Relevant bibliographies by topics / Jerome Robbins

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Jerome Robbins'

Author: Grafiati
Published: 31 August 2024
Last updated: 31 July 2025

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Journal articles on the topic "Jerome Robbins"

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Warren Sonbert. "“Jerome Robbins”." Framework: The Journal of Cinema and Media 56, no. 1 (2015): 31. http://dx.doi.org/10.13110/framework.56.1.0031.

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Solomon, Alisa. "Balancing Act: Fiddler's Bottle Dance and the Transformation of “Tradition”." TDR/The Drama Review 55, no. 3 (2011): 21–30. http://dx.doi.org/10.1162/dram_a_00091.

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The Bottle Dance in Fiddler on the Roof was inspired by what the director/choreographer Jerome Robbins called “field research” at Orthodox Jewish weddings. Reshaped and expanded by Robbins's masterful showbiz sensibility, it became a show-stopping number—and, thus transformed, filtered back out of the musical into Jewish celebrations to confer “tradition.”
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Knyt, Erinn E. ""Just to Be , and Dance ": Jerome Robbins, J. S. Bach, and Late Style." BACH: Journal of the Riemenschneider Bach Institute 54, no. 2 (2023): 273–303. http://dx.doi.org/10.1353/bach.2023.a907243.

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Abstract: Jerome Robbins (1918–1998), known as the first important American-born ballet choreographer, set over sixty ballets and numerous pieces for Broadway during his lifetime. His success can be attributed not only to his assimilation of different choreographic styles, but also to his attentiveness to the music. He was equally adept at setting a wide variety of musical styles, ranging from Frédéric Chopin (viz., The Concert 1956), Leonard Bernstein (viz., West Side Story 1957), and J. S. Bach (viz., The Goldberg Variations 1971) to Alban Berg (viz., In Memory Of … 1985). If he excelled at
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Rogoff, Jay. "Still Youthful at 100 by Jerome Robbins." Hopkins Review 12, no. 1 (2019): 135–42. http://dx.doi.org/10.1353/thr.2019.0018.

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Saumaa, Hiie. "Somaticist in the dance archives: Exploring Jerome Robbins’ diaries through somatics." Journal of Dance & Somatic Practices 12, no. 2 (2020): 229–38. http://dx.doi.org/10.1386/jdsp_00025_1.

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In this short piece, I highlight the question of how to bring somatics skills acquired in a somatics class to bear upon other life contexts. I use the example of scholarly work: I show how I use somatic methods as I conduct research in the archives of the choreographer Jerome Robbins (1918–98), housed at the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts at Lincoln Center. I suggest that we need to pay more attention to the question of how students and practitioners could bring physical awareness into their various life scenarios and tasks. I propose that
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ZHU, YING, and DANIEL BELGRAD. "“This Cockeyed City Is THEIRS”: Youth at Play in the Dances of West Side Story." Journal of American Studies 51, no. 1 (2016): 67–91. http://dx.doi.org/10.1017/s002187581600061x.

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While ethnic rivalry between the Jets and the Sharks in the film West Side Story has long figured as a point of scholarly concern, we argue the musical's main conflict is not between the two gangs, but rather that of youth versus adult authority. Engaging in a close analysis of the dances choreographed by Jerome Robbins, we contend that the gangs' enmity against each other is subsumed by their collective struggle to reject the socially prescribed roles of adults and children in Cold War America, which fetishized childhood innocence. Robbins's complex representations of youthful play participat
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Rorem, Ned. "“Ballet for Jerry”: Three letters from Jerome Robbins to Ned Rorem." Dance Chronicle 23, no. 3 (2000): 263–73. http://dx.doi.org/10.1080/01472520008569391.

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West, Martha Ullman. "A Review of: “Jerome Robbins: His Life, His Theater, His Dance”." Dance Chronicle 28, no. 2 (2005): 265–69. http://dx.doi.org/10.1081/dnc-200061521.

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Baber, Katherine. "“American First Aid”: Jerome Robbins and Leonard Bernstein at the Salzburg Festival, 1959." Journal of Austrian-American History 6, no. 1 (2022): 74–88. http://dx.doi.org/10.5325/jaustamerhist.6.1.0074.

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Abstract This article examines the reception of two American artists during the Salzburg Festival of 1959 in the context of Cold War cultural diplomacy. While Austria had just become an independent republic again in 1955, the Salzburg Festival was experiencing a second American occupation, this time at Austrian invitation. The reasons for and the ways in which Austrian audiences and critics interpreted these performances and the idea of American music—through genre, personality, and politics—reveal the identity of the Festival, and by extension Austria, in a state of flux.
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정옥희. "Critical Reconsiderations of Dance Media Archives: The Case of the New York Public Library’s Jerome Robbins Dance Division." Korean Journal of Dance Studies 34, no. 34 (2011): 215–57. http://dx.doi.org/10.16877/kjds.34.34.201112.215.

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Dissertations / Theses on the topic "Jerome Robbins"

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Forster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.

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Lucinda Childs est une figure majeure de la danse au XXe siècle. Au début des années 1960, elle participe à la fondation du Judson Dance Theater, un collectif de danseurs, danseuses, chorégraphes, artistes et compositeurs qui renouvellent à New York les formes et les pratiques de la danse. Avec sa compagnie crée en 1973, elle devient l’une des cheffes de file de la danse minimale et de la danse postmoderne américaines, tout en collaborant à partir des années 1980 avec les plus importantes compagnies de ballet en Europe et aux États-Unis. Dans le processus de création, répétition et représentat
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Books on the topic "Jerome Robbins"

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Vaill, Amanda, and Judy Kinberg. Jerome Robbins: Something to dance about. Kultur, 2009.

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Jowitt, Deborah. Jerome Robbins: His life, his theater, his dance. Simon & Schuster, 2004.

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Bocher, Barbara. The cage: Dancing for Jerome Robbins and George Balanchine, 1949-1954. CreateSpace], 2012.

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4

Laurents, Arthur. West side story: A musical : based on a conception of Jerome Robbins. Heinemann Educational, 1985.

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5

Schlundt, Christena L. Dance in the musical theatre: Jerome Robbins and his peers, 1934-1965 : a guide. Garland Pub., 1989.

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Finn, Felicity. Jeremy and the aunties. Second Story Press, 1992.

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7

Lesser, Wendy. Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.12987/9780300240429.

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Jerome Robbins. Rosen Publishing Group, 2009.

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Jerome Robbins. Rosen Publishing Group, 2009.

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Vaill, Amanda. Jerome Robbins. Little, Brown Book Group Limited, 2006.

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Book chapters on the topic "Jerome Robbins"

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"Jerome Robbins." In The Show Makers. Routledge, 2002. http://dx.doi.org/10.4324/9780203906651-12.

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"Front Matter." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.1.

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"Fiddler on the Roof." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.10.

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"Dances at a Gathering." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.11.

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"The Goldberg Variations." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.12.

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"In Memory Of . . ." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.13.

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"Coda." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.14.

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"NOTES." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.15.

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"ACKNOWLEDGMENTS." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.16.

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"INDEX." In Jerome Robbins. Yale University Press, 2018. http://dx.doi.org/10.2307/j.ctv6gqxhn.17.

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