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Relevant bibliographies by topics / Lavastus

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Academic literature on the topic 'Lavastus'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Lavastus"

1

Heinonen, Yrjö. "Euroviisuesityksen audiovisuaalinen rakentuminen." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 34, no. 1 (2021): 55–72. http://dx.doi.org/10.23994/lk.107816.

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Eurovision laulukilpailu on muuttunut historiansa aikana kansallisten radio- ja tv-yhtiöiden välisestä sävellys- ja sanoituskilpailusta eri maiden ja niitä edustavien laulajien tai yhtyeiden väliseksi esiintymiskilpailuksi siten, että tapahtuman viihteellisyys ja kilpailullisuus on samalla lisääntynyt. Tarkastelen artikkelissani kolmen Suomea vuosina 1987–1993 kilpailussa edustaneen esityksen audiovisuaalista rakentumista erityisesti viihteellisyyden, kilpailullisuuden ja kansallisten piirteiden esiin tuomisen tai tuomatta jättämisen näkökulmasta.Analysoitavat esitykset ovat ”Sata salamaa” (Vi

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2

Pesti, Madli. "About the concept and development of physical theatre. On the example of VAT Theatre production “The luncheon on the grass”." Philologia Estonica Tallinnensis 2 (December 19, 2017): 59–84. http://dx.doi.org/10.22601/pet.2017.02.04.

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3

Vidal, Frédéric. "Philippe Lavastre y Rafael Mas (coords.), Propiedad urbana y crecimiento de la ciudad. Seminario celebrado 4-5 febrero de 2002." Mélanges de la Casa de Velázquez, no. 36-2 (November 15, 2006): 323–25. http://dx.doi.org/10.4000/mcv.2551.

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4

Tarasov, Sergey. "Mircea Eliade’s cosmic Christianity: approaches to an interpretation." St. Tikhons' University Review 111 (February 29, 2024): 75–92. http://dx.doi.org/10.15382/sturi2024111.75-92.

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The article deals with the construct of cosmic Christianity in Mircea Eliade's project of the history of religion. Links are established with other concepts of the author, such as creative hermeneutics, homo religiosus, the horror of history, etc. Parallels are also drawn with German Idealism, Protestantism, traditionalism, Jungian psychoanalysis, and conservative-revolutionary thought. The criticism of A. Lenel-Lavastin and D. Dubuisson is drawn upon, arguing that the construct of cosmic Christianity can work within a national-conservative synthesis, so that the nation becomes the guarantor o

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5

Tavares, Ana C., Diwakar Kashyap, Cybelle Palma de Oliveira Soares, Gaetan Buvat, Guy Denuault, and Daniel Guay. "(Invited) Probing the Oxygen Reduction and Hydrazine Oxidation Reactions Using Transient Amperometric Techniques." ECS Meeting Abstracts MA2023-02, no. 55 (2023): 2654. http://dx.doi.org/10.1149/ma2023-02552654mtgabs.

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The kinetics of electrochemical reactions affected by mass transfer is often investigated by rotating disc electrode (RDE) and rotating ring disc electrodes. However, these hydrodynamic techniques require electrodes that can be shaped into a disk or catalysts that can be drop casted on the surface of a disk electrode. Instead, transient amperometric techniques such as chronoamperometry and sampled current voltammetry (SCV) hold potential to investigate the kinetics of reactions without such requirements. In SCV, a series of chronoamperograms are recorded for a range of target potentials, and t

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6

Pesti, Madli. "Space as an Active Agent. On Performative Space in Estonian Contemporary Performing Arts / Ruum kui aktiivne agent. Performatiivsest ruumist Eesti nüüdisaegsetes etenduskunstides." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18444.

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Abstract: This paper discusses examples of the use of performative space in the Estonian performing arts. It shows how a performative space is arranged as an interactive and shared space, what the features are of an installation space, how the audience perceives immersive space, and how a socially communicative space is formed. The paper studies the ways that space can be an active agent and affect the perception of the spectator.  Artikkel käsitleb ruumi organiseerimise viise uuemas Eesti teatris ning osutab, kuidas ruumilised suhted mõjutavad publiku taju. Analüüsitakse viit 2020

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7

Staniškytė, Jurgita. "The Condition of Instability: Performative Turn and Contemporary Lithuanian Theatre / Ebastabiilsuse seisund: performatiivne pööre ja Leedu nüüdisteater." Methis. Studia humaniora Estonica 22, no. 27/28 (2021). http://dx.doi.org/10.7592/methis.v22i27/28.18445.

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Abstract: The article discusses the new strategies of representation that emerged in contemporary Lithuanian theatre under the influence of socio-cultural transformations that can be attributed to the umbrella notion of “performative turn”. With the help of three case studies, the article investigates how certain codes of “aesthetics of performativity” as described by Erika Fischer-Lichte are circulating in contemporary Lithuanian theatre, what processes and agencies facilitate their emergence, and what possibilities as well as challenges for performative practices they entail.  Vi

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8

Lēvalde, Vēsma. "The Director as Translator: The Case of Latvian Director Oļģerts Kroders / Lavastaja kui tõlkija: läti lavastaja Oļģerts Kroders." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14587.

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The article aims to tackle the creative work of the eminent Latvian stage director Oļģerts Kroders (1921–2012). Kroders, as a representative of the psychological theatre, was one of the first in Soviet Latvia who dared to break with the canon of socialist realism and portrayed the characters of literary classics on the stage without heroic overtones. The cornerstone of his creative work was a detailed approach to the literary source text, adapting it to the intended concept of the production. He even used to adjust the interpretation of the text to the potential of a particular actor in a part

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9

Rodiņa, Ieva. "Blurring the Borders between Life and Theatre in the Stage Directing of Vladislavs Nastavševs / Elu ja teatri vahelise piiri hägustumine Vladislavs Nastavševsi lavastustes." Methis. Studia humaniora Estonica 17, no. 21/22 (2018). http://dx.doi.org/10.7592/methis.v17i21/22.14588.

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Vladislavs Nastavševs is one of the leading contemporary Latvian theatre directors. Nastavševs’ stage productions are constructed by combining elements of psychological theatre, performance art and postdramatic theatre, deliberately expanding the traditional boundaries between the stage and the audience, actors and spectators. Nastavševs’ performances usually contain visually impressive stage metaphors that generate both emotional and psychophysical influence on the spectators, thus exploring new types of performance perception and blurring the boundaries between life (reality) and theatre (fi

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10

Saro, Anneli. "Postdramaatiline teater ja autobiograafiline lavastus sotsiaalses kontekstis. Postdramatic Theatre and Autobiographical Performance in Its Social Context." Methis. Studia humaniora Estonica 4, no. 5-6 (2010). http://dx.doi.org/10.7592/methis.v4i5-6.525.

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Books on the topic "Lavastus"

1

Purje, Pille-Riin. Johannese passioon: Rakvere Teatri lavastuse vaatlus. [Sihtasutus Rakvere Teatrimaja], 2010.

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2

Tooming, Osvald. Musta Mandri kasupoeg ; Rahva sõda ehk Valge laev: Kaks lavastust. "Eesti Raamat", 1988.

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3

Novosibirskin lavastus: Noottikriisi 1961. Tammi, 1992.

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4

Ensio Suominen, kansallislavastaja. Like, 2008.

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