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1

Mihael, Glavan, Gardina Igor, and Narodna in univerzitetna knjižnica v Ljubljani., eds. The birth certificate of Slovene culture: Freising manuscripts, Celovec (Ratec̆e) manuscript, Stic̆na manuscript, C̆edad (C̆ernjeja) manuscript : exhibition catalogue. V Ljubljani: Narodna in univerzitetna knjiz̆nica, 2004.

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Müller-Schöll, Axel. Manuscript. Basel: Birkhäuser Basel, 2007. http://dx.doi.org/10.1007/978-3-7643-8253-7.

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3

Press, Scripps College, and ArjoWiggins (Firm), eds. Manuscript. [Claremont, Calif.]: Scripps College Press, 2011.

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4

Dhulekar, Soumya. Manuscript. Philadelphia, PA: Soumya Dhulekar, 2016.

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5

Senior, J. R. Manuscript. Manchester: University of Manchester, Department of Computer Science, 1995.

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6

Grellong, Paul. Manuscript. New York: Dramatists Play Service, Inc., 2006.

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7

Biblioteca, Escorial Real. Manuscript V.III.24 ; Manuscript IV.a.24. Escorial, Spain: Real Biblioteca, 1990.

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8

England) Islamic Manuscript Conference (10th 2014 Cambridge. The Tenth Islamic Manuscript Conference: Manuscripts & conflict : programme. [Cambridge]: Thesaurus Islamicus Foundation, 2014.

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9

Zeller, Eva. The manuscript. London: J. Cape, 2000.

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10

Grace, Hyam, Fortier Paul, Tapper Lawrence F, and Public Archives Canada. Manuscript Division., eds. Manuscript Division. Ottawa, Ont: National Archives of Canada, 1994.

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11

Wilke, Suzanne Lowe. Modern manuscript. Edited by Cummings Renee. Grand Rapids, MI: Instructional Fair, Inc./TS Denison, 1991.

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12

Center, Amistad Research. Manuscript holdings. New Orleans, La: The Center, 1991.

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13

Crowley, Lara M. Manuscript Matters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.001.0001.

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Manuscript Matters illuminates responses to some of John Donne’s most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers’ exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers—men and women who shared in Donne’s political, religious, and social contexts—offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study’s findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artifacts containing Donne’s works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne’s satiric, lyric, and religious poetry, as well as his prose paradoxes and problems—refocusing modern interpretation through an early modern lens.
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14

Schopenhauer, Arthur. Manuscript Remains, Volume I: Early Manuscripts (184-1818) (Manuscript Remains, Vol 1). Berg Publishers, 1988.

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15

Spaulding, Solomon. Manuscript Found: Manuscript Story. Creative Media Partners, LLC, 2018.

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16

Cosmic manuscript: Cosmic manuscript. USA: Dallas Thompson, 2002.

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17

Vibes, Happy. Music Manuscript: Music Manuscript. Independently Published, 2021.

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18

Iverson, Cheryl. Manuscript Preparation. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.003.0002.

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Preparation of a scholarly manuscript requires thoughtful consideration of the topic and anticipation of the reader’s needs and questions. Certain elements either are standard parts of all manuscripts or are used so often as to merit special instruction. These elements are discussed in this section in the order in which they appear in the manuscript. References are discussed separately in chapter 3 and tables and figures in chapter 4. The preparation of any manuscript for publication should take the requirements of the intended journal into account; this may enhance the chances of acceptance and expedite publication. For the author, manuscript preparation requires familiarity with the journal to which the article is submitted. Most journals publish instructions for authors, which serve as useful guides; some journals' instructions for authors contain a manuscript checklist (see that from JAMA1 [reproduced in this chapter as the Table] as an example)...
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19

Schopenhauer, Arthur. Manuscript Remains, Vol. 4: The Manuscript Books of 183-1852 and Last Manuscripts. Berg Publishers, 1988.

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20

Mchaney. WILD PALMS/MANUSCRIPT (William Faulkner Manuscripts, 14). Garland Science, 1986.

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21

Weeit, Biggest. Maximum Manuscript: Two Manuscripts, in a Van. Independently Published, 2017.

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22

Legacé, Jean. Manuscript. Book Savvy International, 2022.

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23

Knight, Hyperion, and D. K. Hamlin. Manuscript. Independently Published, 2020.

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24

Rossi, Anna, and Charisma Publications. Manuscript. Independently Published, 2019.

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25

Wildes, Emma. Manuscript. Siren-BookStrand, Incorporated, 2007.

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26

Manuscript. Alpha Omega Publications (AZ), 2001.

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27

Legacé, Jean. Manuscript. Book Savvy International, 2022.

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28

Weissenthurn, Johanna von. Manuscript. tredition Verlag, 2012.

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29

Artritis, Peter. Manuscript. Author Reputation Press, LLC, 2020.

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30

Paper, Music, and Piano Paper. Music Manuscript Paper: Manuscript Paper. Independently Published, 2021.

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31

Spaulding, Solomon. The "manuscript Found": Manuscript Story. Franklin Classics, 2018.

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32

Vibes, Happy. Music Manuscript: Music Manuscript Notebook. Independently Published, 2021.

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33

Hawkeye, Timber. Buddhist Boot Camp Manuscript: Manuscript. Hawkeye Publishers, 2012.

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34

Mozart Manuscript Book: Manuscript Paper. Independently Published, 2021.

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35

Christiansen, Stacy. Manuscript Editing and Proofreading. Oxford University Press, 2009. http://dx.doi.org/10.1093/jama/9780195176339.003.0023.

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Corrections often need to be marked on printed manuscripts and typeset copy. The following marks are common in publishing and used by manuscript editors, proofreaders, and others involved in marking copy to be corrected. Instructions, queries, and clarifications not to be typeset should be circled.
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36

Journals, C. R. Claudio Monteverdi Manuscript Book: Manuscript Paper. Independently Published, 2021.

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37

Publishing, Music Manuscript. Manuscript Paper: Manuscript Paper for Notes,. Independently Published, 2019.

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38

Corporation, Music Sales. Choral Manuscript Paper (Passantino Manuscript Papers). Passantino, 1998.

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39

JS Bach Manuscript Book: Manuscript Paper. Independently Published, 2021.

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40

Books, Lee Musica. Manuscript Paper Notebook : Music Manuscript Paper 10 Staves: Music Manuscript Paper, Manuscript Paper Lots of Staves, Music Manuscript Notebook for Kids, Guitar Manuscript Paper. Independently Published, 2021.

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41

Tiahong, PhatAthi. Manuscript Paper 8 Stave: Manuscript Book Large Stave, Manuscript Paper Blank. Independently Published, 2019.

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42

Brada, Ellizaa. Manuscript Paper Notebook - Yellow Cover : Music Manuscript Paper 10 Staves: Music Manuscript Paper, Manuscript Paper Lots of Staves, Music Manuscript Notebook for Kids, Guitar Manuscript Paper. Independently Published, 2021.

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43

Publishing, RH Value. Chancellor Manuscript. Random House Value Publishing, 1987.

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44

Kelley, Tera. Voynich Manuscript. North Star Editions, 2023.

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45

Publishing, Peedo. Manuscript Paper. Independently Published, 2019.

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46

Lillystone, B. Manuscript Paper. Independently Published, 2022.

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47

Kelley, Tera. Voynich Manuscript. North Star Editions, 2023.

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48

Nugent, Christopher M. B. Manuscript Culture. Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.5.

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This chapter examines issues of manuscript culture as they apply to China prior to the spread of print. The discussion is centered around questions of how literary texts were produced, circulated, and changed in contexts in which every reproduction of a text was done by hand and the oral and the written remained closely intertwined. In addition to accounts of how texts were circulated and altered during circulation, the chapter discusses the implications of these aspects of manuscript culture for our understanding of how this literature was experienced by audiences in a context in which texts were more fluid and every instance of textual reproduction entailed individual decisions. Many of the issues discussed here are relevant to later periods as well, as even after the wide spread of printing, texts continued to be produced by hand (and orally) in a range of contexts up through the twentieth century.
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49

Marotti, Arthur F., and Laura Estill. Manuscript Circulation. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199566105.013.0004.

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50

Manuscript catalog. Boston: G. K. Hall, 1991.

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