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Books on the topic 'Literary disruptions'

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1

Disruptions of Daily Life: Japanese Literary Modernism in the World. Cornell University Press, 2020.

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2

Literary Disruptions: The Making of a Post-Contemporary American Fiction. 2nd ed. University of Illinois Press, 1990.

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3

McCluskey, John. Richard Wright and the Season of Manifestoes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0006.

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This chapter studies the significance of the timing of Richard Wright's “Blueprint for Writing” and its applications to his nonfiction work, specifically his early journalism and work as a journal editor. The chapter places Wright's piece among the earliest in an international flurry of black diaspora manifestoes articulating generational and language disruptions. This is especially the case for Haitian and other francophone writers whom Wright would join in Paris by 1947. In their attempt to resist American oppression and French colonialism, nearly all called upon a return to embrace folklore
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4

Harste, Jerome C., Mitzi Lewison, and Christine H. Leland. Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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5

Harste, Jerome C., Mitzi Lewison, and Christine H. Leland. Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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6

Harste, Jerome C., Mitzi Lewison, and Christine H. Leland. Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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7

Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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8

Harste, Jerome C., Mitzi Lewison, and Christine H. Leland. Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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9

Harste, Jerome C., Mitzi Lewison, and Christine H. Leland. Teaching K-8 Reading: Disrupting 10 Literacy Myths. Taylor & Francis Group, 2020.

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10

Cowa, William Ty. The Slave in the Swamp: Disrupting the Plantation Narrative (Literary Criticism and Cultural Theory). Routledge, 2004.

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11

Davis, David A. World War I and Southern Modernism. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496815415.001.0001.

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When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region’s existing agricultural socia
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12

Raine, Anne. Ecocriticism and Modernism. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.010.

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This article examines the historical relation between modernist studies and ecocriticism. It contends that modernist literature offers rich resources for ecocriticism because it responds to the changing environment of industrial modernity in ways that sometimes affirm but more often productively question conventional romantic and realist ideas about nature. It also argues that reading modernism ecocritically requires careful attention to how modernism’s adaptation or disruption of conventional literary forms contributes to its particular modes of ecological inquiry and critique and contends th
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13

Smith, Jennifer J. Forming Provisional Identities. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423939.003.0001.

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The introduction argues that the short story cycle is the preeminent genre for articulating the uncertainty that characterizes literary responses to modernity. The introduction outlines two vital contributions of the cycle to American literary history: 1. the absence of textual harmony in the cycle initiated new, pervasive narrative techniques of proliferating perspectives and disrupting chronology that inflect modern and contemporary fiction and 2. the form of the cycle enables the expression of subjectivity without fixity. Contingency and multiplicity are so central to our social-media infus
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14

Rogers, Asha. State Sponsored Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857761.001.0001.

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Debates about the value of the ‘literary’ rarely register the expressive acts of state subsidy, sponsorship, and cultural policy that have shaped post-war Britain. In State Sponsored Literature, Asha Rogers argues that the modern state was a major material condition of literature, even as its efforts were relative, partial, and prone to disruption. Drawing from neglected and occasionally unexpected archives, she shows how the state became an integral and conflicted custodian of literary freedom in the postcolonial world as beliefs about literature’s ‘public’ were radically challenged by the un
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15

Allen, William. 7. Pastoral. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0007.

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‘Pastoral’ examines the invention of pastoral poetry in the urban metropolis of Alexandria in Hellenistic Egypt, showing how the genre's literary sophistication and nostalgia for rural simplicity appealed to learned city-dwelling poets and their readers. It also considers how the genre was transformed at Rome, as contemporary politics and civil war enter the pastoral world, disrupting its potential as an idealized retreat from city life. Theocritus formalized pastoral in his eight bucolic poems written at the Alexandrian court in the early 3rd century bc, but it was Virgil, with his Eclogues c
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16

Brownlee, Victoria. A Tale of Two Jobs. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812487.003.0004.

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Chapter 3 addresses the Old Testament figure of Job. It considers the resonance of his biblical narrative amid a climate of religious persecution in Europe. Job’s narrative was typically understood to mark bodily suffering as a test of faith and, for many readers, affirmed that their suffering, like Job’s, was divinely authorized for a finite period of time. A wave of theological and literary writings affirm the remarkable impact of the Joban trajectory of suffering in early modern culture. Shakespeare’s King Lear is no exception. Yet, instead of upholding the Joban paradigm of eventual restor
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17

Stanley, Brooke, and Walter Dana Phillips. South African Ecocriticism. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.154.

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This essay surveys South African ecocriticism, scaling it alongside African and postcolonial ecocriticisms. The authors praise critics who use local specificities to disrupt the universalization of Euro-American environmental and ecocritical tenets. That disruption generates global relevance. However, the field is still overcoming imbalances toward white literary and critical voices, as well as a disarticulation of “animal-centered” from “people-centered” approaches. Animal studies and landscape have pulled South African ecocritics in two main directions, which this chapter maps. The authors t
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18

Schwartz, Jessica A. Vocal Ability and Musical Performances of Nuclear Damages in the Marshall Islands. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.37.

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The United States conducted sixty-seven nuclear tests in the Marshall Islands from 1946 through 1958. The program was shrouded in secrecy; information about the tests conducted on Marshallese bodies and their land remains classified. This essay considers how Marshallese women from Bikini Atoll and Rongelap Atoll musically sound physical and physiological disruptions and dislocations that expose broader damages caused by the nuclear testing program. Analyzing compositions and performances from a repertoire of Marshallese “radiation songs,” the essay proposes a stylistic framework that works to
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19

Gaskell, Elizabeth, and Dinah Birch. Cranford. Edited by Elizabeth Porges Watson. Oxford University Press, 2011. http://dx.doi.org/10.1093/owc/9780199558308.001.0001.

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A man … is so in the way in the house!’ A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell’s Cranford describes a community dominated by its independent and refined women. Undaunted by poverty, but dismayed by changes brought by the railway and by new commercial practices, the ladies of Cranford respond to disruption with both suspicion and courage. Miss Matty and her sister Deborah uphold standards and survive personal tragedy and everyday dramas; innovation may bring loss, but it also brings growth, and welcome freedoms. Cranford suggests tha
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20

Beeson, Pélagie M., and Kindle Rising. Acquired Dysgraphias: Mechanisms of Writing. Edited by Anastasia M. Raymer and Leslie J. Gonzalez Rothi. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199772391.013.13.

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Acquired dysgraphia refers to disorders of spelling or writing due to neurological damage in individuals with normal premorbid literacy skills. Dysgraphia can result from the disruption of central cognitive processes that also support spoken language and reading, so that spelling impairments frequently co-occur with aphasia and acquired alexia. The ability to produce written words can also be affected by damage to peripheral processes necessary to plan and execute the appropriate hand movements for letter generation or typing. In this chapter, we review the cognitive processes that support spe
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21

Youssef, Mary. Minorities in the Contemporary Egyptian Novel. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474415415.001.0001.

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This book examines questions of identity, nationalism, and marginalization in the contemporary Egyptian novel from a postcolonial lens. Under colonial rule, the Egyptian novel invoked a sovereign nation-state by basking in its perceived unity. After independence, the novel professed disenchantment with state practices and unequal class and gender relations, without disrupting the nation’s imagined racial and ethno-religious homogeneity. This book identifies a trend in the twenty-first-century Egyptian novel that shatters this singular view, with the rise of a new consciousness that presents Eg
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22

Bélair-Gagnon, Valérie, and Nikki Usher, eds. Journalism Research That Matters. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197538470.001.0001.

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Despite the looming crisis in journalism, a research–practice gap plagues the news industry. This volume seeks to change the research–practice gap, with timely scholarly research on the most pressing problems facing the news industry today, translated for a non-specialist audience. Contributions from academics and journalists are brought together in order to push a conversation about how to do the kind of journalism research that matters, meaning research that changes journalism for the better for the public and helps make journalism more financially sustainable. The book covers important conc
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23

Riquet, Johannes. The Aesthetics of Island Space. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198832409.001.0001.

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The Aesthetics of Island Space discusses islands as central figures in the modern experience of space. It examines the spatial poetics of islands in literary texts (from The Tempest to The Hungry Tide), journals of explorers and scientists (such as Cook and Darwin), and Hollywood cinema (e.g. The Hurricane and King Kong), tracing how islands have offered vivid perceptual experiences as well as a geopoetic oscillation between the poetic energies of words and images and the material energies of the physical world. Its chapters focus on America’s island gateways (e.g. Roanoke and Ellis Island), t
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