Log in

Relevant bibliographies by topics / Metaphysical poetry

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Metaphysical poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 September 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Metaphysical poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Metaphysical poetry"

1

Tregear, Ted. "Hope Against Hope: Abraham Cowley and the Metaphysics of Poetry." ELH 90, no. 4 (December 2023): 979–1006. http://dx.doi.org/10.1353/elh.2023.a914013.

Full text

Abstract:

Abstract: In a poem to his friend Richard Crashaw, Abraham Cowley offered a critique of hope in ostentatiously metaphysical terms. He thus initiated an exchange, "On Hope," whose philosophical tenor offers new insights on the dialectic between poetry and metaphysics in seventeenth-century England. Following Cowley's lead, this essay explores the principle of hope in metaphysical poetry. It reads his poem against the metaphysical tradition, from Aristotle to Theodor Adorno, to clarify its engagement with the Aristotelian notion of potentiality. And it shows how, even in writing against hope, Cowley's poetry can think, and hope, in ways that metaphysics cannot.

APA, Harvard, Vancouver, ISO, and other styles

2

Aprilia Ridadi Prihatini and Ananda Dewi Sahri. "Metaphysical Conceit Analyses Of Selected Poems By John Donne’s." Fonologi : Jurnal Ilmuan Bahasa dan Sastra Inggris 2, no. 3 (July 31, 2024): 304–9. http://dx.doi.org/10.61132/fonologi.v2i3.954.

Full text

Abstract:

Metaphysical is a literary genre that combines philosophical ideas with emotional depth and deep analyses of nature. One of the famous authors in this genre is John Donne, who is known for his profound themes, distinctive style, and skillful use of conceit in his poetry. This paper aims to explore the influence of John Donne's work on metaphysical poetry and assess the contribution and striking elements of metaphysics in his selected poems by examining Donne's use of conceit. The research aims to examine how John Donne influenced the poetry of metaphysics and explore the assessment of his literary endeavors as well as metaphysical elements. The research has uncovered new perspectives from a metaphysical standpoint on religion, the universe, love, and death.

APA, Harvard, Vancouver, ISO, and other styles

3

Perry, T. Anthony (Theodore Anthony). "Jewish Metaphysical Poetry?" Prooftexts 25, no. 1 (2005): 210–16. http://dx.doi.org/10.1353/ptx.2006.0013.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Bezrukov, Andrii. "TRANSFORMATION AND INTERPRETATION OF GENDER CONCEPTS IN METAPHYSICAL DIMENSION: FROM CONTEMPLATIVE WORLDVIEW TO TRANSPERSONAL EXPERIENCE." Humanities & Social Sciences Reviews 8, no. 4 (August 1, 2020): 373–81. http://dx.doi.org/10.18510/hssr.2020.8437.

Full text

Abstract:

Purpose of the study: Verbalization of concepts in the artistic dimension is of great significance in the study of the metaphysical view of the world. This study is undertaken to identify and describe the principal ways of transformation and interpretation of verbalized concepts with gender features, in particular the concept of WOMAN, in the poetic discourse of the Metaphysicals. Methodology: It is based on the combination of research strategies of an interdisciplinary approach with the methods of interpretive, linguistic-stylistic, hermeneutic, and imagological analysis. Adopting the methods of interpretive analysis of literary writings in the gender dimension allows us to greatly broaden the applicable scope of them. Main findings: Gender concepts analysis based on the seventeenth-century English metaphysical poetry can be of great importance since the functioning and transformation of the sphere of concepts are complicated by metaphorical, symbolic, and linguistic ambivalence – an essential element of artistic practices of the Metaphysicals. Verbalization of the concepts of MAN and WOMAN actualise a particular way of transforming and conveying the basic features of the conceptual system of gender through the lens of dialectical thinking. Application of the study: The analysis of gender concepts in poetry appears to be an embranchment of relevant and influential gender studies contributing to such fields of humanities as literary studies, linguistics, and philosophy, cultural and religious studies. This emphasizes an interdisciplinary/multidisciplinary approach. Novelty/Originality: The means of interpretive analysis help achieve objectification of the gender sphere of concepts in the metaphysical dimension that becomes a crucial means of representation of the linguistic worldview. Since the verbalization of gender concepts and gender considerations in the poetry of the Metaphysicals, and especially in John Donne's, is not always explicit, the study of them at the imagery level allows revealing even implicit concepts, in particular gender ones, arising from mental activity, spiritual life, and transpersonal experience. In metaphysical poetry, the word is considered a means of contemplating reality and transcending beyond it.

APA, Harvard, Vancouver, ISO, and other styles

5

Sansom, Dennis L. "“What you look hard at seems to look hard at you”: Metaphysics and the Poetry of Gerard Manley Hopkins." Journal of Aesthetic Education 55, no. 3 (October 1, 2021): 33–58. http://dx.doi.org/10.5406/jaesteduc.55.3.0033.

Full text

Abstract:

Abstract Gerard Manley Hopkins once said, “What you look hard at seems to look hard at you.” This phrase not only encapsulates the central emphasis of Hopkins’s poetry but also suggests a proper relationship between philosophy and art. The aesthetic experience of artworks can provide pivotal experiences for metaphysical interpretations, and I attempt to show that Hopkins’s poetry gives such a foundational and informative experience for philosophical investigations. Hopkins develops his poetic expressions based on what he calls the ability of language to inscape and ingress profound experiences of reality. The metaphysics of Duns Scotus in which the particular embodies or transubstantiates the universal underlies these ideas and inspires Hopkins to write poetry. My point is not to say that a philosopher can offer the true meaning of Hopkins’s poetry and that, once we get the philosophical meaning, we can dismiss the poems. Rather, Hopkins’s poetry presents the kind of experiences that a philosopher can use to make meaningful metaphysical interpretations of the world.

APA, Harvard, Vancouver, ISO, and other styles

6

Lewisohn, Leonard. "Metaphysical Time in Rūmī’s Mathnawī: Sufi Terminology of Metaphysical Time." Mawlana Rumi Review 9, no. 1-2 (January 3, 2020): 19–51. http://dx.doi.org/10.1163/25898566-00901004.

Full text

Abstract:

AbstractThis article explores the idea of Metaphysical Time in the poetry of Jalāl al-Dīn Rūmī against more general understandings of time and temporality in Sufi thought and Persian poetry. Various attitudes toward serial time and the subjective experience of past, present, and future are reflected in the poetry of not only Rūmī, but also ʽUmar Khayyām and Ḥāfiẓ. The philosophical approaches toward human temporality discussed here include sentient carpe diem, spiritual carpe diem, and pursuit of the Metaphysical Moment, or Time’s Currency (naqd-i waqt). To understand this, we must examine Rūmī’s understanding of the notion of the Sufi as ‘the son of time’ (Ibn al-waqt), along with the concomitant or related ideas in Rūmī’s poetry of ‘the Father of Time’ (abū ‘l-waqt) and ‘the Brethren of Time’ (ikhwān al-waqt), and the Prophet’s Hadith, ‘I have a time with God….’. The article elaborates on some remarkable homologies between the concepts of time and the ‘Industrious Man’ in the poetry of Mawlānā Rūmī and William Blake, and how the attraction of divine love pulls the lover out of Time into the realm of Eternity, and how love subverts rational categories of time and space, which become illusory and vanish in the mystical experience of unity. Aldous Huxley’s distinction between the Philosophers of Time and the Philosophers of Eternity is also explored in relation to Rūmī’s thinking.

APA, Harvard, Vancouver, ISO, and other styles

7

Braček, Tadej. "Contrasts in Metaphysical Writing: John Donne and Emily Dickinson." ELOPE: English Language Overseas Perspectives and Enquiries 7, no. 2 (May 28, 2010): 77–90. http://dx.doi.org/10.4312/elope.7.2.77-90.

Full text

Abstract:

This paper starts by stating what metaphysical poetry is, what its characteristics are, and who the metaphysical poets are. Later the paper focuses on Emily Dickinson’s poetry and confirms the thesis that she can be considered a metaphysical poet. The third thing the paper deals with is to what extent Donne’s and Dickinson’s poetry as well as Donne’s Sermons correspond to the Calvinist theology, which is the common credo of the Churches to which they belong. A further issue the paper debates about is rhetorical devices in the metaphysical service.The last aspect of Donne’s and Dickinson’s writing that the essay explores is their attitude towards truth.

APA, Harvard, Vancouver, ISO, and other styles

8

Blanch, Antonio. "Metaphysical values in modern poetry." Neohelicon 14, no. 2 (September 1987): 71–81. http://dx.doi.org/10.1007/bf02094673.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Loveridge, Mark. "Matthew Prior’s Alma: Affecting the Metaphysics." English: Journal of the English Association 68, no. 262 (2019): 235–61. http://dx.doi.org/10.1093/english/efz026.

Full text

Abstract:

Abstract This essay provides the first full descriptive and analytical account since 1946 of Matthew Prior’s poem Alma: or The Progress of the Mind (1719), which Alexander Pope described as a ‘master-piece’. Connections are developed between Prior’s use of effervescent figures of speech and narrative tricks, and uses of figurative metaphysical language in Isaac Newton’s Opticks, the Principia Mathematica, and the ‘Leibniz–Clarke’ controversy of 1715–1716. It emerges that the poem’s main subject is figurative language and the arguments it serves. Alma is a very unusual critique of aspects of Newtonian thought, employing techniques of ‘metaphysical’ poetry to poke fun at Newtonian metaphysics.

APA, Harvard, Vancouver, ISO, and other styles

10

Beaver, Aaron. "Derzhavin's Metaphysics of Morality." Slavic Review 66, no. 2 (2007): 189–210. http://dx.doi.org/10.2307/20060217.

Full text

Abstract:

In this essay, Aaron Beaver argues that the poetry of Gavrila Derzhavin routinely and consistently connects metaphysical beliefs with moral ones, and that, at its most sophisticated, this connection amounts to a full “metaphysics of morality” much like that developed by Derzhavin's contemporary, the philosopher Immanuel Kant. Beaver begins by exploring Derzhavin's belief in the immortality of virtue; he then examines how Derzhavin's famous monument poems assert the poet's immortality because he verbally pays tribute to those who are virtuous; finally he analyzes Derzhavin's 1797 poem “Bessmertie dushi,” in which the poet realizes the connection between the immortality of the soul and morality. The latter part of the article examines Derzhavin's poetic expression of this connection in light of Kant's two postulates of the moral law—the immortality of the soul and the existence of God—and finds that Derzhavin's poetry expresses a similar position with genuine philosophical rigor.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Metaphysical poetry"

1

Williamson, Paul. "The metaphysical basis of mid eighteenth-century English poetry." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314489.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Guy, Isabelle. ""This subtle knot". The Metaphysical Conseit in John Donne's Prose and Poetry." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/25039/25039.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Guy, Isabelle. ""This subtle knot" : the metaphysical conceit in John Donne's prose and poetry." Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/29502.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wheatley, Carmen. "Donne and Spanish literature." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235777.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Jones, W. Elliot. "Welcome Sweet and Sacred Feast: Choral Settings of Metaphysical Poetry by Gerald Finzi." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193590.

Full text

Abstract:

Gerald Finzi (1901-1956) amassed a library that numbered over three thousand volumes, mostly of poetry, by the time of his death and was extremely selective when choosing poems to set to music. Settings of Thomas Hardy form the bulk of his output for solo voice, but for his choral works he returned again and again to seventeenth -century metaphysical poets like George Herbert, Richard Crashaw, Henry Vaughan, Thomas Traherne and Edward Taylor. These poets relied more upon rational thought than on intuition or theology in their work, and even their religious passion was filtered through reason. The extent of their use of wit, paradox, puns and their unusual juxtaposition of images, such as Andrew Marvell's comparison of the soul to a drop of dew, had not been seen before in English sacred poetry. Finzi, an agnostic, was attracted to their questioning of traditional, accepted religious thinking, and he frequently quoted these poets in his letters. The loss of loved ones at an early age, his affinity for the pessimism of his poetic idol Thomas Hardy, his rejection of religious dogma, and his constant awareness of the frailty of human existence would all influence his choice of texts for vocal and choral works. When commissioned to write sacred choral works, Finzi turned to Richard Crashaw, Henry Vaughan and Edward Taylor for poetic, not dogmatic, religious poetry.Gerald Finzi's first five works for chorus were settings of the poetry of George Herbert, Henry Vaughan and Thomas Traherne, and he continued to set metaphysical poetry throughout his career. It would ultimately account for over twenty-five percent of his total output of music for chorus. Finzi consistently responded to the elaborate conceits and surprising juxtapositions that characterize metaphysical poetry with musical surprises using harmony, tonality, meter, rhythm, texture, voicing and melodic shape. Always allegiant to the principles and values of the pastoral composers who preceded him, Finzi created music that is characterized by an ever-present sense of elegiac melancholy often expressed in Romantic melodic gestures accompanied by consonant harmony. He earns this seeming indulgence, however, through frequent use of dissonance, usually placed in low sonorities, Bachian contrapuntal textures, and even modernist elements. In terms of scholarship and philosophy, Gerald Finzi and the metaphysical poets were kindred spirits. An exploration of this subject that details precisely how Finzi responded to these poems in his musical settings of them will lead conductors, musicians and listeners to a more thorough understanding of these pieces and the artist who created them.

APA, Harvard, Vancouver, ISO, and other styles

6

Olsen, Elena Brit. ""Alone I climb the craggy steep" : literary ambition and metaphysical identity in eighteenth-century women's poetry /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9337.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Cowell, Emma Mildred. "Dialogues with the Past: Musical Settings of John Donne's Poetry." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1339692006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Christensen, Ashley Mae. "First Psalm: Poems and Paintings." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3062.

Full text

Abstract:

This collection of poems and paintings seeks to find the places where visual and written communication intersects, and the places where those two media diverge. The collection consists of poems and paintings juxtaposed, as if in conversation with one another throughout the pages. The collection treats each painting and poem as a separate attempt at prayer. As a reader turns the pages, similar questions are asked again and again, but in different settings and with different outcomes. This collection focuses on finding reconciliation between the oral culture of storytelling and the written culture of ideas, all within the context of prayer.

APA, Harvard, Vancouver, ISO, and other styles

9

Wooding, Jonathan. "Natural strange beatitudes : Geoffrey Hill's The Orchards of Syon, poetic oxymoron and post-secular poetics, and, An Atheist's Prayer-Book." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3223.

Full text

Abstract:

Geoffrey Hill’s The Orchards of Syon (2002) occupies a contradictory position in twenty-first century poetry in being a major religious work in a post-religious age. Contemporary secular and atheistic insistence on the fundamentally crafted and flawed nature of religious faith has led Hill not to the abandoning of religious vision, but to a theologically disciplined approach to syntax, grammar and etymology. This dissertation examines Hill’s claim to a poetics of agnostic faith that mediate his alienation from a cynical and debased Anglophone contemporaneity. The oxymoronic nature of a faith co-existent with existential loss is the primary focus. The semantic distinction between paradox and poetic oxymoron is examined, and the agonistic and aporetic dimensions of the oxymoron are considered as affording theological significance. Poetic oxymoron as site of both foolish babbling and Pentecostal exuberance is made explicit, as is Hill’s relation to the oxymoronic nature of beatitudinous expression and the Kenotic Hymn. Hill’s reading of and relation to other theologically engaged poets is outlined. Thomas Hardy’s tragic-comic vision, Gerard Manley Hopkins’ restrained rapture in ‘The Windhover’, and T. S. Eliot’s expression of kenotic dissolution in ‘Marina’ are read as precursors to Hill’s revisionary God-language. William Empson’s significant difficulties with aspects of Hopkins’ and Eliot’s poetics is appraised as evidence of an oxymoronic and theological dimension within poetic ambiguity. Hill’s imperative to embody and enact theological vision and responsibility is tested in a reading of The Orchards of Syon. Paul Ricoeur’s perception of the religious significance of atheism is provocation for my own creative practice, as is the performative theology implicit in both Graham Shaw’s hermeneutic approach, and Hill’s visionary philology. Creative process draws on Simone Weil’s notion of decreation, the kenotic paradigm as exemplified in the life and writings of Dietrich Bonhoeffer, and the continuing secular vitality of the apostrophic lyric mode.

APA, Harvard, Vancouver, ISO, and other styles

10

Davis, Andrew Dean. "Protestants Reading Catholicism: Crashaw's Reformed Readership." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_theses/69.

Full text

Abstract:

This thesis seeks to realign Richard Crashaw’s aesthetic orientation with a broadly conceptualized genre of seventeenth-century devotional, or meditative, poetry. This realignment clarifies Crashaw’s worth as a poet within the Renaissance canon and helps to dismantle historicist and New Historicist readings that characterize him as a literary anomaly. The methodology consists of an expanded definition of meditative poetry, based primarily on Louis Martz’s original interpretation, followed by a series of close readings executed to show continuity between Crashaw and his contemporaries, not discordance. The thesis concludes by expanding the genre of seventeenth-century devotional poetry to include Edward Taylor, who despite his Puritanism, also exemplifies many of the same generic attributes as Crashaw.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Metaphysical poetry"

1

Colin, Burrow, ed. Metaphysical poetry. London: Penguin, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Chandra, Naresh. John Donne and metaphysical poetry. Delhi: Doaba House, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Smith, A. J. Sacred earth: Metaphysical poetry and the advance of science. London: British Academy, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Grierson, Herbert John Clifford, Sir, 1866-1960. and Fowler Alastair, eds. Metaphysical lyrics & poems of the seventeenth century: Donne to Butler. Oxford: Oxford University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Harold, Bloom. John Donne and the metaphysical poets. New York: Bloom's Literary Criticism, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Rattan, Narinder Kumar. The poetry of Madan G. Gandhi: A new metaphysical voice. Delhi: K.K. Publications, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Harold, Bloom, ed. John Donne and the metaphysical poets. New York: Bloom's Literary Criticism, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Sidney, Gottlieb, ed. Approaches to teaching the metaphysical poets. New York: Modern Language Association of America, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Harold, Bloom, ed. John Donne and the metaphysical poets. New York: Bloom's Literary Criticism, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Austin, Frances. The language of the metaphysical poets. New York: St. Martin's Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Metaphysical poetry"

1

van Emden, Joan. "Metaphysical Poetry." In The Metaphysical Poets, 1–7. London: Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-07678-9_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Mazzeo, Joseph Anthony. "Metaphysical Poetry and the Poetic of Correspondence." In Renaissance & Seventeenth - Century Studies, 44–59. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222989-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mazzeo, Joseph Anthony. "A Seventeenth-century Theory of Metaphysical Poetry." In Renaissance & Seventeenth - Century Studies, 29–43. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222989-2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Wolosky, Shira. "Edgar Allan Poe: Metaphysical Rupture and the Sign of Woman." In Poetry and Public Discourse in Nineteenth-Century America, 67–81. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113008_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Tomarken, Edward L. "Metaphysical Poetry and Pastoral: Genre in Relation to Value Judgements and History." In Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print, 43–62. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-61842-0_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Žanna, Nekraševič-Karotkaja. "Artistic Expression of the Translatio imperii Concept in the Latin Epic Poetry of the Polish-Lithuanian Commonwealth in the 16th Century and the European Literary Context." In Biblioteca di Studi Slavistici, 75–96. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.05.

Full text

Abstract:

In this article the author analyzes how the Renaissance epic poetry of the Polish-Lithuanian Commonwealth approaches the theme of translatio imperii, which is a concept and a political stereotype of transfer of metaphysical world domination from country to country. After the fall of Constantinople (1453), the concept of translatio imperii gradually lost its universal character and was interpreted within the confines of a nation. Among the analyzed poems are: Bellum Prutenum (1516) by Ioannes Visliciensis and Radivilias (1592) by Ioannes Radvanus. The artistic expression of both the “Jagiellonian” and Lithuanian (i.e., Grand Duchy of Lithuania) patriotism, which incorporated the concept of translatio imperii, had an enormous impact on the formation of the national identity of the Belarusian, Lithuanian, and Polish peoples.

APA, Harvard, Vancouver, ISO, and other styles

7

Roklina, Natalie. "The Metaphysical Concept of Light, or the Neoplatonic Principle of Emanation in the Poetry of Maksimilian Voloshin." In The Silver Age in Russian Literature, 32–58. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22307-7_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Mackenzie, Donald. "Introduction." In The Metaphysical Poets, 11–14. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20950-7_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Mackenzie, Donald. "Part One: Survey." In The Metaphysical Poets, 15–44. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20950-7_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Mackenzie, Donald. "Part Two: Appraisal." In The Metaphysical Poets, 45–114. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20950-7_3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Metaphysical poetry"

1

Azam, Yasir. "An Analysis Of Selected Characteristics In Metaphysical Poetry." In International Conference on Humanities. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.02.69.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Urazayevа, Kuralay B. "Chronotope In The Cycle Of J. Brodsky "A Part Of Speech" And Metaphysical Poetry." In Dialogue of Cultures - Culture of Dialogue: from Conflicting to Understanding. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.03.109.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

KARABULUT, Mustafa. "AN INVESTIGATION ON NECIP FAZIL KISAKÜREK'S POEMS WITHIN THE CONTEXT OF PSYCHOANALYTIC THEORY OF LITERATURE." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-5.

Full text

Abstract:

Psychoanalysis is a branch of science that focuses on the subconscious and unconscious aspects of human beings. “When it comes to the human soul, it is seen that almost the entire human ego is based on psychology.” (Emre, 2006: 16). The psychoanalytic literary theory is a theory that tries to reveal the unconscious and subconscious aspects of the artist in general, and is shaped on the theories of Sigmund Freud. This theory has a feature that reflects the bonds between the identity of the artist and his work. “Until Freud, the origin of human behavior was generally associated with physiology. After long studies, Freud reveals that the unconscious is as effective as physiological conditions and disorders on the basis of human behavior. (Cebeci, 2009: 72). Necip Fazıl Kısakürek, one of the important names of Turkish poetry in the Republican period, is generally known for his mystical and metaphysical poems. There are many uses in his poems that are suitable for psychoanalytic analysis. In the poems of Kısakürek, "subconscious and image, rebirth, sense of emptiness, self-complexity, struggle for existence" etc. elements are included. Key words: Necip Fazıl Kısakürek, Literary theory, Psychoanalytic.

APA, Harvard, Vancouver, ISO, and other styles

4

Bobrowska, Ewa. "THE COMPLEXITIES OF SENSE AND SPIRIT IN THE CONTEMPORARY PHILOSOPHY OF JEAN-FRANCOIS LYOTARD, JEAN-LUC NANCY AND THE 17-TH CENTURY METAPHYSICAL POETRY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/21/s06.044.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Friedman, Daniel S. "Breaking Good: Learning from the Practice of Charles and Ray Eames." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.54.

Full text

Abstract:

Charles and Ray Eames have strongly influenced my architectural development, in two ways.First of all, in my approach to life and my profession: their house in the Pacific Palisades is what can be called the flag of “the liberation movement”—liberation from the slavery of rhetoric and style in architecture. A soft, almost innocent way to violate the sacred canons.Then comes the poetic aspect: the lightness of the spaces, conceived either in a physical or metaphysical way; their immateriality; the transparency of their multiple planes; their contact with nature; the textures of the materials from which they were created; their frugality and complexity—all this made with the nonchalance of great people, of those who know how to humbly accept the desanctifying idea of “temporariness” in architecture.

APA, Harvard, Vancouver, ISO, and other styles

6

Bayutova, M. S. "Metaphysics of the Elements in the Poetry of Matsuo Bashō: Water (on the Example of Poems Translated by V. N. Markova)." In Судьбы национальных культур в условиях глобализации: между традицией и новой реальностью. Челябинск: Челябинский государственный университет, 2022. http://dx.doi.org/10.47475/9785727118559-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Serdesniuc, Cristian. "Symbols and Artistic Ways of Coming Back into Childhood to Grigore Vieru." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.24.

Full text

Abstract:

First of all, Grigore Vieru is a children`s poet because, under the sign of imagination, he returns through intermedia of them to the lost universe of childhood. The metaphysic return to the distant past means the revenue to the traditions and inland isolation. Being reached to the innocent universe, the poet is totally moved to primordial places by the contact with the mother`s image and the returning to the frame of the native borders. The insistent looking for childhood, by Vieru means nothing but ``looking for himself``. Through the sing of reflection and reminding, the poet redesigned in an artistic way the whole universe of native places which fully marked for him a living creature. The image of the past is suggested esthetically by revealing expression, and the rhymes of Vieru are identified as a confession with the lack of artificial and inner miniature. Being transposed in the hypostasis of a child, the poet gets down in the deep creature of himself to sanctify the universality and for calling the modern man through the perpetuation of spiritual and moral values.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!