Academic literature on the topic 'Korea history 1910-1945'

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Journal articles on the topic "Korea history 1910-1945"

1

Cho, Hyung Sang, and Sun Gyoo Park. "The History of Surgical Anesthesia in Korea ( 1910 ~ 1945 )." Korean Journal of Anesthesiology 23, no. 4 (1990): 489. http://dx.doi.org/10.4097/kjae.1990.23.4.489.

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2

Allen, Chizuko T. "Northeast Asia Centered Around Korea: Ch'oe Namsŏn's View of History." Journal of Asian Studies 49, no. 4 (1990): 787–806. http://dx.doi.org/10.2307/2058236.

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Ch'oe namsŏn (1890–1957) was a leading Korean intellectual during the era of Japanese control (1910–1945). His activities included publishing Korea's first popular modern magazine, pioneering modern poetry in Korean, drafting the Declaration of Independence for the 1919 March First Independence Movement, and publishing numerous articles on Korean culture. He was also a leading Korean historian at a time when Japanese scholars monopolized Korean studies.
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Jennings, John M. "The Forgotten Plague: Opium and Narcotics in Korea under Japanese Rule, 1910–1945." Modern Asian Studies 29, no. 4 (1995): 795–815. http://dx.doi.org/10.1017/s0026749x00016188.

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One of the most neglected aspects of the history of Korea under Japanese colonial rule is the significant role of the drug trade during the colonial period. Korea emerged as a major producer of opium and narcotics in the 1920s, and in the 1930s became an important supplier to the opium monopoly created by the Japanese-sponsored Manchukuo regime. The latter development sparked an international controversy due to Manchukuo's unsavory reputation in connection with the illicit drug trade, and would later lead the International Military Tribunal for the Far East to identify Korea as the ‘principal
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4

Baker, Don. "Japanese Assimilation Policies in Colonial Korea, 1910-1945 (review)." Monumenta Nipponica 65, no. 2 (2010): 416–18. http://dx.doi.org/10.1353/mni.2010.0016.

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5

Kim, Sunkyung. "Research on a Buddha Mountain in Colonial-Period Korea: A Preliminary Discussion." Religions 12, no. 7 (2021): 551. http://dx.doi.org/10.3390/rel12070551.

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Buddhist art became the focus of discussion when Japanese scholars began to construct Korean art history as an academic discipline. This paper presents a case study of how a particular Buddhist site, Mount Nam in Kyŏngju, was recognized, researched, and represented during the colonial period (1910–1945). By analyzing representative Japanese publications on the subject, I argue that there existed disconnection between the colonial government and the site-researchers. I re-evaluate the conventional narrative that the colonizers regarded Buddhist statues as “art” removed from their original relig
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6

Hunt, Josiah Gabriel. "A Nation of One: A Critical Analysis of the Rise of the Notion of Ethnocultural Oneness in Twentieth-Century Korea." International Journal of Multicultural and Multireligious Understanding 4, no. 4 (2017): 29. http://dx.doi.org/10.18415/ijmmu.v4i4.76.

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This essay has been written to critically explore the societal idealization of oneness held among the Korean people. Particular emphasis is paid to scholarly works published between the years 2010 and 2016. The central finding procured by reviewing works meeting this study’s inclusion criteria suggests that the notion of ethnocultural oneness is a modern myth structured along the political ideologies of the state. As such, attention is duly afforded to the historic origins of oneness and how this perception emerged in the twentieth century as a response to the period of Japanese colonization (
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7

Katsurajima Nobuhiro. "History compilation and modern science during the Japanese occupation of Korea from 1910 to 1945." Japanese Language and Literature Association of Daehan ll, no. 47 (2010): 21–33. http://dx.doi.org/10.18631/jalali.2010..47.002.

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8

Lee, Ho. "The Ideological Background of Land Reform: Syngman Rhee's Understanding of "Democracy"." Center for Civic Politics Research 4 (June 30, 2022): 129–58. http://dx.doi.org/10.54968/civicpol.2022.4.129.

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During the Constituent Assembly that began in May 31 1948, Syngman Rhee, the Chairman of the National Assembly, supported Land Reform and mentioned about democracy. During his speech called "The Problem of Land Reform" in December 4 1948, President Syngman Rhee argued the three reasons why the Land Reform should be done: Christianity, abolition of discrimination according to social status, and democracy.
 The thesis analyzes how "democracy" was depicted in Rhee's major writings and activities in three periods. The Late period of Joseon (1895~1910) is when Rhee argued democracy, Christiani
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9

Solomon, Deborah B. "“A Great Invention of the East, Unsurpassed in History”: Tŭngsap’an Mimeography in Korea, 1910–1945." Journal of Korean Studies 27, no. 2 (2022): 225–48. http://dx.doi.org/10.1215/07311613-9859811.

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Abstract In 1912, Horii Duplication opened a branch office in Keijō, or present-day Seoul, aiming to sell what the company optimistically described as “a great invention of the East,” its patented tōshaban (K. tŭngsap’an) duplicator. The tŭngsap’an was, indeed, a remarkably accessible technology. It was simple and inexpensive to operate; it could reproduce images, roman letters, and East Asian scripts; and it was capable of generating duplicates on any type of paper using readily available ink. Tŭngsap’an technology was deeply implicated in Japanese expansionism from its inception, and in Kore
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10

KIM, HOI-EUN. "Adulterated Intermediaries: Peddlers, Pharmacists, and the Patent Medicine Industry in Colonial Korea (1910–1945)." Enterprise & Society 20, no. 4 (2019): 939–77. http://dx.doi.org/10.1017/eso.2019.14.

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In studying the patent medicine industry in colonial Korea (1910–1945), I pay attention to the inordinately large number of peddlers and small retailers—45,688 in 1935—who functioned as human intermediaries in the burgeoning medicinal market. By almost exclusively studying printed advertisements, previous scholars have depicted the patent medicine industry as the vanguard of modern marketing or as a willing partner in the commercial propagation of the hegemonic vision of the colonial biopower. Conscious of the severely limited reach of modern media in the colonial context, I argue instead that
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