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Journal articles on the topic 'Love stories, Latin'

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1

Hurley, Teresa M. "Violations: Stories of Love by Latin American Women." Bulletin of Spanish Studies 84, no. 1 (2007): 142–43. http://dx.doi.org/10.1080/14753820601141097.

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Linares, Selma Rodal. "La trayectoria emocional del duelo en El invencible verano de Liliana de Cristina Rivera Garza y Punto de cruz de Jazmina Barrera." Revista de Estudios Hispánicos 57, no. 2 (2023): 181–202. http://dx.doi.org/10.1353/rvs.2023.a916250.

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Abstract: El invencible verano de Liliana by Cristina Rivera Garza and Punto de cruz by Jazmina Barrera create a sentimental trajectory from the loneliness of shame and fear to the anger and love of the feminist alliance. The first weaves the femicide of Liliana with other stories of gender violence to interrupt the logic of victimization through an imaginary exercise of co-writing with Liliana and others, through her archive, the testimonies from the ones who loved her, and the Latin American Feminist Activism. Differently, Punto de cruz suggests that a text is as collective as the embroidery
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3

Julianno, Ivo Trias. "Antonio José Bolivar adalah Kita: Wacana Pascakolonial dalam Novel Pak Tua yang Membaca Kisah Cinta karya Luis Sepúlveda." Retorik: Jurnal Ilmu Humaniora 11, no. 2 (2023): 133–55. http://dx.doi.org/10.24071/ret.v11i2.6126.

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The Old Man Who Read Love Stories is a novel by Luis Sepúlveda that was translated and published for the first time in Indonesia by Marjin Kiri at the end of 2005. The novel, originally titled Un viejo que leía novelas de amor, is a canon­ical work of Latin American literature that was published in 1989. The plot clear­ly depicts the postcolonial situation in Latin America. Unfortunately, postcolonial readings of this translated novel are very minimal. In a postcolonial context, the work of translating texts cannot be considered as a job that is arbitrarily chosen, whimsical, or even without p
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Paganelli, Leonardo. "Leo by tribu Juda: Story of a lion and a “topos”." Anuac 1, no. 2 (2015): 66–76. http://dx.doi.org/10.7340/anuac2239-625x-33.

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This article outlines the story of the mythical “Lion of Judah’s tribe”, from the Hebrew Scriptures (Genesis, Kings, Chronicles) up to the Gospels and St. John’s Book of Revelation, from St. Jerome’s Latin version of the Bible up to St. Anthony’s formula of exorcism. Particular attention is paid to the personage of Ras Tafari (1892-1975) and to his projections in Mussolini’s speeches, in Ian Fleming’s spy-stories, in Ethiopian culture and in Jamaican folklore: he was deemed to be the descendent of King Solomon’s and Queen Sheba’s love; Rasta movement considered him the new Messiah.
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Spacey, Beth C. "Visionary Masculinities: Emotion and the Experience of the Miraculous in Latin Narratives of the First Crusade." Emotions: History, Culture, Society 4, no. 2 (2020): 327–47. http://dx.doi.org/10.1163/2208522x-02010099.

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Abstract The Latin narratives of the First Crusade produced in the first decades of the twelfth century contain many stories of emotionally charged, affective instances of human interaction with the divine in the form of visions and miracles. Examination of these episodes reveals that the masculine ideas and ideals reflected in the narratives allow some scope for legitimate fearful responses to the miraculous. Such formulations constitute a pious fear that is indicative of the love of God, as opposed to worldly fear that represents a symptom of the prioritisation of the mundane. Such pious, fe
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6

Martínez, José Antonio García. "Symbolic Elements and Their Connection to Magical Realism in Gabriel Garcia Marquez’s Depiction of Latin American History." Journal of Research in Social Science and Humanities 3, no. 7 (2024): 6–12. http://dx.doi.org/10.56397/jrssh.2024.07.02.

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This paper explores the profound impact of symbolic elements in Gabriel Garcia Marquez’s works on the depiction of Latin American history and culture through the lens of magical realism. Focusing on key symbols in One Hundred Years of Solitude, The Autumn of the Patriarch, and Love in the Time of Cholera, the study delves into how these symbols enhance the narrative and offer deeper insights into historical and cultural contexts. The analysis reveals how Marquez uses symbols such as the banana plantation, the decaying palace, and the river to critique colonialism, political corruption, and soc
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Rofiq, Asngadi, and Moh Syamsul Ma�arif. "NILAI-NILAI RELIGIUS ISLAM DALAM ANTOLOGI CERPEN �CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)� KARYA LIA HIMMATUL ULYA." Jurnal PENEROKA 1, no. 02 (2021): 300. http://dx.doi.org/10.30739/peneroka.v1i02.992.

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Literary works, especially short stories, are one of the teaching tools to develop the soul, humanize humans, and increase literary appreciation in depth and love, coloring short stories as a form of manifestation of life. As a form of literary work, the short story also tells about various human lives and their interactions with the environment and each other. One of the literary works in the form of short stories that really builds the soul and character of Indonesian children, one of which is a short story entitled "CARAKU MENCINTAI KANG ALFI (ALFIYAH LATIN)'' by Lia Himmatul Ulya. This sho
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Azcuy, Virginia Raquel. "Inserted Religious Life as a Path to Authentic Consecrated Chastity—The Witness of Non-Violent Solidarity of Alice Domon and José Aldunate Lyon in Latin America 1967–1983." Religions 15, no. 4 (2024): 386. http://dx.doi.org/10.3390/rel15040386.

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The reception of the Decree Perfectae caritatis in Latin America can be understood in connection with the emergence of the preferential option for the poor and the call for consecrated religious life to the insertion since the 1960s. As part of the existing link between conciliar texts and renewal movements, it is worth highlighting the testimony of religious life lived in solidarity with the poor as a way of practicing chastity and incorporating sexuality. This topic is explored through the life stories of two individuals, Alice Domon in Argentina (1937–1977) and José Aldunate Lyon in Chile (
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9

Wicher, Andrzej. "Geoffrey Chaucer’s "The Merchant’s Tale", Giovanni Boccaccio’s "The Tale of the Enchanted Pear-Tree", and "Sir Orfeo" Viewed as Eroticized Versions of the Folktales about Supernatural Wives." Text Matters, no. 3 (November 1, 2013): 42–57. http://dx.doi.org/10.2478/texmat-2013-0025.

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Two of the tales mentioned in the title are in many ways typical of the great collections of stories (The Canterbury Tales and Il Decamerone) to which they belong. What makes them conspicuous is no doubt the intensity of the erotic desire presented as the ultimate law which justifies even the most outrageous actions. The cult of eroticism is combined there with a cult of youth, which means disaster for the protagonists, who try to combine eroticism with advanced age. And yet the stories in question have roots in a very different tradition in which overt eroticism is punished and can only reass
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10

Geue, Tom. "Festina Lente: Progress and Delay in Ovid's Fasti." Ramus 39, no. 2 (2010): 104–29. http://dx.doi.org/10.1017/s0048671x0000045x.

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‘Wait a minute.’Martin Amis, Time's ArrowWe start with a stop. In recent years, long pause has been taken for inquest into the narrative dynamics of ancient literature. How stories are told, by whom, in what order—these have become key questions of narratology, a discipline whose tools most critics would now keep somewhere in their kit. Narratological criticism of poetry has ‘naturally’ drifted towards poems of long narrative span (i.e. hexameter epics). Recently, however, the ‘smaller’ genres have been extended the benefits of narratological civilisation, particularly in the realm of temporal
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Pidipryhora, Yuliia, and Anna Kushnir. "Common features of the individual artistic worldviews by Elena Garro and Serhiy Osoka (based on the short stories "What time is it...?" and "Midnight guest")." Studia Philologica 1, no. 20 (2023): 83–93. http://dx.doi.org/10.28925/2311-2425.2023.27.

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The modern world of communication between representatives of different ethnic groups often requires a deeper understanding of the realities and peculiarities of the cultural worldview by each of the subjects of communication. The linguistic conceptualization of the world of each ethnic group, in turn, is reflected in literature in the form of an individual artistic worldview realised by the author on the pages of his works. That is why the study of the common and distinctive features of different writers' worldview is of interest, especially if at first glance their linguistic, cultural and hi
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Carrasco, Davíd. "Borderlands and the “biblical hurricane”: Images and Stories of Latin American Rhythms of Life." Harvard Theological Review 101, no. 3-4 (2008): 353–76. http://dx.doi.org/10.1017/s0017816008001909.

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Macondo was already a fearful whirlwind of dust and rubble being spun about by the wrath of the biblical hurricane when Aureliano skipped eleven pages so as not to lose time with facts he knew only too well, and he began to decipher the instant that he was living, deciphering it as he lived it, prophesying himself in the act of deciphering.
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13

Betancourt, Manuel. "Melodrama, Telenovela, and the New Latin American Women’s Picture." Film Quarterly 74, no. 2 (2020): 95–99. http://dx.doi.org/10.1525/fq.2020.74.2.95.

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FQ columnist Manuel Betancourt examines how the Latin American tradition of melodrama is being reimagined by contemporary filmmakers in ways that reveal its ongoing relevance. Focusing on four recent films—Los adioses (The Eternal Feminine, dir. Natalia Beristáin, 2017), Amores modernos (Modern Loves, dir. Matías Meyer, 2020), La quietud (The Quietude, dir. Pablo Trapero, 2018), and A vida invisível (Invisible Life, dir. Karim Aïnouz, 2019)—Betancourt suggests that these recent riffs on the genre present fertile ground for narratives about how women’s agency and bodies remain tethered to patri
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14

Bruce, Scott G. "Caroline Macé and Jost Gippert, The Multilingual Physiologus: Studies in the Oldest Greek Recension and its Translations. Turnhout: Brepols, 2021, 661 pp." Mediaevistik 35, no. 1 (2022): 434–36. http://dx.doi.org/10.3726/med.2022.01.86.

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Abstract Scholars of the European Middle Ages are well acquainted with bestiaries. These compendia of pithy stories about animal lore told in the service of catechetical instruction were especially popular in the twelfth and thirteenth centuries. Manuscripts of them survive in the dozens, many of them with lavish illustrations of the animals, plants, and fantastical beasts described therein. A recent exhibition of medieval bestiaries at Getty Museum in Los Angeles yielded a sumptuous catalogue (Book of Beasts: The Bestiary in the Medieval World, edited by Elizabeth Morrison and published in 20
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15

Hicks-Alcaraz, Marisa. "Piloting the Counter-Memorias Digital Testimonio Project." International Journal of Information, Diversity, & Inclusion (IJIDI) 6, no. 4 (2023): 99–119. http://dx.doi.org/10.33137/ijidi.v6i4.38784.

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The vision for the Counter-Memorias Digital Testimonio Project is to create an online non-custodial archive of video-recorded testimonios and pedagogical resources centered on the memories and experiences of women from Latin American and Caribbean diasporas living in Southern California. The project centers on those with social identities traditionally excluded from homogenous conceptualizations of latinidad, including, but not limited to Afro/Black, Indigenous, Asian, Central American, Muslim, Queer, Trans, and multi-racial/ethnic identities. In doing this, the project seeks to reformulate th
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16

Marozo, Luís Ferando. "A PROBLEMATIZAÇÃO DA IMAGEM MASCULINA DA FAMÍLIA BURGUESA EM “OS FIOS DAS MISSANGAS”." Revista Prâksis 1 (January 11, 2021): 187. http://dx.doi.org/10.25112/rpr.v1i0.2353.

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A literatura pode contribuir tanto para ampliar a noção social quanto para atender as necessidades simbólicas das pessoas. Sob esse viés, o livro de contos “Os fios das missangas”, do moçambicano Mia Couto, surge como o terreno no qual as reflexões sobre família e sexualidade germinam. O termo família, do latim famulus, designa o servidor, o criado. Do mundo antigo centrado no pater onde faziam parte esposa, filhos, patrimônios, animais e servidores, à família burguesa composta por marido, esposa e filhos, este núcleo social sempre vinculou deveres, funções e interditos. Cada membro tem além d
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17

Marozo, Luís Ferando. "A PROBLEMATIZAÇÃO DA IMAGEM MASCULINA DA FAMÍLIA BURGUESA EM “OS FIOS DAS MISSANGAS”." Revista Prâksis 1 (January 11, 2021): 187. http://dx.doi.org/10.25112/rpr.v1i0.2353.

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A literatura pode contribuir tanto para ampliar a noção social quanto para atender as necessidades simbólicas das pessoas. Sob esse viés, o livro de contos “Os fios das missangas”, do moçambicano Mia Couto, surge como o terreno no qual as reflexões sobre família e sexualidade germinam. O termo família, do latim famulus, designa o servidor, o criado. Do mundo antigo centrado no pater onde faziam parte esposa, filhos, patrimônios, animais e servidores, à família burguesa composta por marido, esposa e filhos, este núcleo social sempre vinculou deveres, funções e interditos. Cada membro tem além d
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18

Montejo Gurruchaga, Lucía. "La revista Fantasía. Semanario de la invención literaria (1945-1946). Narraciones olvidadas de autoría femenina." Lectura y Signo, no. 9 (December 26, 2014): 65. http://dx.doi.org/10.18002/lys.v0i9.1189.

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19

Méndez, Noraedén Mora. "Duelo, or the Cryptic Translation of Mourning: Friendship Between Languages." Language, Literature, and Interdisciplinary Studies 5, no. 2 (2022). https://doi.org/10.71106/kwgv7743.

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The experience of loss and the possibility to overcome mourning has been a concern for both psychoanalysis and philosophy. Loss is also important in the practice of translation; Walter Benjamin and Jacques Derrida, among other thinkers, have insisted on the complication between texts in translation and the concepts of life, death, survival, and love and friendship. This paper follows these complications to argue that the word duelo in translation, as well as translation itself, enacts and symptomizes the frictions that arise between languages and friendship. By closely reading Sigmund Freud’s
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Dolan, Martin. "Questions of Canon in Gilbert Hernandez's "Palomar" Comics." Binghamton University Undergraduate Journal 8, no. 1 (2022). http://dx.doi.org/10.22191/buuj/8/1/5.

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"While questions of misrepresentation are starting to be addressed in academia — acknowledging racial, cultural, gender, and artistic diversity — there is still much work to be done to close the gap between the literary canon and what contemporary literature actually looks like. These efforts have been a step in the right direction, but representation of unconventional literatures is often spotty, boiling down entire literary scenes into one book. This is especially true for those that offer formal or structural challenges – including multilingual and graphic narratives that don’t easily fit i
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Wertzberger, Eileen Montalvo, Ana Lucia Rossi Mendonca, Olga Elizabeth Minchala Buri, Latania Marr y Ortega, and Kay Ann Taylor. "“Women Who Wail”: An auto-ethnographic study of four Latina educators and the heroínas who shaped their understanding of critical pedagogies." Cuadernos del Centro de Estudios de Diseño y Comunicación, no. 117 (September 23, 2020). http://dx.doi.org/10.18682/cdc.vi117.4289.

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The lore of La Llorona, the woman who wails, is a pervasive archetype in Latin American cultures. While stories vary by country and region, the most common telling is associated with Mexican folklore, in which an anguished woman cries for her drowned children—in some retellings, their death results from her murderous rage at being betrayed by her lover; in others their deaths result from an accident. These stories have traditionally served as cautionary tales, often positioning Latinas as tragic forces within their communities (Morales, 2010); however, Chicana scholars have reconceptualized La
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22

Wong, Casey Philip. "“Flights for Freedom With Her Words”: Black, Latinx, and Polynesian Girls Co-Conspiring Against Misogynoir Through Love." Educational Researcher, December 18, 2023. http://dx.doi.org/10.3102/0013189x231216970.

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I examine how youth racialized and gendered as Black girls co-conspired to challenge misogynoir with their peers racialized and gendered as Latina/x and Polynesian girls. I investigate how they did so within an after-school space at a public charter high school that came to be known as the “Critical Feminisms Club.” Thinking about the space alongside the girls in the club, I reveal how they politically and pedagogically engaged love to (a) (re)author the stories of Black girls and (b) challenge the material and ideological misogynoir that circumscribed Black girls’ lives, possibilities, and fu
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23

Vesely, Colleen K., Bethany Letiecq, Elizabeth Davis, Rachael Goodman, Elizabeth DeMulder, and Marlene Marquez. "“The spirit of a fighter”: Mixed‐status Latine immigrant families' experiences during COVID." Family Relations, February 18, 2024. http://dx.doi.org/10.1111/fare.13010.

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AbstractObjectiveUsing a community‐based participatory research (CBPR) approach, this study documents Latine immigrant families' work, childcare, and education experiences during the COVID‐19 pandemic to inform policy and practice to support Latine families.BackgroundLatine immigrant communities, comprising undocumented and mixed‐status families, were among the hardest hit by the COVID‐19 pandemic. In addition to employment and housing challenges, children and families lost access to the important academic supports and social services built into childcare programs and schools.MethodFor this st
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24

Taveirne, Maarten. "Das Martyrium als imitatio Christi: Die literarische Gestaltung der spätantiken Märtyrerakten und -passionen nach der Passion Christi." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 18, no. 2 (2014). http://dx.doi.org/10.1515/zac-2014-0010.

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AbstractFrom the beginning of Christianity, the martyrs have been deemed paragons of the ideal of imitatio Christi, their willingness to lose their life for Christ’s sake proving their perfect discipleship. This article examines how martyrdom is literarily framed as an imitation of the Passion of Christ within the Latin acta martyrum and passiones from the 4th to 6th centuries. After an outline of the imitation concept in the New Testament, several instances from those late antique stories reveal a literary technique to deepen the description of the martyrdom by means of inserting quotations f
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Siemienowicz, Rochelle. "Diary of a Film Reviewer." M/C Journal 8, no. 5 (2005). http://dx.doi.org/10.5204/mcj.2409.

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 All critics declare not only their judgment of the work but also their claim to the right to talk about it and judge it. In short, they take part in a struggle for the monopoly of legitimate discourse about the work of art, and consequently in the production of the value of the work of art. (Pierre Bourdieu 36).
 
 
 As it becomes blindingly obvious that ‘cultural production’, including the cinema, now underpins an economy every bit as brutal in its nascent state as the Industrial Revolution was for its victims 200 years ago, both critique and cinephilia see
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M., John-Patrick O'Connor. "Zealots." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12572576.

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The Zealots were a Jewish sect of the first-century CE that appeared after the Roman occupation of Palestine. They are often characterized by their active resistance to Roman rule. Our primary resource for data concerning the Zealots comes from the Jewish historian, Josephus (War 2.4; 2.13; 2.22; 4.3; Ant. 14.9; 14.15; 16.9; 20.9), who offers a biased presentation of certain radical sectarian movements during the First Jewish Revolt (66-73 CE). For this reason, historical descriptions of the Zealots within Josephus are to be evaluated with caution. Josephus makes reference to a "fourth philoso
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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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 Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi
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Marcheva, Marta. "The Networked Diaspora: Bulgarian Migrants on Facebook." M/C Journal 14, no. 2 (2010). http://dx.doi.org/10.5204/mcj.323.

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The need to sustain and/or create a collective identity is regularly seen as one of the cultural priorities of diasporic peoples and this, in turn, depends upon the existence of a uniquely diasporic form of communication and connection with the country of origin. Today, digital media technologies provide easy information recording and retrieval, and mobile IT networks allow global accessibility and participation in the redefinition of identities. Vis-à-vis our understanding of the proximity and connectivity associated with globalisation, the role of ICTs cannot be underestimated and is clearly
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Brown, Malcolm David. "Doubt as Methodology and Object in the Phenomenology of Religion." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.334.

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Photograph by Gonzalo Echeverria (2010)“I must plunge again and again in the water of doubt” (Wittgenstein 1e). The Holy Grail in the phenomenology of religion (and, to a lesser extent, the sociology of religion) is a definition of religion that actually works, but, so far, this seems to have been elusive. Classical definitions of religion—substantive (e.g. Tylor) and functionalist (e.g. Durkheim)—fail, in part because they attempt to be in three places at once, as it were: they attempt to distinguish religion from non-religion; they attempt to capture what religions have in common; and they a
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Child, Louise. "Magic and Spells in <em>Buffy the Vampire Slayer</em> (1997-2003)." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3007.

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Introduction Many examinations of magic and witchcraft in film and television focus on the gender dynamics depicted and what these can reveal about attitudes to women and power in the eras in which they were made. For example, Campbell, in Cheerfully Empowered: The Witch-Wife in Twentieth Century Literature, Television and Film draws from scholarship such as Greene's Bell, Book and Camera, Gibson's Witchcraft Myths in American Culture, and Murphy's The Suburban Gothic in American Popular Culture to suggest connections between witch-wife narratives and societal responses to feminism. Campbell e
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Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe
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Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi
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Blackwood, Gemma, and Toby Juliff. "“A Little Limited”." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3115.

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Right from the start of HBO’s surreal new sketch comedy Fantasmas (2024), we are confronted by the “ghosts” of the show’s title. The work of Salvadorean-American comedian, actor, and writer Julio Torres, Fantasmas constructs a highly artificial set of digital hauntings that, this article argues, speaks to and through a Latin experience that conjures unresolved tensions of displacement and exile, as well as raising probing questions about human agency and identity in an era of globalised neoliberalism. Torres has also given his own explanation for the use of the term in his show: all the people
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Maxwell, Richard, and Toby Miller. "The Real Future of the Media." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.537.

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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisit
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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f
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Miller, Andie. "What is Real?" M/C Journal 5, no. 5 (2002). http://dx.doi.org/10.5204/mcj.1984.

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Paul Theroux, like most writers, is far uglier in person than he is in photographs. For one thing, there's the matter of his bluntly-cut toupee, which tilts noticeably from side to side as he shifts in his chair. For another, there are Theroux's teeth, which are so badly stained they seem to be carved from the driftwood that dots the nearby Cape Cod shoreline. Never mind his unpleasant habit of hacking up massive gobs of phlegm, which he then expectorates into the Persian carpet at his visitor's feet. So begins the introduction to Dwight Garner's interview with the author in Salon in 1996. Tho
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Khamis, Susie. "Nespresso: Branding the "Ultimate Coffee Experience"." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.476.

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Introduction In December 2010, Nespresso, the world’s leading brand of premium-portioned coffee, opened a flagship “boutique” in Sydney’s Pitt Street Mall. This was Nespresso’s fifth boutique opening of 2010, after Brussels, Miami, Soho, and Munich. The Sydney debut coincided with the mall’s upmarket redevelopment, which explains Nespresso’s arrival in the city: strategic geographic expansion is key to the brand’s growth. Rather than panoramic ubiquity, a retail option favoured by brands like McDonalds, KFC and Starbucks, Nespresso opts for iconic, prestigious locations. This strategy has been
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Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best
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Campanioni, Chris. "How Bizarre: The Glitch of the Nineties as a Fantasy of New Authorship." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1463.

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As the ball dropped on 1999, is it any wonder that No Doubt played, “It’s the End of the World as We Know It” by R.E.M. live on MTV? Any discussion of the Nineties—and its pinnacle moment, Y2K—requires a discussion of both the cover and the glitch, two performative and technological enactments that fomented the collapse between author-reader and user-machine that has, twenty years later, become normalised in today’s Post Internet culture. By staging failure and inviting the audience to participate, the glitch and the cover call into question the original and the origin story. This breakdown of
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Meleo-Erwin, Zoe C. "“Shape Carries Story”: Navigating the World as Fat." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.978.

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Story spreads out through time the behaviors or bodies – the shapes – a self has been or will be, each replacing the one before. Hence a story has before and after, gain and loss. It goes somewhere…Moreover, shape or body is crucial, not incidental, to story. It carries story; it makes story visible; in a sense it is story. Shape (or visible body) is in space what story is in time. (Bynum, quoted in Garland Thomson, 113-114) Drawing on Goffman’s classic work on stigma, research documenting the existence of discrimination and bias against individuals classified as obese goes back five decades.
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Starrs, Bruno. "Hyperlinking History and Illegitimate Imagination: The Historiographic Metafictional E-novel." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.866.

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‘Historiographic Metafiction’ (HM) is a literary term first coined by creative writing academic Linda Hutcheon in 1988, and which refers to the postmodern practice of a fiction author inserting imagined--or illegitimate--characters into narratives that are intended to be received as authentic and historically accurate, that is, ostensibly legitimate. Such adventurous and bold authorial strategies frequently result in “novels which are both intensely self-reflexive and yet paradoxically also lay claim to historical events and personages” (Hutcheon, A Poetics 5). They can be so entertaining and
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Cole, Sebastian, and Jessica Yarin Robinson. "Curating Christmas." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3125.

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Introduction As music listening transitions from physical to digital formats, the model for how people organise and discover new music is being taken over by the features of digital streaming services (Lüders; Rothenbuhler; Wikström). Playlists, akin to the mixtape of the analogue era, have broken up the album model, catering to specific moods, genres, and events (Bonini and Gandini; Prey; Siles et al., "Genres"). On Spotify, algorithmic playlists are readily mixed in with human-curated playlists, blurring the lines between the selections of personal human choice, and the datafied choices driv
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