Relevant bibliographies by topics / Kagel

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Academic literature on the topic 'Kagel'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Kagel"

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Gligo, Niksa, W. Kluppelholz, Mauricio Kagel, and Mauricio Kagel. "Kagel.../1991." International Review of the Aesthetics and Sociology of Music 24, no. 1 (1993): 86. http://dx.doi.org/10.2307/836992.

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Klüppelholz, Werner. "Opéras sans chant : les films de Mauricio Kagel." Circuit 3, no. 2 (2010): 45–64. http://dx.doi.org/10.7202/902053ar.

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L’auteur analyse ici les films de Kagel qui prennent pour point de départ le théâtre musical et plus exactement instrumental. Klüppelholz situe Kagel dans la lignée de Schönberg en ce qui a trait à l’exploitation du potentiel de l’imagination filmique. Il démontre comment les films que Kagel conçoit comme des opéras sans chant, constituent une nouveauté historique.
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Fox, Christopher, and Björn Heile. "Kagel and I." Musical Times 148, no. 1900 (2007): 103. http://dx.doi.org/10.2307/25434482.

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Benitez, Vincent Perez. "The Music of Mauricio Kagel (review)." Notes 64, no. 2 (2007): 298–300. http://dx.doi.org/10.1353/not.2007.0163.

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Solare, Juan María. "CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL." Tempo 63, no. 250 (2009): 8–26. http://dx.doi.org/10.1017/s0040298209000333.

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This conversation with Mauricio Kagel took place on 16 April 2008 in the studio of Kagel's house in Cologne. Just by looking at the shelves one could learn a lot, seeing how Kagel organized his scores. Each box included everything related to a single work (or group of works), including the ‘Ur-Manuskript’ (primordial manuscript), as he called it, as well as the working copy with the corrections that arose during rehearsals and the contract with the publishing house. The studio enclosed an unsophisticated upright piano, a huge desk and a corner to receive visits like mine.
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Talpash, Andriy. "La parodie dans Osten de Maurico Kagel." Circuit 12, no. 3 (2010): 57–62. http://dx.doi.org/10.7202/402004ar.

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Pace, Ian. "Music of the Absurd? Thoughts on recent Kagel." Tempo, no. 200 (April 1997): 29–35. http://dx.doi.org/10.1017/s0040298200048415.

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In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many count
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Henderson, Moya. "Mr Kagel, 1974–1976: Much larger than life." Musicology Australia 31, no. 1 (2009): 101–7. http://dx.doi.org/10.1080/08145857.2009.10416583.

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Williams, A. "The Music of Mauricio Kagel. By Bjorn Heile." Music and Letters 90, no. 1 (2009): 118–20. http://dx.doi.org/10.1093/ml/gcn081.

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Deborah Schwartz-Kates. "The Music of Mauricio Kagel (review)." Latin American Music Review 29, no. 2 (2008): 271–75. http://dx.doi.org/10.1353/lat.0.0014.

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Dissertations / Theses on the topic "Kagel"

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Holtsträter, Knut. "Sammeln als Kulturtechnik postmodernen Komponierens bei Mauricio Kagel." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71989.

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Gentile, Juliano Matteo [UNESP]. "Fragmento e montagem em Mauricio Kagel: uma análise de Ludwig Van." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/95127.

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Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-08-06Bitstream added on 2014-06-13T20:56:32Z : No. of bitstreams: 1 gentile_jm_me_ia.pdf: 480493 bytes, checksum: 3d5783ab6a412200ddcb4fcaf0dbbf3a (MD5)<br>Essa pesquisa é fruto de uma interface entre música e filosofia. Trata-se de analisar o filme Ludwig van, de Mauricio Kagel, realizado em 1970 por ocasião do bicentenário de Beethoven, a partir de dois aspectos pouco conhecidos da teoria de Theodor Adorno, que aparecem sobretudo em seus últimos textos. O primeiro diz respeito a um certo
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Gentile, Juliano Matteo. "Fragmento e montagem em Mauricio Kagel : uma análise de Ludwig Van /." São Paulo : [s.n.], 2008. http://hdl.handle.net/11449/95127.

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Orientador: Lia Vera Tomás<br>Banca: Vladimir Pinheiro Safatle<br>Banca: Marcos Pupo Nogueira<br>Resumo: Essa pesquisa é fruto de uma interface entre música e filosofia. Trata-se de analisar o filme Ludwig van, de Mauricio Kagel, realizado em 1970 por ocasião do bicentenário de Beethoven, a partir de dois aspectos pouco conhecidos da teoria de Theodor Adorno, que aparecem sobretudo em seus últimos textos. O primeiro diz respeito a um certo uso do fragmento que está ligado à identificação com materiais musicais do passado fetichizados, não como uma retomada, mas com um uso crítico, onde os resq
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Campos, Manuel António Veríssimo de. "O teatro musical de 1950 a 2000: uma perspectiva de Mauricio Kagel." Master's thesis, Universidade de Aveiro, 2004. http://hdl.handle.net/10773/17615.

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Mestrado em Música - Instrumento Percussão<br>Esta dissertação foca a perspectiva de um novo Teatro Musical, emergente por volta da década de 50, analisando um espaço temporal compreendido entre esta altura e que se prolonga até finais do século XX. Foram analisadas várias matérias, onde se abordou o enquadramento histórico inicial que propiciou o aparecimento deste género musical, passando por um trabalho biográfico do compositor e pela análise da obra “Pas de Cinq”. Para além de abordar de uma forma global a produção artística do compositor Maurício Kagel, uma das personalidades mais
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Alves, Rafael Ramalhoso. "A (re)composição do material musical em Musik für Renaissance-Instrumente de Mauricio Kagel." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-06092016-114436/.

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O objetivo deste trabalho é analisar a relação que a peça Musik für Renaissance-Instrumente (1966), de Mauricio Kagel (1931-2008), estabelece com o material musical da tradição e das vanguardas, na segunda metade do século 20. A partir da definição de material musical em Adorno investigaremos historicamente a crítica que se delineia em sua peça com relação às posturas estéticas em questão. Este trabalho pretende refletir criticamente sobre o sentido do movimento de interpretação historicamente informada e dos movimentos de vanguarda, identificando suas convergências e afinidades estéticas. Por
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Heile, Björn. "»Nachdenken über die Komplexität der Kulturgeografie«. Reflexion kultureller Identität im Werk von Mauricio Kagel." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71988.

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Kohler, Christine. "Musique et postmodernisme à travers trois oeuvres de Mauricio Kagel : La Passion selon Saint-Bach, la Rose des Vents,le 24 décembre 1931." Université Marc Bloch (Strasbourg) (1971-2008), 2001. http://www.theses.fr/2001STR20039.

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L'objet de cette thèse est une réflexion sur la musique et la postmodernité à travers trois oeuvres de Mauricio Kagel : la "Passion selon Saint-Bach", la "Rose des vents" et. . . "Le 24 décembre 1931". .<br>The aim of this thesis is a reflection on music and postmodernism with reference to three of the works of Mauricio Kagel : "Die Sankt Bach Passion", "Die Stücke der Windrose,". . . "Den 24. Xii. 1931". .
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Nemith, Joshua S. "Intertwining Modernism and Postmodernism: The Drama of Transformational Processes in Mauricio Kagel’s Solo Piano Works." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1083163935.

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Kagel, Heike [Verfasser], Frank Fabian [Akademischer Betreuer] Bier, Marcus [Akademischer Betreuer] Frohme, et al. "Light-induced pH cycle : a non-invasive method to control biochemical reactions / Heike Kagel ; Gutachter: Frank Fabian Bier, Ilko Bald, Michel Köhler ; Frank Fabian Bier, Marcus Frohme, Jörn Glökler." Potsdam : Universität Potsdam, 2019. http://d-nb.info/1218405104/34.

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Fusik, James Paul. "The Theatrical Saxophone: Visual and Narrative Elements in Contemporary Saxophone Music." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363599296.

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Books on the topic "Kagel"

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Klüppelholz, Werner. Über Mauricio Kagel. Pfau-Verlag, 2003.

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Lacavalerie, Xavier. Berio, Xenakis, Kagel, Stochausen. Direction des affaires culturelle, Discothèque des Halles, 1988.

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The music of Mauricio Kagel. Ashgate, 2006.

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Claus-Steffen, Mahnkopf, and Menke Johannes 1972-, eds. "An Tasten": Studien zur Klaviermusik von Mauricio Kagel. Wolke, 2011.

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Reich, Wieland. Mauricio Kagel: Sankt-Bach-Passion : Kompositionstechnik und didaktische Perspektiven. Pfau, 1995.

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Reich, Wieland. Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. Pfau, 1995.

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Werner, Klüppelholz, ed. Vom instrumentalen zum imaginären Theater: Musikästhetische Wandlungen im Werk von Mauricio Kagel : 1. Internationales Kagel-Symposion an der Universität Siegen, 28.-30.6.2007. Wolke, 2008.

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Tangos cultos: Kagel, J .J. Castro, Mastropiero y otros cruces musicales. Gourmet Musical Ediciones, 2012.

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Heile, Björn. Mauricio Kagel bei den Internationalen Ferienkursen für Neue Musik in Darmstadt: Eine Dokumentation. Wolke Verlag, 2009.

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Rebstock, Matthias. Komposition zwischen Musik und Theater: Das instrumentale Theater von Mauricio Kagel zwischen 1959 und 1965. Wolke, 2007.

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Book chapters on the topic "Kagel"

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Gottwald, Clytus. "Kagel, Mauricio." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_156.

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Reich, Wieland. "Mauricio Kagel." In Kammermusikführer. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_66.

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Gottwald, Clytus. "Kagel, Mauricio." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_157.

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Charness, Gary. "The Winner's Curse and public information in common-value auctions (by John H. Kagel and Dan Levin)." In The Art of Experimental Economics. Routledge, 2021. http://dx.doi.org/10.4324/9781003019121-5.

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Oeding, Dietrich, and Bernd R. Oswald. "Kabel." In Elektrische Kraftwerke und Netze. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-52703-0_10.

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Oeding, Dietrich, and Bernd Rüdiger Oswald. "Kabel." In Elektrische Kraftwerke und Netze. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19246-3_10.

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Heinhold, L., and F. Winkler. "Kabel." In Elektrische Energietechnik. Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-56904-3_7.

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Oeding, Dietrich, and Bernd R. Oswald. "Kabel." In Elektrische Kraftwerke und Netze. Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-662-06960-8_10.

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Beighton, Peter, and Greta Beighton. "PELGER, Karel." In The Person Behind the Syndrome. Springer London, 1997. http://dx.doi.org/10.1007/978-1-4471-0925-9_65.

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Ruhe, Cornelia. "Daoud, Kamel." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11595-1.

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Conference papers on the topic "Kagel"

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Uchida, Yu, and Masa Inakage. "KAGEO." In ACM SIGGRAPH 2008 posters. ACM Press, 2008. http://dx.doi.org/10.1145/1400885.1400977.

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Chikamori, Motoshi, and Kyoko Kunoh. "Kage." In ACM SIGGRAPH 98 Electronic art and animation catalog. ACM Press, 1998. http://dx.doi.org/10.1145/281388.281418.

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Ruf, Alexander, Andreas Mühling, and Peter Hubwieser. "Scratch vs. Karel." In the 9th Workshop in Primary and Secondary Computing Education. ACM Press, 2014. http://dx.doi.org/10.1145/2670757.2670772.

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Uchida, Yu, Mami Naito, and Shiho Hirayama. ""Kage no Sekai"." In the international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1255047.1255122.

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Heckner, Markus, Alexander Bazo, Christian Wolff, and Stefanie Scherzinger. "Karel relearns c: teaching good software engineering practices in cs1 with karel the robot." In 2018 IEEE Global Engineering Education Conference (EDUCON). IEEE, 2018. http://dx.doi.org/10.1109/educon.2018.8363402.

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Slamova, Karolina. "KAREL CAPEK AND HIS UNIVERSAL MESSAGE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.065.

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Bergin, Joe. "Karel universe drag & drop editor." In the 11th annual SIGCSE conference. ACM Press, 2006. http://dx.doi.org/10.1145/1140124.1140212.

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Becker, Byron Weber. "Teaching CS1 with karel the robot in Java." In the thirty-second SIGCSE technical symposium. ACM Press, 2001. http://dx.doi.org/10.1145/364447.364536.

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Oliveira, Nuno, Pedro Rangel Henriques, Daniela da Cruz, et al. "Applying program comprehension techniques to karel robot programs." In 2009 International Multiconference on Computer Science and Information Technology (IMCSIT). IEEE, 2009. http://dx.doi.org/10.1109/imcsit.2009.5352762.

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LIU, DUN. "KAREL SLAVÍČEK AND HIS SCIENTIFIC WORKS IN CHINA." In Europe and China: Science and the Arts in the 17th and 18th Centuries. WORLD SCIENTIFIC, 2012. http://dx.doi.org/10.1142/9789814390446_0012.

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Reports on the topic "Kagel"

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Glorius, S. T., A. Meijboom, and D. van den Ende. Aanleggen van een kabel door een droogvallende mosselbank : methode om de impact te reduceren en effecten te monitoren. Wageningen Marine Research, 2021. http://dx.doi.org/10.18174/544464.

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