Journal articles: 'Junichir Tanizaki'

1

오병우. "Tanizaki Junichirou and China." Journal of the society of Japanese Language and Literature, Japanology ll, no. 51 (November 2010): 245–66. http://dx.doi.org/10.21792/trijpn.2010..51.013.

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Lavaniegos, Manuel. "La literatura enmascarada del señor Junichiro Tanizaki." Estudios: filosofía, historia, letras 11, no. 42 (1995): 93. http://dx.doi.org/10.5347/01856383.0042.000172807.

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이영희. "Note on ASHIGARY by Junichirou Tanizaki." Journal of Japanese Language and Literature 61, no. 2 (May 2007): 145–56. http://dx.doi.org/10.17003/jllak.2007.61.2.145.

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中嶋駒子. "Junichiro Tanizaki A study on "The Small Kingdom"." Japanese Language and Literature Association of Daehan ll, no. 78 (May 2018): 185–204. http://dx.doi.org/10.18631/jalali.2018..78.011.

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Sales Hayashi, Renan Kenji. "O Ladrão." Jangada: crítica | literatura | artes, no. 11 (November 13, 2018): 212–25. http://dx.doi.org/10.35921/jangada.v0i11.152.

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Este trabalho apresenta uma tradução de um conto literário do autor japonês Junichiro Tanizaki (1886-1965). Trata-se de uma história sobre a trajetória de um ladrão em um contexto urbano da cidade de Tóquio em meados do século XX. A obra apresenta um trabalho interessante com a narrativa, além de uma reviravolta original e inquietante, razão pela qual acredita-se que a tradução de sua versão em inglês seja importante para os leitores de língua portuguesa.

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하유미. "A study of Junichiro Tanizaki's『The Key』." Journal of Japanese Language and Literature 72, no. 2 (February 2010): 151–66. http://dx.doi.org/10.17003/jllak.2010.72.2.151.

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Golley, Gregory L. "Tanizaki Junichiro: The Art of Subversion and the Subversion of Art." Journal of Japanese Studies 21, no. 2 (1995): 365. http://dx.doi.org/10.2307/133012.

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Kim, Sang-won. "The Image of Edo Junichiro Tanizaki’s in “Shisei”." East Asian Ancient Studies 36 (March 30, 2015): 261–88. http://dx.doi.org/10.17070/aeaas.2014.12.36.261.

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김상원. "A Comparative Study 1 on Tanizaki Junichiro Literature and Lee Sang Literature." Journal of North-east Asian Cultures 1, no. 45 (December 2015): 61–75. http://dx.doi.org/10.17949/jneac.1.45.201512.004.

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Im, Manho. "The Reality of the Devil in Junichiro Tanizaki’s “Devil”." Korean Society of Culture and Convergence 43, no. 8 (August 30, 2021): 365–79. http://dx.doi.org/10.33645/cnc.2021.08.43.8.365.

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Ferré Ruiz, Juan Francisco. "Insular y singular." ACTIO NOVA: Revista de Teoría de la Literatura y Literatura Comparada, no. 4 (December 18, 2020): 166–96. http://dx.doi.org/10.15366/actionova2020.4.008.

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En este ensayo me propongo abordar el análisis, desde diversos puntos de vista, de dos novelas esenciales del escritor japonés Tanizaki Junichirô, publicadas en el período final de su vida: La llave (Kagi, 1956) y Diario de un viejo loco (F?ten r?jin nikki, 1961). Estas perspectivas conjugadas incluirían una lectura exegética de cada una de las novelas, sin olvidar una lectura en clave de género y teoría sexual, así como la interpretación de cada una de esas novelas como una posible “alegoría nacional”, en el sentido enunciado por Fredric Jameson, como alegoría social y política de su tiempo, respecto del propio Japón en diferentes momentos del siglo XX, atendiendo a los dilemas morales y de representación suscitados por la occidentalización.

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Ningsih, Yanti Rahayu, and Arlisa Indriawati. "Life and Death in Diary of A Mad Old Man by Junichiro Tanizaki, Aku by Chairil Anwar, the Jilting of Granny Weatherall by Kathrene Anne Porter and the Tinkers by Paul Harding." Acuity : Journal of English Language Pedagogy, Literature and Culture 4, no. 2 (July 30, 2019): 204–12. http://dx.doi.org/10.35974/acuity.v4i2.1071.

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Even every work of arts especially in literature has their own unique story style yet its also has similarities in the idea or problems of human being. The similarities appear on their works because they share some common aspects of life which is also called as the intertextuality. Themes and motives in work of arts are similar because of the universal consciousness among the authors. And by these works Diary of a Mad Old Man by Junichiro Tanizaki, Aku by Chairil Anwar, The Jilting of Granny Weatherall by Kathrene Anne Porter and The Tinkers by Paul Harding deal with the same theme about life and death. Moreover, three main characters also in the same age, they are old people who fought their life before the death toke it away. The analysis is using qualitative method to evaluate the similarities and the differences concept of life and death and also to able to found out any correlation of each work related with the intertextuality among them

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박화순. "“The love of the ass” of Tanizaki Junichiro - Led by “house and Naomi of the fairy tale” -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 50 (August 2010): 251–76. http://dx.doi.org/10.21792/trijpn.2010..50.013.

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teahyun kim. "Junichiro Tanizaki and Cinema - Mainly on the introduction time to the literary work of the movie element -." Journal of North-east Asian Cultures 1, no. 14 (March 2008): 545–62. http://dx.doi.org/10.17949/jneac.1.14.200803.024.

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吉美顯. "Tanizaki-Junichiro and Foreign Literature Relating Bisexuality-Comparison between Creation and A magician versus Balzac and Plato's works-." Journal of Japanese Culture ll, no. 32 (February 2007): 223–34. http://dx.doi.org/10.21481/jbunka..32.200702.223.

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Mulhern, Chieko Irie. "Naomi. By Junichirō Tanizaki. Translated by Anthony H. Chambers. New York: Alfred A. Knopf, 1985. x, 237 pp. Introduction. $15.95." Journal of Asian Studies 45, no. 4 (August 1986): 863–65. http://dx.doi.org/10.2307/2056121.

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Ito, Ken K. "Childhood Years: A Memoir. By Junichiro Tanizaki. Translated by Paul McCarthy. New York: Harper & Row, 1988, xiii, 182 pp. $17.95." Journal of Asian Studies 48, no. 1 (February 1989): 181–83. http://dx.doi.org/10.2307/2057718.

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mihyun Gil. "The figure of the image in Korea, Japanese literature studies for women -Around Junichirou Tanizaki and Dong in Kim-." Japanese Modern Association of Korea ll, no. 50 (November 2015): 321–36. http://dx.doi.org/10.16979/jmak..50.201511.321.

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Kim, Young-Ok. "Contextualization of Deviation in Junichiro Tanizaki's Literature - Focusing on 'Utopia & Dystopia' of Naomi (Chijin no Ai)." Korean Journal of Japanese Language and Literature 89 (June 2021): 147–65. http://dx.doi.org/10.18704/kjjll.2021.06.89.147.

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mihyun Gil. "The aesthetic death to be described in works by male writers between Korea and Japan(1) -Focusing on the works by Tanizaki Junichiro and by Kim Dong-In-." Japanese Modern Association of Korea ll, no. 56 (May 2017): 181–98. http://dx.doi.org/10.16979/jmak..56.201705.181.

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Nuno Grande. "In praise of light and shadows." Sophia Journal 5, no. 1 (December 1, 2020): 82–85. http://dx.doi.org/10.24840/2183-8976_2019-0005_0001_07.

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The interaction of light and shadow has always fascinated architects, and even more so since Le Corbusier’s famous quote from 1923, published in Vers une Architecture, in which he describes architecture as “the learned game, correct and magnificent, of forms assembled in the light”. This game, which thus motivated the painters of Purism and Cubism – among whom Le Corbusier would come to be included – contributed in great part to the definition of the aesthetic ideals of the artistic avant-garde in the West in the first half of the 20th century. Associated with the purity of crystal, with the idea of total transparency, and with the blurring of the boundaries between the interior and the exterior, this very same game served as the conceptual premise of (and later as a critical challenge to) the architecture of the Modern Movement. The counterpoint to the purist and crystalline impetus of modernism would emerge, and indeed one of many, by way of “In Praise of Shadows”, a reference to the book written in 1933 by Junichiro Tanizaki. In this work, the author examines how Oriental culture (in contrast with Western culture) has always sought to shield the interior space from the invasion of light and from exterior views by use of trees, porches, patios, shutters, and translucent sliding doors or dividers (the Japanese shôji). It is not by accident that many of these traditional elements would once again come to be adopted by Western architecture from the late 1950s onward in its search for vernacular values deriving from a broad variety of cultures. Having studied in these seminal years of critical review of the Modern Movement and coinciding with the publication of the Survey on Regional Architecture in Portugal – (Inquérito à Arquitetura Popular em Portugal) (1955-1961), the young architect Álvaro Siza learned from Fernando Távora – his former teacher and mentor – to appreciate not only the effect of light on forms (Távora himself admitted to being an avid admirer of Le Corbusier), but also to stroll about the shadows in traditional habitats (Távora would gather important teachings from Japanese architecture during his grand tour in 1960 and filtering it through another great influence of his: Frank Lloyd Wright). These different “phantom-characters” would come to also occupy the imagination of the young Siza, and to them he added references to Alvar Aalto, Bruno Taut or Adolf Loos, at the moment of considering the relationship between the individual and the collective space, between the domestic and the monumental scale, between the window and the city. The photographic work of Mark Durden and João Leal focusing on Álvaro Siza’s work in Porto – now published by Scopio Newspaper – goes in search of not only this same game of shadows upon the target surfaces of the façades and the interiors of the buildings but also the multiplicity of transparencies and penumbras that unfold through their ample glazed windows. [...]

22

Meria Zakiah Alfisuma, Abdul Muhid,. "TOKUSUKE UTSUGI’S SEXUAL MASOCHISM IN JUNICHIRO TANIZAKI’S DIARY OF A MAD OLD MAN." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 5, no. 2 (October 19, 2011). http://dx.doi.org/10.18860/ling.v5i2.629.

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This paper discussed one of the sexual disorders called sexual masochism through literary study. By discussing one of the novels by Junichiro Tanizaki entitled Diary of a Mad Old Man, the writers have some objectives in writing this paper. First, to describe sexual masochism experienced by Tokusuke Utsugi through the symptoms reflected on his behavior and way of thinking. Second, to uncover the causal factor and the impact of Tokusuke Utsugi' sexual masochism in Junichiro Tanizaki's Diary of a Mad Old Man. This study uses descriptive qualitative methods; all of the data are obtained by doing library research (literature review). The analysis result shows Tokusuke Utsugi was a sexual masochist, ie man who has sexual deviations by symptoms experienced such as 1) Tokusuke Utsugi’s sexual desire resulting from torture or acceptance of pain from Satsuko, 2) Tokusuke Utsugi’s sexual desire resulting from suffering due to his various illnesses, 3) Tokusuke Utsugi’s sexual desire resulting from the insult he received from Satsuko. Sexual masochism suffered by Tokusuke Utsugi is the result of burial deviant sexual fantasies. As a result of the fulfillment of a deviant sexual desire, he was willing to do crazy things to satisfy his sexual desire.

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Ragil, Angela Merici. "PENYIMPANGAN SEKSUAL TOKOH SUAMI DALAM NOVEL “KAGI (鍵)” KARYA JUNICHIRO TANIZAKI MELALUI TEORI PSIKOLOGI ABNORMAL." Ayumi : Jurnal Budaya, Bahasa dan Sastra 5, no. 2 (May 14, 2019). http://dx.doi.org/10.25139/ayumi.v5i2.1641.

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Karya sastra merupakan cerminan, gambaran atau refleksi kehidupan masyarakat. Selain itu karya sastra menyuguhkan potret kehidupan dengan mengangkat persoalan sosial dalam masyarakat. Dalam sebuah karya sastra, ada unsur-unsur pembangun, baik yang berasal dari dalam karya sastra atau dari luar karya sastra, antara lain unsur intrinsik dan ekstrinsik. Dalam penelitian ini, peneliti meneliti unsur instrinsik melalui tokoh suami, dan unsur ekstrinsik melalui pendekatan Psikologi Abnormal untuk mengungkap konflik tokoh suami. Ada pun tujuan penelitian ini adalah untuk mendeskripsikan latar belakang terjadinya berbagai bentuk penyimpangan seksual dalam kehidupan seksual tokoh suami dengan pendekatan Psikologi Abnormal. Sumber data yaitu, novel “Kagi (鍵)” karya Junichiro Tanizaki terbitan The Sakai Agency, tahun 1956, setebal 259 halaman.Metode penelitian yang digunakan dalam penelitian ini adalah metode kualitatif, analisis yang digunakan analisis deskripsi, dan menggunakan teknik kepustakaan untuk memperoleh sumber data yang sistematis.Hasil analisis menunjukkan, bahwa dalam novel “Kagi (鍵)” faktor penyebab utama penyimpangan seksual tokoh suami adalah Faktor Komunikasi. Adapun bentuk penyimpangan tokoh suami yang paling banyak yang banyak ditemukan adalah voyeurism. Peneliti berharap penelitian ini dapat menambah wawasan baru kepada peminat karya sastra dan memunculkan niat kepada para peneliti untuk meneliti novel “Kagi (鍵)” dengan perspektif yang berbeda.Kata kunci: Penyimpangan Seksual novel “Kagi (鍵)”. Junichiro Tanizaki

24

Shindo, Sugi. "Übersetz mich über das Meer. Die größere Hoffnung auf Japanisch." Internationales Archiv für Sozialgeschichte der deutschen Literatur 37, no. 1 (January 2012). http://dx.doi.org/10.1515/iasl-2012-0015.

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AbstractDie größere Hoffnung was translated into Japanese by Takashi Yajima in 1981 and published in the »Fairy-Paperback« translation series. In his translation Yajima pays particular attention to the description of light. The keyword »night and fog« and the essay »In Praise of Shadows« by Junichiro Tanizaki are used as reference points for the analysis of this feature of Yajima’s translation. Furthermore, his reproduction of complex constellations in Aichinger’s text is analyzed, especially the comments and the rendering of pronunciation and meaning in the Japanese version.

25

Veneziani, Marcia. "Diseño y cultura. Huellas japonesas en la Argentina." Cuadernos del Centro de Estudios de Diseño y Comunicación, no. 78 (November 6, 2019). http://dx.doi.org/10.18682/cdc.vi78.1834.

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Dado el creciente interés por la cultura japonesa en la Argentina, en el presente ensayo se intenta analizar el vínculo entre los conceptos de instante, vacío, ambigüedad y vulnerabilidad, para relacionarlos con el diseño, el arte, la estética, la filosofía Zen y la naturaleza. El kimono, la puerta característica denominada shōji, sus marcos de madera y papel washi, la poesía Haiku, el blanco y las sombras, son algunos de los ejemplos que se abordan para explicarlo. Resulta esencial además, comprender que también el lenguaje japonés, está indisolublemente ligado al diseño y a su filosofía. Para un japonés hablar y escuchar es un verdadero arte. Es por ello que el escrito aborda la cuestión a partir, no solo de los textos de Kenya Hara, Junichirō Tanizaki y de Jorge Luis Borges, sino que además incluye -necesariamente- un diálogo entre la autora del presente artículo y la filósofa nipona Mami Goda, residente en la Argentina desde hace casi una década.

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Veneziani, Marcia. "Diseño y cultura. Huellas japonesas en la Argentina." Cuadernos del Centro de Estudios de Diseño y Comunicación, no. 78 (August 21, 2020). http://dx.doi.org/10.18682/cdc.vi78.3657.

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Dado el creciente interés por la cultura japonesa en la Argentina, en el presente ensayo se intenta analizar el vínculo entre los conceptos de instante, vacío, ambigüedad y vulnerabilidad, para relacionarlos con el diseño, el arte, la estética, la filosofía Zen y la naturaleza. El kimono, la puerta característica denominada shōji, sus marcos de madera y papel washi, la poesía Haiku, el blanco y las sombras, son algunos de los ejemplos que se abordan para explicarlo. Resulta esencial además, comprender que también el lenguaje japonés, está indisolublemente ligado al diseño y a su filosofía. Para un japonés hablar y escuchar es un verdadero arte. Es por ello que el escrito aborda la cuestión a partir, no solo de los textos de Kenya Hara, Junichirō Tanizaki y de Jorge Luis Borges, sino que además incluye -necesariamente- un diálogo entre la autora del presente artículo y la filósofa nipona Mami Goda, residente en la Argentina desde hace casi una década.

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Jorge Camacho, Cristina. "La aplicación de stop-motion en arquitectura: materia y luz." I2 Innovación e Investigación en Arquitectura y Territorio 4, no. 1 (June 30, 2016). http://dx.doi.org/10.14198/i2.2016.4.03.

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Se inicia un análisis de los procesos de trabajo de stop-motion porque ayudan a comprender las diferentes escalas en arquitectura donde las maquetas se convierten en futuros prototipos de infraestructuras de edificios o de paisaje. Stop motion es una técnica de animación fotograma a fotograma de objetos estáticos mediante la manipulación de figuras de plastilina en entornos fijos con cambios de luz, color y sonido. Igual que dicha técnica reúne lo mejor del rodaje tradicional -story board, escenografía, fotografía, personajes, iluminación- la animación de maquetas de interiores sintetiza micro-procesos de mayor repercusión -habitaciones con cambios de humedad, de temperatura, de ventilación y de iluminación- incorporando efectos especiales que son procesados digitalmente en post-producción. Se construyen varios prototipos de habitación con parámetros fijos como el tamaño y la posición de la cámara y otros variables como los materiales, los personajes y la iluminación. Representan un mundo en miniatura que intenta aportar un acercamiento sensorial y atmosférico analizando la magia y la fantasía que Junichirô Tanizaki describe en la penumbra de las construcciones tradicionales japonesas y estudiando las imperfecciones de los escenarios que Tim Burton manipula en su películas de animación con una textura que las tecnologías digitales no pueden igualar. El objetivo es utilizar una escala micro para realizar unos modelos interiores donde las condiciones atmosféricas están controladas y reducidas, y tomar datos que se podrían aplicar a un proceso de modelado a escala intermedia para testar prototipos de edificios como el túnel de viento; o, finalmente, a una escala macro con maquetas de un sector de la costa o de un río donde los fenómenos meteorológicos son los protagonistas para simular inundaciones y diseñar futuras medidas de prevención y seguridad.

Journal articles on the topic 'Junichir Tanizaki'

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