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Dissertations / Theses on the topic 'Masochism in literature'

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1

Fantina, Richard. "Machismo and masochism in Ernest Hemingway." FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/3249.

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The thesis seeks to contribute to the body of knowledge in literary gender studies by probing the conflicting views of masculinity found in the work of Ernest Hemingway. The major texts, The Sun Also Rises (1926), A Farewell to Arms (1929), Death in the Afternoon (1932), For Whom the Bell Tolls (1940), and The Garden of Eden (1986), demonstrate a pattern which can be identified with elements often referred to as "androgynous." Masochism, as a core component of this "androgyny," will be isolated and explored. Drawing upon both psychoanalytical and literary commentators, this study locates Hemin
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2

Sato, Kanshi Hiroko. "Masochism and decadent literature : Jean Lorrain and Joséphin Péladan." Thesis, University of Birmingham, 2009. http://etheses.bham.ac.uk//id/eprint/1219/.

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This study explores the masochistic aspects of Decadent literature, which to date have been relatively neglected, or have received only sporadic attention as merely the passive forms of sadism, or sadomasochism (Mario Praz). As Jennifer Birkett suggests, Decadent sensibility and sexuality have arguably less affinity with Sade than Sacher-Masoch. Following Birkett, and utilising Gilles Deleuze’s idea of the independence of masochism from sadism and description of the distinctive aesthetic features of masochistic texts, I investigate masochistic formations in French Decadent texts; the work of J
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3

Schlipphacke, Heidi M. "The daughter's symptom : female masochism in literary works by G.E. Lessing, Sophie von La Roche, Ingeborg Bachmann and Elfriede Jelinek /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/9937.

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4

Phillips, Anita. "Masochism and literature, with reference to selected literary texts from Sacher-Masoch to Duras." Thesis, Queen Mary, University of London, 1995. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1685.

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The introductory section of the thesis puts forward a view of the usefulness of the concept of masochism in studying literature, arguing that the tendency has been inadequately formulated by psychoanalytic theory. It refers to debates within gay studies, feminism, psychoanalysis and literary studies to contextualise the argument of the thesis. The first chapter analyses Freud's key essay on masochism, 'The Economic Problem of Masochism' (1924) and appraises other theoretical contributions which have discussed the relation of masochism to artistic creativity. It goes on to critique the feminist
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5

Hennessee, David. "Male masochistic fantasy in Carlyle, Tennyson, Dickens, and Swinburne /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9452.

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6

Sherwood, Elizabeth A. "Sublime Surrender: Constructing My Self and Navigating Patriarchy Using My Vampire Boyfriend." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1322597159.

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7

Straw, Mark Christopher. "The damaged male and the contemporary American war film : masochism, ethics, and spectatorship." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1711/.

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This thesis is about the depiction of the damaged male in contemporary American war films in the period 1990 to 2010. All the films in this thesis deploy complex strategies but induce simple and readily accessible pleasures in order to mask, disavow or displace the operations of US imperialism. It is my argument that the premier emotive trope for emblematising and offering up the damaged male as spectacle and political tool is the American war film. I also argue that masochistic subjectivity (and spectatorship) is exploited in these films, sometimes through using it as a radical transformative
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8

McCleese, Nicole L. "The Unconsoled a masochistic imagining of narrative and nation /." Diss., Connect to online resource - MSU authorized users, 2007.

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9

Hudnell, William Jason. "A Series of Humiliations." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1364826168.

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10

Arbelius, Karin. "För sakens skull : Det omöjliga mötet i Rut Hillarps roman Sindhia - en lacansk läsning." Thesis, Södertörn University College, School of Gender, Culture and History, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-475.

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<p>This essay examines the love affair between the two main characters of Rut Hillarp’s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes – that in a way marks the relationship – and the yet remarkable coolness between the two lovers.</p><p>With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l’amour fou", I w
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11

Guillaume, Clément. "Le Développement du moi et le procédé thérapeutique dans les œuvres de Chrétien de Troyes." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/989.

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While we can easily acknowledge that many aspects the texts written by Chrétien de Troyes have been studied and discussed through the centuries, it is always possible to apply a new reading to the author's work. Like many authors of the same time period, the author of Le Conte du graal and LeChevalier de la charrette was not only writing for the audience of his time but was also openly targeting an audience set in a different century and social context. This timeless aspect of Chrétien's work is part of what makes his texts intricate and still relevant to this day. It also allows us to underst
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12

Nathanson, Shelby. "Bite Me: Sadomasochistic Gender Relations in Contemporary Vampire Literature." Honors in the Major Thesis, University of Central Florida, 2014. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1629.

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While the term sadomasochism might conjure cursory images of whips, chains, and leather-clad fetishists, this thesis delves deeper into sadomasochistic theory to analyze dynamics of power and powerlessness represented by a chosen sample of literary relationships. Using two contemporary works of vampire literature—Anne Rice's novel Interview with the Vampire and Stephenie Meyer's Twilight series—I examine how power is structured by and between male and female characters (and vampires and humans), and particularly emphasize the patriarchal messages these works' regressive sexual politics engende
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13

Morrissey, Colleen. "Struck: The Victorian Female Novelist and Male Pain." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524145187359308.

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14

Garland, Bridget Renee. "Trapped in Bluebeard's Chamber: Rose Terry Cooke and Nineteenth-Century "Desperate Housewives."." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1039.

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Often overlooked in the study of nineteenth-century American literature, the New England writer Rose Terry Cooke elicited great popular appeal during the peak of her career. The admiration Cooke received from her readers and fellow writers compels one to question Cooke’s present-day obscurity. Cooke’s fiction and poetry seem inconsistent with the attitudes she express in her non-fiction, particularly concerning religion and women’s suffrage. She portrays women in miserable marriages, desperately looking for an escape. These “brides of Bluebeard” find different ways to cope with their predicame
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15

Rothhaas, Anne Hayley. "The Specter of Masochistic Mourning in Charlotte Brontë's Tales of Angria, The Professor, and Villette." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1372033971.

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16

Lohmüller, Torben. "Die verschlagene Lust : zur ästhetischen Subversion im Masochismus /." Heidelberg : Winter, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2859223&prov=M&dok_var=1&dok_ext=htm.

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17

Lohmüller, Torben. "Die verschlagene Lust zur ästhetischen Subversion im Masochismus." Heidelberg Winter, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2859223&prov=M&dok_var=1&dok_ext=htm.

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18

Leskau, Linda [Verfasser]. "Sadismus und Masochismus : Zur Subversion der Sexualwissenschaft im Frühwerk Alfred Döblins / Linda Leskau." Göttingen : Böhlau Verlag Köln, 2020. http://www.v-r.de/.

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19

Sousa, Rafaella Lemos dos Reis. "Glauco Mattoso: escrita e transgressão." Universidade do Estado do Rio de Janeiro, 2010. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=2826.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>O trabalho consiste em um exame da produção poética de Glauco Mattoso, tendo como horizonte a noção de transgressão e utilizando como corpus sua produção de sonetos e o Jornal Dobrabil. Com uma produção iniciada na década de 1970, o autor é um dos escritores mais prolíficos do cenário literário brasileiro contemporâneo, levantando questões referentes à perversão formal, à crítica do poder autoritário e à criação ficcional da persona autoral por meio da escrita de si. Acreditamos que, por sua técnica apurada e sua vasta produção,
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20

Clot, Jean. "Theodor Fontane. L’acte littéraire ou la réponse de Narcisse." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040010.

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Le présent travail propose une interprétation psychanalytique de l’œuvre de l’écrivain réaliste allemand Theodor Fontane (1819 1898). À la lumière de la théorie freudienne et des thèses de Béla Grunberger sur le narcissisme, nous montrons ce que sont les ressorts et les enjeux inconscients de la création littéraire, chez cet auteur, laquelle, dans son principe, reproduit le schème de la position fantasmatique régressive que ménageait la grande passion ludique de l’enfant, le jeu de cache cache selon un mode spécifique. Partant du constat de la structure obsessionnelle des romans, notre étude m
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21

Donnelly, EJ. "The inward turn : reading masochism in Latin literature." Thesis, 2019. https://eprints.utas.edu.au/31699/1/Donnelly_whole_thesis.pdf.

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This thesis examines the masochistic persona in literature. Beginning with the Marquis de Sade’s representation of masochism in Justine, it identifies three key tropes that make up the masochistic character: control, choice, and responsibility. These tropes are then applied to three classical texts: the Satyricon, the Lesbia poems of Catullus, and Seneca’s Thyestes. The first section of this dissertation establishes the masochistic identities of these three characters: Encolpius is the masochistic victim of his own passive and submissive nature; Catullus’ masochism manifests out of a distortio
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22

Mustamäki, Piia J. "Redefining political theatre masochism and the problem of identity." 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17360.

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23

King, EL. "More than skin deep : masochism in Japanese women's writing 1960-2005." Thesis, 2012. https://eprints.utas.edu.au/15925/1/front-king-2012.pdf.

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This thesis investigates the use of masochistic imagery and masochistic scenarios in the narratives of Kōno Taeko, Yamada Eimi and Kanehara Hitomi, and also in the visual imagery of ‘ladies’ comic’ artist, Watanabe Yayoi. The textual production of these women is examined against the background of the social, economic and cultural conditions at the time of publication. Without making claims to any kind of teleological development, I argue that there is a chronological genealogy that connects the work of the women listed above through the different eras in which they were writing. Kōno is a key
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24

Sampaio, Mafalda Margarida Basto. "A Vénus das peles : Um olhar psicanalítico sobre o masoquismo." Master's thesis, 2014. http://hdl.handle.net/10400.12/3639.

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Dissertação de mestrado apresentada ao ISPA - Instituto Superiror<br>O presente trabalho aborda a obra literária A Vénus das Peles de Leopold Sacher-Masoch. Trata-se de uma narrativa que tem como objetivo entrelaçar a teoria psicanalítica com algumas das principais temáticas presentes na obra estudada. O trabalho proposto encontra-se composto por duas partes. Na primeira parte, poder-se-á verificar uma introdução aos temas abordados, seguida de uma reflexão sobre a relevância da arte, particularmente da literatura, em comunhão com a psicanálise e, posteriormente, algumas considerações te
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25

Linden, Maya. "Anatomy of the upper body." Thesis, 2011. http://hdl.handle.net/2440/78096.

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The exegesis portion of my thesis examines representations of feminine masochism in 20th-century literature by women with respect to the ways in which feminist literary analysts have critiqued these novels in an often moral fashion. In my re-readings of three such texts, via an exploration of conflicts in contemporary feminism, I question whether the feminist critique of literature should necessarily presume or seek an affirmative feminist narrative in female-authored works. The creative texts I examine include Susanna Moore’s In the Cut, several works by Marguerite Duras, and Anne Carson’s ve
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26

Dupuis-Plamondon, Thierry. "Dramaturgie de la scène primitive et passion postcourtoise : le couple Judith et Holopherne dans L’âge d’homme et L’Afrique fantôme de Michel Leiris." Thèse, 2014. http://hdl.handle.net/1866/11974.

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Ce mémoire propose une réflexion psychanalytique à partir de L'Âge d'homme et de L'Afrique fantôme de Michel Leiris. Il y est montré que la notion freudienne de scène primitive sert de paradigme à l'écriture autobiographique de cet auteur. Cette étude commence par approfondir les récits de rêves dans ces textes. Il s'agit d'emprunter la voie royale vers l'inconscient. Le moi du narrateur adopte une position masochiste devant des femmes phalliques dont il s'éprend. C'est ce qui le fait basculer dans la passion postcourtoise, notion développée par Paul-Laurent Assoun. La Dame se substitue à l
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27

Baďurová, Jana. "Povídková tvorba Kóno Taeko." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-323787.

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(in English): The topic of this work is the characteristics of the short stories by Kono Taeko. At first I am presenting the methodology - psychoanalysis. Then, I'm describing her life for better understanding of the use of some typical features. Especially the war and the tuberculosis had influence on her work. Subsequently I present possible interpretation of her stories in term of Shintoism (effort to purify) and Buddhism (achievement of liberation). In interpersonal relations Kono Taeko deals mainly with man- woman relationships and her attitude can be considered feminist. In the most comp
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28

Bégin, Marchand Jasmine. "Sadisme filial et vocation littéraire chez Marcel Proust." Thèse, 2013. http://hdl.handle.net/1866/9988.

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Dans la Recherche du temps perdu, toute relation filiale est une relation où le fils fait inévitablement souffrir sa mère en commettant, selon Proust, une forme de parricide. La lecture des œuvres pré-Recherche de l’auteur, telles la nouvelle « La confession d’une jeune fille » et l’article « Sentiments filiaux d’un parricide » permettent de comprendre cette relation ambigüe, au cœur de laquelle se trouve l’amour incommensurable que ressent le fils pour le parent, un amour si intense qu’il en est étouffant. Dans ces conditions, le parent en vient à symboliser aux yeux de l’enfant la Loi contr
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29

Erwin, Chase Morgan. "Uncelebrated Stylists: Wyndham Lewis, Ford Madox Ford, and the Artist as Masochist." 2010. http://trace.tennessee.edu/utk_gradthes/702.

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This study presents an attempt to understand the political and aesthetic relationship between two of Modernism’s most enigmatic authors, Wyndham Lewis and Ford Madox Ford by examining their novelistic practice in light of their writings on politics and social criticism. A close look at the use of ironic distance, a hallmark feature in our understanding of modernist fiction, in Tarr (1918) and The Good Soldier (1915) reveals both authors conscious effort to distance themselves from their novel’s subjects, Fredric Tarr and John Dowell respectively. In light of both novels’ satirical element, a s
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