Relevant bibliographies by topics / Love stories, Latin

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Love stories, Latin'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Love stories, Latin"

1

Hurley, Teresa M. "Violations: Stories of Love by Latin American Women." Bulletin of Spanish Studies 84, no. 1 (2007): 142–43. http://dx.doi.org/10.1080/14753820601141097.

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Linares, Selma Rodal. "La trayectoria emocional del duelo en El invencible verano de Liliana de Cristina Rivera Garza y Punto de cruz de Jazmina Barrera." Revista de Estudios Hispánicos 57, no. 2 (2023): 181–202. http://dx.doi.org/10.1353/rvs.2023.a916250.

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Abstract: El invencible verano de Liliana by Cristina Rivera Garza and Punto de cruz by Jazmina Barrera create a sentimental trajectory from the loneliness of shame and fear to the anger and love of the feminist alliance. The first weaves the femicide of Liliana with other stories of gender violence to interrupt the logic of victimization through an imaginary exercise of co-writing with Liliana and others, through her archive, the testimonies from the ones who loved her, and the Latin American Feminist Activism. Differently, Punto de cruz suggests that a text is as collective as the embroidery
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Julianno, Ivo Trias. "Antonio José Bolivar adalah Kita: Wacana Pascakolonial dalam Novel Pak Tua yang Membaca Kisah Cinta karya Luis Sepúlveda." Retorik: Jurnal Ilmu Humaniora 11, no. 2 (2023): 133–55. http://dx.doi.org/10.24071/ret.v11i2.6126.

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The Old Man Who Read Love Stories is a novel by Luis Sepúlveda that was translated and published for the first time in Indonesia by Marjin Kiri at the end of 2005. The novel, originally titled Un viejo que leía novelas de amor, is a canon­ical work of Latin American literature that was published in 1989. The plot clear­ly depicts the postcolonial situation in Latin America. Unfortunately, postcolonial readings of this translated novel are very minimal. In a postcolonial context, the work of translating texts cannot be considered as a job that is arbitrarily chosen, whimsical, or even without p
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Paganelli, Leonardo. "Leo by tribu Juda: Story of a lion and a “topos”." Anuac 1, no. 2 (2015): 66–76. http://dx.doi.org/10.7340/anuac2239-625x-33.

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This article outlines the story of the mythical “Lion of Judah’s tribe”, from the Hebrew Scriptures (Genesis, Kings, Chronicles) up to the Gospels and St. John’s Book of Revelation, from St. Jerome’s Latin version of the Bible up to St. Anthony’s formula of exorcism. Particular attention is paid to the personage of Ras Tafari (1892-1975) and to his projections in Mussolini’s speeches, in Ian Fleming’s spy-stories, in Ethiopian culture and in Jamaican folklore: he was deemed to be the descendent of King Solomon’s and Queen Sheba’s love; Rasta movement considered him the new Messiah.
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Spacey, Beth C. "Visionary Masculinities: Emotion and the Experience of the Miraculous in Latin Narratives of the First Crusade." Emotions: History, Culture, Society 4, no. 2 (2020): 327–47. http://dx.doi.org/10.1163/2208522x-02010099.

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Abstract The Latin narratives of the First Crusade produced in the first decades of the twelfth century contain many stories of emotionally charged, affective instances of human interaction with the divine in the form of visions and miracles. Examination of these episodes reveals that the masculine ideas and ideals reflected in the narratives allow some scope for legitimate fearful responses to the miraculous. Such formulations constitute a pious fear that is indicative of the love of God, as opposed to worldly fear that represents a symptom of the prioritisation of the mundane. Such pious, fe
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Martínez, José Antonio García. "Symbolic Elements and Their Connection to Magical Realism in Gabriel Garcia Marquez’s Depiction of Latin American History." Journal of Research in Social Science and Humanities 3, no. 7 (2024): 6–12. http://dx.doi.org/10.56397/jrssh.2024.07.02.

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This paper explores the profound impact of symbolic elements in Gabriel Garcia Marquez’s works on the depiction of Latin American history and culture through the lens of magical realism. Focusing on key symbols in One Hundred Years of Solitude, The Autumn of the Patriarch, and Love in the Time of Cholera, the study delves into how these symbols enhance the narrative and offer deeper insights into historical and cultural contexts. The analysis reveals how Marquez uses symbols such as the banana plantation, the decaying palace, and the river to critique colonialism, political corruption, and soc
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Rofiq, Asngadi, and Moh Syamsul Ma�arif. "NILAI-NILAI RELIGIUS ISLAM DALAM ANTOLOGI CERPEN �CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)� KARYA LIA HIMMATUL ULYA." Jurnal PENEROKA 1, no. 02 (2021): 300. http://dx.doi.org/10.30739/peneroka.v1i02.992.

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Literary works, especially short stories, are one of the teaching tools to develop the soul, humanize humans, and increase literary appreciation in depth and love, coloring short stories as a form of manifestation of life. As a form of literary work, the short story also tells about various human lives and their interactions with the environment and each other. One of the literary works in the form of short stories that really builds the soul and character of Indonesian children, one of which is a short story entitled "CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)'' by Lia Himmatul Ulya. This sho
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8

Azcuy, Virginia Raquel. "Inserted Religious Life as a Path to Authentic Consecrated Chastity—The Witness of Non-Violent Solidarity of Alice Domon and José Aldunate Lyon in Latin America 1967–1983." Religions 15, no. 4 (2024): 386. http://dx.doi.org/10.3390/rel15040386.

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The reception of the Decree Perfectae caritatis in Latin America can be understood in connection with the emergence of the preferential option for the poor and the call for consecrated religious life to the insertion since the 1960s. As part of the existing link between conciliar texts and renewal movements, it is worth highlighting the testimony of religious life lived in solidarity with the poor as a way of practicing chastity and incorporating sexuality. This topic is explored through the life stories of two individuals, Alice Domon in Argentina (1937–1977) and José Aldunate Lyon in Chile (
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9

Wicher, Andrzej. "Geoffrey Chaucer’s "The Merchant’s Tale", Giovanni Boccaccio’s "The Tale of the Enchanted Pear-Tree", and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives." Text Matters, no. 3 (November 1, 2013): 42–57. http://dx.doi.org/10.2478/texmat-2013-0025.

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Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong. What makes them conspicuous is no doubt the intensity of the erotic desire presented as the ultimate law which justifies even the most outrageous actions. The cult of eroticism is combined there with a cult of youth, which means disaster for the protagonists, who try to combine eroticism with advanced age. And yet the stories in question have roots in a very different tradition in which overt eroticism is punished and can only reass
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10

Geue, Tom. "Festina Lente: Progress and Delay in Ovid's Fasti." Ramus 39, no. 2 (2010): 104–29. http://dx.doi.org/10.1017/s0048671x0000045x.

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‘Wait a minute.’Martin Amis, Time's ArrowWe start with a stop. In recent years, long pause has been taken for inquest into the narrative dynamics of ancient literature. How stories are told, by whom, in what order—these have become key questions of narratology, a discipline whose tools most critics would now keep somewhere in their kit. Narratological criticism of poetry has ‘naturally’ drifted towards poems of long narrative span (i.e. hexameter epics). Recently, however, the ‘smaller’ genres have been extended the benefits of narratological civilisation, particularly in the realm of temporal
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Dissertations / Theses on the topic "Love stories, Latin"

1

Máté, Ágnes. "Amanti italiani in veste ungherese. La fortuna di tre storie d'amore umanistiche nel Cinquecento ungherese." Doctoral thesis, 2014.

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Books on the topic "Love stories, Latin"

1

Erasmo, Guerra, ed. Latin lovers: And the men who love them : true stories. Painted Leaf Press, 1999.

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2

España, Gonzalo. Historia imaginaria de amores y desvarios. Tres Culturas Editores, 1992.

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3

1947-, Giardinelli Mempo, and Eitel Wolfgang, eds. Fallen die Perlen vom Mond?: Lateinamerikanische Liebesgeschichten. Piper, 1991.

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4

Konstan, David. Sexual symmetry: Love in the ancient novel and related genres. Princeton University Press, 1994.

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5

Ovid. The metamorphoses: Selected stories in verse. Dover Publications, 2003.

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6

Silverstein, Shel. Arbor Alma =: The giving tree : in Latin. Bolchazy-Carducci, 2002.

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7

Müller, Hendrik. Liebesbeziehungen in Ovids Metamorphosen und ihr Einfluss auf den Roman des Apuleius. Hainholz, 1998.

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8

Allende, Isabel. The stories of Eva Luna. QPD, 1991.

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9

Allende, Isabel. The stories of Eva Luna. Hamish Hamilton, 1991.

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10

Allende, Isabel. The stories of Eva Luna. G.K. Hall, 1991.

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Book chapters on the topic "Love stories, Latin"

1

Bayless, Martha. "Chapter 36. Fairies from Walter Map to European folklore." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.36bay.

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Fairies feature widely in medieval literature, but their appearances in medieval Latin texts provide a special window onto belief in fairies. Since the Latin vocabulary for magical beings in general was largely borrowed from Classical sources, Latin can muddy the semantics of fairy taxonomy. But Latin provides a view that cannot be duplicated by vernacular texts: legal charges and historical accounts, largely in Latin, reveal how fairies were thought to be real, and people’s interaction with them worthy of sanction or of historical notice. Furthermore, many of the earliest attestations of infl
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2

Bayless, Martha. "Fairies from Walter Map to European folklore." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.36bay.

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Abstract Fairies feature widely in medieval literature, but their appearances in medieval Latin texts provide a special window onto belief in fairies. Since the Latin vocabulary for magical beings in general was largely borrowed from Classical sources, Latin can muddy the semantics of fairy taxonomy. But Latin provides a view that cannot be duplicated by vernacular texts: legal charges and historical accounts, largely in Latin, reveal how fairies were thought to be real, and people’s interaction with them worthy of sanction or of historical notice. Furthermore, many of the earliest attestation
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3

Rosati, Gianpiero. "Narcissus or Literary Illusion." In Narcissus and Pygmalion. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852438.003.0002.

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It was almost certainly Ovid who joined together the narratives of frustrated desire of Echo (in love with Narcissus) and Narcissus (in love with his own mirror image). This he did by exploiting the Latin word imago, which defines both the visual reflection and the acoustic one. The illusion produced by the reflection is the central theme in Ovid’s story, and it is also the principle on which the two stories are closely intertwined, replicating the theme of reflection in both structure and language, and offering a reading of reality as a space dominated by ambiguities and deceptions. Narcissus
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Lobo, Malvika Manisha. "There Was No Escape Epiphany." In Advances in Media, Entertainment, and the Arts. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-6572-1.ch010.

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Clarice Lispector is one of the most prominent figures of literary modernism in Latin America. Her oeuvre explores themes of existentialism, narratives of silence, and various ideas of freedom. Her self-reflexive style of writing and experimentation with the Portuguese language reflects her attempt to invoke alternate meanings through her narrative. The characters' identities in her short stories through their exploratory nature give rise to a great deal of identity and gender play. They provoke possibilities and prospects to create new gender roles and subversive practices by the manifestatio
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Golden, Rachel May. "Place, Frankishness, and Regionality." In Mapping Medieval Identities in Occitanian Crusade Song. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190948610.003.0003.

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While the First Crusade would entail great destruction, Pope Urban’s initial summons proved captivating, joining concepts of love and duty, and associating crusading with Frankishness, an index of identity for northern Frenchmen and Occitanians. Crusade chronicles, along with concepts found in Crusade song, reveal the persuasive nature of this messaging. This chapter demonstrates the particularly Frankish and Occitanian nature of the First Crusade and ways that Occitanian citizens, like Raymond of Saint-Gilles and Adhémar of Le Puy, aided the effort. Occitanians found crusading inspiration in
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6

Francese, Christopher. "Parthenius, Erotika Pathemata." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.22.

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Abstract Erotika Pathemata (“Disastrous Love Stories”) is a prose collection dating to the 40s or 30s bce. The author, Parthenius of Nicaea, was a Greek poet from Asia Minor, taken captive in Roman wars but freed because of his learning. He collaborated with Roman authors, including Vergil, and dedicated this work to the poet Cornelius Gallus. The stories, rewritten from various local Greek chroniclers and Peripatetic philosophers, run the gamut from mythological to semi-historical to historical time. There are little-known variations on familiar types and amusing sidelights on well-known myth
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"W." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0023.

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Abstract WADDELL, Helen [Jane] (1889-1965), scholar and author. Born in Tokyo, where her father was a Presbyterian missionary and an orientalist, she was educated at QUB, and continued at Oxford after an interval of some years. She next studied in Paris on a travelling scholarship in company with Enid *Starkie, briefly taught at Oxford, and worked from 1923 for Constable, her publisher. Her best-known work, The Wandering Scholars (1927), is a historical study and translation-anthology of the Goliards, whose humanist literature she identifies as the real Renaissance. Her only novel, Peter Abela
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Silva, Jennifer M. "Something We Never Had." In We're Still Here. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190888046.003.0006.

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The black and Latina women who migrate to the coal region leave behind traumatic histories—stories of early childhood abuse and neglect, poverty, extreme neighborhood violence, and drug abuse. Upon arrival, these women face accusations that they are unfit mothers, have poor work ethics, and are undeserving of government aid. They nonetheless fight to get a fleeting shot at opportunities for their children that they themselves never had. These women encounter multiple predatory institutions waiting to take advantage of their optimism. Through small, everyday acts of civic engagement, they hold
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9

West, Stephanie. "Philogelos: An Anti-Intellectual Joke-Book." In Greek Laughter and Tears. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474403795.003.0007.

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The ancient compilation Philogelos (Laughter-lover), attributed to two unknowns, Hierocles and Philagrios, deserves to be better known; notwithstanding many references to joke-books, both Greek and Latin, this is the only surviving example. Many of its jokes are funny enough to fulfil an important social function of such silly stories in deflecting ill-feeling and embarrassment. They should be treated selectively; a series of jokes rapidly loses its force. The collection seems to have been largely assembled before the christianisation of the empire, but the only securely datable element is a r
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