Academic literature on the topic 'Junichir Tanizaki'
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Journal articles on the topic "Junichir Tanizaki":
오병우. "Tanizaki Junichirou and China." Journal of the society of Japanese Language and Literature, Japanology ll, no. 51 (November 2010): 245–66. http://dx.doi.org/10.21792/trijpn.2010..51.013.
Lavaniegos, Manuel. "La literatura enmascarada del señor Junichiro Tanizaki." Estudios: filosofía, historia, letras 11, no. 42 (1995): 93. http://dx.doi.org/10.5347/01856383.0042.000172807.
이영희. "Note on ASHIGARY by Junichirou Tanizaki." Journal of Japanese Language and Literature 61, no. 2 (May 2007): 145–56. http://dx.doi.org/10.17003/jllak.2007.61.2.145.
中嶋 駒子. "Junichiro Tanizaki A study on "The Small Kingdom"." Japanese Language and Literature Association of Daehan ll, no. 78 (May 2018): 185–204. http://dx.doi.org/10.18631/jalali.2018..78.011.
Sales Hayashi, Renan Kenji. "O Ladrão." Jangada: crítica | literatura | artes, no. 11 (November 13, 2018): 212–25. http://dx.doi.org/10.35921/jangada.v0i11.152.
하유미. "A study of Junichiro Tanizaki's『The Key』." Journal of Japanese Language and Literature 72, no. 2 (February 2010): 151–66. http://dx.doi.org/10.17003/jllak.2010.72.2.151.
Golley, Gregory L. "Tanizaki Junichiro: The Art of Subversion and the Subversion of Art." Journal of Japanese Studies 21, no. 2 (1995): 365. http://dx.doi.org/10.2307/133012.
Kim, Sang-won. "The Image of Edo Junichiro Tanizaki’s in “Shisei”." East Asian Ancient Studies 36 (March 30, 2015): 261–88. http://dx.doi.org/10.17070/aeaas.2014.12.36.261.
김상원. "A Comparative Study 1 on Tanizaki Junichiro Literature and Lee Sang Literature." Journal of North-east Asian Cultures 1, no. 45 (December 2015): 61–75. http://dx.doi.org/10.17949/jneac.1.45.201512.004.
Im, Manho. "The Reality of the Devil in Junichiro Tanizaki’s “Devil”." Korean Society of Culture and Convergence 43, no. 8 (August 30, 2021): 365–79. http://dx.doi.org/10.33645/cnc.2021.08.43.8.365.
Dissertations / Theses on the topic "Junichir Tanizaki":
Pastana, Rafaella Denise Lobo. "Da polaridade à dualidade: um estudo da obra literária Amor insensato de Jun\'ichir Tanizaki." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-28112016-104317/.
This study intends to relate the psychoanalysis and history bibliographic corpus with the literary work of the Japanese writer Junichir Tanizaki, entitled Amor insensato. Tanizakis literary works plot presentes confessional features and narrates the characters Jji and Naomis marital life. Under certain aspects, this relationship takes place as a representation of interactions that occurred between Japan and Eastern cultures colonizing countries belonging to the Western hemisphere, as well as notions assimilated by Eastern cultures of them as uncivilized and therefore, unable to speak for themselves in contrast to an elected West showed as superior and modern, absolutely correct about its knowledge and sciences once regarded as irrevocable ones. It is also possible to notice in the plot a set of dualities into Jji and Naomis characteristics, as well as into their intentions, feelings, emotions and choices. Through the analysis of dualitys conception present in Taoist and Buddhist influences that took place in Japanese culture and is quite diferente from the Western Christian concept of pairspolarization and antithesis such as good and evil, male and female, positive and negative, etc. it aims a deeper comprehension of the book. The set of relations that takes place as the manifestation of \"Self\" with the \"Other\" provides a wide field of interdisciplinary discussion and composes the core of men socialization which does not happen only as a meeting, but also as a mass of many forms of super positioning conflicts and intolerance historically renovated in different spaces and cultures. Tanizaki´s narrative includes the insensate relationship between a hurt Self with an other one who is just his mirror. It approaches a deep disaffection, melancholy and solitude of an individual inserted in a society that looked for fast modernization as Wests reflection.
Mascitelli, Juliana Saito Pinheiro. "Um olhar sobre o grou, a felicidade, a neve e o mistério: as quatro irmãs Makioka." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-16052016-145547/.
Japan in the mid-twentieth century displayed a context which influences brought from western culture since the opening of the ports blended to Japanese tradition. The Makioka sisters, central characters of the novel by Junichiro Tanizaki and main subject of this research, lived in this cultural context. Through each one of these characters, we can access the way these influences entered everyday life of part of Japanese society, especially Makioka, a traditional family from Osaka area and their social circle. For the purpose of this study, we will contextualize the period lived by the author and his created characters, as well as how events contributed for their construction. The secondary characters also will be analyzed in order to amplify the view about the main characters. Finally, according to concepts about literary character construction, we will study the four sisters, considering what relies on the surface, accessible at first glance, such as elements that create the profile of each one of them, alongside amalgams and overlaps resulting from this period.
Onstott, Wilson Wright. "Articulation as an Act of Futility: A Deconstructive Exploration of Textual Articulation as It Functions within a First-Person Narrative Structure." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2198.
ワーレン, ケズナジャット グレゴリー, and Gregory Warren Khezrnejat. "谷崎潤一郎の〈メルティング・ポット〉 : 大正・昭和初期の作品における越境的美学." Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13059529/?lang=0, 2017. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13059529/?lang=0.
WANG, YUCHENG, and 王宇澄. "A visual design of the symbolic implication of Junichiro Tanizaki ’s literature cover design." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/45nfn7.
國立高雄師範大學
視覺設計學系
107
Junichiro Tanizaki( July 1886 – 30 July 1965)was a famous writers of modern Japanese literature. In Meiji era, naturalism literature was very popular. But he opened a new style of modern Japanese literature, Aestheticism. Tanizaki’s was based on the theme of beauty, but the cover design of books are not satisfactory, and the connotation of his works cannot be reflected. Therefore, I hope to redesign of Tanizaki’s novels’ cover. And I will design an infographic about Tanizaki’s life to let the readers know more about him. This research will analyze Tanizaki’s novels by literature review. His works’ styles are divided into three stages: aestheticism, occidentalism, Japanese tradition. And, this research organizes the book cover elements into three parts: text, image, color. This thesis also use the theory of semiotics to explore the symbolic elements in the cover of Tanizaki’s novels. In order to provide reference for my create.
Beauregard, Julien. "L’oubli et les indéterminations de lecture dans Le Voyeur d’Alain Robbe-Grillet, La Clef de Junichirô Tanizaki et Trou de mémoire de Hubert Aquin." Thesis, 2011. http://spectrum.library.concordia.ca/35857/1/Beauregard_MA_F2011.pdf.
HOU, YUAN-KUI, and 侯元逵. "Woman rule as the strategy judging from Junichirou Tanizaki literary work -Mainly on Tattoo, Naomi, Diary of a Mad Old Man-." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/k53rhe.
淡江大學
日本語文學系碩士班
104
As a result of having considered "woman rule", a pattern and the methods of the woman rule as the strategy of three works are different. but all three works are it in the element of the God structure by the man. Because men of the masochism and foot fetishism made an ideal seductive woman who ensnares men, they built up women as the beauty of a kind of art in what ruled over the woman, and increased their ideal mark. And men admire them, and adore their foot. It is a kind of rite of passage for "the woman rule" as the strategy to make "the beauty" of the art. Tattoo of "Tattoo" and Western education of "Naomi" and the stone with Buddha''s footprint of " Diary of a Mad Old Man" are the ideal of the man and symbols of the body harmony of the woman. And they are also symbol of the woman rule as the strategy. You could understand "art" of the Tanizaki literature more if you understood "woman rule".
Books on the topic "Junichir Tanizaki":
Buchenberger, Stefan. Verfall zweier Familien: Tanizaki Junichirôs Sasameyuki und Thomas Manns Buddenbrooks : ein Vergleich. München: Herbert Utz, 2004.
Fujita, Shuichi. Tanizaki Junichiro ron. Yoyosha Shuppan, 1988.
Hata, Kohei. Tanizaki Junichiro (Chikuma sosho). Chikuma Shobo, 1989.
Odaka, Shuya. Seinenki Tanizaki Junichiro ron. Ozawa Shoten, 1999.
Yasuda, Takashi. Tanizaki Junichiro no shosetsu. Kanrin Shobo, 1994.
Tanizaki, Junʾichirō. Tanizaki Junichiro (Sakka no jiden). Nihon Tosho Senta, 1999.
Naomi, Watanabe. Tanizaki Junichiro, gitai no yuwaku. Shinchosha, 1992.
Maeda, Hisanori. Tanizaki Junichiro monogatari no seisei. Yoyosha, 2000.
Shimizu, Yoshinori. Kyoko no tentai Tanizaki Junichiro. Kodansha, 1996.
Nagae, Hironobu. Tanizaki Junichiro ron: Fukuryusuru monogatari (Arukadia). Sobunsha Shuppan, 1992.
Book chapters on the topic "Junichir Tanizaki":
Ng, Andrew Hock Soon. "Writing Skin: Esthetics and Transcendence in Junichirō Tanizaki’s “The Tattooer”." In Skin, Culture and Psychoanalysis, 115–40. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300041_6.
Sawada, Nao. "Maghrebian Shadow." In Abdelkébir Khatibi, 219–34. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622331.003.0010.
"II. Tanizaki Junichirō: The Past as Homage A Portrait of Shunkin and The Bridge of Dreams." In Modern Japanese Fiction and Its Traditions, 22–37. Princeton University Press, 1987. http://dx.doi.org/10.1515/9781400856633.22.