Academic literature on the topic 'Masochism in literature'

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Dissertations / Theses on the topic "Masochism in literature"

1

Fantina, Richard. "Machismo and masochism in Ernest Hemingway." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/3249.

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The thesis seeks to contribute to the body of knowledge in literary gender studies by probing the conflicting views of masculinity found in the work of Ernest Hemingway. The major texts, The Sun Also Rises (1926), A Farewell to Arms (1929), Death in the Afternoon (1932), For Whom the Bell Tolls (1940), and The Garden of Eden (1986), demonstrate a pattern which can be identified with elements often referred to as "androgynous." Masochism, as a core component of this "androgyny," will be isolated and explored. Drawing upon both psychoanalytical and literary commentators, this study locates Hemin
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2

Sato, Kanshi Hiroko. "Masochism and decadent literature : Jean Lorrain and Joséphin Péladan." Thesis, University of Birmingham, 2009. http://etheses.bham.ac.uk//id/eprint/1219/.

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This study explores the masochistic aspects of Decadent literature, which to date have been relatively neglected, or have received only sporadic attention as merely the passive forms of sadism, or sadomasochism (Mario Praz). As Jennifer Birkett suggests, Decadent sensibility and sexuality have arguably less affinity with Sade than Sacher-Masoch. Following Birkett, and utilising Gilles Deleuze’s idea of the independence of masochism from sadism and description of the distinctive aesthetic features of masochistic texts, I investigate masochistic formations in French Decadent texts; the work of J
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3

Schlipphacke, Heidi M. "The daughter's symptom : female masochism in literary works by G.E. Lessing, Sophie von La Roche, Ingeborg Bachmann and Elfriede Jelinek /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9937.

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4

Phillips, Anita. "Masochism and literature, with reference to selected literary texts from Sacher-Masoch to Duras." Thesis, Queen Mary, University of London, 1995. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1685.

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The introductory section of the thesis puts forward a view of the usefulness of the concept of masochism in studying literature, arguing that the tendency has been inadequately formulated by psychoanalytic theory. It refers to debates within gay studies, feminism, psychoanalysis and literary studies to contextualise the argument of the thesis. The first chapter analyses Freud's key essay on masochism, 'The Economic Problem of Masochism' (1924) and appraises other theoretical contributions which have discussed the relation of masochism to artistic creativity. It goes on to critique the feminist
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5

Hennessee, David. "Male masochistic fantasy in Carlyle, Tennyson, Dickens, and Swinburne /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9452.

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6

Sherwood, Elizabeth A. "Sublime Surrender: Constructing My Self and Navigating Patriarchy Using My Vampire Boyfriend." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1322597159.

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7

Straw, Mark Christopher. "The damaged male and the contemporary American war film : masochism, ethics, and spectatorship." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1711/.

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This thesis is about the depiction of the damaged male in contemporary American war films in the period 1990 to 2010. All the films in this thesis deploy complex strategies but induce simple and readily accessible pleasures in order to mask, disavow or displace the operations of US imperialism. It is my argument that the premier emotive trope for emblematising and offering up the damaged male as spectacle and political tool is the American war film. I also argue that masochistic subjectivity (and spectatorship) is exploited in these films, sometimes through using it as a radical transformative
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8

McCleese, Nicole L. "The Unconsoled a masochistic imagining of narrative and nation /." Diss., Connect to online resource - MSU authorized users, 2007.

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9

Hudnell, William Jason. "A Series of Humiliations." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1364826168.

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10

Arbelius, Karin. "För sakens skull : Det omöjliga mötet i Rut Hillarps roman Sindhia - en lacansk läsning." Thesis, Södertörn University College, School of Gender, Culture and History, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-475.

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<p>This essay examines the love affair between the two main characters of Rut Hillarp’s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes – that in a way marks the relationship – and the yet remarkable coolness between the two lovers.</p><p>With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l’amour fou", I w
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