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Journal articles on the topic 'Latin poetry, Medieval and modern – Italy'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Cornish, Alison. "A Lady Asks: The Gender of Vulgarization in Late Medieval Italy." PMLA/Publications of the Modern Language Association of America 115, no. 2 (2000): 166–80. http://dx.doi.org/10.2307/463254.

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Classical texts were extensively translated into the vernacular in Italy during the period when Italian poetry began, and the “mentality” of translation is traceable in this early verse. Vernacularization is gendered female, especially in the conventions of lyric poetry. As exemplified in some thirteenth- and fourteenth-century poems and their prose commentaries, “vulgarization” is often presented as a discourse to women, who are conceived as a superior rather than an inferior audience. Instead of demeaning the Latin original, this kind of vulgarization paradoxically ennobles both the learned

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O'Donoghue, Bernard. "Medievalism and Writing Modern Poetry." Irish University Review 45, no. 2 (2015): 229–41. http://dx.doi.org/10.3366/iur.2015.0174.

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Bernard O'Donoghue argues that his choice of specialising in the medieval parts of an English degree may have been unconsciously dictated by the language and culture of an Irish Catholic upbringing and school education. At Umeraboy National School in North Cork he learned the writing and reading of English and Irish simultaneously, giving no particular privilege to the language spoken at home, English. A possible consequence of this was an everyday acceptance of unfamiliar vocabulary, which was reinforced by daily encounters with the Latin-derived language of prayer: words like ‘implored’, ‘in

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Gaston, Kara. "Reading for Poetry: Memory, Imagination, and the Layout of Prose Boethius Translation in Late Medieval England and Italy." Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 9, no. 2 (2024): 243–67. https://doi.org/10.1353/mns.2024.a945375.

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Abstract: Boethius's Consolation of Philosophy was among the many Latin texts translated for growing vernacular readerships in France, England, and Italy in the thirteenth and fourteenth centuries. But the Consolation presents a special challenge for both translators and scribes, for all-prose translation flattens the formal variety of Boethius's original Latin prosimetrum. How do scribes negotiate between the form of all-prose translation and the form of the original text? In one copy of Chaucer's English Boece (Cambridge, Cambridge University Library MS Ii.1.38) and in two manuscripts of Ita

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Haskell, Yasmin. "The Tristia of a Greek refugee: Michael Marullus and the politics of Latin subjectivity after the fall of Constantinople (1453)." Proceedings of the Cambridge Philological Society 44 (1999): 110–36. http://dx.doi.org/10.1017/s0068673500002236.

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Almost everything we know of Michael Marullus – Greek exile, Neoplatonist, mercenary soldier – is mediated by his poetry, much of which seems positively to invite biographical decoding. The poet tells us he was conceived in the year Constantinople fell to the Turks (1453), after which his family fled, via Ragusa (modern Dubrovnik), to Italy. Here he grew up under the Iliadae … tecta Remi (Siena?), received an excellent education, and from an early age was frequenting the humanist academy of Giovanni Pontano at Naples. Marullus reports that when just seventeen, fate tore him away from his studi

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VELYCHKO, M., and O. BRATEL. "The role of Andaluzian poetry in the formation and development of the lyrics of the Provencal troubadours." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 26 (2020): 45–48. http://dx.doi.org/10.17721/1728-242x.2020.26.45-48.

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In the review article the theories of the Arabic origin of West European chivalrous poetry were analyzed. The article deals with the problem of the direct interaction between Arabic and European literary traditions, in particular, the probability of the impact of the Arab-Spanish strophic poetry on Provencal troubadour's lyrics and the possibility of the influence of Andalusian poetry on Spanish and Provencal. So that it is established that al-Andalus was a multilingual society in which the Andalusi Romance dialects were spoken and written alongside Arabic. In Europe, and from scholars working

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Classen, Albrecht. "Historia Apollonii regis Tyri: A Fourteenth-Century Version of a Late Antique Romance. Ed. from Vatican City, Biblioteca Apostolica Vaticana, MS Vaticanus Latinus 1961, by William Robins. Toronto Medieval Latin Texts. Toronto: Pontifical Institute of Mediaeval Studies, 2019, xi, 123 pp., 1 b/w ill." Mediaevistik 32, no. 1 (2020): 497–98. http://dx.doi.org/10.3726/med.2019.01.136.

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One of the great medieval bestsellers, actually since the second or third century C.E., was the Historia Apollonii regis Tyri, extant not only in countless Latin manuscripts and then early modern prints, but also in numerous vernaculars. The present edition of Ms. Vaticanus Latinus 1961 makes available a highly trustworthy version from the middle of the fourteenth century copied in northern or central Italy, which contains part of a world chronicle, the Historie by Riccobaldo of Ferrara, into which the Historia Apollonii is embedded. Marginal notes indicate that this manuscript was in the poss

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Schendl, Herbert. "Code-switching in early English literature." Language and Literature: International Journal of Stylistics 24, no. 3 (2015): 233–48. http://dx.doi.org/10.1177/0963947015585245.

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Code-switching has been a frequent feature of literary texts from the beginning of English literary tradition to the present time. The medieval period, in particular, with its complex multilingual situation, has provided a fruitful background for multilingual texts, and will be the focus of the present article. After looking at the linguistic background of the period and some specifics of medieval literature and of historical code-switching, the article discusses the main functions of code-switching in medieval poetry and drama, especially in regard to the different but changing status of the

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Cullhed, Anders. "Avatars of Latin Schooling: Recycling Memories of Latin Classes in Western Poetry: Five Paradigmatic Cases." Journal of Latin Cosmopolitanism and European Literatures, no. 1 (June 12, 2019): 17–33. http://dx.doi.org/10.21825/jolcel.v0i1.8249.

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This paper tries to elucidate the significance of Latin schooling for the production of poetry by lining up five typical cases of recycling Roman texts, from the Middle Ages to the twentieth century. The French poet Baudri de Bourgueil (ca 1050–1130) rewrote Ovid’s Heroides 16–17 within a cultural context, characteristic of the incipient “Ovidian age,” aetas ovidiana, based on classroom practices such as paraphrase, accessus and glosses, presupposing a sense of historical continuity – or translatio studii et imperii – from Antiquity down to the twelfth century. In his great work, The Comedy, t

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Gerber, Amanda. "Marginal Geography: Pedagogical Design in Medieval Commentaries on Classical Poems." Journal of Medieval and Early Modern Studies 53, no. 2 (2023): 225–59. http://dx.doi.org/10.1215/10829636-10416585.

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This article explores the nature and significance of geographical diagrams in medieval commentaries on classical Roman poems. It situates these diagrams within larger conversations about cartographic traditions and the pedagogical contexts for which these diagrams were originally designed. Modern scholars have only begun to address these geographical diagrams in histories of cartography, but not in textual studies. In surveying a range of ninth- to fifteenth-century manuscripts especially of Lucan's poetry, the article uncovers the sources of geographical diagrams that recur in cartography, en

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Long, Michael. "Singing Through the Looking Glass: Child's Play and Learning in Medieval Italy." Journal of the American Musicological Society 61, no. 2 (2008): 253–306. http://dx.doi.org/10.1525/jams.2008.61.2.253.

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Abstract This study explores the context for a small monophonic Latin song preserved in an eclectic Italian anthology manuscript produced around the turn of the fifteenth century. The song bears the Italian heading L'antefana di Ser Lorenzo, and is presumably connected to the Florentine composer Lorenzo Masini. “Diligenter advertant chantores” (as the Latin text begins) attracted considerable attention when it was first made widely available in facsimiles of the mid-twentieth century. Scholars of late medieval music, confronted by the song's apparent intellectual virtuosity and the diabolical

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Zaharia, Oana-Alis. "“De interpretatione recta...”: Early Modern Theories of Translation." American, British and Canadian Studies Journal 23, no. 1 (2014): 5–24. http://dx.doi.org/10.1515/abcsj-2014-0024.

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Abstract Translation has been essential to the development of languages and cultures throughout the centuries, particularly in the early modern period when it became a cornerstone of the process of transition from Latin to vernacular productions, in such countries as France, Italy, England and Spain. This process was accompanied by a growing interest in defining the rules and features of the practice of translation. The present article aims to examine the principles that underlay the highly intertextual early modern translation theory by considering its classical sources and development. It fo

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Cohen, Walter. "The Rise of the Written Vernacular: Europe and Eurasia." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 719–29. http://dx.doi.org/10.1632/pmla.2011.126.3.719.

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When Students of Western European Medieval Literature speak of the rise of the vernacular, they often do not mean what you might think they mean—neither the continued use of Latin as a written vernacular for over five hundred years after the fall of the Roman Empire nor the first texts in Celtic, Germanic, and Semitic languages, from the fourth to the tenth century. They mean something later and geographically narrower—the writing that emerges from the breakup of Latin into distinct regional speech patterns, the Romance languages and literatures, primarily in the territories of modern France,

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Mallette, Karla. "Beyond Mimesis: Aristotle's Poetics in the Medieval Mediterranean." PMLA/Publications of the Modern Language Association of America 124, no. 2 (2009): 583–91. http://dx.doi.org/10.1632/pmla.2009.124.2.583.

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La imagen que un solo hombre puede formar es la que no toca a ninguno. … El tiempo, que despoja los alcázares, enriquece los versos.—Jorge Luis Borges, “La busca de Averroes” (586)The image that a single man can form touches no one. … Time, which despoils fortresses, enriches poetry.How should literary historians aiming to describe literary traditions that predated the modern nation use the methodological tool kit developed contemporaneously with the European nationalisms? Can philology be separated from the logic of the nation and from the teleological vanishing point—the languages and litera

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Cormier, Raymond. "Marek Thue Kretschmer, Latin Love Elegy and the Dawn of the Ovidian Age. A Study of the Versus Eporedienses and the Latin Classics. Publications of The Journal of Medieval Latin, 15. Turnhout: Brepols, 2020, pp. 175." Mediaevistik 34, no. 1 (2021): 430–32. http://dx.doi.org/10.3726/med.2021.01.100.

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Abstract: “Verses from Ivrea” (northern suburban town of Turin, Italy, near the Po waterway), an elegiac love poem, dates from the late eleventh century and is attributed to a certain Wido. It celebrates not the usual contemptus mundi of the era but rather worldly pleasures. The poem draws on a wealth of Latin classical sources, Ovid in particular, which leads the editor to view it as a precursor to the twelfth-century Renaissance. Kretschmer (hereafter K.), a Norwegian Classics professor, now based in Paris, publishes herewith his third major work, a book-length edition and study of this unus

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15

Vincent, Robert Hudson. "Baroco: The Logic of English Baroque Poetics." Modern Language Quarterly 80, no. 3 (2019): 233–59. http://dx.doi.org/10.1215/00267929-7569598.

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Abstract As many scholars, including the editors of the Oxford English Dictionary, continue to cite false etymologies of the baroque, this article returns to a Scholastic syllogism called baroco to demonstrate the relevance of medieval logic to the history of aesthetics. The syllogism is connected to early modern art forms that Enlightenment critics considered excessively complicated or absurdly confusing. Focusing on the emergence of baroque logic in Neo-Latin rhetoric and English poetics, this article traces the development of increasingly outlandish rhetorical practices of copia during the

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Butterfield, Ardis. "ENTÉ: A SURVEY AND REASSESSMENT OF THE TERM IN THIRTEENTH- AND FOURTEENTH-CENTURY MUSIC AND POETRY." Early Music History 22 (August 2003): 67–101. http://dx.doi.org/10.1017/s0261127903003024.

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The medieval term enté, meaning ‘grafted’, has a long and varied history in musicological study. It is usually held to refer to the practice of grafting a refrain (whether text or melody or both) onto a longer work, such as a motet voice. For modern scholars its chief importance lies in its association with the thirteenth-century motet: it has been discussed principally in its role as a classificatory term, where it occurs as a rubric in several medieval manuscript lyric collections, and is also mentioned (in Latin) in a well-known passage from the musical treatise De musica (c.1300) by Johann

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Revyakina, Nina. "Juan Luis Vives on the use of Ancient literature in education." Hypothekai 5 (September 2021): 214–35. http://dx.doi.org/10.32880/2587-7127-2021-5-5-214-235.

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The work “On Education” (De tradendis disciplinis) by the Spanish humanist Juan Luis Vives (1492/3–1540) is considered from the perspective of the use of ancient literature during the in-itial period of child school training (from 7 to 15 years). Vives’ appreciation of the Latin language, a positive attitude towards teaching Greek at school, and the influence of ancient languages on modern European languages — Italian, Spanish, and French are discussed. The article draws attention to some features in teaching the Latin language that are not characteristic of the hu-manists who preceded Vives a

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Haskell, Yasmin. "Group Therapy for Venetian Adolescents? Giannantonio Bernardi’s “Prudence, a didactic prolusion” (Venice, 1709) and Jesuit Moral Counselling in Verse." Journal of Jesuit Studies 4, no. 2 (2017): 186–208. http://dx.doi.org/10.1163/22141332-00402003.

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While Jesuits composed more Latin didactic poetry than any other order or profession in the early modern period, they—perhaps surprisingly—rarely chose moral, political, or spiritual subjects for versification in this genre. One of the few exceptions to the rule is Prudentia, prolusio didascalica (Prudence, a didactic prolusion) by the Paduan-born Jesuit Giannantonio Bernardi (1670–1743), first published in Venice in 1709. Bernardi seems to have spent his whole life as a teacher, preacher, and confessor in northern Italy, apart from a stint accompanying his penitent, the Venetian envoy and fut

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19

Sanz Mingo, Carlos. "Eric fighting in Guatemala. Adaptation and proximation of medieval Arthurian literature in Manuel Vázquez Montalbán’s Erec y Enide ." Journal of the International Arthurian Society 11, no. 1 (2023): 83–104. http://dx.doi.org/10.1515/jias-2023-0005.

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Abstract Europe boasts a large number of traditions and cultures which coexist in a relatively small space. However, despite this, different literary motifs and topics have been readapted and transformed into other different traditions. The Arthurian legend is a prime example of this. Whilst it originated in the British Isles, it rapidly expanded throughout the continent in many different cultural manifestations, from poetry to decorative arts, music to drama. The Arthurian legend acquired special importance in France, where Chrétien de Troyes’s Erec et Enide gave it a courtly touch. The Welsh

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Kajzer, Leszek. "Recent excavation and survey at Zduny, Wrząca and Kliczków Mały: earthworks of the modern period." Antiquity 65, no. 248 (1991): 716–21. http://dx.doi.org/10.1017/s0003598x00080339.

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At a time when the whole of Europe is growing ever more united, the study of cultural phenomena observable all over the continent gains in importance. One such phenomenon is the occurrence of earthworks of both prehistoric and historical date. Initially associated with tribal Europe and with that period of its history when early states began to emerge, these defensive features began to decline with progressing feudalization. Within Latin Europe they were replaced by imperial ‘pfalze’, feudal seats of the motte type, and castles. Built by rulers, ecclesiastical dignitaries and knights all over

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Sikorski, Tomasz. "„Klatka Ezry”. Między poezją a polityką." Studia nad Autorytaryzmem i Totalitaryzmem 38, no. 3 (2017): 53–73. http://dx.doi.org/10.19195/2300-7249.38.3.4.

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EZRA’S CAGE”. BETWEEN POETRY AND POLITICSEzra Pound 1885–1975 was, next to Thomas Stearns Eliot, the most prominent American poet of modernist. He was considered the creator of vorticism and imagism — modern trends in art and world culture. In his works he reached to different eras and cultural trends. He was as well fascinated by medieval Provençal, Spanish and Italian literature, and Japanese art of haiku. On his work also had an impact scholasticism, Confucianism and Far East literature. In addition to poetry, Pound was also involved in literary criticism, painting and sculpture, he wrote h

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Elet, Yvonne. "Seats of Power: The Outdoor Benches of Early Modern Florence." Journal of the Society of Architectural Historians 61, no. 4 (2002): 444–69. http://dx.doi.org/10.2307/991868.

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Outdoor public seating is an intriguing and virtually unstudied element in the history of western architecture and urbanism. This article focuses on Florence in the fourteenth and fifteenth centuries, tracing the numerous stone benches that once existed on piazzas, streets, loggias, and palace façades throughout the city. More than simply utilitarian appendages, the benches were carefully integrated into the design of iconic urban spaces and building fronts, both civic and private. The study draws on abundant and varied primary source material: contemporary chronicles, histories, letters, poet

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Singer, Julie. "Chronicle Conditions." Romanic Review 113, no. 1 (2022): 112–30. http://dx.doi.org/10.1215/00358118-9560716.

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Abstract Sociological research on chronic illness, and especially on the autobiographical writings of modern patients, has yielded insights into how chronic conditions alter fundamental relationships between notions of self, body, and time. The chronic part of “chronic illness” can disrupt perceptions of the linearity of time, yielding alternate temporalities grounded in bodily experience. In contemporary self-fiction, to chronicle a chronic condition is to juggle different kinds of time. But what about genres, like premodern historiography, that impose a linear, chronological framework? What

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LEE, Jinhyon. "Islamic Astronomers to whom Copernicus was indebted Refinements and limitations of the Ptolemaic system." Korean Society for European Integration 15, no. 3 (2024): 49–74. https://doi.org/10.32625/kjei.2024.34.49.

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Medieval Islamic scholars, while adhering to the geocentric Ptolemaic model, developed sophisticated planetary motion geometries that eventually contributed to the astronomical innovations of early modern Europe. However, like the theological cosmology of Christian Europe, Islamic astronomy was also deeply intertwined with a religious epistemology that regarded perfect circular orbits as evidence of a divine celestial order. The intellectual heritage of ancient Greece, transmitted through Byzantium, was translated into Syriac and Persian and, following the rise of Islam, further into Arabic. D

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Dal Prete, Ivano. "On the Edge of Eternity: The Antiquity of the Earth in Medieval and Early Modern Europe." Perspectives on Science and Christian Faith 76, no. 2 (2024): 139–40. http://dx.doi.org/10.56315/pscf9-24dalprete.

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ON THE EDGE OF ETERNITY: The Antiquity of the Earth in Medieval and Early Modern Europe by Ivano Dal Prete. Oxford, UK: Oxford University Press, 2022. 214 pages of text plus 82 pages of notes, a bibliography, an index, and sixteen pages of black-and-white halftones. Hardcover; $37.99. ISBN: 9780190678890. Kindle; $25.99. ISBN: 9780190678890. *Ivano Dal Prete is a senior lecturer in the History of Science and Medicine program at Yale University. After receiving his doctorate at the University of Verona, he served as a visiting professor at Columbia, Harvard, and Minnesota before coming to Yale.

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Dal Prete, Ivano. "On the Edge of Eternity: The Antiquity of the Earth in Medieval and Early Modern Europe." Perspectives on Science and Christian Faith 76, no. 2 (2024): 139–40. http://dx.doi.org/10.56315/pscf09-24dalprete.

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ON THE EDGE OF ETERNITY: The Antiquity of the Earth in Medieval and Early Modern Europe by Ivano Dal Prete. Oxford, UK: Oxford University Press, 2022. 214 pages of text plus 82 pages of notes, a bibliography, an index, and sixteen pages of black-and-white halftones. Hardcover; $37.99. ISBN: 9780190678890. Kindle; $25.99. ISBN: 9780190678890. *Ivano Dal Prete is a senior lecturer in the History of Science and Medicine program at Yale University. After receiving his doctorate at the University of Verona, he served as a visiting professor at Columbia, Harvard, and Minnesota before coming to Yale.

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Paul, Joanna. "Reception." Greece and Rome 61, no. 2 (2014): 308–11. http://dx.doi.org/10.1017/s0017383514000151.

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A recent special issue of the Classical Receptions Journal marked the twentieth anniversary of the publication of Charles Martindale's Redeeming the Text. Latin Poetry and the Hermeneutics of Reception. Although the rich and various examples of classical reception scholarship that have appeared over the past two decades are by no means all cut from Martindale's cloth, the ‘seminal’ and ‘influential’ nature of his study is surely not in doubt. It is fitting, then, that this issue's round-up of reception publications focuses on a small cluster of recent studies that, like Redeeming the Text, exp

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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari

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Werle, Dirk, and Uwe Maximilian Korn. "Telling the Truth: Fictionality and Epic in Seventeenth-Century German Literature." Journal of Literary Theory 14, no. 2 (2020): 241–59. http://dx.doi.org/10.1515/jlt-2020-2006.

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AbstractResearch on the history of fiction of the early modern period has up to now taken primarily the novel into consideration and paralleled the rise of the novel as the leading genre of narrative literature with the development of the modern consciousness of fictionality. In the present essay, we argue that contemporary reflections on fictionality in epic poetry, specifically, the carmen heroicum, must be taken into account to better understand the history of fiction from the seventeenth century onwards. The carmen heroicum, in the seventeenth century, is the leading narrative genre of con

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Фонова, Евгения Геннадьевна, та Ольга Александровна Шитц. "К вопросу о профессиональных компетенциях переводчиков в эпоху искусственного интеллекта". Tomsk state pedagogical university bulletin, № 1(237) (18 січня 2025): 148–56. https://doi.org/10.23951/1609-624x-2025-1-148-156.

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В статье речь идет о современных профессиональных компетенциях переводчика, о необходимости их корректировки в связи со стремительно развивающейся сферой машинного перевода и искусственного интеллекта. Раскрывается проблема соотнесения перевода как такового и редактирования машинного перевода: ставится вопрос об изменении статуса переводчика и авторства производимого текста. Дискуссионным остается вопрос о необходимости указания на использование искусственного интеллекта при переводе. Важным аспектом, рассматриваемым в статье, становится тема профессиональной этики и конфиденциальности перевод

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Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel comprises the complex historical knowledge about numerous woodcuts which present views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu

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Giostra, Alessandro. "Stanley Jaki: Science and Faith in a Realist Perspective." Perspectives on Science and Christian Faith 74, no. 1 (2022): 59–61. http://dx.doi.org/10.56315/pscf3-22giostra.

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STANLEY JAKI: Science and Faith in a Realist Perspective by Alessandro Giostra. Rome, Italy: IF Press, 2019. 144 pages. Paperback; $24.24. ISBN: 9788867881857. *The subject of this short introduction--Father Stanley L. Jaki (1924‚Äì2009), a giant in the world of science and religion--is more important than this book's contents, a collection of conference papers and articles published between 2015 and 2019. *Readers of this journal should recognize Jaki, a Benedictine priest with doctorates in theology and physics, 1975‚Äì1976 Gifford lecturer, 1987 Templeton Prize winner, and professor at Seto

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Classen, Albrecht. "Ecocritical readings of medieval German and Latin heroic poetry." Arts & Communication, May 30, 2025, 025170027. https://doi.org/10.36922/ac025170027.

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While the living conditions of the Anthropocene pose dangerous consequences for humanity, they have also heightened our attention and sensitivity to nature, that is, our natural environment, even when looking back into the past. Scientists and literary scholars have discovered that ecocriticism strongly contributes to a deeper, refined insight into the interaction between human actors and natural agents. Many medievalists have thus begun to focus on how pre-modern poets reflected on water, the forest, mountains, animals, and plants as they impacted human life. This paper reviews a range of med

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Beullens, Pieter. "THE SHACKLED MUSE MEDIEVAL LATIN TRANSLATORS AND POETRY IN GREEK PHILOSOPHERS." Cihannüma: Tarih ve Coğrafya Araştırmaları Dergisi, August 11, 2024, 35–61. https://doi.org/10.30517/cihannuma.1611095.

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In the medieval and early modern periods, Latin translators of Greek philosophical texts were faced with the difficult task of providing renderings of the poetic quotations that their sources contained. Their approaches clearly show that their usual translation method was not adapted to the challenge that they – unwillingly – had to take on. In this article, I present a selection of illustrative samples of various methodologies applied by medieval translators. I compare the results with the efforts produced by their humanist counterparts, who typically claimed to have had a greater mastery of

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Agostini, Nicolantonio, Gianpasquale Chiatante, and Alberto Canobbio. "[On the origin of the name Girifalco, an Italian town in a hotspot of the autumn migration of soaring raptors]." Natural History Sciences, June 27, 2024. http://dx.doi.org/10.4081/nhs.2024.761.

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In this article, a hypothesis is suggested on the origin of the name Girifalco, a small town in the Calabrian Apennines (southern continental Italy), located along an important flyway of raptors migrating through the Central Mediterranean. In particular, the name could derive from the late ancient/medieval Latin terms gyro and falco, the circling hawk, which perfectly describes the flight of migrating birds of prey passing in late summer over the town, during the exploitation of thermal currents. There, large groups of migrating birds of prey can be observed circling right above "Pietra dei Mo

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Torello‐Hill, Giulia. "The role of the Praenotamenta of Jodocus Badius Ascensius in shaping early modern dramatic criticism." Renaissance Studies, November 20, 2023. http://dx.doi.org/10.1111/rest.12904.

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AbstractThis article examines the profound and enduring legacy of the treatise on classical drama known as Praenotamenta ascensiana in shaping early modern dramatic poetics. Written by Flemish scholar Jodocus Badius Ascensius (1462–1535) as a preface to his 1502 edition of the Classical plays of Terence, this work has been unjustly overlooked by the critics that have invariably credited Aristotle’s Poetics for foregrounding the debate on early modern dramatic criticism, following Alessandro de Pazzi’s first Latin translation (1536) and Francesco Robortello’s monumental commentary (1548). The p

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Urban-Godziek, Grażyna. "The Amatory Hejnał (Bugle Call). An Old Polish Genre of a Morning Love Song." Studi Slavistici, January 25, 2023, 81–103. http://dx.doi.org/10.36253/studi_slavis-13109.

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The article presents the genre of the Polish amatory hejnał, defined in C. Hernas’ Hejnał polski. Studium z historii poezji melicznej (1961). This original genre, as well as other Polish poems which could be classified as aubade, was not included in A.T. Hatto’s collection Eos: An Enquiry into the Theme of Lovers’ Meetings and Partings at Dawn in Poetry (1965). The author of this article, focusing much of her research on medieval and early modern morning love poems, enumerates the features of amatory hejnał, showing its literary sources, in particular the scheme taken from Ovid’s Amores i 13.

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Cardullo, Sara N., and Kim A. Groothuis. "Revisiting Syntactic Microvariation and Diachrony in the Dual Complementizer Systems of Upper Southern Italy¹." Transactions of the Philological Society, April 17, 2024. http://dx.doi.org/10.1111/1467-968x.12292.

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AbstractThe primary aim of this work is to propose a diachrony of complementizer systems in the upper southern Italian dialects (USIDs). While previous diachronic studies have focused mainly on the transition from Latin to Romance, we aim to address several unanswered questions about the transition from medieval southern Italo‐Romance—in particular the system documented by Ledgeway (2005)—to the attested modern USID ones that are claimed to derive from it. Using the cartographic framework, and in particular the split‐CP (Rizzi 1997), our revisitation of the literature leads us to identify at l

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Pilter, Lauri. "Jüri Talvet maailmaluule tõlgendajana / Jüri Talvet’s Interpretations of World Poetry." Methis. Studia humaniora Estonica 14, no. 17/18 (2017). http://dx.doi.org/10.7592/methis.v14i17/18.13211.

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Teesid: Tartu Ülikooli maailmakirjanduse professori, luuletaja, kirjandusteadlase ja hispaaniakeelse kirjanduse spetsialisti Jüri Talveti tõlketegevuse viljade hulka kuulub luulet ja proosat nii sajandeid vanast Hispaania klassikast kui ka 20. sajandil või tänapäeval romaani keeltes või inglise keeles loodud teostest. Käesolev artikkel keskendub sellele, kuidas professor Talvet on tõlgendanud luule ja poeetika, kuid ka kirjandusajaloo, iseäranis barokk-kirjanduse alaseid küsimusi oma kirjandusteaduslikes esseedes. Vaadeldakse ka tema tõlketegevuse mahtu ja tõlketöö põhimõtteid. Jüri Talvet (bo

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"Buchbesprechungen." Zeitschrift für Historische Forschung: Volume 47, Issue 2 47, no. 2 (2020): 251–370. http://dx.doi.org/10.3790/zhf.47.2.251.

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Lepsius, Susanne / Friedrich Vollhardt / Oliver Bach (Hrsg.), Von der Allegorie zur Empirie. Natur im Rechtsdenken des Spätmittelalters und der Frühen Neuzeit (Abhandlungen zur rechtswissenschaftlichen Grundlagenforschung. Münchener Universitätsschriften. Juristische Fakultät, 100), Berlin 2018, Schmidt, VI u. 328 S., € 79,95. (Peter Oestmann, Münster) Baumgärtner, Ingrid / Nirit Ben-Aryeh Debby / Katrin Kogman-Appel (Hrsg.), Maps and Travel in the Middle Ages and the Early Modern Period. Knowledge, Imagination, and Visual Culture (Das Mittelalter. Beihefte, 9), Berlin / Boston 2019, de Gruyte

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Marina, Toumpouri. "Basilica of San Vitale." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574475.

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The Church of San Vitale, located in northwestern Ravenna, is the nearest known relative of the church of Saints Sergius and Bacchus built by Justinian in Constantinople around the same time, although the latter had not served as a direct model. The basilica was initially the martyrium of Saint Vitalis, the patron of Ravenna. Before the mid-tenth century, but unknown exactly when, the church was acquired by a Benedictine monastery, to which it belonged until 1860, when it was dissolved. The basilica of San Vitale was erected during the reign of Justinian (527-565). Julianus Argentarius, a Gree

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Toftgaard, Anders. "“Måske vil vi engang glædes ved at mindes dette”. Om Giacomo Castelvetros håndskrifter i Det Kongelige Bibliotek." Fund og Forskning i Det Kongelige Biblioteks Samlinger 50 (April 29, 2015). http://dx.doi.org/10.7146/fof.v50i0.41247.

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Anders Toftgaard: “Perhaps even this distress it will some day be a joy to recall”. On Giacomo Castelvetro’s manuscripts in The Royal Library, Copenhagen. In exile from his beloved Modena, Giacomo Castelvetro (1546–1616) travelled in a Europe marked by Reformation, counter-Reformation and wars of religion. He transmitted the best of Italian Renaissance culture to the court of James VI and Queen Anna of Denmark in Edinburgh, to the court of Christian IV in Copenhagen and to Shakespeare’s London, while he incessantly collected manuscripts on Italian literature and European contemporary history.

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Curran, Bev. "Portraits of the Translator as an Artist." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1923.

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The effects of translation have been felt in the development of most languages, but it is particularly marked in English language and literature, where it is a highly charged topic because of its fundamental connection with colonial expansion. Britain shaped a "national" literary identity through borrowing from other languages and infected and inflected other languages and literatures in the course of cultural migrations that occurred in Europe since at least the medieval period onward. As Stephen Greenblatt points out in his essay, "Racial Memory and Literary History," the discovery that Engl

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