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Journal articles on the topic 'Metaphysical poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Tregear, Ted. "Hope Against Hope: Abraham Cowley and the Metaphysics of Poetry." ELH 90, no. 4 (2023): 979–1006. http://dx.doi.org/10.1353/elh.2023.a914013.

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Abstract: In a poem to his friend Richard Crashaw, Abraham Cowley offered a critique of hope in ostentatiously metaphysical terms. He thus initiated an exchange, "On Hope," whose philosophical tenor offers new insights on the dialectic between poetry and metaphysics in seventeenth-century England. Following Cowley's lead, this essay explores the principle of hope in metaphysical poetry. It reads his poem against the metaphysical tradition, from Aristotle to Theodor Adorno, to clarify its engagement with the Aristotelian notion of potentiality. And it shows how, even in writing against hope, Co

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2

Aprilia Ridadi Prihatini and Ananda Dewi Sahri. "Metaphysical Conceit Analyses Of Selected Poems By John Donne’s." Fonologi : Jurnal Ilmuan Bahasa dan Sastra Inggris 2, no. 3 (2024): 304–9. http://dx.doi.org/10.61132/fonologi.v2i3.954.

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Metaphysical is a literary genre that combines philosophical ideas with emotional depth and deep analyses of nature. One of the famous authors in this genre is John Donne, who is known for his profound themes, distinctive style, and skillful use of conceit in his poetry. This paper aims to explore the influence of John Donne's work on metaphysical poetry and assess the contribution and striking elements of metaphysics in his selected poems by examining Donne's use of conceit. The research aims to examine how John Donne influenced the poetry of metaphysics and explore the assessment of his lite

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3

Machado, Brum Fernando. "Metafísica do cotidiano na obra de Adélia Prado." Brasiliensis 2, no. 4 (2023): 147–76. https://doi.org/10.5281/zenodo.8111995.

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This paper aims to reflect over the meaning of the Christian-featured metaphysical poetry in the contemporary Brazilian literature and its relation with the quotidian from the work of Adélia Prado. Thus, we will start from the concepts of metaphysics and its insertion in the history of national poetry to understand Adélia Prado’s poetry as a mature result of a poetic evolution that combines the metaphysical and the quotidian as elements belonging to one reality. The author’s experience, as a Christian militant, is not suppressed from her work, neither from this paper,

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4

Perry, T. Anthony (Theodore Anthony). "Jewish Metaphysical Poetry?" Prooftexts 25, no. 1 (2005): 210–16. http://dx.doi.org/10.1353/ptx.2006.0013.

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5

Bezrukov, Andrii. "TRANSFORMATION AND INTERPRETATION OF GENDER CONCEPTS IN METAPHYSICAL DIMENSION: FROM CONTEMPLATIVE WORLDVIEW TO TRANSPERSONAL EXPERIENCE." Humanities & Social Sciences Reviews 8, no. 4 (2020): 373–81. http://dx.doi.org/10.18510/hssr.2020.8437.

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Purpose of the study: Verbalization of concepts in the artistic dimension is of great significance in the study of the metaphysical view of the world. This study is undertaken to identify and describe the principal ways of transformation and interpretation of verbalized concepts with gender features, in particular the concept of WOMAN, in the poetic discourse of the Metaphysicals. Methodology: It is based on the combination of research strategies of an interdisciplinary approach with the methods of interpretive, linguistic-stylistic, hermeneutic, and imagological analysis. Adopting the m

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6

Sansom, Dennis L. "“What you look hard at seems to look hard at you”: Metaphysics and the Poetry of Gerard Manley Hopkins." Journal of Aesthetic Education 55, no. 3 (2021): 33–58. http://dx.doi.org/10.5406/jaesteduc.55.3.0033.

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Abstract Gerard Manley Hopkins once said, “What you look hard at seems to look hard at you.” This phrase not only encapsulates the central emphasis of Hopkins’s poetry but also suggests a proper relationship between philosophy and art. The aesthetic experience of artworks can provide pivotal experiences for metaphysical interpretations, and I attempt to show that Hopkins’s poetry gives such a foundational and informative experience for philosophical investigations. Hopkins develops his poetic expressions based on what he calls the ability of language to inscape and ingress profound experiences

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7

Lewisohn, Leonard. "Metaphysical Time in Rūmī’s Mathnawī: Sufi Terminology of Metaphysical Time." Mawlana Rumi Review 9, no. 1-2 (2020): 19–51. http://dx.doi.org/10.1163/25898566-00901004.

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AbstractThis article explores the idea of Metaphysical Time in the poetry of Jalāl al-Dīn Rūmī against more general understandings of time and temporality in Sufi thought and Persian poetry. Various attitudes toward serial time and the subjective experience of past, present, and future are reflected in the poetry of not only Rūmī, but also ʽUmar Khayyām and Ḥāfiẓ. The philosophical approaches toward human temporality discussed here include sentient carpe diem, spiritual carpe diem, and pursuit of the Metaphysical Moment, or Time’s Currency (naqd-i waqt). To understand this, we must examine Rūm

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8

Braček, Tadej. "Contrasts in Metaphysical Writing: John Donne and Emily Dickinson." ELOPE: English Language Overseas Perspectives and Enquiries 7, no. 2 (2010): 77–90. http://dx.doi.org/10.4312/elope.7.2.77-90.

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This paper starts by stating what metaphysical poetry is, what its characteristics are, and who the metaphysical poets are. Later the paper focuses on Emily Dickinson’s poetry and confirms the thesis that she can be considered a metaphysical poet. The third thing the paper deals with is to what extent Donne’s and Dickinson’s poetry as well as Donne’s Sermons correspond to the Calvinist theology, which is the common credo of the Churches to which they belong. A further issue the paper debates about is rhetorical devices in the metaphysical service.The last aspect of Donne’s and Dickinson’s writ

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9

Blanch, Antonio. "Metaphysical values in modern poetry." Neohelicon 14, no. 2 (1987): 71–81. http://dx.doi.org/10.1007/bf02094673.

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10

Żbikowska, Hanna. "Antoni Lange – poeta metafizyczny XIX stulecia. Barokowe konteksty "Rozmyślań" [Antoni Lange – metaphisical poety of the 19th century. The baroque context of 'Rozmyślania' (Musings)]." Napis XXI (2015) (December 27, 2015): 319–37. https://doi.org/10.18318/napis.2015.1.22.

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The article is devoted to the relationship between <em>Rozmyślania</em> [Musings] by Antoni Lange and the baroque poetics, with special focus on the sixteenth and seventeenth century metaphysical poetry. The starting point is the stylistic perspective – Lange’s cycle was interpreted as the nineteenth century creative implementation of metaphysical style elements, formed in the Baroque. The fragments of <em>Rozmyślania</em> [Musings] are compared to the poetry of Mikołaj Sęp Szarzyński, Daniel Naborowski, Sebastian Grabowiecki and Jan Andrzej Morsztyn. The perspective of the Polish

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11

Loveridge, Mark. "Matthew Prior’s Alma: Affecting the Metaphysics." English: Journal of the English Association 68, no. 262 (2019): 235–61. http://dx.doi.org/10.1093/english/efz026.

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Abstract This essay provides the first full descriptive and analytical account since 1946 of Matthew Prior’s poem Alma: or The Progress of the Mind (1719), which Alexander Pope described as a ‘master-piece’. Connections are developed between Prior’s use of effervescent figures of speech and narrative tricks, and uses of figurative metaphysical language in Isaac Newton’s Opticks, the Principia Mathematica, and the ‘Leibniz–Clarke’ controversy of 1715–1716. It emerges that the poem’s main subject is figurative language and the arguments it serves. Alma is a very unusual critique of aspects of Ne

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12

Beaver, Aaron. "Derzhavin's Metaphysics of Morality." Slavic Review 66, no. 2 (2007): 189–210. http://dx.doi.org/10.2307/20060217.

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In this essay, Aaron Beaver argues that the poetry of Gavrila Derzhavin routinely and consistently connects metaphysical beliefs with moral ones, and that, at its most sophisticated, this connection amounts to a full “metaphysics of morality” much like that developed by Derzhavin's contemporary, the philosopher Immanuel Kant. Beaver begins by exploring Derzhavin's belief in the immortality of virtue; he then examines how Derzhavin's famous monument poems assert the poet's immortality because he verbally pays tribute to those who are virtuous; finally he analyzes Derzhavin's 1797 poem “Bessmert

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13

Ali, Nasir. "Metaphysical Elements in Wali Deccani's Poetry." Makhz 2, no. IV (2021): 98–106. http://dx.doi.org/10.47205/makhz.2021(2-iv)8.

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14

Byunghwa, JOH. "Metaphysical Motives in Eliot’s Early Poetry." Journal of the T. S. Eliot Society of Korea 31, no. 1 (2021): 45–67. http://dx.doi.org/10.14364/t.s.eliot.2021.31.1.45-67.

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15

Jadeja, Dr Jaylaxmi. "Shakespeare’s Sonnets and The Metaphysical Poetry." POETCRIT 32, no. 1 (2019): 6–11. http://dx.doi.org/10.32381/poet.2019.32.01.2.

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16

Piasta, Ewa Anna. "Metaphysical Aspects of Rose Ausländer’s Poetry." Respectus Philologicus 22, no. 27 (2012): 103–14. http://dx.doi.org/10.15388/respectus.2012.27.15340.

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This article analyzes six poems by Rose Ausländer, a poet of Jewish origin, who lived in the years 1901–1988. She was born at Chernivtsi (then in the Austro-Hungarian Empire), and died in Düsseldorf (Germany). Ausländer wrote in German and in English. The aim of this paper is to discuss the metaphysical aspects of Ausländer’s poems and to demonstrate that these aspects are manifested on the semantic, lexical and axiological levels. My interest is in the spiritual experience evoked by her poetry, resulting from a transcendence-and Absolute-oriented existence, experienced in terms of mystery. An

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17

Burney, Fatima. "Locating the World in Metaphysical Poetry." Journal of World Literature 4, no. 2 (2019): 149–68. http://dx.doi.org/10.1163/24056480-00402002.

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Abstract Discussions on world literature often imagine literary presence, movement, and exchange in terms of location and prioritize those literary traditions that can be easily mapped. In many regards, classical ghazal poetry resists such interpretation. Nonetheless, a number of nineteenth-century writers working in Urdu and English reframed classical ghazal poetry according to notions of locale that were particularly underpinned by ideas of natural essence, or genius. This article puts two such receptions of the classical ghazal in conversation with one another: the naičral shāʿirī (natural

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18

Shevtsov, Sergii. "Transcendental anthropology and poetry (metaphysical parallels)." Sententiae 6, no. 2 (2002): 41–51. http://dx.doi.org/10.31649/sent06.02.041.

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In this article, the author analyses and compares the views of Kant, Heidegger, Husserl, Brodsky and Bakhtin, and examines the problem of time, space, and contemplation. Another subject of consideration is the finitude of being, which combines the three previous aspects.

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19

Macarthur, David. "Wittgenstein and Poetry: A Reading of Czeslaw Milosz’s “Realism”." Philosophies 9, no. 4 (2024): 128. http://dx.doi.org/10.3390/philosophies9040128.

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In this paper I hope to cast light on Wittgenstein enigmatic remark, “one should really only create philosophy poetically”. I discuss Wittgenstein’s ambition to overcome metaphysics by way of an appeal to ordinary language. For this purpose I contrast “realism” in philosophy (i.e., metaphysical realism, particularly its modern scientific version) with “realism” in poetry. My theme is the capacity of poetry to provide a model for Wittgenstein’s resistance to the inhumanity unleashed in metaphysics—exemplified by two distinct forms of skepticism—which obliterates the ordinary world under the gui

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20

Ślarzyńska, Małgorzata. "The Metaphysical Canon in Poetry: on Cristina Campo’s Translation Activity." Tekstualia 1, no. 5 (2019): 151–58. http://dx.doi.org/10.5604/01.3001.0014.4107.

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The article focuses on Cristina Campo’s poetry translations in the context of her literary choices infl uenced by her predilection to metaphysical literature. The category of metaphysical literature can be understood, fi rst of all, as related to metaphysical English poets like John Donne, George Herbert, Richard Crashaw, and Henry Vaughan. Metaphysical were also those authors whose writings defi ed the categories of space and time, and transcended the temporal and geographical limits. One of the greatest Campo’s fascinations from that perspective was the poetry of William Carlos Williams, as

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21

Рязанцева, Тетяна. "INTERMEDIAL INTERPRETATION OF THE KEY TOPICS OF METAPHYSICAL POETRY (TWO CHAPTERS FROM AN INTERNATIONAL ART PROJECT “THE SEA IS HERE. ABSENCE AS PRESENCE”)." Слово і Час, no. 1 (March 12, 2023): 62–80. http://dx.doi.org/10.33608/0236-1477.2023.01.62-80.

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The paper discusses the productivity of the new creative approaches to the established types of poetry. Building on the theoretical definitions, taxonomies, and observations formulated in the works of James Smith, Frank Warnke, Michael Nott, Robert Crawford and Norman McBeath, Susan Sontag, Viktoria Khoniu, et al., the research argues that the artistic practices of photopoetry (“a form of photo-text that takes, for its primary components, poetry and photography”, Michael Nott) offer new ways to interpret certain topics of metaphysical poetry. The term “metaphysical poetry” defines an independe

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22

Du, Jiapeng. "An Analysis of Metaphysical Conceits in John Donne’s Poems." Theory and Practice in Language Studies 11, no. 8 (2021): 962–67. http://dx.doi.org/10.17507/tpls.1108.12.

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In the seventeenth century British literary arena appears a unique school of poetry called “metaphysical school”. The most remarkable characteristic of the metaphysical poetry is the original and arresting conceits. John Donne is the forefather and the most representative of the school. Through analyzing the sources of conceits in John Donne’s poems, this paper attempts to clarify the using of conceits in John Donne’s representative poems, and then summarize the features and unique functions of conceits. It is hoped that it can help readers to have a better understanding of the poet’s poetry,

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23

Ahmad Mahir, Normazla, Zarina Ashikin Zakaria, Mohd Muzhafar Idrus, and Norhana Abdullah. "Exploring The Element of Allegory and Metaphysical Conceit in The Works of John Donne’s A Valediction Forbidding Mourning & John Dryden’s Annus Mirrabilis: A Comparative Analysis." Al-Azkiyaa - Jurnal Antarabangsa Bahasa dan Pendidikan 1, no. 1 (2022): 35–47. http://dx.doi.org/10.33102/alazkiyaa.v1i1.7.

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In the Renaissance period, the rise of the 17th century metaphysical poets like John Donne, John Dryden, Andrew Marvell and others had contributed to the publication of copious colourful poetry. The use of allegory and metaphysical conceit in their poetry have further revealed their inventive metaphors and agile intelligence (Bloom, 2010). Using Aldo Nemesio’s (1999) comparative method as an attempt to understand the poet and persona’s human literary behaviour, researchers have categorized and analyzed the poems in multiple contexts and stanzas so as to create interpretations from the allegory

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24

Pospolita, Anastasiia. "THE METAPHYSICAL MOTIVES IN THE POETRY OF BOLESŁAW LEŚMIAN." Polish Studies of Kyiv, no. 35 (2019): 503–9. http://dx.doi.org/10.17721/psk.2019.35.503-509.

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The research is devoted to the metaphysical motives in the poetry of Bolesław Leśmian. This is an important milestone in the history of Polish literature. The legacy of such poets determines not only the nature of national poetry, but also has a significant impact on the development of world literature. Bolesław Leśmian created his unique metaphysical world. Its structure, organization and other features and innovations are the subject of our study. The aim of the study is to show the metaphysical motives in the poetry of Bolesław Leśmian, based on the critical reception of the representati

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Shah, Dr Muhammad Iqbal, and Mahrukh Mahrukh. "Metaphysical Dimensions of Mirza Ghalib’s Poetry: A Philosophical Evaluation." Advance Social Science Archive Journal 4, no. 1 (2025): 48–63. https://doi.org/10.55966/assaj.2025.4.1.042.

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Ghalib has been regarded as a towering and celebrated figure in Urdu and Persian poetry for the last one hundred and fifty years. His poetry has multidimensional approaches, besides conventional issues of love and romanticism. The poetry includes meta-physical, philosophical, theological and mystical elements. Moreover, the universality of vision, deviation from the conventional ordinary themes, versatility of thoughts, all have given his poetry an everlasting fame and recognition. Due to these qualities, Ghalib’s poetry has been a source of inspiration for all types of intelligentsia belongin

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Roberts, Michael Symmons. "Writing Faith into Poetry." Modern Believing 65, no. 2 (2024): 163–70. http://dx.doi.org/10.3828/mb.2024.13.

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A poet’s essay, reflecting on the opportunities and challenges of writing poetry in metaphysical territory (and the difficulty of finding terms to define this territory) at a time when much traditional religious language is no longer widely used or shared.

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27

Bhandary, Amaresh Prasad, Abdul Quadir, and Vandana Singh. "Candid love: The crux of Mtaphysical poetry." Journal of Advances and Scholarly Researches in Allied Education 20, no. 4 (2023): 773–76. https://doi.org/10.29070/rntga044.

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Literally the word ‘Metaphysical’ is a blending of two different words ‘meta’ meaning beyond and ‘physical’ meaning the earthly world or the material world. The very term ‘Metaphysical’ was first coined by the 18th century English poet, playwright, essayist, and critic Dr. Samuel Johnson (1709-1784) in his book ‘Lives of the Most Eminent English Poets (1779-1781)’ Dr. Johnson Writing about Abraham Cowley made a gross generalization about the English poets of the age writing: ‘About the beginning of the 17th century appeared a race of writers that may be termed as Metaphysical poets.’[1]He furt

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28

Bezrukov, Andriy. "Hedonist and Theologist Narratives in French Baroque Poetry and Spiritual Verses by the English Metaphysicals: Poetising Author’s Experience vs Sacralising Privy Feelings." Studia Philologica, no. 22 (2024): 227–42. http://dx.doi.org/10.28925/2412-2491.2024.2216.

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In the poetic diversity of Western European Baroque, the worldview was dominated by the search for unity in the contradictions of existence, which almost always immersed the man in a theological context. This is especially evident in the works by the seventeenth-century English Metaphysicals, whose unique style is considered from the perspective of the European continental poetic tradition. At the same time, appealing to French Baroque poetry as a specific literary phenomenon compared to Donne’s school in England is determined by the historical and creative process that produces individual str

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29

Kaufmann, David. ""A Meaning Beyond What Its Words Can Possibly Say": Stevens, Adorno, and Metaphysical Experience." Wallace Stevens Journal 49, no. 1 (2025): 53–73. https://doi.org/10.1353/wsj.2025.a955369.

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ABSTRACT: We are so in the habit of reading modernist poetry against philosophy that we may have forgotten why. Although Wallace Stevens seems to require philosophy and the German philosopher Theodor W. Adorno is a fierce theoretician of modernism, only a few critics have brought them together. Adorno's late, paradoxical notion of "metaphysical experience" allows us to see Stevens's negative utopianism. Whereas negation serves as a critical force for Adorno, Stevens's irony leaves sound at the end of his poetry as a cypher for hope. But Stevens has no historical basis for hope. He relies on tr

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30

Manganiello, Dominic. "Book Review: The Varieties of Metaphysical Poetry." Christianity & Literature 43, no. 3-4 (1994): 420–22. http://dx.doi.org/10.1177/014833319404300316.

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31

Chouhan, Sandhya. "The Theme of Love in Sarojini Naidu’s Poetry." International Journal of Advanced Research in Peace, Harmony and Education 04, no. 01 (2019): 10–12. http://dx.doi.org/10.24321/2455.9326.201903.

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Love is the dominant theme of Sarojini Naidu’s poetry. There are a large number of love-lyrics in the store of her poetry. As a love-lyricist, Sarojini Naodu is superb. Her lyrics deal with human love to metaphysical love. Thus, her love-lyrics have an aesthetic approbation of contemplation and sensation.

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32

Ziarek, Krzysztof. "The Poetic Way of Thinking." Research in Phenomenology 52, no. 1 (2022): 68–83. http://dx.doi.org/10.1163/15691640-12341489.

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Abstract Heidegger repeatedly performs the encounter of thinking and poetry, explicitly for the sake of inaugurating a non-metaphysical way of thinking. This transformed thinking is to be poetic and non-conceptual, eschewing the comfort of transparent meaning, the grasping power of concepts, the presentational force of images, or the self-evident correctness of propositional statements. The need for such a non-metaphysical thinking arises historically, at the endpoint of the epoch of the completion of metaphysics, when it comes to roost in the Gestell, the technological essencing of being, whi

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Grzegorz, Pyszczek. "Poezja jako duchowe święto. O filozofii poezji Mieczysława Gogacza." Rocznik Tomistyczny 11 (2022) (December 30, 2022): 39–51. https://doi.org/10.5281/zenodo.7539171.

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The article concerns the philosophy of poetry by Mieczysław Gogacz. The first part presents the basic theses of the philosophy of poetry by Mieczysław Gogacz. The theses are based on Gogacz’s metaphysical concepts. The second part compares Gogacz`s philosophy of poetry with the concepts of the poetry by Jacques Maritain and the literary scholar Michael Edwards. According to Gogacz, poetic situation is the the basis of poetry . A poet is a person endowed with poetic sensitivity. Poetic sensitivity is the ability to perceive poetic situations. The poetic situation exists regardless of the

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Младеновић, Јелена. "НЕОЛОГИЗАМ „ОНОЦВЕТНО” У АРИЉСКОМ АНЂЕЛУ БРАНКА МИЉКОВИЋА". PHILOLOGIA MEDIANA 14, № 1 (2022): 35–44. http://dx.doi.org/10.46630/phm.14.2022.02.

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“The Angel of Arilje”, a poem from Branko Miljković’s volume of poems Fire and Nothing (1960), is the poet’s another expression of transforming the metaphysical into poetical. All the significant questions in Miljković’s poetics, furthermore, in neosymbolist poetics are mirrored in it: the relation between poetry and reality, erasing of subject (oblivion), and the nature of poem. Within the image of an angel (a fresco and poetic imagery), Miljković has discovered the desired balance between the material and the spiritual. The relation between the realities of the former and the latter side of

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35

Williams, Nicholas Morrow. "The Metaphysical Lyric of the Six Dynasties." T'oung Pao 98, no. 1-3 (2012): 65–112. http://dx.doi.org/10.1163/156853212x629901.

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AbstractIn the third and fourth centuries there flourished in China a literary tradition that integrated abstruse philosophizing into pentasyllabic verse: xuanyan shi or the “metaphysical lyric.” Xuanyan verse was mostly ignored in the great wave of literary critique and classification during the succeeding centuries, and much has been lost, but by using a variety of sources, ranging from the Shishuo xinyu to later imitations, we can ascertain its features and assess its later impact. Xuanyan verse played a key role in the development of early medieval poetry, providing a philosophical foundat

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Motornyy, Oleksandr. "METAPHYSICAL AND RELIGIOUS MOTIVES IN PAVEL PETR’S POETRY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 12(80) (2021): 113–16. http://dx.doi.org/10.25264/2519-2558-2021-12(80)-113-116.

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The spiritual direction of Czech poetry reaches the period of the XIX-XX centuries, where we see the works of such authors as J. Deml, J. Zagradníček, J. Durych. Despite the difficult years of the Second World War, and later oppression by the official communist authorities, this tradition has not been lost, but rather strengthened and is represented today by a number of authors, including M. Schtor, R. Fajkus, partly M. Děžinský and others. In these authors’ poetry one can see noticeable search for a lyrical hero of the Higher Power, the search for his own place in this world, trying to unrave

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37

Matthews, Steven. "T. S. Eliot's Chapman:?Metaphysical? Poetry and Beyond." Journal of Modern Literature 29, no. 4 (2006): 22–43. http://dx.doi.org/10.2979/jml.2006.29.4.22.

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38

Dime, Gregory T. "The Difference between "Strong Lines" and "Metaphysical Poetry"." Studies in English Literature, 1500-1900 26, no. 1 (1986): 47. http://dx.doi.org/10.2307/450694.

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39

Walker, Cheryl. "Metaphysical Surrealism in the Poetry of Elizabeth Bishop." Christianity & Literature 48, no. 1 (1998): 45–60. http://dx.doi.org/10.1177/014833319804800106.

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40

Krysa, Bohdana. "METAPHYSICAL FOUNDATIONS IN THE POLEMICAL VERSE COMPLEX OF THE 1580—90S." Слово і Час, no. 1 (February 3, 2022): 52–68. http://dx.doi.org/10.33608/0236-1477.2022.01.52-68.

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The aim of the paper is to justify the correlation between polemical motifs in verses and the metaphysical principle of causation. It is possible due to revealing that the mainstay of polemical discourse lies in the images by which God, as the Cause of all things, manifests His presence in the world, according to the teachings of medieval metaphysics. This gives grounds for interpreting the emotional tension of polemical discourse and its inherent figures of reduction or simplification not as an alternative to the inner metaphysical sense but only as a kind of decentralizing and translating it

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Andersen, Svend. "“Den guddommeligt skønne natur”." Dansk Teologisk Tidsskrift 84, no. 1 (2021): 25–47. http://dx.doi.org/10.7146/dtt.v84i1.128069.

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Abstract: The article offers a contribution to the understanding of K.E. Løgstrup’s metaphysics focusing on his reading of Friedrich Hölderlin’s poetry and Martin Heidegger’s interpretation thereof. Heideggerian ontology plays a crucial role in Løgstrup’s theology as a philosophical explication of the pre-understanding of Christian faith. At first, existential ontology was essential in this respect, but later Løgstrup realized the necessity of broadening the view to being in general, which equals the movement towards metaphysics. In this movement, Hölderlin as interpreted by Heidegger is pivot

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Marta, Tiutiunnyk. "Metaphysical Horizon in Wanda Dynowska's Indian Poems." Indian Journal of Social Science and Literature (IJSSL) 3, no. 4 (2024): 1–6. https://doi.org/10.54105/ijssl.D1123.03040424.

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<strong>Abstract: </strong>The article concerns the works of literature published by the Polish poet Wanda Dynowska (1888-1971). The sacred theme, which is ubiquitous in her works, will be analysed and interpreted. As a writer, translator, social activist and promoter of Indian culture in Poland and Polish culture in India and Tibet, Dynowska was an extraordinary woman. She does not belong to the group of the most outstanding Polish poets such as Wisława Szymborska, Czesław Miłosz or Zbigniew Herbert, yet her poetry is definitely unique due to the subject matter that is hardly found in Polish

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MARINCHUK, Yuriy. "MARTIN HEIDEGGER’S METAPHYSICAL QUESTION OF 1929-1930: GENESIS AND CONSEQUENCES." Epistemological Studies in Philosophy Social and Political Sciences 7, no. 1 (2024): 31–42. http://dx.doi.org/10.15421/342413.

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The article examines the foundations that constitute the formulation of the metaphysical question in Martin Heidegger’s philosophy. The article focuses in detail on the period of 1929-1930, which includes the report “Was ist Metaphysik?” and the lecture course “Die Grundbegriffe der Metaphysik. Welt–Endlichkeit–Einsamkeit”. The introduction to the article and the main problem are three prejudices from Being and Time that make it impossible to ask a clear question about being. The main material is presented on the basis of primary sources: “Being and Time”, “Basic Concepts of Metaphysics”. The

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Próchniak, Paweł. "Różewicz: wiersze z ciemności." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 2 (January 1, 2013): 75–96. https://doi.org/10.18778/2299-7458.02.06.

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The essay is an attempt to describe different varieties of "darkness" present in Różewicz's oeuvre and co-creating the imaginarium of his work. The author reproduces the internal network of complex relationships connecting the theme of dark with related motives and qualities. The darkness itself is understood here as a figureof the imagination, which with particular force reveals the existential dimension of Różewicz's poetry, but is also a trace of metaphysical recognition and is closely associated with the "secret", represented in the poet's works as "dark" reality, internally "disturbed", "

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Adejumo, Arinpe. "Didacticism and Philosophical Tenets in Ọbasa’s Poetry". Yoruba Studies Review 5, № 1 (2021): 1–24. http://dx.doi.org/10.32473/ysr.v5i1.130058.

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Projection and promotion of Yoruba cultural ideology and philosophy are motifs in D.A. Ọbasa’s poetry. As an ingenious poet, Obasa adroitly blends the tropes of didacticism and philosophical tenets in his poetry. Existing works on his poetry have explored the thematic preoccupations of his poems, as well as their forms and stylistic features. However, little attention has been paid to the correlation between didacticism and philosophy in his poetry. Tis essay, therefore, identifies the basic tenets of philosophy in the form of ethical, metaphysical, and epistemological aspects of Yoruba philos

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Rafey Konain. "JOHN DONNE’S – THE FLEA (AN EROTIC METAPHYSICAL POEM) ARGUING INTO AN UNCONVENTIONAL CONCEIT AND INTELLECTUAL WIT- IN CONSTRUCTING A LOGICAL ARGUMENT TO PURSUE HER BELOVED IN PREMARITAL ROMANCE." Kashf Journal of Multidisciplinary Research 2, no. 03 (2025): 54–61. https://doi.org/10.71146/kjmr364.

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The aim of this research article is to explore the erotic themes and metaphysical elements of John Donne’s love poem ‘‘The Flea’’, and how it deviates from the societal confined standard (themes) of love poem of 17th century, reflecting upon the poet’s (Donne) intellect and argumentative wisdom in pursuing a logical argument in favor of premarital romance to her beloved. The research further explores a short study on John Donne, as a father of Metaphysical poetry.

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Makin, Michael, Tiutchev, Boratynskii, and Sarah Pratt. "Russian Metaphysical Romanticism: The Poetry of Tiutchev and Boratynskii." Modern Language Review 82, no. 3 (1987): 808. http://dx.doi.org/10.2307/3730518.

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Leighton, Lauren G., Sarah Pratt, Tiutchev, and Boratynskii. "Russian Metaphysical Romanticism: The Poetry of Tiutchev and Boratynskii." Studies in Romanticism 26, no. 3 (1987): 475. http://dx.doi.org/10.2307/25600673.

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SOĞUKÖMEROĞULLARI, Mehmet. "Religious, Mystical and Metaphysical Elements in Yahya Kemal’s Poetry." International Journal Of Turkish Literature Culture Education 1, no. 1 (2012): 218–45. http://dx.doi.org/10.7884/teke.4.

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Sampson, Earl D., and Sarah Pratt. "Russian Metaphysical Romanticism: The Poetry of Tiutchev and Boratynskii." Slavic and East European Journal 29, no. 4 (1985): 471. http://dx.doi.org/10.2307/307467.

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