Relevant bibliographies by topics / Matriarchy in art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Matriarchy in art'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Matriarchy in art"

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Strenacikova Sr., Maria, and Maria Strenacikova Jr. "Art in Slovakia in Prehistoric Times." IKONI / ICONI, no. 4 (2021): 20–25. http://dx.doi.org/10.33779/2658-4824.2021.4.020-025.

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Archaeological research in the territory of today’s Slovakia has revealed rare artifacts from the oldest period in human history, from prehistory. Two unique female figures of Venus represent them. This article presents a statuette from the Paleolithic Era — the Venus of Moravany, which is made from a mammoth tusk and is an artistic expression of fertility in the matriarchy. The article also describes a gem from the Neolithic period, the Venus of Hrádok, Magna Mater, as the goddess of harvest, success, the giver of life and well-being.
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Eric Sipyinyu Njeng, Njeng. "Autobiography and Audre Lorde’s Matriarchal Sphere." Proceedings of The Global Conference on Gender Studies 1, no. 1 (2023): 45–59. http://dx.doi.org/10.33422/genderconf.v1i1.163.

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Audre Lorde, one of the most prominent black women poets of the 21st century, is concerned about the horrors of racism, sexism, heterosexism, and homophobia and genuinely attempts to erode them through the power of art. Audre Lorde’s life and work are inspired by an arsenal of powerful women, both cruel and kind, who give her the energy to strive in a world wrought with suffering, pain, and ostracism. Lorde celebrates women of her immediate maternal descent: her mother’s sturdy female relations; she celebrates her friends and lovers; seeks sustenance from a pantheon of mythic goddesses from We
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Alfirević, Dragana. "Tell me your truth." Maska 38, no. 217 (2023): 144–51. http://dx.doi.org/10.1386/maska_00178_1.

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Reflecting upon Jasna Žmak’s performance this is my truth, tell me yours, Dragana Alfirević points to the questions that the performance raises about the limits and possibilities of art and about the unwillingness of our society to talk about things and to deal with these questions in a sensitive and responsible way. The opposite of toxic patriarchy, as the author puts it in the conclusion, is not matriarchy, but vulnerability.
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Wróbel, Antonina. "Son Gokū i Power Rangers w Galicji." Intercultural Relations 8, no. 1(15) (2024): 62–76. http://dx.doi.org/10.12797/rm.01.2024.15.04.

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SON GOKŪ AND POWER RANGERS IN GALICIA: THE USE OF JAPANESE POP CULTURE IN THE ARTWORK OF GALICIAN MURALIST YOSEBA MP My paper discusses the influence of Japanese art on Galician art. Firstly, I provide a historical overview of the Spanish Japanese relations, with particular emphasis on Galicia. Second, the analysis of the works of Galician artist Yoseba MP allows reflection on the changes generated by the application of elements of Japanese pop culture to another cultural area. I put particular emphasis on the figure of the superhero and his transformation to the local context, so as to show h
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Chekh, Natalia. "‘NON-PHOTOGRAPHIC’: SERGIY BRATKOV AND BORIS MIKHAILOV." Doxa, no. 1(37) (July 5, 2023): 118–37. http://dx.doi.org/10.18524/2410-2601.2022.1(37).281827.

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The article analyzes the play prerequisites for the creation, methods of implementation and conditions of perception of B. Mіkhaіlov’s and S. Bratkov’s works — multimedia installations ‘Sacrifice to the God of War’ and ‘Box for Three Letters’, presented in the exhibition project ‘Alchemical Surrender’ of the Soros Center for Contemporary Art in Sevastopol in 1994. As a result of the research, it was found that S. Bratkov and B. Mikhaіlov had chosen ‘non-photographic’ as an artistic language for the project ‘Alchemical surrender’ — the language of carnival forms and carnival symbols. The multim
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Łobodziec, Agnieszka. "Violent Black Man and the Myth of Black Macho in Eugene O’Neill’s “The Dreamy Kid”." Respectus Philologicus 26, no. 31 (2014): 123–32. http://dx.doi.org/10.15388/respectus.2014.26.31.9.

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The aim of this article is the investigation of the extent to which Eugene O’Neill, in his drama The Dreamy Kid, (re)constructs, or employs, the black macho myth, which negatively images black men as marginalized and violent. This undertaking questions O’Neill’s self-proclaimed progressive racial attitudes and stated focus on the universal nature of human existence, which he professed to express through drama. Moreover, the article challenges the mainstream view of The Dreamy Kid as progressive. Although the play focalizes the experience of a marginalized black man, which could be interpreted
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Sen-Podstawska, Sabina Sweta, and Floyd Favel. "Resilient Matriarchs." Performance Research 28, no. 3 (2023): 54–63. http://dx.doi.org/10.1080/13528165.2023.2272504.

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Wilson, Sarah. "Germaine Richier: disquieting matriarch." Sculpture Journal 14, no. 1 (2005): 51–70. http://dx.doi.org/10.3828/sj.2005.14.1.6.

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Wilson, Sarah. "Germaine Richier: disquieting matriarch." Sculpture Journal 14, no. 1 (2005): 51–70. http://dx.doi.org/10.3828/sj.14.1.5.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (2007): 271–341. http://dx.doi.org/10.1163/22134360-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 14
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Dissertations / Theses on the topic "Matriarchy in art"

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Eichrodt, Hélène Elisabeth. "Ruth une patri-matriarche : Lectures intertextuelles et études des représentations de l'homme et de la femme dans le livre de Ruth." Université Marc Bloch (Strasbourg) (1971-2008), 2001. http://www.theses.fr/2001STR20064.

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Le travail s'emploie à analyser les représentations du féminin et du masculin du livre de Ruth, par le biais d'une lecture "intertextuelle" (1ère partie) et d'une analyse détaillée du livre de Ruth même (2eme partie). Rien du jardin d'Eden ne se retrouve dans ce récit : la femme ne propose pas le fruit défendu, mais accepte la nourriture qui lui est tendue. A Bethléem, "la maison du pain", pas même la force de travail ne suffit à la survie. L'exil, la fuite face à la faim, mènent à la mort. L'histoire de cette rencontre est située au coeur de la lutte quotidienne. Il s'agit d'un récit haut en
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Cerf, Patrick. "La domination des femmes à Tahiti : des violences envers les femmes au discours du matriarcat /." Pirae (Tahiti) : Au vent des îles éd, 2007. http://catalogue.bnf.fr/ark:/12148/cb41016770c.

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Lagarde, Anne-Marie. "Les Basques : société traditionnelle et symétrie des sexes : expression sociale et linguistique /." Paris ; Budapest ; Torino : l'Harmattan, 2003. http://catalogue.bnf.fr/ark:/12148/cb390011124.

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Texte remanié de: Th. doct.--Études régionales--Pau--Université de Pau et des Pays de l'Adour, 2000. Titre de soutenance : L'univers psychique des Basques, une instauration de la symétrie des sexes, expression sociale et linguistique.<br>Bibliogr. p. 323-343. Index.
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Gronner-Timsit, Yaël. "Rachel et Léa - entre tradition et contemporanéité : représentation des deux matriarches de la Bible à la société juive contemporaine en France et en Israël, au fil du Tamuld de Babylone, du Midrach Rabba du commentaire de Rachi et du Zohar." Paris, EHESS, 2009. http://www.theses.fr/2009EHES0152.

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La thèse constitue l’exploration thématique de six sources, cinq sources textuelles et une source orale. Les sources textuelles sont parmi les plus importantes de la tradition juive: la Bible, le Talmud de Babylone, le Midrach Rabba, le commentaire de Rachi sur la Bible, et le Zohar. Quant à la source orale, elle correspond à une étude des représentations actuelles de Rachel et Léa chez des juifs en France et en Israël au travers des entretiens. Ce travail tente d'abord de saisir la place occupée par les deux matriarches dans les textes fondateurs de la tradition juive et le cheminement du réc
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Books on the topic "Matriarchy in art"

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Miller, Zoë Claire. The society for matriarchal world domination. Broken Dimanche Press, 2020.

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Göttner-Abendroth, Heide, and Heide Göttner-Abendroth. The dancing goddess: Principles of a matriarchal aesthetic. Beacon Press, 1991.

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Bolton, Rena Point, and Richard Daly. Xwelíqwiya: The Life Story of a Stólõ Matriarch. Athabasca University Press, 2013.

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Bolton, Rena Point, and Richard Daly. Xwelíqwiya: The Life Story of a Stólõ Matriarch. Athabasca University Press, 2013.

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"Mutter der schönen Liebe": Maria und ihre biblischen Vorausbilder in der Regensburger Kirche St. Kassian. Schnell + Steiner, 2021.

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Ṿa-tehi lo le-ishah, ṿa-yeʼehaveha (Bereshit 24, 67): Ha-imahot ṿeha-avot bi-reʼi ha-omanut ha-maʻaravit. 2018.

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Evolution of Black Women in Television: Mammies, Matriarchs and Mistresses. Taylor & Francis Group, 2017.

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Cheers, Imani M. Evolution of Black Women in Television: Mammies, Matriarchs and Mistresses. Taylor & Francis Group, 2017.

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Cheers, Imani M. The Evolution of Black Women in Television: Mammies, Matriarchs and Mistresses. Routledge, 2019.

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Dagg, Kevin. The Kurds. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450382.

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The Kurds is a group of six wooden portrait heads of members of the migrant Kurdish community in Edinburgh. The output builds on Dagg’s longstanding practice research into figurative sculpture, in particular techniques and processes of woodcarving, including novel approaches to polychrome. It brings this research expertise to a focused interrogation of the meaning and potential of portrait sculpture with respect to a particular, marginalised community. It investigates how portrait sculpture can meaningfully function as a mode of community engagement and through this foreground broader question
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Book chapters on the topic "Matriarchy in art"

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Kusi, Nancy Kankam, Frank Mintah, Valentina Nyame, et al. "Discourse on women and land tenure in Ghana: does a matrilineal land tenure system make a difference for women?" In Land governance and gender: the tenure-gender nexus in land management and land policy. CABI, 2021. http://dx.doi.org/10.1079/9781789247664.0011.

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Abstract This chapter highlights that matriarchy and matrilineal social orientations are not inherent guarantees of women's access to land but can reinforce male dominance over land ownership, control, and access to land. It notes that social structures and norms are subject to change and, in this instance, colonialization and modernization have acted as the two key influencers in reshaping Asante matriarchy. The researchers argue that the continuous interplay of cultural negotiations within the traditional matriarchal regime have caused a drastic transformation in Asante land tenure system wh
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López Martínez, María Paz, and Consuelo Ruiz-Montero. "Chapter 8. Warrior women." In The Reality of Women in the Universe of the Ancient Novel. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ivitra.40.08lop.

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Women are especially attractive characters in the Greek novels. Some are queens or strategists who even lead armies while some influential women commanded the building of public works and exercised matriarchy. We center on five women engaged in the action described in six papyri. They are powerful, warrior women, involved in their homeland’s political affairs: Parthenope, Themisto, Calligone, Antheia and Thalassia.
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Kane, Leslie. "“It’s the Way that You are With Your Children”: The Matriarchal Figure in Mamet’s Late Work." In Gender and Genre. Palgrave Macmillan US, 2001. http://dx.doi.org/10.1057/9780230109209_10.

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"4. "The Great Art": From Madness to Matriarchy." In Sara Coleridge, A Victorian Daughter. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300162080-007.

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"Class, Matriarchy, and Power: Contextualizing the Governess in Agnes Grey." In New Approaches to the Literary Art of Anne Brontë. Routledge, 2017. http://dx.doi.org/10.4324/9781315248127-10.

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Mann, Barbara Alice, and Kaarina Kailo. "First, There Is Mother." In The Woman Who Married the Bear. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197655429.003.0001.

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Abstract From two different continents, across the global North, come stories of the Woman Who Married the Bear. Not only are the stories present, but they are also widespread across modern cultures from Indigenous North America and Scandinavia to Russia and Korea. Moreover, the stories reach into deep antiquity. Since the late twentieth century, the existence of matriarchy has been acknowledged in anthropological and historical circles. Now that matriarchies are acknowledged and described by academia, it is worth exploring their antiquity in terms of bear spirituality, as descried in rock art
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Domoney-Lyttle, Zanne. "“And Abram Listened to the Voice of Sarai”." In The Comics of R. Crumb. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496833754.003.0008.

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In 2009, R. Crumb produced a singular work, The Book of Genesis, Illustrated by R. Crumb, which purports to be a faithful, graphic interpretation of the book of Genesis from the Hebrew Bible. Among other sources, Crumb states that he used Robert Alter’s translation and commentary on Genesis to inform his work, along with the King James Version (KJV), the Jewish Publication Society Version (JPS,) and Sarah the Priestess: The First Matriarch of Genesis by Savina J. Teubal. From those sources, he produced his own interpretation together with annotations to explain his interpretive decisions. In t
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Ahmed, Omar. "Angry Young Men." In Studying Indian Cinema. Liverpool University Press, 2015. http://dx.doi.org/10.3828/liverpool/9781906733681.003.0009.

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This chapter addresses how, unlike Hollywood, which has seen the rise of high-concept cinema overshadow the power a film star once possessed at the box office, Indian cinema, especially mainstream Hindi films, continues to underline the significance of film stars and views them as paramount to the development and marketing of most feature films. The angry-young-man persona of Indian cinema's biggest film star, Amitabh Bachchan, forged in an era of widespread political disillusionment, found its greatest expression in the 1975 super-hit Deewaar (The Wall), directed by Yash Chopra. The chapter m
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Götiner-Abendroth, Heide. "Nine Principles of a Matriarchal Aesthetic." In Art and Its Significance. State University of New York Press, 1994. http://dx.doi.org/10.2307/jj.18254729.71.

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Magoulick, Mary J. "Literary Myths of Matriarchy." In The Goddess Myth in Contemporary Literature and Popular Culture. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837066.003.0004.

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To understand how the Goddess Myth functions in mainstream cultural contexts today, we examine literary writers’ uses of goddesses and goddess culture. Leslie Marmon Silko’s Gardens in the Dunes (1999) features women characters who are linked by gardening and tinges of goddess cultures. Though the women in the novel all suffer at the hands of Western patriarchal culture (including Native American girls removed from traditional life and an upper-class, educated white woman beaten for her non-traditional, scholarly ways), they nonetheless survive and carve out little spaces for themselves (matri
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Conference papers on the topic "Matriarchy in art"

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Barber-Kersovan, Alenka. "Songs for the Goddess. Das popmusikalische Neo-Matriarchat zwischen Ethno-Beat, erfundenen Traditionen und kommerzieller Vermarktung." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.47.

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The musical neo-matriarchy is linked to the growing popularity of Neo-Paganism. This pseudo-religious scene is based on romantic heritage, real or invented folk traditions and more or less serious historical, theological and anthropological studies of neo-matriarchy. In the focus of the scene stands the veneration of the Great Goddess and its worshipers are exclusively women. The main ideas of this eco-feminist movement are being conveyed also through (popular) music. My contribution encompasses the origins of the musical neo-matriarchy, the mythology it is based on, the message of the songs f
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DEKA, Kabita, and Debajyoti BISWAS. "WOMEN IN GENDERED ENCLOSURE: A COMPARATIVE STUDY OF INDIRA GOSWAMI’S DATAL HATIR UNE KHOWA HOWDAH (THE MOTH-EATEN HOWDAH OF A TUSKER) AND EASTERINE IRALU’S A TERRIBLE MATRIARCHY." In Synergies in Communication. Editura ASE, 2022. http://dx.doi.org/10.24818/sic/2021/04.05.

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The paper discusses Mamani Raism Goswami’s The Moth Eaten Howda of the Tusker (2004) and Easterine Kire Iralu’s A Terrible Matriarchy (2011) with reference to the plight of women in North East India. Although the socio-cultural context of the novels varies from each other, the paper argues that the characters depicted in the fictions are connected through the sense of deprivation and oppression that women have to undergo in a patriarchal society. Iralu’s A Terrible Matriarchy and Goswami’s The Moth-Eaten Howda of a Tusker underscore that neither religion nor modernity can offer a solution to t
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Coll, Julia Navarro. "THE ART FOR GOOD FIRE Estudio intensivo del proceso de producción artística de cuatro fallas infantiles divergentes." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.18844.

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El presente artículo analiza una producción artística pionera por el propio objeto, su enfoque, su contexto de producción y la orientación efímera para ser destruido por el buen fuego. Desde una perspectiva ecofeminista, arteterapéutica y chamánica el artículo investiga los cuatro proyectos de Fallas Infantiles de València realizados por una mujer artista, Trementina Lux desde 2019 hasta 2024: “Un lloc en la tribusfera”, “Falliruma”, “Cos i Mot” y “Flames i Niflames”. Las Fallas de Valencia son fiestas de interés internacional declaradas por la UNESCO Patrimonio Cultural Inmaterial de la Human
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Andrews, Libin. "Sacred Rituals and Crisis of Faith in Requiem for the Living." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. https://doi.org/10.62119/icla.2.8407.

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Without risk there is no faith. Faith is precisely the contradiction between the infinite passion of the individual’s inwardness and the objective uncertainty (Kierkegaard, 1936). Faith which is the cornerstone of the religious life cannot be grasped by any means of concepts other than the religious experience of the faithful. The sacred rituals are the greatest exam-ple of one’s faith in God. It is the symbol of highest form of love – agape – the love to God and love to thy neighbour. Requiem for the Living presents a “Mother of Faith”, Juana Mammanji (Grand Mother), the matriarch of a Luso–I
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Reports on the topic "Matriarchy in art"

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Бережна, Маргарита Василівна. Maleficent: from the Matriarch to the Scorned Woman (Psycholinguistic Image). Baltija Publishing, 2021. http://dx.doi.org/10.31812/123456789/5766.

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The aim of the research is to identify the elements of the psycholinguistic image of the leading character in the dark fantasy adventure film Maleficent directed by Robert Stromberg (2014). The task consists of two stages, at the first of which I identify the psychological characteristics of the character to determine to which of the archetypes Maleficent belongs. As the basis, I take the classification of film archetypes by V. Schmidt. At the second stage, I distinguish the speech peculiarities of the character that reflex her psychological image. This paper explores 98 Maleficent’s turns of
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Pritchard, Katrina, and Helen Williams. Pretty in Plastic: Aesthetic authenticity in Barbie Land. Swansea University, 2024. http://dx.doi.org/10.23889/sureport.65542.

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Our report critically applies aesthetic authenticity as a theoretical lens to interrogate the multimodal reproduction of gendered relations in the Barbie (2023) movie. Recent research has focused on how the aesthetic authenticity stakes are being continually elevated, such that this requires ongoing labour and continual renegotiation. It is not surprising that even Barbie finds this exhausting! We offer an analysis of character arcs across the movie, before exploring how a plastic doll enables conceptual insight regarding aesthetic authenticity. We discuss how the movie reconfirms neoliberal p
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