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Journal articles on the topic 'Kagel'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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1

Gligo, Niksa, W. Kluppelholz, Mauricio Kagel, and Mauricio Kagel. "Kagel.../1991." International Review of the Aesthetics and Sociology of Music 24, no. 1 (1993): 86. http://dx.doi.org/10.2307/836992.

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2

Klüppelholz, Werner. "Opéras sans chant : les films de Mauricio Kagel." Circuit 3, no. 2 (2010): 45–64. http://dx.doi.org/10.7202/902053ar.

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L’auteur analyse ici les films de Kagel qui prennent pour point de départ le théâtre musical et plus exactement instrumental. Klüppelholz situe Kagel dans la lignée de Schönberg en ce qui a trait à l’exploitation du potentiel de l’imagination filmique. Il démontre comment les films que Kagel conçoit comme des opéras sans chant, constituent une nouveauté historique.
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3

Fox, Christopher, and Björn Heile. "Kagel and I." Musical Times 148, no. 1900 (2007): 103. http://dx.doi.org/10.2307/25434482.

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4

Benitez, Vincent Perez. "The Music of Mauricio Kagel (review)." Notes 64, no. 2 (2007): 298–300. http://dx.doi.org/10.1353/not.2007.0163.

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5

Solare, Juan María. "CURIOSITY IS LIMITLESS: A LAST INTERVIEW WITH MAURICIO KAGEL." Tempo 63, no. 250 (2009): 8–26. http://dx.doi.org/10.1017/s0040298209000333.

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This conversation with Mauricio Kagel took place on 16 April 2008 in the studio of Kagel's house in Cologne. Just by looking at the shelves one could learn a lot, seeing how Kagel organized his scores. Each box included everything related to a single work (or group of works), including the ‘Ur-Manuskript’ (primordial manuscript), as he called it, as well as the working copy with the corrections that arose during rehearsals and the contract with the publishing house. The studio enclosed an unsophisticated upright piano, a huge desk and a corner to receive visits like mine.
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6

Talpash, Andriy. "La parodie dans Osten de Maurico Kagel." Circuit 12, no. 3 (2010): 57–62. http://dx.doi.org/10.7202/402004ar.

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7

Pace, Ian. "Music of the Absurd? Thoughts on recent Kagel." Tempo, no. 200 (April 1997): 29–35. http://dx.doi.org/10.1017/s0040298200048415.

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In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many count
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8

Henderson, Moya. "Mr Kagel, 1974–1976: Much larger than life." Musicology Australia 31, no. 1 (2009): 101–7. http://dx.doi.org/10.1080/08145857.2009.10416583.

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9

Williams, A. "The Music of Mauricio Kagel. By Bjorn Heile." Music and Letters 90, no. 1 (2009): 118–20. http://dx.doi.org/10.1093/ml/gcn081.

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10

Deborah Schwartz-Kates. "The Music of Mauricio Kagel (review)." Latin American Music Review 29, no. 2 (2008): 271–75. http://dx.doi.org/10.1353/lat.0.0014.

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11

SHAW-MILLER, SIMON. "THE MUSIC OF MAURICIO KAGEL BY BJÖRN HEILE." Art Book 14, no. 3 (2007): 43–44. http://dx.doi.org/10.1111/j.1467-8357.2007.00841.x.

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12

Bloomfield, Robert J., and Joan L. Luft. "Responsibility for Cost Management Hinders Learning to Avoid the Winner's Curse." Accounting Review 81, no. 1 (2006): 29–47. http://dx.doi.org/10.2308/accr.2006.81.1.29.

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Errors in estimated product costs lead firms to win business that is unprofitable, because firms are more likely to win business when underestimated product costs lead them to bid below actual cost (Cooper et al. 1992; Hilton 2005). Feedback from repeated competitive bidding markets can teach people to bid well above estimated costs to avoid this winner's curse (Kagel 1995; Kagel and Levin 2002). We present experimental evidence that such learning is substantially hampered by sellers' sense of responsibility for the costs. This effect is consistent with psychological evidence that people tend
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13

Oliveira Weiss, Ledice Fernandes de. "As ações do violonista em Sonant, de Mauricio Kagel." Dramaturgias, no. 11 (September 30, 2019): 20–46. http://dx.doi.org/10.26512/dramaturgias.v0i11.27347.

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 Este artigo analisa o papel do performer-instrumentista no teatro instrumental criado pelo compositor Mauricio Kagel, tomando como objeto a atuação do violonista em uma de suas primeiras peças no gênero, Sonant (1960). Escrita para quatro instrumentistas, esta obra se baseia na teatralização da própria situação de concerto a partir de uma partitura que combina um material sonoro propriamente dito (notado parcialmente de forma tradicional, e parcialmente segundo formas inovadoras para a época, como a notação gráfica e a descrição verbal de ações) com a prop
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Pelinski, Ramon. "Masques de l’identité." Penser la musique actuelle? 6, no. 2 (2010): 47–60. http://dx.doi.org/10.7202/902137ar.

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Le musicologue et compositeur Ramon Pelinski étudie les propos de Kagel sur son œuvre Exotica du point de vue des stratégies compositionnelles, des structures et des attitudes perceptives qu’elle déclenche. Adoptant résolument le point de vue du postmodernisme et de l’actualisme, l’auteur traque les ambiguïtés de l’utilisation kagelienne de la musique « exotique » et analyse en détail quelle attitude elle implique quant à la conception de l’Autre
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15

Buch, Esteban, and Camila Juárez. "La Argentina, la noche… y el Festival Kagel de 2006." Revista musical chilena 73, no. 231 (2019): 137–46. http://dx.doi.org/10.4067/s0716-27902019000100137.

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16

Hughes, Edward Dudley, and Mauricio Kagel. "The Uncut Version Edward Dudley Hughes on the Maverick Mauricio Kagel." Musical Times 135, no. 1814 (1994): 205. http://dx.doi.org/10.2307/1002767.

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17

Beldean, Laurențiu, and Malgorzata Lisecka. "Transgressing the Wall. Mauricio Kagel and Decanonization of the musical performance." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), no. 2 (2021): 17–26. http://dx.doi.org/10.31926/but.pa.2020.13.62.2.2.

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18

Mikawa, Makoto. "FORMAL DESIGN AND MATERIAL IN MAURICIO KAGEL'S ANTITHESE FÜR ELEKTRONISCHE UND ÖFFENTLICHE KLÄNGE." Tempo 68, no. 270 (2014): 57–67. http://dx.doi.org/10.1017/s0040298214000369.

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AbstractIndifferent to the aesthetic dispute between the Parisian musique concrète and the Cologne elektronische Musik schools in the mid twentieth century, Mauricio Kagel took a synthetic approach to his second electroacoustic composition Antithese by combining these compositional principles. His aim was not to offer an eclectic solution to the controversy, but to express his musico-political and musico-social commentary. A close observation of Kagel's sketches, archived at the Paul Sacher Foundation, suggests that his choice of compositional materials and painstaking structural plan were sha
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19

Goldman, Jonathan. "alcides lanza’s Musical Awakening in Buenos Aires." Circuit 17, no. 2 (2007): 83–91. http://dx.doi.org/10.7202/016842ar.

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In this interview with Argentinean-born alcides lanza, the composer speaks about his teachers in Rosario, and his first experiments with tape music, as well as his move to Buenos Aires in 1955. He speaks about his studies at the claem of the Di Tella institute as well as his role in the establishment of the ensemble Agrupación Música Viva, and about his work as a pianist in Juan Carlos Paz’s Agrupación Nueva Música. He discusses how his contact in Buenos Aires with teachers like Maderna, Messiaen, Copland and Ginastera, and colleagues like Gandini, Kagel, Krieger and Tauriello, shaped his musi
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20

Service, Tom. "Aldeburgh Festival, 2003." Tempo 57, no. 226 (2003): 67–68. http://dx.doi.org/10.1017/s0040298203230369.

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Mauricio Kagel's Eine Brise, a ‘fleeting action’ for 111 cyclists, was one of the signature events of the Aldeburgh Festival this year, a bizarre procession along the beach front, creating an evanescent, mobile performance of honking, whistling, and singing. It was a brilliantly absurdist gesture – and typical Kagel, you might think. But Eine Brise, composed in 1996, was the exception in Aldeburgh's focus on Kagel's recent music. Their mini-retrospective of his music of the last couple of decades revealed how the surrealist master of the 1960s and 70s has developed into a more complex figure,
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21

Boulier, Bryan L., and Robert S. Goldfarb. "Pisces Economicus: The Fish as Economic Man." Economics and Philosophy 7, no. 1 (1991): 83–86. http://dx.doi.org/10.1017/s0266267100000924.

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Since a paradigmatic approach is judged in part by the range of phenomena it can explain, neoclassical microeconomists have no doubt gained assurance about the power of their paradigm by the invasion of economics into a number of related fields, what Hirschleifer (1985) has referred to as the “expanding domain of economics.” Moreover, even beyond these excursions into the provinces of other social sciences concerned with human behavior, economics has also recently expanded into the analysis of animal behavior (cf. Battalio, Kagel, and McDonald, 1985). This development not only adds more scient
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22

Andronikou, Michalis, and Friedemann Sallis. "Centring The Periphery: Local Identity in the Music of Theodore Antoniou and other Twentieth-Century Greek Composers." Articles 33, no. 1 (2014): 11–34. http://dx.doi.org/10.7202/1025553ar.

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This study addresses aspects of local identity in the music of Theodore Antoniou and other Greek contemporary composers. It highlights misapprehensions and obsolete conceptions of historiography and aesthetics embedded in the use of terms such ascentreandperipheryorhigh-andlow-browstyles of music, respectively. An overview of the history of art music in Greece is attempted, for a better understanding of these issues in that context. The parallel reference to significant Western contemporary composers such as György Ligeti, Luigi Nono, and Mauricio Kagel supports the primary argument of the ess
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23

Merkel, Clemens, and Hélène Huetz de Lemps. "Le quatuor à cordes : une géométrie sociale." Circuit 23, no. 3 (2014): 29–37. http://dx.doi.org/10.7202/1021516ar.

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Dans cet article, le violoniste Clemens Merkel, membre du Quatuor Bozzini, parle des caractéristiques propres de cette formation musicale à nulle autre pareille, qui existe depuis 250 ans : le quatuor à cordes. Il en décrit le caractère immuable (toujours les quatre mêmes instruments, et jamais un de plus) et démocratique, en l’opposant notamment à d’autres formations issues du passé, comme l’orchestre symphonique, à la structure hiérarchique lourde et socialement dépassée. Après un survol de la symbolique du chiffre quatre, Merkel entreprend un bref historique, avec un détour obligé par le pè
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24

McDonough, Terrence. "Of Rats and Economists." Journal of the History of Economic Thought 25, no. 4 (2003): 397–411. http://dx.doi.org/10.1080/1042771032000147489.

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When the article “Experimental Confirmation of the Existence of a Giffen Good,” authored by Raymond C. Battalio, John H. Kagel, and Carl A. Kogut, appeared in 1991 in the American Economic Review it represented the culmination of two separate and seemingly unrelated traditions in the economics literature. The first is a now-venerable tradition of attempting to locate Giffen behavior in the real world. The second is a more truncated modern tradition of animal experimentation in economics. In their article, Battalio et al. combine these traditions through setting out to discover Giffen behavior
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25

Veri, Veri, and Tuti Amelia. "PENGARUH SENAM ERGONOMIS TERHADAP TEKANAN DARAH PRALANSIA (45-59 TAHUN) DENGAN HIPERTENSI DI WILAYAH PUSKESMAS PISANGAN." Edu Dharma Journal: Jurnal penelitian dan pengabdian masyarakat 4, no. 2 (2020): 100. http://dx.doi.org/10.52031/edj.v4i2.63.

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Berdasarkan Riskesdas tahun 2013, kejadian hipertensi di Indonesia dengan umur 45 hingga 54 tahun yaitu 35,6% kelompok usia 55 hingga 64 tahun yaitu 45,9% kelompok usia 65 hingga 74 tahun sebesar 57,6% dan kelompok usia diatas 75 tahun yaitu 63,8% hipertensi, penyakit asam urat, rematik, diabetes miletus, merupakan keluhan kesehatan yang paling tertinggi terjadi pada lansia yaitu sebesar 32,99%. Puspa, 2016 Senam untuk mereka yang berusia pralansia (45th) dan usia lansia (> 65th). Diantaranya senam lansia yaitu senam kagel, dan senam ergonomis. Tujuan penelitian ini adalah untuk mengetahui
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26

Williams, Kenneth C. "The Handbook of Experimental Economics. Edited by John H. Kagel and Alvin E. Roth. Princeton: Princeton University Press, 1995. 721p. $55.00." American Political Science Review 90, no. 3 (1996): 632–33. http://dx.doi.org/10.2307/2082625.

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27

Bergstrom, John C. "Kagel, John H., and Alvin E. Roth, eds. The Handbook of Experimental Economics . Princeton NJ: Princeton University Press, 1995, vi + 328 pp,. $@@‐@@55.00." American Journal of Agricultural Economics 78, no. 3 (1996): 834. http://dx.doi.org/10.2307/1243316.

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28

Latimer, B. H. "The Lord's University: Freedom and Authority at BYU. By Bryan Waterman and Brian Kagel. Salt Lake City, Ut.: Signature Books, 1998. 474 pp. $19.95." Journal of Church and State 42, no. 1 (2000): 195–96. http://dx.doi.org/10.1093/jcs/42.1.195.

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29

Weirich, Paul. "Economic Choice Theory: An Experimental Analysis of Animal Behavior, John H. Kagel, Raymond C. Battalio, and Leonard Green. Cambridge University Press, 1995, xii + 230 pages." Economics and Philosophy 15, no. 2 (1999): 295–302. http://dx.doi.org/10.1017/s0266267100004041.

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30

Madden, Gregory J. "An Experimental Analysis of Consumption? A Review of Advances in Behavioral Economics: Vol. 3. Substance Use and Abuse, edited by L. Green and J. H. Kagel." Behavior Analyst 21, no. 1 (1998): 159–65. http://dx.doi.org/10.1007/bf03392790.

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31

Fitz Gibbon, Elaine. "Beethoven Returns to Bonn: Origins, Belonging and Misuse in Mauricio Kagel’s Ludwig van (1969)." Current Musicology 107 (January 28, 2021): 29–61. http://dx.doi.org/10.52214/cm.v107i.7195.

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In 1969 West Germany, the country was abuzz with anticipation of the approaching Beethoven bicentennial. That year the composer and experimental filmmaker Mauricio Raúl Kagel, born in Argentina to Russian- and German-Jewish parents in 1931 and living in Cologne since 1957, was commissioned by the State to commemorate the momentous occasion. What resulted was a film that surely no West German official had anticipated. Entitled Ludwig van: A Report and strongly inflected by Kagel’s absurdist aesthetic, Kagel’s film critiques the fetish object that Beethoven’s music and person had become in twent
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32

Senkan, Selim. "Emissions from combustion processes: Origin, measurement, control, Raymond Clement and Ron Kagel, Editors. Lewis Publishers, Inc., Chelsea, MI, 491 Pages [ISBN NO:0-87371-172-6] U.S. List Price: $ 69.95 (1990)." Environmental Progress 11, no. 4 (1992): N6. http://dx.doi.org/10.1002/ep.670110404.

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33

Rasche, H. "Rolf Dieter Brinkmann: Blicke ostwarts - westwarts. Beitrage des 1. Interna-tionalen Symposiums zu Leben und Werk Rolf Dieter Brinkmanns. Herausgegeben von Gudrun Schulz und Martin Kagel. Vechta: Eiswasser, 2001. 354 Seiten. 28,00." Monatshefte XCV, no. 1 (2003): 154–56. http://dx.doi.org/10.3368/m.xcv.1.154.

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34

Martine, Steen. "Kapel." Mednet 5, no. 6 (2012): 19. http://dx.doi.org/10.1007/s12462-012-0160-7.

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35

Ackerknecht, Erwin H. "Karel B.Absolon, Der intime Theodor Billroth. Die Billroth-Seegen-Briefe. Kabel Publ., Rockville Md. 1985. 290 S., 39 Abb." Gesnerus 43, no. 1-2 (1986): 135–36. http://dx.doi.org/10.1163/22977953-0430102012.

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36

Manfaluthy, Mauludi, Muhammad Syukur, and Adi Supriyadi. "Lowering the NYM 2x1.5mm2 Cable Installation Temperature By Adjusting the Bend Angle." TEKNIK 39, no. 2 (2019): 86. http://dx.doi.org/10.14710/teknik.v39i2.15680.

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Salah satu faktor yang menyebabkan tingginya temperatur pada instalasi kabel listrik adalah posisi kabel yang ditekuk. Pemasangan instalasi listrik di rumah maupun pabrik tidak selalu lurus, dalam keadaan tertentu dan pada lokasi tertentu pemasangan kabel mengharuskan penekukan. Penekukan kabel yang tidak memperhitungkan sudut penekukan menghasilkan kenaikan temperature yang tinggi sehingga memungkinkan terjadinya isolasi terbakar dan kawat penghantar meleleh. Penelitian ini bertujuan untuk menurunkan temperature instalasi Kabel NYM 2 x 1,5mm2 dengan mengatur sudut penekukan. Instalasi kabel N
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37

Eka Setya Wijaya. "ANALISIS PERBANDINGAN KINERJA ANTARA MEDIA KABEL SERAT OPTIK DENGAN KABEL TEMBAGA PADA ROUTER MIKROTIK." Jurnal Teknologi Informasi Universitas Lambung Mangkurat (JTIULM) 3, no. 2 (2018): 77–86. http://dx.doi.org/10.20527/jtiulm.v3i2.31.

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Kabel kawat tembaga dan kabel serat optik adalah dua media komunikasi yang banyak digunakan dalam membangun jaringan komunikasi data di era modern saat ini. Untuk administrator jaringan, memilih jenis kabel yang tepat dalam mem-bangun jaringan adalah suatu keharusan. Beberapa faktor, baik internal maupun eksternal dapat mempengaruhi kinerja peralatan jaringan. Dalam penelitian ini dilakukan analisis komparatif tentang perbedaan kinerja antara penggunaan kabel serat optik dan kabel kawat tembaga yang mampu mentransfer data 1 Gigabit per detik. Analisis pengukuran kinerja mencakup kemampuan untu
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38

Mulyatno, Mulyatno. "RANCANG BANGUN ALAT UJI KABEL EKG." Jurnal Ilmiah Kesehatan 10, no. 1 (2019): 97–102. http://dx.doi.org/10.37012/jik.v10i1.21.

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Saat ini Pesawat Elektro Kardiograf hampir sudah menjadi kebutuhan utama untuk diagnostik penyakit jantung. Kesiapan alat harus terus terjaga (siap digunakan), karena itu wajib dilakukan pemeliharaan ElektroKardiograf oleh para elektromedis (teknisi elektromedik). Beberapa kerusakan yang sering dijumpai adalah masalah kabel elektroda, biasanya kabel ini terdiri dari 10 elektroda, untuk menguji baik tidaknya kabel ini umumnya menggunakan Multitester/AVO meter pada posisi ohm. Kelemah pengujian menggunakan AVO meter adalah harus menguji satu persatu kabel dengan beberapa posisi, Metode : Untuk m
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Apriyanto, Budi. "Analisa dan Perancangan Aplikasi Perhitungan Berat Kabel Berbasis Java pada PT. Hega Cipta Elektrika." Jurnal Informatika Universitas Pamulang 3, no. 1 (2018): 6. http://dx.doi.org/10.32493/informatika.v3i1.1423.

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Kabel listrik adalah media untuk menyalurkan energi listrik. Sebuah kabel listrik terdiri dari isolator dan konduktor. Isolator adalah bahan pembungkus kabel yang biasanya terbuat dari karet atau plastik, sedangkan konduktor terbuat dari serabut tembaga atau tembaga pejal. Sistem perhitungan berat kabel yang masih menggunakan kalkulator hitung dengan buku katalog kabel memperlambat dalam proses hasil berat suatu kabel dan memakan waktu lama akan membuat lamanya data yang diminta guna mengambil suatu keputusan. Sistem yang dibuat ini bertujuan untuk membantu dalam proses perhitungan berat sebua
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40

Amirullah, Amirullah, and Adi Laksono. "Perbandingan Penggunaan Kabel Isolasi Xlpe Dengan Kabel Laut Isolasi Minyak Pada Saluran Kabel Tegangan Tinggi (SKTT) 150 kV Jawa-Madura." CAKRAWALA 6, no. 1 (2011): 73–87. http://dx.doi.org/10.32781/cakrawala.v6i1.145.

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Penelitian ini bertujuan untuk membandingkan unjuk kerja kabel laut three core isolasi minyak antara Pulau Jawa dengan Madura dengan kabel isolasi XLPE single core pada Jembatan Suramadu. Analisis dilakukan pada sejumlah parameter yaitu; tahanan arus bolak-balik, kerugian dielektrik,kemampuan hantar arus,jatuh tegangan,daya sisi kirim,rugi-rugi daya,daya sisi terima, dan efesiensi penyaluran kabel. Penelitian ini juga melakukan prediksi jangka waktu kemampuan kabel isolasi XLPE pada Jembatan Suramadu melayani pasokan daya listrik mengacu pada data pertumbuhan kebutuhan daya listrik di Pulau Ma
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Müller, Bernd. "Frühwarnsystem für Kabelbruch." Konstruktion 72, no. 03 (2020): 23–25. http://dx.doi.org/10.37544/0720-5953-2020-03-23.

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Wann bricht das Kabel? Von außen sieht man das nicht, man kann schließlich nicht ins Kabel hineinschauen. Oder doch? Lapp hat eine Technologie für Ethernet-Leitungen entwickelt, mit der das in gewisser Weise möglich ist. Der Vorteil: Man kann das Kabel austauschen, bevor es zu einem teuren Stillstand der Maschine kommt. Das Besondere: Die Lösung kommt ohne Änderungen am Kabel aus.
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Saputra, Efa Maydhona, Diki Dirgiantara, and Topan Wira Buana. "ANALISIS PERBANDINGAN HARGA JARINGAN LISTRIK PENERANGAN PADA MODEL JARINGAN KONVENSIONAL DAN JARINGAN BERBASIS RELE." Jurnal Elektro dan Telekomunikasi Terapan 4, no. 2 (2017): 524. http://dx.doi.org/10.25124/jett.v4i2.1111.

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Jaringan listrik penerangan pada penelitian ini mengacu pada jaringan listrik yang digunakan untuk mengontrol nyala dan matinya lampu, bukan mengatur redup terangnya lampu. Jaringan konvensional dan jaringan berbasis relay memiliki dua perbedaan mendasar, yaitu pada pemilihan jenis kabel, dan relay sebagai pengganti fungsi saklar. Jaringan konvensional umumnya menggunakan jenis kabel dengan luas penampang sebesar mungkin untuk menghindari rugi-rugi akibat daya disipasi. Sedang pada jaringan berbasis relay, selain menggunakan relay dan power supply sebagai komponen utama, jenis jaringan ini cuk
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Alizadeh, Reza, and Mohammad Mirzaie. "THE EFFECTS OF CABLE CHARACTERISTICS ON MAXIMUM OVERVOLTAGE IN COMBINED OVERHEAD/CABLE LINES PROTECTED BY SURGE ARRESTERS." IIUM Engineering Journal 19, no. 1 (2018): 104–16. http://dx.doi.org/10.31436/iiumej.v19i1.707.

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 This paper presents the calculation of maximum lightning overvoltage for a transmission system consisting of overhead lines in combination with an underground power cable. For this purpose, a 132 kV overhead transmission line combined with an underground cable is considered. This combined line has been protected by surge arresters. EMTP-RV and MATLAB software are used to conduct the modeling, simulation and calculation works. Lightning strikes on the tower top and results in large over-voltages appearing along overhead lines and cable. Underground cable characteristics have significant effec
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44

Hipfl, Brigitte. "Kabel - Kinder." MedienJournal 12, no. 1 (2017): 32–40. http://dx.doi.org/10.24989/medienjournal.v12i1.910.

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McKinley, Ian. "Karel Bobath." Psychiatric Bulletin 15, no. 12 (1991): 793–94. http://dx.doi.org/10.1192/pb.15.12.793.

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Harbi, M. "Rapport Kamel." NAQD N° 14-15, no. 1 (2001): 229. http://dx.doi.org/10.3917/naqd.014.0229.

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Bewley, Thomas. "Kamel Hamadah." Psychiatric Bulletin 22, no. 8 (1998): 523. http://dx.doi.org/10.1192/pb.22.8.523.

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48

Charlemagne and Matic Kristan. "Karel Veliki." Keria: Studia Latina et Graeca 23, no. 1 (2021): 211–22. http://dx.doi.org/10.4312/keria.23.1.211-222.

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Splošni opomin (Admonitio generalis) je kapitular (frankovski zakonodajni odlok) Karla Velikega (vladal 768–814), ki je bil temeljni dokument njegovega programa kulturne prenove (renovatio). Kapitular je bil izdan 23. marca 789. Čeprav je v prvi vrsti ideološke narave, ni ostal le mrtva črka na papirju: še istega leta so ob njem izšli trije drugi kapitularji, ki so ga vsebinsko dopolnjevali (Duplex legationis edictum, Capitulare missorum, Breviarum missorum Aquitanicum). Kapitularje so frankovski vladarji sicer izdajali že prej, vendar še nikoli več kot dva v istem letu. Prav tako so se kmalu
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Khairina Siregar, Novita. "Desain Hybrid Fiber Coaxial pada Sistem TV Digital." Jurnal Elektro dan Mesin Terapan 3, no. 1 (2017): 1–10. http://dx.doi.org/10.35143/elementer.v3i1.170.

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Seiring berkembangnya zaman teknologi TV kabel dengan menggunakan kabel coaxial tidak cukup untuk memenuhi kehidupan masyarat saat ini yang semakin haus akan media informasi atau internet. Untuk memenuhi kebutuhan tersebut banyak banyak nya TV kabel dengan menggunakan kabel coaxial beralih ke teknologi HFC (Hybrid Fiber Coaxial). HFC merupakan perpaduan antara jaringan optic dengan jaringan kabel coaxial. Pada HFC dirancang E/O (Electric to Optic) converter sebagai pengubah keluaran coaxial menjadi keluaran optik. Output E/O converter 4,68dBm dengan input combiner sebesar -24,49dBm. Dari penel
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Thania, Bella Mareta, Kartika Sahar, Pramesti Eka Braniati, and Dedi Hantono. "Respon Masyarakat Terhadap Keberadaan Pasar Kaget Rawasari Di Jakarta Pusat." Jurnal Linears 3, no. 1 (2020): Progress. http://dx.doi.org/10.26618/j-linears.v3i1.3179.

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Pasar Kaget merupakan pasar yang keberadaannya hanya diwaktu-waktu tertentu dan di lokasi yang memiliki keramaian. Di daerah Rawasari, Jakarta Pusat, terdapat fenomena keberadaan pasar kaget ditengah permukiman warga dan bersebelahan dengan pasar tradisional yang buka setiap harinya. Keberadaaan pasar kaget di tengah-tengah permukiman warga menghasilkan dampak yang terasa bagi lingkungan sekitarnya. Tujuan dari penelitian ini adalah untuk mengetahui respon masyarakat terhadap keberadaan pasar kaget di daerah tempat tinggal mereka. Penelitian ini menggunakan metode kualitatif dengan melakukan s
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