Relevant bibliographies by topics / Jean Rhys

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Jean Rhys'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 January 2023

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Journal articles on the topic "Jean Rhys"

1

Smith, Angela, and Coral Ann Howells. "Jean Rhys." Yearbook of English Studies 24 (1994): 341. http://dx.doi.org/10.2307/3507945.

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Seay, Joan, Carole Angier, and Arnold E. Davidson. "Jean Rhys." Tulsa Studies in Women's Literature 5, no. 2 (1986): 324. http://dx.doi.org/10.2307/464008.

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Chase, K., and Arnold E. Davidson. "Jean Rhys." World Literature Today 60, no. 3 (1986): 476. http://dx.doi.org/10.2307/40142312.

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Oliver, Sophie. "Fashion in Jean Rhys/Jean Rhys in Fashion." Modernist Cultures 11, no. 3 (November 2016): 312–30. http://dx.doi.org/10.3366/mod.2016.0143.

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This article proposes a reciprocal relationship between Jean Rhys's interwar fiction and the mass media that popularised her work in the 1960s and 1970s. Surveying the signs that Rhys and her writing had become fashionable – for example, press reviews and profiles, including in colour supplements and fashion magazines (even her own shoot), along with television adaptations of the work she wrote or set in the 1930s – the piece discusses how her postwar ‘readers’ interpreted this literature of an earlier period in a way that made sense of their own era. It argues that this use of the past to understand the contemporary moment follows the logic of fashion's cyclical temporality, and that it was prefigured in the fashion-conscious, modernist short stories of Rhys's first publication, The Left Bank (1927). The article ultimately suggests that Rhys's work was subject to fashion, an eventuality that it had always envisaged.
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Athill, Diana. "‘Editing Jean Rhys’." Women: A Cultural Review 23, no. 4 (December 2012): 401–7. http://dx.doi.org/10.1080/09574042.2012.743355.

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O'Toole, Mary, Jean Rhys, Francis Wyndham, Diana Melly, and Elgin W. Mellown. "The Letters of Jean Rhys." Tulsa Studies in Women's Literature 4, no. 1 (1985): 144. http://dx.doi.org/10.2307/463812.

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Thomas, Sue. "Jean Rhys Remembering the "Riot"." Anthurium A Caribbean Studies Journal 10, no. 1 (April 24, 2013): 6. http://dx.doi.org/10.33596/anth.223.

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Lequenne, Michel. "Une grande méconnue : Jean Rhys." Cahiers du féminisme 43, no. 1 (1987): 32–1. http://dx.doi.org/10.3406/cafem.1987.3718.

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Lopoukhine, Juliana, Frédéric Regard, and Kerry-Jane Wallart. "Introduction: Jean Rhys: Writing Precariously." Women: A Cultural Review 31, no. 2 (April 2, 2020): 131–37. http://dx.doi.org/10.1080/09574042.2020.1779435.

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Sagar, Aparajita, and Carole Angier. "Jean Rhys: Life and Work." World Literature Today 66, no. 3 (1992): 521. http://dx.doi.org/10.2307/40148470.

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Dissertations / Theses on the topic "Jean Rhys"

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Hua, Chui-fung. "Alienation in three novels by Jean Rhys /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3160254X.

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Le, Gallez Paula. "The 'Rhys Woman' : An examination of character in the work of Jean Rhys." Thesis, University of Exeter, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.376777.

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Hua, Chui-fung, and 許翠鳳. "Alienation in three novels by Jean Rhys." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007512.

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Rovera, Catherine. "Scénographies de la voix dans l'oeuvre de Jean Rhys." Paris 3, 2001. http://www.theses.fr/2001PA030009.

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Cette these prend pour objet d'etude la poetique de la voix chez jean rhys (18901979). Elle cherche a retracer le cheminement de cette voix, a la fois singuliere et polymorphe, qui se construit au fil des romans et nouvelles. Il s'agit d'une ~uvre en triptyque, orchestree autour de trois lieux de memoire, qui sont autant de paysages culturels : le paris-boheme des annees folles; la scene musicalede l'angleterre edouardienne; l'archipel caribeen de la grande epoque coloniale. Entrant en resonance (mais parfois aussi en dissonance) avec ces trois poles d'attraction, la voix du sujet rhysien emprunte un cours sinueux, et meme tortueux, qui la conduit du roman naturaliste francais jusqu'a la chanson traditionnelle creole en passant par le music-hall anglais de l'avant-guerre. La modernite rhysienne serait alors dans le choix - peu orthodoxe - d'un modernisme teinte d'antillanite. La voix rhysienne est invariablement liee aux arts de la scene, et elle se livre au travers de scenarios d'ecriture relevant simultanement du texte de theatre et de la partition musicale. Elle emprunte en particulier a une multitude de genres ou de registres traditionnellement consideres comme mineurs : chanson populaire, melodrame, pantomime, operette, comedie musicale, spectacle de varietes. La culture populaire constitue par consequent le volet central de l'approche "scenographique" developpee dans cette these. On s'est interesse en priorite aux rapports etroits qui se nouent entre le musichall edouardien et l'ecriture moderniste de fiction. Ce travail repond ainsi a une double preoccupation, esthetique et culturelle, cela afin de rendre compte de la complexe choregraphie des corps et des voix qui gouverne le texte rhysien.
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Maurel, Sylvie. "L'oeuvre de Jean Rhys : le texte et son ombre." Paris 3, 1995. http://www.theses.fr/1995PA030103.

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Le texte de jean rhys est le lieu d'une quete du referent. La chose, rendue incaccessible par les ecrans semiotiques du langage et du deja-dit, se refuse toujours au signe. Elle ne peut etre saisie qsue dans les zones d'ombre que les reseaux consensuels de la signification n'atteignent pas. Jean rhys met la reference en crise pour la reactiver. Elle travaille la forme romanesque de maniere a y faire entre l'ombre, sans jamais rompre avec la lisibilite du texte
Jean rhys's text is the locus of a referential quest. The thing, concealed by the semiotic screens of language and of previous texts, always eludes the sign. The referent can only be captured in the shadowy areas immune to the common signifying procedures. Jean rhys creates a referential crisis in order to reactivate reference. She refashions the novelistic form to give it access to the shadow without breaking away from "readability"
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Joubert, Claire. "Lire le féminin : Dorothy Richardson, Katherine Mansfield, Jean Rhys /." Paris : Éd. Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36187766k.

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Meech, Deborah. "Contradictions and ambiguity : characterization and identities in Jean Rhy's novels /." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472856.

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Wong, Tee-vee Vivian, and 黃天慧. "Between self and subjectivity: women in threenovels by Jean Rhys." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31227995.

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Gregg, V. M. "Jean Rhys, Europe and the West Indies : A literary study." Thesis, University of Kent, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379406.

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Ng, Chi-mei. "Re-reading Jane Eyre and Wide Sargasso Sea." Click to view the E-thesis via HKUTO, 1996. http://sunzi.lib.hku.hk/hkuto/record/B42574493.

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Books on the topic "Jean Rhys"

1

Sternlicht, Sanford V. Jean Rhys. New York: Twayne, 1997.

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2

Howells, Coral Ann. Jean Rhys. New York: Harvester Wheatsheaf, 1991.

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3

Jean Rhys. New York, N.Y., U.S.A: Viking, 1985.

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Jean Rhys. Cambridge: Cambridge University Press, 1998.

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5

Plasa, Carl. Jean Rhys. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1057/978-1-137-22186-5.

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6

Jordis, Christine. Jean Rhys. Paris: La Manufacture, 1989.

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Maurel, Sylvie. Jean Rhys. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4.

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8

Jean Rhys. New York: F. Ungar Pub. Co., 1985.

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9

Carr, Helen. Jean Rhys. Plymouth, U.K: Northcote House, 1996.

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10

Howells, Coral Ann. Jean Rhys. New York: St. Martin's Press, 1991.

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Book chapters on the topic "Jean Rhys"

1

Böker, Uwe. "Rhys, Jean." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16925-1.

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Böker, Uwe. "Jean Rhys." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 137–39. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_35.

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3

Maurel, Sylvie. "Introduction." In Jean Rhys, 1–9. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_1.

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Maurel, Sylvie. "Quartet: The ‘Authored’ Woman." In Jean Rhys, 10–26. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_2.

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Maurel, Sylvie. "After Leaving Mr Mackenzie: ‘Between Dog and Wolf’." In Jean Rhys, 27–50. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_3.

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Maurel, Sylvie. "The Ironic Other." In Jean Rhys, 51–80. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_4.

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Maurel, Sylvie. "Voyage in the Dark: ‘Two Tunes’." In Jean Rhys, 81–101. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_5.

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Maurel, Sylvie. "Good Morning Midnight: ‘Every Word I Say Has Chains Round its Ankles’." In Jean Rhys, 102–27. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_6.

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Maurel, Sylvie. "Wide Sargasso Sea: The Woman’s Text." In Jean Rhys, 128–66. London: Macmillan Education UK, 1998. http://dx.doi.org/10.1007/978-1-349-27006-4_7.

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10

Plasa, Carl. "Introduction." In Jean Rhys, 7–13. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1057/978-1-137-22186-5_1.

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Conference papers on the topic "Jean Rhys"

1

Al-Banna, Juan Abdullah Ibrahim. "Silence and Suffering in Jean Rhys Wide Sargasso Sea (1966) and Good." In 8TH INTERNATIONAL VISIBLE CONFERENCE ON EDUCATIONAL SCIENCE AND APPLIED LINGUISTICS. Ishik University, 2017. http://dx.doi.org/10.23918/vesal2017.a19.

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