Relevant bibliographies by topics / Metaphysical poetry / Dissertations / Theses
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Dissertations / Theses on the topic 'Metaphysical poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Williamson, Paul. "The metaphysical basis of mid eighteenth-century English poetry." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314489.

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2

Guy, Isabelle. ""This subtle knot". The Metaphysical Conseit in John Donne's Prose and Poetry." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/25039/25039.pdf.

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3

Guy, Isabelle. ""This subtle knot" : the metaphysical conceit in John Donne's prose and poetry." Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/29502.

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4

Wheatley, Carmen. "Donne and Spanish literature." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.235777.

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5

Jones, W. Elliot. "Welcome Sweet and Sacred Feast: Choral Settings of Metaphysical Poetry by Gerald Finzi." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193590.

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Gerald Finzi (1901-1956) amassed a library that numbered over three thousand volumes, mostly of poetry, by the time of his death and was extremely selective when choosing poems to set to music. Settings of Thomas Hardy form the bulk of his output for solo voice, but for his choral works he returned again and again to seventeenth -century metaphysical poets like George Herbert, Richard Crashaw, Henry Vaughan, Thomas Traherne and Edward Taylor. These poets relied more upon rational thought than on intuition or theology in their work, and even their religious passion was filtered through reason.
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6

Olsen, Elena Brit. ""Alone I climb the craggy steep" : literary ambition and metaphysical identity in eighteenth-century women's poetry /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9337.

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7

Cowell, Emma Mildred. "Dialogues with the Past: Musical Settings of John Donne's Poetry." Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1339692006.

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8

Christensen, Ashley Mae. "First Psalm: Poems and Paintings." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3062.

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This collection of poems and paintings seeks to find the places where visual and written communication intersects, and the places where those two media diverge. The collection consists of poems and paintings juxtaposed, as if in conversation with one another throughout the pages. The collection treats each painting and poem as a separate attempt at prayer. As a reader turns the pages, similar questions are asked again and again, but in different settings and with different outcomes. This collection focuses on finding reconciliation between the oral culture of storytelling and the written cultu
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9

Wooding, Jonathan. "Natural strange beatitudes : Geoffrey Hill's The Orchards of Syon, poetic oxymoron and post-secular poetics, and, An Atheist's Prayer-Book." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3223.

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Geoffrey Hill’s The Orchards of Syon (2002) occupies a contradictory position in twenty-first century poetry in being a major religious work in a post-religious age. Contemporary secular and atheistic insistence on the fundamentally crafted and flawed nature of religious faith has led Hill not to the abandoning of religious vision, but to a theologically disciplined approach to syntax, grammar and etymology. This dissertation examines Hill’s claim to a poetics of agnostic faith that mediate his alienation from a cynical and debased Anglophone contemporaneity. The oxymoronic nature of a faith c
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10

Davis, Andrew Dean. "Protestants Reading Catholicism: Crashaw's Reformed Readership." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/english_theses/69.

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This thesis seeks to realign Richard Crashaw’s aesthetic orientation with a broadly conceptualized genre of seventeenth-century devotional, or meditative, poetry. This realignment clarifies Crashaw’s worth as a poet within the Renaissance canon and helps to dismantle historicist and New Historicist readings that characterize him as a literary anomaly. The methodology consists of an expanded definition of meditative poetry, based primarily on Louis Martz’s original interpretation, followed by a series of close readings executed to show continuity between Crashaw and his contemporaries, not disc
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11

Neveux, Julie. "L’expression linguistique du concret chez John Donne : le sentiment dans la langue." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040063.

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Cette thèse travaille sur l’élucidation du sens poétique à l’aide d’outils linguistiques ; elle propose une définition cognitive, phénoménologique et énonciative de la distinction abstrait/concret à partir de statistiques établies sur l’œuvre de John Donne (1572-1631), Meditations upon Emergent Occasions et The Complete English Poems. Le concret résulterait d’une forme de lyrisme indirect, c’est-à-dire non sémiotisé, implicite, auquel le poète aurait recours lorsqu’il serait impliqué affectivement dans une situation de discours. L’expressivité du sujet parlant repose sur une décatégorisation m
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12

Chowdhury, Sajed Ali. "Dissident metaphysics in Renaissance women's poetry." Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/45264/.

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This thesis considers the idea of the 'metaphysical' in sixteenth- and seventeenthcentury women's poetry, notably by exploring the female-voiced lyrics affiliated with Marie Maitland (d. 1596) in the Scottish manuscript verse miscellany, the Maitland Quarto (c. 1586). The study aims to reintegrate important strands of Renaissance culture which have been lost by too exclusive a focus on English, male writing and contexts. For many literary historians the 'metaphysical' refers overwhelmingly to Dryden's pejorative categorization of Donne and his followers. However, Sarah Hutton has recently show
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13

Fendik, Erik. "tapestry: towards a newer 'parchitecture, that which is 'pataphysical." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83521.

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How do we design for a local community while respecting heritage and touching their hearts? We know through our minds and we understand through our hearts. Consciousness touches minds and experience touches hearts. Since phenomenology is the study of both consciousness and experience, this phenomenological architectural thesis is designed to touch both minds and hearts. Instead of replacement, we need embracement in order to root one's social identity. Only then we will elevate cultural heritage in any context, for example African. This thesis includes a case study of light followed by a 'p
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14

Manganiello, Ilaria. "L'élaboration du concept de "poésie métaphysique" et d' "art métaphysique" chez T.S.Eliot, Eugenio Montale et Giorgio de Chirico." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL060.

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Cette thèse s'attache à reconstituer le mouvement ou l'avant-garde littéraire et artistique du début du XXe siècle appelée Métaphysique à travers deux poètes : T.S. Eliot et Eugenio Montale et un peintre : Giorgio de Chirico. L'analyse de la philosophie et de la poétique des auteurs en question nous a permis d'identifier certains éléments communs aux trois auteurs. Cela nous a autorisé à reconstruire, ou plutôt, à définir le mouvement d'avant-garde susmentionné, qui, en fait, sans le présent travail, n'aurait pas trouvé une telle définition. La métaphysique telle qu'elle est comprise par T.S.
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15

Betty, Michèle Anne. "Metaphysical balm and the poet as legislator." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/19969.

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This essay was born of a desire to understand the relationship between poetry and politics in a meaningful and current way. The twentieth century has seen atrocities that have taken place on an unprecedented scale: times of historical and social extremity, states of exile, censorship, military occupation, political persecution, torture, warfare, assassination, apartheid and, more recently, forms of violent terrorism. This essay will consider the function of poetry in a world overcome and consumed by violence. The essay will begin with a consideration of the political function of the ideas expr
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16

Di, Fuccia Michael Vincent. "Owen Barfield : theology as poetic metaphysics." Thesis, University of Nottingham, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.664287.

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This thesis examines the theological import of Owen Barfield's poetic philosophy. Barfield's claim that subjects and objects exist in tension rescinds nominalism. In this scheme being resists closure, as instead the subject appears to inhabit a middle or medial realm. This presents a formidable challenge to philosophies of immanence and the sciences which presuppose them. For this reason the thesis draws upon relevant interlocutors to underscore the originality of Barfield's poetic philosophy, particularly as it relates to language, philosophy and the social and physical sciences. Overall, the
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17

Paroli, Elena. "Le Je anti-lyrique dans la poésie italienne des années soixante : le sujet poétique en question dans la poésie d’Elio Pagliarani, Mario Luzi et Vittorio Sereni." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3075.

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Cette étude se consacre à l’avènement du Je anti-lyrique dans la poésie italienne des années soixante. C’est à ce moment que la pensée post-métaphysique peut se dire assimilée par la culture italienne, qui y trouve une nouvelle clef de lecture de l’expérience de la guerre et du miracle économique. C’est aussi la période où le réel, cru et changeant, fait irruption dans l’expérience artistique. Elio Pagliarani, Mario Luzi et Vittorio Sereni nous ont parus des représentants emblématiques de cette nouvelle posture du sujet poétique. Nous avons étudié leurs ouvrages des années
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18

Asquith, Mark Simeon. "The 'Sad Music of Humanity' : metaphysics and musical aesthetics in the novels of Thomas Hardy." Thesis, King's College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369131.

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19

Inge, Denise Louise Longenecker. "Re-examining the 'Poet of Felicity' : desire and redemption in the theology of Thomas Traherne." Thesis, King's College London (University of London), 2002. https://kclpure.kcl.ac.uk/portal/en/theses/reexamining-the-poet-of-felicity--desire-and-redemption-in-the-theology-of-thomas-traherne(a19f4363-46a1-46ca-89be-0254632f4e7e).html.

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20

Tompsett, Daniel Charles. "The reduction of metaphysics and the play of violence in the poetry of Wallace Stevens." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/388.

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The thesis demonstrates how Wallace Stevens' poetry utilises pre-Socratic philosophy in overcoming post-Kantian dislocation from the 'thing-in-itself'. I initially consider Stevens’ poetry in terms of Hans-Georg Gadamer's ontological conception of the 'play' of art, an interactive existence overlooked by Kant. Through the ‘play’ of Stevens’ poems the reading audience are implicated in their reduction to being. The origin of this conception leads Gadamer back to Parmenides who Stevens had read. I argue that Stevens’ poetry ‘plays’ its audience into an ontological ground in an effort to show tha
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21

Martin, Richard. "Perspectives on interconnection : the new American writing reviewed." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311410.

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22

Dowling, Sarah. "“The imaging of the invisible”: Narrative, pilgrimage and “the metaphysics of the quotidian” in Charles Wright’s poetry." Thesis, Australian Catholic University, 2014. https://acuresearchbank.acu.edu.au/download/7b9c2696eff8b590a914dfe36d745f627725cca09ff0c407cc37eed82a51bd22/1636113/Dowling_2014_The_imaging_of_the_invisible.pdf.

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This dissertation presents an analysis of the whole body of poetry by contemporary American poet Charles Wright to date. Building on existing scholarship, I argue that his poetry can be read as having a single focus, which I label “the invisible” (a term from Wright’s poems) and which represents the object of Wright’s pilgrim’s metaphysical longings. The invisible names a multifaceted sense of something ultimate, ungraspable and often absent. It is commensurate with what Wright calls “the metaphysics of the quotidian”—the otherworldly quality of the mundane material world—and “the idea of God”
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23

Kaplan, Sara Esther. "Magazine." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1086450926.

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24

Dittmer, Sienna Miquel Palmer. "Cross-Cultural Ecotheology in the Poetry of Li-Young Lee." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3027.

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This thesis explores the cross-cultural ecotheology of contemporary American poet Li-Young Lee by looking at the intersection of the human, the natural, and the sacred in his poetry. Close readings of Lee's poetic encounters with roses, persimmons, trees, wind, and light through the lens of Christianity and Daoism illustrate the way Lee is able to merge the Eastern concepts of interconnection and mutual harmony with Western ideas of sacredness and divinity. This discussion places Lee in direct conversation with modern and contemporary ecopoets who use the creative energy of language to express
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25

Barbour, Susan Jean. "Elegaic materialism : the poetry and art of Susan Howe." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4a0decd4-dec1-4f23-9457-d4d8b58c97c1.

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The American poet Susan Howe (1937-present) began her career as a visual artist, but owing to a dearth of information about her early collages it has been difficult to say anything substantive about how they might have shaped her poetic practice. In 2010, she placed her collages on archive. Along with a number of personal interviews with Howe, this heretofore unavailable material has enabled me to consider Howe's subsequent work in a new light and to establish significant links between her early visual aesthetics and the poetics of bibliography, historiography, and elegy for which she is now k
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26

Bandara, Dhanuka Mr. "T.S. Eliot and the Universality of Metaphysics; a Buddhist-Hegelian critique of post-structuralist and post-colonial theory through a reading of Eliot’s poetry and criticism." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1533313801703122.

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27

Klasovsky, Stokely James. "The Sailor Did as the Devil Bade." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1269032153.

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28

Thompson, Alison. "The Higher Learning." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1452180306.

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29

Rumfelt, Janet L. "Idolatry, magic, and poetic subjectivity breaking the spell of metaphysics in Jewish and Christian postliberal thought /." Tallahassee, Florida : Florida State University, 2009. http://etd.lib.fsu.edu/theses/available/etd-07132009-195116.

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Thesis (Ph. D.)--Florida State University, 2009.<br>Advisor: Martin Kavka, Florida State University, College of Arts and Sciences, Dept. of Religion. Title and description from dissertation home page (viewed on Nov. 17, 2009). Document formatted into pages; contains xi, 374 pages. Includes bibliographical references.
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30

Miller, Blaise Anne-Marie. "Le verbe fait image : iconoclasmes, écriture figurée et théologie de l'Incarnation chez les poètes métaphysiques : le cas de George Herbert." Paris 3, 2008. http://www.theses.fr/2008PA030131.

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La période située entre les deux grandes vagues de destructions iconoclastes dans l’Angleterre du XVIe et du XVIIe siècle est aussi celle où se développe une nouvelle poétique dite « métaphysique », caractérisée par un usage frappant du conceit. Ce travail, consacré à l’œuvre de George Herbert, se propose d’étudier le glissement de propriétés habituellement dévolues à l’image religieuse vers la poésie. On montrera comment la rhétorique et l’imaginaire iconomaques informent le projet littéraire et religieux d’un auteur qui cherche à convertir et purifier la poésie. Là où l’iconoclasme anglais p
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Araújo, Regina Lúcia de. "Raul Pompéia: jornalismo e prosa poética." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-24082007-143053/.

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O objetivo deste trabalho é comprovar a criação de um gênero híbrido e inovador - a prosa poética - , ligada ao jornalismo e à literatura do final do século XIX. Esta pesquisa analisa a prosa poética de Raul Pompéia, a partir de textos selecionados como corpus, publicados no periódico, A Gazeta da Tarde, de 21 a 29 jan. 1986. Paralelamente comparamos os textos equivalentes em sua versão de livro, publicados pela primeira vez em 1900, comentando também o conjunto das Canções sem metro.<br>The main objective of this work is to compare the creation of a hybrid and new genre - the poetic prose -,
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32

Gardes, Yves. "Paradoxes de la poétique dans l'oeuvre de Ralph Waldo Emerson." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2105/document.

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« I think that philosophy is still rude and elementary. It will one day be taught by poets.The poet is in the natural attitude; he is believing; the philosopher, after some struggle, havingonly reasons for believing. » Le propos de cette thèse consistera à étudier dans quelle mesurele poète pourrait, un jour, enseigner la philosophie. Pour mener à bien ce travail de recherche,il conviendra d’étudier les paradoxes de la poétique révélés par une lecture génétique del’oeuvre d’Emerson.Alors que Platon chassait le poète en dehors de la cité, Emerson souhaite lui redonnerune place de choix dans la
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33

Larios, Ruiz Darshan Shaday. "De la poesía pictórica a la poesía escénica: la metafísica del objeto cotidiano de Giorgio de Chirico en Tadeusz Kantor." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/377771.

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La presente investigación trabaja en la abstracción del concepto “metafísica del objeto cotidiano” procedente de la obra del pintor griego Giorgio de Chirico (Volos, 1888-1978), con el fin de probarlo como herramienta de análisis para el teatro de objetos. Al final se obtiene la definición de un concepto formado por tres principios y un proceso de dos pasos entendido como una dinámica de poetización del objeto cotidiano en la escena. Se pone de ejemplo el análisis de la metafísica escénica del “objeto-armario” en la obra En la pequeña casa del campo (1961), del director de teatro polaco Tade
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34

De, Piano Piera. "Il nome, la poesia e la misura del divino : Proclo interprete della critica di Platone ad Omero." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3044.

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L'analyse de l'interprétation proclienne de la critique de Platon envers Homère, qui se situe à l'intérieur de la «récupération» de la tradition archaïque par le néoplatonisme, est conduite sur deux niveaux herméneutiques, l'un linguistique, l'autre esthétique. La lecture du texte proclien, notamment du Commentaire du Cratyle et des Dissertations Ve et VIe du Commentaire de la République, montre parallèlement comment l'activité assimilatrice, par laquelle un homme donne des noms aux choses et un poète construit des images des dieux, rend le langage et la poésie des activités entièrement intégr
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35

Geronta, Constantia. "Le réel dans l'oeuvre poétique d'Yves Bonnefoy." Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100006.

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Qu’ est-ce que signifie le réel pour un poète si reconnu, comme Yves Bonnefoy ? Quelle est la relation entre le réel et sa théorie poétique ? Constitue-il, le réel, une catégorie essentielle de sa théorie poétique ? Quelle est la place de la présence ? Comment elle se situe par rapport aux grands courants de la pensée du XXème siècle et aux Poèmes ? Quel est le rôle des essais critiques et des sciences comme la psychanalyse, la sémiotique et la philosophie quant à l’ étude du réel ? Finalement, quel rôle y jouent le langage et la poésie ? Le réel est une catégorie ontologique qu’ on distingue
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Draper, Michèle. "Restitution de la poésie ˸ la portée des écrits théoriques dans l'œuvre de Gerard Manley Hopkins." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA137.

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L’introduction rappelle l’importance et l’intérêt des proses des Journals, des Oxford Essays and Notes, et des écrits dévotionnels, qui doivent être lus en continuité avec la poésie. Le chapitre I se consacre à la restitution des phénomènes naturels et perceptifs chez Hopkins, à la description et à l’analyse des termes d’inscape et d’instress dans les Journals, à la pratique de la prose descriptive chez Hopkins. Le chapitre II examine l’héraclitéisme de Hopkins dans le poème That Nature is a Heraclitean Fire and of the Comfort of the Resurrection. La résurrection est l’autre n
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RAMO', MONICA. "L'universo poetico di Giuseppe Conte." Doctoral thesis, Università degli studi di Genova, 2022. http://hdl.handle.net/11567/1083499.

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Thesis title The poetic universe of Giuseppe Conte Abstract The main object of our research is the poetic work of Giuseppe Conte. His entire poetic production, although differentiated, reveals a continuity in stylistic research and philosophy of existence. Conte's poetry collections are an attempt to express in artistic form his personal vision of literature, the world, society, man and different cultures. Our study explores a poetics that expresses Conte's relationship with poets and writers of the past and present. For Conte, poetry is necessary and fundamental to contemporary civil
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Austin, Travis R. "Laminated PAINT." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5462.

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Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.
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""This subtle knot". The Metaphysical Conseit in John Donne's Prose and Poetry." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/25039/25039.pdf.

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40

"The mind of John Donne: a cognitive approach to the metaphysical conceit." 2011. http://library.cuhk.edu.hk/record=b5894598.

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Law, Lok Man.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2011.<br>Includes bibliographical references (leaves i-vi).<br>Abstracts in English and Chinese.<br>INTRODUCTION --- p.2<br>Chapter Section One: --- The Discussion on Donne's Conceits and Donne's Passion in His Poetry --- p.3<br>Chapter Section Two: --- Development of Cognitive Poetics --- p.6<br>Chapter Section Three: --- Significance of Cognitive Poetics --- p.10<br>Chapter Section Four: --- Significance of this Research Project --- p.13<br>Chapter CHAPTER ONE: --- CONCEPTUAL METAPHOR THEORY AND BLENDING THEORY --- p.1
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Prozesky, Stellamarie Bartlette. "A small adjective attending light, the archangelic noun : Jessica Powers: a modern metaphysical poet." Thesis, 2013. http://hdl.handle.net/10500/11868.

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This thesis aims to establish Jessica Powers (1905 – 1988) as a metaphysical poet, to augment the composite definition of metaphysical poetry, and to add two emphases to Christian literary theory. A comprehensive library search on Powers reveals that no scholarly work has been written on her poetry since 2005. A meta-analysis of existing work on Powers demonstrates that the metaphysical aspect of her poetry has not yet been comprehensively examined. Though Powers wrote in a time commonly called ‘post-modern’, my contention is that it would be more accurate to describe her as a metaphysical poe
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Šťastná, Zuzana. "České překlady Johna Donna v kontextech širší překladatelské poetiky svých autorů." Doctoral thesis, 2016. http://www.nusl.cz/ntk/nusl-349669.

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The PhD thesis studies the translations and the overall reception of John Donneʼs poetry in the Czech literary culture. Its introduction explains the choice of the topic, outlines the structure of the text and the main question to be answered: to what extent Donne has become a significant presence in the Czech cultural context and how his work has been transplanted through translations. The first chapter gives a brief overview of the historical changes in the appreciation of Donneʼs poetry and, drawing on a range of Donnean literature, attempts to define the main features of his poetics. The s
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Balvín, Tomáš. "Shelleyho vyjednávání metafyziky." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436349.

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This thesis aims to understand Percy Bysshe Shelley's attitude towards the role of the poet in society as an usher of progressive change. To do this, it examines his metaphysics, chiefly his contact with the doctrines of idealism, which crystallised at the dawn of his life through his intimate relationship with the works of Plato, the early engagement with French materialists, English philosophers like Priestley and Hume & a later one with Lucretian materialism, and his deep entanglement with the first modern proponent of anarchism, William Godwin - who could be described as a perfectionist by
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Rogers, Brian. "Interpreting the Sacred: Investigations of Heidegger's Phenomenology of Religion." Thesis, 2013. http://hdl.handle.net/10214/7731.

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This thesis is an investigation of Heidegger’s phenomenological analysis of religion. The author argues that Heidegger’s thought opens the way for descriptive conceptual analysis of religious experience and its object without undue theoretical distortion or reduction. Heidegger dismantles uncritical distortions of religious life under “scientific” rationality and objectivity. While the self-understanding implicit in religious practice is certainly transformed through Heidegger’s own philosophical analysis, philosophy undergoes its own transformation through thinking encounter with religious li
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"東晉玄言詩及其傳承關係研究". 2003. http://library.cuhk.edu.hk/record=b5891416.

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沈婷.<br>"2003年8月".<br>論文(哲學碩士)--香港中文大學, 2003.<br>參考文獻(leaves 165-172).<br>附中英文摘要.<br>"2003 nian 8 yue".<br>Shen Ting.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2003.<br>Can kao wen xian (leaves 165-172).<br>Fu Zhong Ying wen zhai yao.<br>目錄 --- p.i<br>Chapter 第一章 --- 前言 --- p.1<br>Chapter 第二章 --- 東晉玄言詩槪述 --- p.3<br>Chapter 第一節 --- 玄言詩的定義 --- p.3<br>Chapter 第二節 --- 東晉玄言詩的分類 --- p.6<br>Chapter 第三節 --- 東晉玄言詩的分期 --- p.6<br>Chapter 第三章 --- 玄言詩的思想背景 --- p.9<br>Chapter 第一節 --- 玄言詩的玄學背景 --- p.9<br>Chapter (一) --- 玄學的槪念 --- p.9<br>Chapter (二) --- 玄學的發展與玄言詩的盛行 --- p.11<br>Chapt
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WINSTED, Margareta. "Poetická imaginace anglikánské spirituality ve vybraných dílech metafyzických básníků 17. století." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-54553.

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The thesis concerns an aspect of poetic imagination in the works of 17th century metaphysical poets and examines the way these poets were influenced by the Church of England. In addition, it identifies elements of Anglican spirituality in their works. The first section analyzes the concept of Christian spirituality and the specifics of Anglican spirituality. Anglican spirituality is closely linked with the historical origins and development of the Anglican Church. In the second section, there is a description of poetic imagination and the relationship between poetics and spirituality. The thes
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Medeiros, Caio Di Palma de Souza. "Resto Cantable em Três Movimentos: Memória Poética e Inscrição Matérica em José Ángel Valente." Doctoral thesis, 2020. http://hdl.handle.net/10316/94389.

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Tese de Doutoramento em Materialidades da Literatura apresentada à Faculdade de Letras da Universidade de Coimbra<br>Na presente tese, investigar-se-á a razão poética do escritor galego José Ángel Valente a partir de uma de suas questões mais centrais: a matéria e a memória. Poeta metafísico por excelência, Valente pensou rigorosamente a palavra poética a partir de uma questão originária: a relação entre seus centros germinativos (memória poética) e seus procedimentos operatórios (inscrição matérica). Num primeiro momento, se discutirá o impacto da Guerra Civil Espanhola e da II Guerra Mu
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Borisova-Yurkovskaya, Elena. "Структуральный анализ оснований и практик философии русского символизма". Doctoral thesis, 2015.

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El, Housseini Rhéa. "Du dialogue entre pensée et poésie chez le second Heidegger." Thèse, 2014. http://hdl.handle.net/1866/11143.

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Le réveil de la question de l’Être fut le grand leitmotiv de la pensée de Martin Heidegger. Or cette question ne trouve pas la même formulation de Sein und Zeit jusqu’aux derniers écrits. En effet, si l’œuvre maîtresse du penseur prépare le terrain pour un questionnement sur le langage et la parole authentique, elle ne rattache pas explicitement la problématique de l’Être à celle de la poésie. À partir du milieu des années trente, un tournant se fera jour : la poésie deviendra un partenaire privilégié dans la mise en œuvre de la question de l’Être. Cette tendance de pensée se radicalisera dans
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Allan, Michele Margaret. "‘LIQUID SPACE’: a visual investigation of the sea as an empirical, experiential and metaphoric space." Phd thesis, 2013. http://hdl.handle.net/1885/13491.

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Artworks produced in this studio-based research (option D) involve exploration of the ‘liquid space’ of the sea, not just in its physical and sensual nature and the way the sea looks, but also with what the sea inspires. They explore the spatial dynamics of underwater terrains, convergences of inner and outer ‘space’, and question if and how the numinous and immaterial might be made manifest in the material. References to the traditional story of Jonah and the Whale operate as a contemporary metaphor for the sea as a site of death and renewal. Through the creation of series of paintings
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