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Academic literature on the topic 'Macbeth'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Macbeth"

Awajan, Nasaybah W. "Representing Females from A Different Perspective: Justin Kurzel’s Film Appropriation of William Shakespeare’s Macbeth." World Journal of English Language 13, no. 8 (September 4, 2023): 92. http://dx.doi.org/10.5430/wjel.v13n8p92.

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The study explores the differences in the representation of females, specifically Lady Macbeth and the witches, in both Shakespeare’s play, Macbeth (1623) and in Justin Kurzel’s film appropriation, Macbeth (2015). The paper attempts to prove that Kurzel’s film appropriation of Shakespeare’s play represents the female characters, specifically Lady Macbeth and the witches, from a different perspective than Shakespeare’s original paly. The paper shows how Kurzel changes the old ideas about how the witches and Lady Macbeth are the motivation and inspiration behind Macbeth’s downfall, defeat, and death. Instead, the study shows that Kurzel’s film appropriation posits that Macbeth’s greed and lust for power and authority make Macbeth himself the impetus behind his downfall, defeat, and death. As a result, Macbeth’s evil is natural rather than nurtured by the play’s main female characters as shown in Shakespeare’s original text. For this reason, Kurzel’s witches and Lady Macbeth are analyzed in relation to how they are portrayed in Shakespeare’s Macbeth. Very few studies tackle Kurzel’s film appropriation of Shakespeare’s Macbeth, which mainly focus on the lighting and visual effects of the movie. The contribution of the study is to fill the shortage of literature conducted on the current appropriation by Kurzel.

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Павловић, Соња. "МАГБЕТ – ОД ИДЕАЛНОГ ДО ТРАГИЧНОГ ЈУНАКА." PHILOLOGIA MEDIANA 14, no. 1 (June 13, 2022): 129–40. http://dx.doi.org/10.46630/phm.14.2022.09.

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The subject of this paper is Macbeth – the main hero and the bearer of Shakespeare’s tragedy of the same name. Firstly, we will approach the tragedy of Macbeth and point out the character traits of the main hero by examining in which way Macbeth can be determined as an ideal and in which way as a tragic hero. With an analytical approach to the tragedy, we will focus on the three key factors that are laid as the groundwork of the investigation: witches, Macbeth’s ambition and the influence Lady Macbeth has on Macbeth. Examining the three factors, we will point out Macbeth’s penetration into the criminal world that begins with the witches’ prophecies and completely distorts the moral norms he followed until then. Macbeth’s ambition, placed at the centre of his malice, is considerably strengthened by the prophecy of the third witch and plays the greatest part in Macbeth’s tragic downfall. Lady Macbeth is an additional element to the previously mentioned factors. She does not allow the criminal thread already ingrained in Macbeth to be cut and her role is to incite him to criminogenic activity. Mutually intertwined, these factors affect the radical metamorphosis of Macbeth’s personality, undermine his integrity, his noble inner being that turns evil and disastrously impact his mental state. Therefore, the aim is to point out the genesis Macbeth’s character underwent – from ideal to tragic and how this abrupt transition resulted in the tragicality of Macbeth’s fate, that is, how Macbeth’s fate is causally related to his committed misdeeds.

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Tassi, Marguerite A. "Rapture and Horror: A Phenomenology of Theatrical Invisibility in Macbeth." Explorations in Renaissance Culture 44, no. 1 (March 28, 2018): 1–26. http://dx.doi.org/10.1163/23526963-04401001.

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Macbeth is arguably Shakespeare’s greatest experiment in the phenomenology of horrible imaginings. For all of its visible supernatural trappings, Macbeth is a play radically steeped in the invisible, which exerts a gravitational force on all aspects of performance. The phantom dagger, King Duncan’s slain body, Lady Macbeth’s murky hell—these unseen supernatural sights are as phenomenologically palpable and horrifying in the theater as the weïrd sisters are. Invisible elements of the play’s world permeate the visible, producing a pervasive sense of unease, dread, and horror in the theater. The experience of horror co-exists with another strongly felt experience, that of rapture, which arises especially in moments when the Macbeths are fascinated with invisible phenomena and enter into trance-like states of deep absorption, ecstasy, and madness.

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García-Periago, Rosa. "Sexuality and Evil: Lady Macbeth in the Indian film adaptations of Macbeth Maqbool and Veeram." Revista Canaria de Estudios Ingleses, no. 83 (2021): 105–15. http://dx.doi.org/10.25145/j.recaesin.2021.83.08.

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An early Indian film adaptation of Macbeth, Jwala (dir. Vinayak, 1938) shows a Lady Macbeth that sides with Banquo against Macbeth, as if an evil female character were difficult to conceive in the Indian imagination. In 21st century film adaptations of Macbeth, Maqbool (dir. Vishal Bhardwaj, 2003) and Veeram (dir. Jayaraj, 2017), the female character is as evil as in the source text. Yet, neither Nimmi (Lady Macbeth in Maqbool) nor Kuttimani (Lady Macbeth in Veeram) is married to Macbeth at the outset of the film, the implication being an Indian married woman is incapable of such atrocities. In both movies, sexual drive becomes crucial in the course of events. By analyzing the role of Lady Macbeth in Maqbool and Veeram, this paper aims to show that these Lady Macbeths are as based on the play as on the role of the vamp (the evil woman) in popular Indian movies, since characters that are sexually driven are always condemned to death.

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Tuti Handayani, Syahrul Ramadhan, and Siti Armelia Hamidah. "Analisis Bayangan Dalam Macbeth Karya William Shakespeare." Sintaksis : Publikasi Para ahli Bahasa dan Sastra Inggris 2, no. 1 (January 2, 2024): 92–97. http://dx.doi.org/10.61132/sintaksis.v2i1.253.

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Macbeth was one of William Shakespeare's famous plays that used many shadows to beckon events to come in this story. In Macbeth's stories shadows are used to create tensions and raise questions about agency and moral responsibility in the drama. This study aims to analyze and identify the use of additives in the text and connect it to the development of themes and characters in Macbeth's story. In addition, the researchers also used interpretation and evaluation. After evaluating "Macbeth," the researcher gives his own view of the work. This data-research method employs a qualitative approach. Research shows that parallels are used in "Macbeth" to predict the direction of the story, build tensions, and develop character. Parallels are used to show changes in character and awareness of responsibility dealt with by Macbeth. Examples of vocations used in "Macbeth" include witch prophecies, soliloquy Macbeth, hallucinations and visions, and the use of invention. These barriers help build tensions and predict the tragic end of the main character

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Griswold, Jeffrey B. "Macbeth's Thick Night and the Political Ecology of a Dark Scotland." Critical Survey 31, no. 3 (September 1, 2019): 31–43. http://dx.doi.org/10.3167/cs.2019.310304.

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This article complicates scholarship on Macbeth that understands political attachment in terms of an autonomous subject and attributes Macbeth’s demise to an over-susceptibility to natural or supernatural forces. By putting early modern accounts of the humoral constitution of the night air in conversation with modern theories of apostrophe, I argue that the Macbeths’ experiences of night theorise political action as inseparable from the nonhuman forces in the play. Shakespeare reworks his source material to explore the borders of the human, imagining a more complex relationship between treasonous violence and the darkness that enshrouds Scotland.

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Boquet, Guy. "The Theatre: Review: Play: Macbeth, Macbett." Cahiers Élisabéthains: A Journal of English Renaissance Studies 43, no. 1 (April 1993): 63–65. http://dx.doi.org/10.1177/018476789304300111.

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Shahiwala, Sofiya. "Power Beyond Sex: A Foucauldian Reading of Lady Macbeth." International Journal of English Literature and Social Sciences 7, no. 5 (2022): 083–87. http://dx.doi.org/10.22161/ijels.75.15.

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Shakespeare’s most haunting tragedy, Macbeth, has been regarded as one of his best tragic trios. One of the most significant characters of the play – Lady Macbeth – often realized as the ‘antagonist’ of the play, is portrayed as the impetus and motivational factor behind Macbeth’s brief victory and, apparently, even his ultimum ruinam. With her actions within the course of the play, it becomes a daunting task to justify them without referring to the history of Lady Macbeth. Most of the past studies have focused on her earlier marriage and multiple miscarriages in order to condone her behaviour. The present research essay, however, reviews the play in a deconstructive approach and delves into a deep exploration of the representation of Lady Macbeth in Shakespeare’s renowned tragedy. The study focuses on the influence of normalizing power and gender distinction upon the actions of the characters. It studies the theory of Normalizing Power (as given by Michel Foucault) and views it in the context of how femininity is depicted within Macbeth. It further reinvestigates the patriarchal dominance and looks at the existing power structures that subconsciously affect Lady Macbeth’s motivation, leading to the tragic fall of the characters. By visiting the play from the lens of power and femininity inherent in the subconscious mind of the readers, the research aims to portray Lady Macbeth in a different light, one that is not dominated by supporting ideologies of male dominance or the notion of power in the hands of the phallus.

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Salim, Taha Khalaf. "The Recalcitrance of the Tragic Hero in Shakespeare’s Macbeth." JOURNAL OF LANGUAGE STUDIES 1, no. 1 (August 11, 2023): 42–55. http://dx.doi.org/10.25130/jls.1.1.3.

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Stated by Aristotle in his Poetics, tragic flaw is one of the main characteristics of the tragic hero, a weak point within his personality that leads him to commit fatal mistake during the events and that is what causes his decline. In Shakespeare’s Macbeth, the tragic hero, Macbeth, is motivated to embrace evil and to be criminal for he is not immune in the opposite of his diseased will to extort the throne. Under the influence of this flaw, Macbeth degenerates from a respected man of great honour to an isolated murderer and then to the expected conclusion, death. The aim of this research is to examine the recalcitrance, one’s illegitimate ambition, as Macbeth’s tragic flaw in depth throwing much light on its significant role in bringing about the idea of treason, killing king Duncan, in Macbeth’s mind and, then, committing the crime.

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PANDA, SANTANU. "Evil, Corruption, Manipulation and Abuse of Power in Shakespeare’s Macbeth." SMART MOVES JOURNAL IJELLH 5, no. 8 (August 30, 2017): 6. http://dx.doi.org/10.24113/ijellh.v5i8.2274.

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Abstract: The chief objective of this paper is to find out the features of Evil, Corruption, Manipulation and Abuse of power in Shakespeare’s Macbeth. Shakespeare is the leading and prominent dramatist of Elizabethan era. He is often regarded as England’s ‘national poet’ and the ‘Bard of Avon’. The full title of Macbeth is ‘the Tragedy of Macbeth’. This is a tragedy where hellhound becomes a hero. Shakespeare presents the psychological battle in Macbeth through soliloquy and aside. As a result Macbeth’s physical action are distinct from his mental actions. The source of Macbeth is Holinshed’s Chronicles. Shakespeare modified many facts of stories from the purpose of tragic effect. The play opens with the witches. The witches belong to natural calamity symbolically they are associated with the calamity in human nature. The witches implicitly mention two battles. They know that Macbeth will open the physical battle. But they also know that they will defeat Macbeth in physical battle. The witches are single in their purpose. They want to meet Macbeth to united strength of the evil sets as a contrast to the rebellion against Duncan. Macbeth killed Duncan to acquire the crown. To collect it he uses the tricks of corruption and Manipulation. He also misuses the power to maintain his kingdom. He killed Banquo and Macduff’s innocent wife and child. But he forgot that the crown for which he and his wife killed Duncan and several on and bring a tempest on their life it will be the cause of their destruction.

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Dissertations / Theses on the topic "Macbeth"

Podara, Eleni. "Macbeth." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-178040.

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Tato práce dokumentuje Scénická a kostýmní procesu navrhování pro výrobu divadelním představení Shakespearovy hry Macbeth jako vyrobené Pražského shakespearovské společnosti.Výroba byla provedena v Divadle Kolowrat, od 07.11.2013 do 22.listopadu 2013. Navíc produkce cestoval do Houstonu v Texasu v Rice Village divadle Main Street Theater společnosti. Je tam hráli od 27. února do 9. března 2014. Tato práce zahrnuje analýzu hry a postavy a popisuje podrobně proces návrhu a provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu jsou k dispozici.

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Leung, Hoi-kei Karen Shakespeare William. "Modern Macbeth in Hong Kong /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3156706x.

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Leung, Hoi-kei Karen, and 梁凱祈. "Modern Macbeth in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007524.

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Johnson, Catherine. "MACBETH: FOR THE PURPOSE OF PROCESS." Master's thesis, Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/263575.

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Theater
M.F.A.
This thesis paper will explain my set design process for Temple University's 2014 production of Macbeth. I will cover the steps from receiving the assignment to opening night and evaluate its purpose in my education toward a Master's of Fine Arts.
Temple University--Theses

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Tsang, Jonathan. "Scenography : set and lighting design for Macbeth." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44334.

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Macbeth by William Shakespeare, adapted by Patrick New, was presented as a part of the 2011/2012 Theatre at UBC season at the Frederic Wood Theatre in March 2012. The show was directed by Patrick New and stage managed by Belle Cheung. The design team included Vanessa Imeson (Costume Designer) and Hayley Peterson (Sound Designer) along with myself (Lighting and Set Designer). This report examines the methodology and design for the integration of both set and lighting design in a scenographic manner, and also examines the collaborative relationship between designer and director.

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Bills, Danny C. "Harmony and Structure in Richard Strauss's Macbeth." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278998/.

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This study begins with a discussion of step theory. Included in this discussion is the basis of chord succession, the idea of fundamental representation, and the uses of reinterpretation technique. These concepts are then used to demonstrate the continuity and logic of the harmonic language found in Strauss's Macbeth.

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Johnson, Virginia Bristol. "Costume designs for Macbeth by William Shakespeare." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2962.

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Thesis (M.F.A.)--West Virginia University, 2003.
Title from document title page. Document formatted into pages; contains vi, 100 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 34-35).

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Capozzi, Benedetta <1993&gt. "Macbeth on screen: Welles, Kurosawa, Polanski,Kurzel." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10743.

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This thesis analyses how four directors, Orson Welles, Akira Kurosawa, Roman Polanski and Justin Kurzel, have produced a screen adaptation of Shakespeare’s Macbeth. It starts with a general overview of the play, focusing on the characters and on Shakespeare’s sources and it attempts to reconstruct the general atmosphere in England in the 17th century. After a quick overview on the first stage adaptations in Chapter One, the thesis turns to analyse in detail the four movies. In Chapter Two it discusses Orson Welles’s adaptation of 1948 and his dreamlike representation of the story.The third chapter focuses on Japanese director Akira Kurosawa’s Throne of Blood, also known as The Castle of The Spider’s Web, produced in Japan in 1957.The fourth and fifth chapters are dedicated respectively to Roman Polanski’s 1971 adaptation and to the latest screen version made by Justin Kurzel in 2015. A conclusion, in the end, shows how all the considerations made on all the different screen versions contribute to re-invent and reproduce the greatness of Shakespeare’s characters and that the appeal his stories have on audience demands for artists to develop always new forms of engagement with Shakespeare’s work.

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Ferguson, Lisa. "Lady Macbeth and Gertrude: A Study in Gender." TopSCHOLAR®, 2002. http://digitalcommons.wku.edu/theses/656.

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The detailed examination of two of Shakespeare's female leads, Lady Macbeth and Gertrude, is designed to determine whether or not these particular characters were free from the confines of their society, or if they were content within its oppressive grasp. A combination of Feminist Criticism and New Historicism reveals that Lady Macbeth and Gertrude did not overstep the bounds of their gender, but in fact were suppressed within them. The limited rights and freedoms of a woman during the Renaissance is heavily discussed, and aids in giving the reader a vivid impression of Lady Macbeth's and Gertrude's subjugation. As Renaissance women were considered and treated inferior to their husbands in all respects, so are these two characters. Once the supposed driving force behind her husband's actions, Lady Macbeth makes a swift but devastating departure after Macbeth expels her from both his personal and political matters. No longer needing his wife to appease his conscience, Macbeth finds his own aptitude for evil. Torn between her roles as a wife and mother, Gertrude forfeits her happiness to please her overemotional son. Long before her actual death, Gertrude sacrifices a part of her identity to meet Hamlet's expectations. Both women relinquish their hopes and dreams to fulfill those of the men around them. Their blinded selflessness and misplaced devotion result in their ultimate undoing. Though the typical reader of Macbeth and Hamlet sometimes considers these particular female characters to be strong, bold, and selfish, the values of Shakespeare's era and his actual text suggest otherwise. The playwright's time was marked by a bitter gender struggle that pervaded all areas of Renaissance life, including his own work. Upon first glance, Lady Macbeth and Gertrude might come across as women who were strikingly independent. Throughout the progression of the plays, however, both women take a backseat to more important matters, such as politics and war. Even their deaths do not truly belong to them, as they seem to serve as mere asides to the inevitable "manly" action. Striving to meet the expectations of the men they loved, Lady Macbeth and Gertrude lose themselves in the process.

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Xaver, Savannah. "Blood and Milk: The Masculinity of Motherhood in Shakespeare's Tragedies." University of Toledo Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450433405.

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Books on the topic "Macbeth"

Shakespeare, William. Macbeth. New York: Dover Publications, 1993.

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Shakespeare, William. Macbeth. Hoboken, N.J: Wiley Pub., 2006.

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Suter, Joanne. Macbeth. Belmont, Calif: Lake Education, 1996.

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Shakespeare, William. Macbeth. [Mahwah, N.J.]: Troll Communications, 2001.

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Williams, Gordon. Macbeth. London: Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-06473-1.

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Bate, Jonathan, and Eric Rasmussen, eds. Macbeth. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-00443-7.

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Hoshine, Ken. Macbeth. New York: Sparknotes, 2008.

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Shakespeare, William. Macbeth. New York: Random House Publishing Group, 2009.

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Turner, John. Macbeth. Buckingham [England]: Open University Press, 1992.

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Williams, Marcia. Macbeth. London: Walker Books, 2015.

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Book chapters on the topic "Macbeth"

Kębłowska-Ławniczak, Ewa. "Macbeth, Macbeth." In Adaptation and Beyond, 3–23. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003435839-2.

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Bradley, A. C. "Macbeth." In Shakespearean Tragedy, 322–54. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22059-5_10.

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Bradley, A. C. "Macbeth." In Shakespearean Tragedy, 290–321. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22059-5_9.

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Grene, Nicholas. "Macbeth." In Shakespeare’s Tragic Imagination, 193–222. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24970-1_8.

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Schweikert, Uwe. "Macbeth." In Verdi Handbuch, 347–58. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-02717-7_29.

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Schweikert, Uwe. "Macbeth." In Verdi Handbuch, 385–98. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-05186-8_31.

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Goodland, Katharine, and John O’Connor. "Macbeth." In A Directory of Shakespeare in Performance Since 1991, 129–50. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_17.

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Goodland, Katharine, and John O’Connor. "Macbeth." In A Directory of Shakespeare in Performance Since 1991, 1031–120. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_56.

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Goodland, Katharine, and John O’Connor. "Macbeth." In A Directory of Shakespeare in Performance, 1970–1990, 117–42. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_17.

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Goodland, Katharine, and John O’Connor. "Macbeth." In A Directory of Shakespeare in Performance, 1970–1990, 884–978. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_57.

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Conference papers on the topic "Macbeth"

Sanday, Andressa, and Marcelo Lazzaratto. "A tragicidade em Macbeth." In Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720191987.

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Fantu-Sava, Cezara. "Who`s afraid of Macbeth?" In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.26.

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Are we reading „the great books” or about „the great books”? Can there be remorse if we don't read the classics? Do we choose Jo Nesboe’s Macbeth because we fear William Shakespeare's Macbeth? Pierre Dukan sold more than twenty million books in the world, which readers bought nonchalantly. What are the elites' tastes in books? The present article proposes a series of questions concerning the increasingly narrow reading of the „classics” in favour of some writers promoted by mass culture. The questions are also related to how the theatre can contribute to the valorization and promotion of some canonical texts. As a case study, the performance Macbeth, proposed by Botond Nagy in 2022, at the Radu Stanca National Theater from Sibiu, is presented.

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Carnero, María Carmen. "Selección de Aplicación para Gamificación en una Asignatura de los Grados en Ingeniería Eléctrica y Electrónica Industrial y Automática." In INNODOCT 2019. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10252.

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Debido al gran número de beneficios que reporta, el número de aplicaciones para gamificación se ha incrementado considerablemente desde 2002. Por ello, la selección de la aplicación idónea a emplear en una asignatura universitaria de grado se ha vuelto más compleja. Esta contribución pretende ayudar en esta toma de decisiones proponiendo un modelo objetivo elaborado mediante Measuring Attractiveness by a Categorical Based Evaluation Technique (MACBETH). Este modelo se ha aplicado a una asignatura de los grados en Ingeniería Eléctrica e Ingeniería Electrónica Industrial y Automática de la Escuela Técnica Superior de Ingenieros Industriales de Ciudad Real, empleándose como centro decisor uno de los profesores de la asignatura. El modelo emplea diez criterios de decisión dispuestos en una estructura jerárquica. Para cada criterio, a partir de una matriz de comparaciones por parejas construida a partir de los juicios emitidos por el centro decisor, se obtiene mediante programación lineal una función de valor. Mediante la aplicación de la metodología MACBETH, y con la ayuda del software M-MACBETH, que emplea un método simple aditivo, se obtiene una clasificación completa de las diferentes aplicaciones para gamificación evaluadas.

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Pershina, Marina. "Metaphors of Crime and Punishment in Shakespeare’s “Macbeth”." In Proceedings of the 10th International RAIS Conference on Social Sciences and Humanities (RAIS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/rais-18.2018.35.

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ERTAY, TIJEN, and CENGIZ KAHRAMAN. "EVALUATION OF RENEWABLE ENERGY ALTERNATIVES USING MACBETH MULTICRITERIA METHOD." In Proceedings of the 9th International FLINS Conference. WORLD SCIENTIFIC, 2010. http://dx.doi.org/10.1142/9789814324700_0143.

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"A FRAMEWORK FOR ERP EVALUATION AND SELECTION USING MACBETH TECHNIQUE." In 13th International Conference on Enterprise Information Systems. SciTePress - Science and and Technology Publications, 2011. http://dx.doi.org/10.5220/0003422303390342.

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Keček, Damira, Nikolina Žajdela Hrustek, and Vesna Dušak. "Application of the MACBETH method in postgraduate doctoral study selection." In The 4th Global Virtual Conference. Publishing Society, 2016. http://dx.doi.org/10.18638/gv.2016.4.1.794.

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Imoussaten, Abdelhak. "Practical extension of MACBETH methodology to deal with sophisticated preferences’ models." In 2022 IEEE International Conference on Fuzzy Systems (FUZZ-IEEE). IEEE, 2022. http://dx.doi.org/10.1109/fuzz-ieee55066.2022.9882540.

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Zhou, Qian, Minhao Huang, Jia Huang, and Mingshun Song. "An Improved Fuzzy FMEA Model Based on MACBETH and VIKOR Method." In 2024 9th International Conference on Electronic Technology and Information Science (ICETIS). IEEE, 2024. http://dx.doi.org/10.1109/icetis61828.2024.10593776.

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Dhouib, Diala. "Fuzzy Macbeth method to analyze alternatives in automobile tire wastes reverse logistics." In 2013 International Conference on Advanced Logistics and Transport (ICALT). IEEE, 2013. http://dx.doi.org/10.1109/icadlt.2013.6568479.

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Reports on the topic "Macbeth"

Cattaneo, Matias D., Richard K. Crump, and Weining Wang. Beta-Sorted Portfolios. Federal Reserve Bank of New York, July 2023. http://dx.doi.org/10.59576/sr.1068.

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Beta-sorted portfolios—portfolios comprised of assets with similar covariation to selected risk factors—are a popular tool in empirical finance to analyze models of (conditional) expected returns. Despite their widespread use, little is known of their statistical properties in contrast to comparable procedures such as two-pass regressions. We formally investigate the properties of beta-sorted portfolio returns by casting the procedure as a two-step nonparametric estimator with a nonparametric first step and a beta-adaptive portfolios construction. Our framework rationalizes the well-known estimation algorithm with precise economic and statistical assumptions on the general data generating process. We provide conditions that ensure consistency and asymptotic normality along with new uniform inference procedures allowing for uncertainty quantification and general hypothesis testing for financial applications. We show that the rate of convergence of the estimator is non-uniform and depends on the beta value of interest. We also show that the widely used Fama-MacBeth variance estimator is asymptotically valid but is conservative in general and can be very conservative in empirically relevant settings. We propose a new variance estimator, which is always consistent and provide an empirical implementation which produces valid inference. In our empirical application we introduce a novel risk factor—a measure of the business credit cycle—and show that it is strongly predictive of both the cross-section and time-series behavior of U.S. stock returns.

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Butler, Afrachanna, Catherine Thomas, Alyssa Calomeni, Andrew McQueen, and William Slack. Microseira wollei (M. wollei) blooms in freshwater ecosystems in Lake St. Clair (Michigan, USA)–impacts and possible management approaches. Engineer Research and Development Center (U.S.), September 2023. http://dx.doi.org/10.21079/11681/47648.

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The proliferation and shoreline accumulation of the filamentous biphasic cyanobacterium, Microseira wollei (M. wollei) (previously classified as Lyngbya wollei), have become an increasing problem in the Great Lakes, both for aesthetic reasons and its potential to harbor harmful bacteria and pathogens (Vijayavel et al. 2013). Occurrences have been reported and studies have also been conducted in the southeastern US where M. wollei has become a nuisance in recent years and is known to produce toxins (Hudon et al. 2014). Reports of M. wollei proliferations in the eastern US have been identified in the Manitoba lakes (Macbeth 2004), in Lake Erie from Maumee Bay (Bridgeman and Penamon 2010), in Lake St. Clair near Detroit (Vijayavel et al. 2013), and throughout the St Lawrence River (Vis et al. 2008; Lévesque et al. 2012). M. wollei has become a serious nuisance for marinas, public beaches, and lakefront property owners. In addition, M. wollei appears to have the ability to produce a wide range of toxins, but the conditions promoting their production, type, and concentration are poorly known (Hudon et al. 2014). Occurrences of large algal mats matching characteristics of M. wollei have been observed along the northwest shore and nearshore waters of the beach at Lake St. Clair dating back to 2010. To date, a comprehensive study detailing the potential impacts M. wollei has on freshwater ecosystems in the Great Lakes River, particularly Lake St. Clair is lacking. Further, management solutions are not well understood. This technical note (TN) reviews the potential causes of M. wollei blooms and their ecological impacts on aquatic systems and assesses the management options available to eliminate or minimize the impacts of these blooms.

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