 1993, and targeting predominantly female audiences, how two distinct approaches in its treatment of certain potentially uncomfortable episodes: some episodes which verge too close to a reading of sexual violence, are outright erased from the ma

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Black, Matt. "The Black Okies." Boom 3, no. 2 (2013): 92–110. http://dx.doi.org/10.1525/boom.2013.3.2.92.

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The social history of the Central Valley has been poked, prodded, dissected by generations of journalists, photographers, historians, storytellers of all stripes looking to puzzle out once and for all the poverty-choked enigma that is California's farm belt. From The Grapes of Wrath to Cesar Chavez, the bleak warm tales of William Saroyan to the harsh reality of Japanese internment, the Central Valley grows stories so tragic, deep, and humanly rich that in just 100 years or so it's claimed far more than seems its fair share in the broader American tale. Every year brings another crop of storie

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36

Hamada, Atsushi, and Noriyuki Nishi. "Development of a Cloud-Top Height Estimation Method by Geostationary Satellite Split-Window Measurements Trained with CloudSat Data." Journal of Applied Meteorology and Climatology 49, no. 9 (2010): 2035–49. http://dx.doi.org/10.1175/2010jamc2287.1.

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Abstract Lookup tables for estimating the cloud-top height and visible optical thickness of upper-tropospheric clouds by the infrared brightness temperature TB at 10.8 μm (T11) and its difference from TB at 12 μm (ΔT11–12) measured by a geostationary satellite are presented. These lookup tables were constructed by regressing the cloud radar measurements by the CloudSat satellite over the infrared measurements by the Japanese geostationary multifunctional transport satellite MTSAT-1R. Standard deviations of measurements around the estimates were also displayed as an indicator of the ambiguity i

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Truong, Hieu Trong. "A comparative study on goals of competition law with the case of merger regulation and recommendations to Viet Nam." Science & Technology Development Journal - Economics - Law and Management 5, no. 1 (2020): first. http://dx.doi.org/10.32508/stdjelm.v5i1.684.

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The goals of competition law and policy play a notable navigator in law enforcement and lead to new rule inauguration regimes. However, Vietnam avoids signifying its goals in all two competition law versions, the Vietnamese Competition Law 2004 and the Vietnamese Competition Law 2018. The practical merger regulation has been thus confusing in the circumstances. Be continued with the lengthy controversial discussions in the academic world; the paper opens the comparative approach to other major jurisdictions. Rather than the Asian earlies system of Japanese anti-monopoly law or the European Uni

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Takahashi, Harutaka, Koichi Mashiyama, and Tomoya Sakagami. "DOES THE CAPITAL INTENSITY MATTER? EVIDENCE FROM THE POSTWAR JAPANESE ECONOMY AND OTHER OECD COUNTRIES." Macroeconomic Dynamics 16, S1 (2012): 103–16. http://dx.doi.org/10.1017/s1365100511000514.

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The capital intensity takes an important role in two-sector and multisector growth models. Surprisingly very few empirical studies have been conducted so far except by Kuga (1967). This fact implies that few people have ever tried to perform any empirical research to study whether the two-sector and multisector optimal growth models could explain the economic development properly based on the empirical data. Although we witnessed fairly active theoretical research on two-sector and multisector growth models in the 1990s and recent years, R. M. Solow has thrown doubt on the capital intensities

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Busser, Roger, Sudo Sueo, P. J. Drooglever, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 150, no. 2 (1994): 417–46. http://dx.doi.org/10.1163/22134379-90003090.

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- Roger Busser, Sudo Sueo, The Fukuda Doctrine and ASEAN; New dimensions in Japanese Foreign policy. Singapore: Institute of Southeast Asian Studies, 1992. - P.J. Drooglever, C. Fasseur, De Indologen; Ambtenaren voor de Oost 1825-1950. Amsterdam: Bert Bakker, 1993, 552 pp. - Raymond Evans, Tony Swain, A place for strangers; Towards a history of Australian Aboroginal being. Cambridge: Cambridge University Press, 1993, xi + 330 pp. - CH.F. van Fraassen, Leonard Andaya, The world of Maluku; Eastern Indonesia in the early modern period. Honolulu: University of Hawai Press, 1993, ix + 306 pp. - J.

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"Japanese Fairy Tales." Zea Books, 2022, 1–126. http://dx.doi.org/10.32873/unl.dc.zea.1325.

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Chin-Chin Kobakama • The Goblin-Spider • The Old Woman Who Lost Her Dumplings • The Boy Who Drew Cats • The Silly Jelly-Fish • The Hare of Inaba • Shippeitarō • The Matsuyama Mirror • My Lord Bag-o’-Rice • The Serpent with Eight Heads • The Old Man and The Devils • The Tongue-Cut Sparrow • The Wooden Bowl • The Tea-Kettle • Urashima • Green Willow • The Flute • Reflections • The Spring Lover and the Autumn Lover • Momotaro The versions of the first four tales in this volume are by Lafcadio Hearn. The others are by Grace James, Professor Basil Hall Chamberlain and others. Originally published 1

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Noguchi, Yoshiko. "Influences of Victorian Values on Japanese Versions of Grimms’ Fairy Tales." Fabula 56, no. 1-2 (2015). http://dx.doi.org/10.1515/fabula-2015-0004.

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AbstractGrimms’ Fairy Tales were first introduced in Japan through English textbooks. Likewise, the first Japanese translation in book form by Ryoho Suga was not translated from the German original, but from H.B. Paull’s English translation which contains many changes in line with Victorian values. By introducing German writings via English translations, influences of English culture and society were unavoidable.

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"The Japanese psyche, major motifs in the fairy tales of Japan." Choice Reviews Online 26, no. 06 (1989): 26–3180. http://dx.doi.org/10.5860/choice.26-3180.

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Ren, Imai. "A Comparative Study of Metaphors in Fairy Tales in English and Japanese." Gyermeknevelés, 2019, 77–82. http://dx.doi.org/10.31074/gyn201917782.

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Setiawan, Deni. "DIALEKTIKA COSPLAY, ESTETIKA, DAN KEBUDAYAAN DI INDONESIA." CORAK 2, no. 1 (2013). http://dx.doi.org/10.24821/corak.v2i1.2329.

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Culture and the type of clothing cosplay, sustainably develop in some parts of theworld, such as in the United States, Japan, Australia, Paris, London, Italy, and not least inIndonesia. As well as the animation concept inherent in Japanese culture, cosplay clothingbervisual be, of course, has its advantages and disadvantages, as well as shifting ideas whendiadobsi by a particular country. It is inevitable, characteristics and character animation as areference cosplay clothing manufacture, changing its form, concept, and material when appliedin Indonesia. Cosplay Indonesia, for example, how thi

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Piatti-Farnell, Lorna, and Gwyneth Peaty. "Monster." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2851.

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Monsters are everywhere in our popular media narratives. They lurk in the shadows of video games and computer animations, ready to pounce. They haunt the frames of horror films and fantasy televisions shows. They burst out of panels in many comics and graphic novels, bringing with them grotesque forms and nightmarish transformations. They feature recurrently in scary stories for children, echoing the fears of old myths, legends, and fairy tales, and forever drawing attention to our complex views of heroes. They inhabit our nightmares, and challenge our certainties. Monsters are, above all, met

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Stevens, Carolyn Shannon. "Cute But Relaxed: Ten Years of Rilakkuma in Precarious Japan." M/C Journal 17, no. 2 (2014). http://dx.doi.org/10.5204/mcj.783.

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Introduction Japan has long been cited as a major source of cute (kawaii) culture as it has spread around the world, as encapsulated in Christine R. Yano’s phrase ‘Pink Globalization’. This essay charts recent developments in Japanese society through the cute character Rilakkuma, a character produced by San-X (a competitor to Sanrio, which produces the famed Hello Kitty). His name means ‘relaxed bear’, and Rilakkuma and friends are featured in comics, games and other products, called kyarakutā shōhin (also kyarakutā guzzu, which both mean ‘character goods’). Rilakkuma is pictured relaxing, sle

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Săpunaru Tămaș, Carmen. "Prince(ss) Charming of the Japanese Popular Theatre." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2920.

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Taishū engeki—Entertainment for the Masses? What do a highway robber, a samurai, and a geisha have in common? They are all played by the same actor, often at the same time, in an incredible flurry of costume change, in a contemporary form of Japanese theatre called taishū engeki. Taishū engeki, translated as vaudeville, literally, “theatre for the masses”, would be better described as a parallel world of fantasy, glitter, and manga-esque beautiful men wearing elaborate wigs and even more elaborate kimonos, who dance and gracefully sway their hips to portray women, and simultaneously do their b

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Ensor, Jason, and Carolyn Hughes. "Mix." M/C Journal 4, no. 2 (2001). http://dx.doi.org/10.5204/mcj.1898.

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It would be fair to say that in our day to day negotiation between the personal and the public, we encounter and process cultural, material and symbolic products in all strata and sections of society. In our homes and in our workplaces, we appear to manage multiple senses of timekeeping and contrasting time-frames with fluid unconscious dexterity. In our forms of entertainment and relaxation, from print to television to cinema or from html to Mp3s to DivX, we juxtapose like and unlike metaphors/images/products/ text in a post-Frankensteinian assemblage of innovated cultural meaning – for examp

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Eubanks, Kevin P. "Becoming-Samurai." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2643.

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   Samurai and Chinese martial arts themes inspire and permeate the uniquely philosophical lyrics and beats of Wu-Tang Clan, a New York-based hip-hop collective made popular in the mid-nineties with their debut album Enter the Wu-Tang: Return of the 36 Chambers. Original founder RZA (“Rizza”) scored his first full-length motion-picture soundtrack and made his feature film debut with Ghost Dog: The Way of the Samurai (Jim Jarmusch, 2000). Through a critical exploration of the film’s musical filter, it will be argued that RZA’s aesthetic vision effectively deterritorialises the

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Kangas, Sonja. "From Haptic Interfaces to Man-Machine Symbiosis." M/C Journal 2, no. 6 (1999). http://dx.doi.org/10.5204/mcj.1787.

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Until the 1980s research into computer technology was developing outside of a context of media culture. Until the 1970s the computer was seen as a highly effective calculator and a tool for the use in government, military and economic life. Its popular image from the 1940s to 1950s was that of a calculator. At that time the computer was a large machine which only white lab-coated engineers could understand. The computer was studied as a technical instrument, not from the viewpoint of the user. The peculiar communication between the user -- engineers at this point -- and the machine was describ

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