Relevant bibliographies by topics / Male-female-duet

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Academic literature on the topic 'Male-female-duet'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Male-female-duet"

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Logue, David M. "The Duet Code of the Female Black-Bellied Wren." Condor 108, no. 2 (2006): 326–35. http://dx.doi.org/10.1093/condor/108.2.326.

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Abstract In many duet-singing songbirds, paired birds combine their song types nonrandomly to form duet songs. Several different behavioral mechanisms could generate nonrandom song type associations in duets. I tested female Black-bellied Wrens (Thryothorus fasciatoventris) for one such mechanism: adherence to a set of rules linking female response songs to male stimulus songs. I call this set of rules a “duet code.” Duets of free-living Black-bellied Wrens were recorded in 2001 and 2002. In 2003 I returned to the same territories and played the male song types from the recorded duets. Females
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Sandoval, Luis, Roselvy Juárez, and Mauricio Villarreal. "Different Messages are Transmitted by Individual Duet Contributions and Complete Duets in a Species with Highly Overlapped Duets." Open Ornithology Journal 11, no. 1 (2018): 56–67. http://dx.doi.org/10.2174/1874453201811010056.

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Background: Duet function hypotheses have been mostly studied in bird species that produce duets with male and female solo songs. However, in order to understand if patterns of duet function are similar across all duetting species, it is highly necessary to test the duet function hypotheses in species that produce duets with vocalizations other than solo songs. Objective: We studied the responses of territorial pairs to each sex’s individual duet contribution and complete duets in a species that produces duets with a vocalization other than male and female solo songs. Methods: We conducted a p
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Harrington, Helèna, Audrey Miller, Sarah Mcdowell, Amy Rogers, Joanne Panagos, and Jasmine Ferguson. "Use of Stereo Duet Playback to Investigate Traditional Duet Playback Methods and Mechanisms of Cooperative Territorial Defence in Magpie-Larks." Behaviour 141, no. 6 (2004): 741–53. http://dx.doi.org/10.1163/1568539042245169.

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AbstractDuets are precisely coordinated acoustic displays, usually involving members of a mated pair. Studies investigating avian duet function often employ a single speaker playback system to compare response of focal pairs to simulated territorial intrusion by duetting and solo birds. It has recently been suggested that a 'stereo duet playback', in which male and female duet components are separated and broadcast through two different speakers, would provide a more realistic duet stimulus. We conduct the first comparison of a traditional single speaker versus a new stereo duet playback desig
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Clink, Dena J., Johny S. Tasirin, and Holger Klinck. "Vocal individuality and rhythm in male and female duet contributions of a nonhuman primate." Current Zoology 66, no. 2 (2019): 173–86. http://dx.doi.org/10.1093/cz/zoz035.

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Abstract Duetting, or the stereotypical, repeated and often coordinated vocalizations between 2 individuals arose independently multiple times in the Order Primates. Across primate species, there exists substantial variation in terms of timing, degree of overlap, and sex-specificity of duet contributions. There is increasing evidence that primates can modify the timing of their duet contributions relative to their partner, and this vocal flexibility may have been an important precursor to the evolution of human language. Here, we present the results of a fine-scale analysis of Gursky’s spectra
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Mann, Nigel I., Lorraine Marshall-Ball, and Peter J. B. Slater. "The Complex Song Duet of the Plain Wren." Condor 105, no. 4 (2003): 672–82. http://dx.doi.org/10.1093/condor/105.4.672.

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Abstract We studied the duet of the Caribbean-slope subspecies of the Plain Wren (Thryothorus modestus zeledoni) in Costa Rica. It is one of the most complex duets to have been described. The duet proper consists of rapid, highly coordinated alternation of “A-phrases” from the female and “B-phrases” from the male. While the female initiates this section with her A-phrase, this cyclical part of the duet is almost invariably preceded by an introductory “I-phrase” from the male, so that it is the male that initiates the performance. Each male has a repertoire of I- and B-phrases, and each female
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6

Cohen, Dan, Meir Paul Pener, Eran Tauber, and Michael Greenfield. "DUET SINGING AND FEMALE CHOICE IN THE BUSHCRICKET PHANEROPTERA NANA." Behaviour 138, no. 4 (2001): 411–30. http://dx.doi.org/10.1163/156853901750382089.

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Abstractthe reliability with which females can assess male song at a distance and potential disadvantages of attracting multiple suitors. Laboratory trials indicated that only males receiving a high female response rate actually approach and mate with the female. Thus, this duet signalling system may be relatively resistant to intraspecific exploitation.
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7

Wheeldon, Amie, Paweł Szymański, Michał Budka, and Tomasz S. Osiejuk. "Structure and functions of Yellow-breasted Boubou (Laniarius atroflavus) solos and duets." PeerJ 8 (October 21, 2020): e10214. http://dx.doi.org/10.7717/peerj.10214.

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Background Birds have extremely well-developed acoustic communication and have become popular in bioacoustics research. The majority of studies on bird song have been conducted in the temperate zones where usually males of birds sing to attract females and defend territories. In over 360 bird species mostly inhabiting the tropics both males and females sing together in duets. Avian duets are usually formed when a male and female coordinate their songs. We focused on a species with relatively weakly coordinated duets, with male solo as the prevailing vocalisation type. Methods Instead of analys
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8

Rogers, Amy C. "Male and female song structure and singing behaviour in the duetting eastern whipbird, Psophodes olivaceus." Australian Journal of Zoology 53, no. 3 (2005): 157. http://dx.doi.org/10.1071/zo04083.

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In many tropical bird species, partners combine their songs to form precise duets, of which the function is imperfectly understood. Duet structure and sex differences in vocal strategies may be important indicators of different selective pressures that have led to the evolution and maintenance of these complex acoustic displays. This study examines the singing behaviour of a population of the eastern whipbird, a bird that forms antiphonal duets initiated exclusively by the male. In all, 7% of duets recorded were between a paired female and a male other than her social partner. Males sang more
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Mennill, Daniel J., and Sandra L. Vehrencamp. "Sex Differences in Singing and Duetting Behavior of Neotropical Rufous-and-White Wrens (Thryothorus Rufalbus)." Auk 122, no. 1 (2005): 175–86. http://dx.doi.org/10.1093/auk/122.1.175.

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AbstractIn many tropical bird species, males and females sing together in coordinated vocal duets. Although studies of duetting present unique opportunities for understanding conflict and cooperation between the sexes, very few investigations describe the similarities and differences between male and female singing behaviors. Here, we present the first detailed account of the singing behavior of Rufous-and-white Wrens (Thryothorus rufalbus), a resident tropical duetting songbird. Male and female songs share a similar structure, yet show pronounced sex differences. Male songs have lower frequen
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10

Cuthbert, Jessica L., and Daniel J. Mennill. "The Duetting Behavior of Pacific Coast Plain Wrens." Condor 109, no. 3 (2007): 686–92. http://dx.doi.org/10.1093/condor/109.3.686.

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Abstract Abstract. We provide the first detailed analysis of the vocal behavior of Pacific coast Plain Wrens (Thryothorus modestus modestus). Male Plain Wrens sing two categories of song phrase; one phrase is given as a solo song or duet introduction (I-phrases), while the other is sung primarily during duets (M-phrases). Females sing only one category of song phrase, usually during duets (F-phrases). Both sexes have repertoires of their respective song categories. Plain Wren duets show extreme temporal coordination: duets typically begin with male I-phrases, which are followed by the rapid al
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Book chapters on the topic "Male-female-duet"

1

Barendregt, Bart. "Princess Siti and the Particularities of Post-Islamist Pop." In Vamping the Stage. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824869861.003.0010.

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June 2012 saw the release of the song You came to Me, performed by ‘Islam’s Biggest Rock Star’, Sami Yusuf and Malaysian media darling Dato’ Siti Nurhaliza Tarudin, The song, - previously released on one of Yusuf’s solo albums and recorded in the nasheed idiom - was now repackaged for the Southeast Asian market and sung in English, Arab as well as Malay. The choice to perform in Malay is not surprising considering that Malaysia for decades has been known as the home of contemporary nasheed, with many global Muslim pop stars today enjoying most of their fame here rather than in their countries
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You might also be interested in the extended bibliographies on the topic 'Male-female-duet' for particular source types:
Journal articles
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